Showing posts with label Walt Disney Home Entertainment. Show all posts
Showing posts with label Walt Disney Home Entertainment. Show all posts

Monday, October 28, 2013

Review: "Brother Bear 2" Surpasses Original

TRASH IN MY EYE No. 212 (of 2006) by Leroy Douresseaux

Brother Bear 2 (2006) – Direct-to-DVD – animation
Running time:  74 minutes (1 hour, 14 minutes)
DIRECTOR:  Benjamin Gluck
WRITER:  Rich Burns
PRODUCERS:  Jim Ballantine and Carolyn Bates
EDITORS:  Nick Kenway and Tony Martinous Rocco
COMPOSERS:  Matthew Gerrard, Dave Metzger, and Robbie Nevil

ANIMATION/FANTASY/ROMANCE/COMEDY with elements of adventure

Starring:  (voices) Patrick Dempsey, Mandy Moore, Jeremy Suarez, Rick Moranis, Dave Thomas, Andrea Martin, Catherine O’Hara, Wanda Sykes, Wendie Malick, Kathy Najimy, Michael Clarke Duncan, Jim Cummings, and Jeff Bennett

The subject of this movie review is Brother Bear 2, a 2006 straight-to-video animated feature film produced by DisneyToon Studios.  The film is a direct sequel to the 2003 Walt Disney Pictures animated feature film, Brother Bear.  Singer Melissa Etheridge contributed three songs to this film.  In Brother Bear 2, one brother bear gains a girlfriend, much to the consternation of the younger brother bear.

After waking from a long hibernation, the brother bears, Kenai (Patrick Dempsey) and Koda (Jeremy Suarez), are ready for a trip to Crowberry Ridge, the location of the best spring berries.  However, a former human friend of Kenai’s, Nita (Mandy Moore) interrupts their journey to ask for Kenai’s help.  Kenai was once human, and when he was just a boy, he and Nita made a childish promise of eternal love.

Their tribe’s Great Spirits heard them, and now that the adult Nita plans on marrying her betrothed, Atka (Jeff Bennett), a man from a prominent tribal family, the spirits apparently aren’t willing to let the marriage happen.  The village shaman, Innoko (Wanda Sykes), informs Nita that she must break her pact of devotion to Kenai before she can marry Atka.  That pact is signified by an amulet that Nita wears around her neck.  Nita and Kenai must burn the amulet together to severe the relationship.

Kenai reluctantly agrees to help Nita, and they begin the dangerous journey to Hokani Falls, the place where they made their pact.  However, as they conquer one challenge after another on the journey, the friends find their old relationship rekindled, and the bond they once made only deepens.  Meanwhile, Koda is afraid he’ll loose his brother, although he sees that Kenai deeply loves Nita, but Koda’s decisions to set things right could endanger them all.  The moose brothers, Rutt (Rick Moranis) and Tuke (Dave Thomas), among others, provide comic relief.

Brother Bear 2 (also called "BB2" in this review), the straight-to-video (direct-to-DVD) sequel to Disney’s 2003 Oscar-nominated, animated feature film, Brother Bear, has such high quality animation that BB2 could be mistaken for a traditionally-animated (hand drawn) movie released to theatres.  The story is good, but the script doesn’t sing out that its feature film material.  Still, the screenplay hits the high notes that are necessary for any Disney animal fable to be successful – those messages about family, courage, honor, sacrifice, and loyalty.  Melissa Etheridge also sings three songs, two of which she composed, and they’re in synch with the film’s tone.

Patrick Dempsey (now best known as Dr. Derek Shepherd or “Dr. McDreamy” of the hit ABC TV drama, “Grey’s Anatomy”) replaces Joaquin Phoenix as the voice of Kenai for BB2, and he’s pretty good.  It helps that Jeremy Suarez reprises his voice performance as the wisecracking bear cub, Koda, and he’s great – heads and shoulders above everyone else.  The beautiful animation work done on Koda manages to capture the energy and quality of Suarez’s performance.

Some of Disney’s earlier video sequels to their classic animated features had animation that was, at best, the quality of a good TV cartoon.  While not the work of Walt Disney Feature Animation, Brother Bear 2 is the best work from DisneyToon Studios, the group responsible for prior straight-to-video flicks.  DisneyToon was recently shut down, and this is a shame because the animators and artists there were just hitting their stride.

7 of 10
B+

Friday, October 13, 2006

Updated:  Monday, October 28, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Tuesday, May 21, 2013

Review: "My Neighbor Totoro" is Pure Magic

TRASH IN MY EYE No. 35 (of 2013) by Leroy Douresseaux

My Neighbor Totoro (1988)
Tonari no Totoro – original title
COUNTRY OF ORIGIN: Japan
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – G
WRITER/DIRECTOR: Hayao Miyazaki
PRODUCERS: Toru Hara with Ned Lott (2005 Disney version)
CINEMATOGRAPHER: Mark Henley (Disney version)
EDITOR: Takeshi Seyama
COMPOSER: Joe Hisaishi

ANIMATION/FANTASY

Starring: (voices) Dakota Fanning, Elle Fanning, Tim Daly, Lea Salonga, Frank Welker, Pat Carroll, and Paul Butcher; (original Japanese): Noriko Hidaka, Chika Sakamoto, Shigesato Itoi, Sumi Shimamoto, Hitoshi Takagi, Tanie Kitabayashi, Toshiyuki Amagasa, and Naoki Tatsuta

The subject of this movie review is My Neighbor Totoro, a 1988 Japanese animated fantasy film from writer-director, Hayao Miyazaki, and produced by Studio Ghibli. Originally titled, Tonari no Totoro, the film focuses on two sisters who move to the country where they encounter the forest spirits who live nearby.

My Neighbor Totoro was released in English in the United States beginning in 1990s. After acquiring the rights, Walt Disney Pictures released their English dub of the film in 2005, featuring the voices of Dakota Fanning, Elle Fanning, Tim Daly, and Lea Salonga. The subject of this review is the Disney version of My Neighbor Totoro, which has just been released on Blu-ray for the first time (as of this writing).

My Neighbor Totoro opens in Japan, 1958. Professor Tatsuo Kusakabe (Tim Daly) and his daughters, the elder Satsuki (Dakota Fanning) and four-year-old Mei (Elle Fanning), move into an old house in Matsugo. There, Kusakabe will be closer to his wife and his daughters’ mother, Yasuko (Lea Salonga), who is recovering from a long-term illness.

Not long after moving into their new home, the girls soon encounter small, dark, dust-like spirits called soot gremlins (or soot sprites), moving from light to dark places in the house. That’s just the sisters’ first encounter with the fantastic. One day, Mei spies a small magical creature and follows it to a large camphor tree near the old house, where she enters a world of magic and adventure. That leads to both Satsuki and Mei discovering a wondrous creature they call “Totoro” (Frank Welker).

In 1989, the release of Walt Disney’s animated musical film, Little Mermaid, was (and still is) seen as a renaissance for Disney animated feature films. A year before that, Japanese animation (or “anime”) did not need a renaissance thanks to films like Studio Ghibli’s 1988 release, My Neighbor Totoro.

As with other Miyazaki films, My Neighbor Totoro looks like it was lovingly crafted by the hands of human artists and animators. They drew and painted until they created a beautiful animated film that really has the illusion of life. Like many films from Studio Ghibli, My Neighbor Totoro loves people and nature equally. Thus, the film is about the Kusakabe sisters exploring nature and the magic found within it, rather than being about a conflict with nature and the girls being threatened by the magic they find there.

The Matsuga countryside, as depicted by this film’s artists, is a pastoral ideal, with verdant forests and fields. There is so much fertility and the water is so crystal clear and cool-seeming that you might believe that magic could not help but exist here. In fact, a sense of wonder about nature and their resourceful imaginations are what help the Kusakabe girls discover magic in a strong breeze or in the music they hear at night.

My Neighbor Totoro is blessed with a few truly great characters. Satsuki and Mei are remarkably convincing as little girls. It is said that there is magic in a child’s laughter and heartbreak in a child’s cries. Dakota Fanning as Satsuki and her sister, Elle Fanning, as Mei personify that by giving life-like performances. I believed in the Kusakabe girls because everything about them – their actions, conversations, desires, etc. – ring with authenticity – thanks to the Fanning sisters.

Of course, the film’s signature character is Totoro, one of the finest characters ever to appear in an animated film. He is a force of nature, doing more by communicating through growls, roars, and facial expressions than many actors do even with dialogue composed by the best writers. He’s pure enchantment; you can’t take your eyes off Totoro. After seeing Totoro when he first appears in the film, I felt that I never saw enough of him afterwards. Then, there is Catbus – that crazy mind-bending Catbus. The first time I saw him in this movie, I felt something that I only experience while watching the best of the best movies, something I can’t put into words.

I have previously seen four films by Hayao Miyazaki, including the superb Spirited Away. I think My Neighbor Totoro is the one that has wowed me the most… so far.

10 of 10

Monday, May 20, 2013


Monday, May 23, 2011

"Gnomeo and Juliet" Arrives on Disney DVD and Blu-ray May 24th

This coming summer to the U.S., don’t miss the chance to bring home GNOMEO & JULIET - the hilarious twist on William Shakespeare’s legendary tale Romeo & Juliet as you’ve never seen it before, perfect for the whole family. Enter the secret world of garden gnomes and meet two adorable gnomes from completely different worlds who fight the odds to be together. From a director of Shrek 2, and featuring fun, all-new music by Sir Elton John, the out-of-the-ordinary animated comedy GNOMEO & JULIET releases on Blu-ray™, Blu-ray 3D™, DVD, Movie Download and On-Demand – May 24, 2011.

Uniquely packaged with families’ top of mind, GNOMEO & JULIET will be made available for purchase by Walt Disney Studios as either a 3-Disc Blu-ray Combo Pack (Blu-ray 3D, Blu-ray 3D + DVD with Digital Copy), a 2-Disc Blu-ray Combo Pack (Blu-ray 2D + DVD) and/or a 1-Disc DVD. Disney Blu-ray Combo Packs provide families with an enhanced entertainment experience – with the value and flexibility to enjoy your favorite movies on a variety of platforms of choice.

And for those who enjoy to learn more about the making of the film, GNOMEO & JULIET discs come enclosed with never-before-seen bonus features including “Elton Builds A Garden,” “Frog talk with Ashley Jensen,”, “Crocodile Rock Music Video featuring Elton John and Nelly Furtado.” And for those who purchase the Blu-ray Disc, it includes hours of extra exclusive bonus features including alternate endings, deleted scenes and more.

GNOMEO & JULIET is brought to life by the extraordinary voices of Golden Globe nominee James McAvoy (The Chronicles of Narnia: The Lion, The Witch and the Wardrobe) as Gnomeo; Emily Blunt (The Devil Wears Prada) as Juliet; Academy Award winner Michael Caine (Inception) as Lord Redbrick; Jason Statham (The Trasnsporter franchise) as Tybalt; Ashley Jensen (TV’s Ugly Betty) as Nanette; Patrick Stewart (X-Men franchise) as William Shakespeare; Ozzy Osbourne (TV’s The Osbournes) as Fawn and Maggie Smith (Harry Potter franchise) as Lady Blueberry.

Bonus Features:
DVD & Movie Download:
• Elton Builds a Garden
• Frog Talk with Ashley Jensen
• “Crocodile Rock” Music Video, featuring Elton John and Nelly Furtado

Blu-ray:
• DVD Bonus plus:
• 2 Alternate Endings with Filmmaker Introductions
• Deleted & Alternate Scenes with Filmmaker Introductions, including: 1 Alternate Opening, 1 Alternate Scene and 6 Deleted Scenes
• The Fawn of Darkness, featuring Ozzy Osbourne

Film Synopsis:
From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes — Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world’s most timeless stories features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and Sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingos and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!


Gnomeo and Juliet (Three-Disc Combo: Blu-ray 3D/Blu-ray/DVD + Digital Copy)


Monday, April 18, 2011

"Sharpay's Fabulous Adventure" Due April 19th

Sharpay's Fabulous Adventure (Two-Disc Blu-ray/DVD Combo)
 - On April 19, 2011, Walt Disney Studios Home Entertainment will be proudly unveiling Sharpay’s Fabulous Adventure, an all-new movie on Blu-ray™ and DVD staring Ashley Tisdale reprising her role as Disney Channel’s global sensation “High School Musical” drama queen character Sharpay Evans. A full three minute sneak peek of the movie is now widely available for fans of all ages to get a glimpse of this hilarious fish out water tale about a small town Diva and her dog’s adventures in New York City at http://www.youtube.com/disneymovies.

Additionally, a brand new Sharpay’s Fabulous Adventure facebook page (www.facebook.com/DisneySharpay) and Twitter handle (@DisneySharpay) have also launched so that fans can join and stay on-top of all the latest news, sneak peeks and messages from key cast members.

Sharpay’s Fabulous Adventure releases nationwide as a 3-Disc Blu-ray Combo Pack Superset (Blu-ray + DVD+ Digital Copy) which includes a limited edition pink clutch purse, a 2-Disc Blu-ray Combo Pack (Blu-ray + DVD), and a 1-Disc DVD. Hilarious bonus features include bloopers of Ashley Tisdale and cast, special footage shot on-set by actor Austin Butler, and, exlcusive to the Blu-ray disc, ”The Evolution of the Sharpay,” a fun look back at the famous High School Musical character, Sharpay Evans.


Thursday, August 5, 2010

Prince of Persia in September; Trailer Available Now

Back during the run-up to the release of Prince of Persia: The Sands of Time, a friend of mine told me that he had no idea what it was about, even after seeing a trailer for the movie.  Maybe, it will help some of you to see it again:


Wednesday, August 4, 2010

Prince of Persia on DVD September 14th

Unlock the Secrets, Explore the Mystery

From the Producer of Pirates Of The Caribbean, Walt Disney Pictures and Jerry Bruckheimer Films Presents

PRINCE OF PERSIA: The Sands of Time

Starring Academy Award® Nominee Jake Gyllenhaal, Academy, Award® Winner Sir Ben Kingsley, Alfred Molina and Gemma Arterton

On Disney Blu-ray, DVD and Movie Download Tuesday September 14

Burbank, Calif., August 2, 2010— The mystery and legends of an ancient time will be experienced like never before when Prince of Persia: The Sands of Time arrives on 3-Disc Blu-ray™ Combo Pack (Blu-ray + DVD + Digital Copy), 1-Disc Blu-ray and 1- Disc DVD on September 14, 2010 from Walt Disney Studios Home Entertainment and Jerry Bruckheimer Films.

Prince of Persia: The Sands of Time is the perfect film to experience the cinematic magic of Blu-ray – the pristine 1080p picture and DTS-HD Master Audio sound quality enhance the explosive action and special effects – and contains more bonus features than the DVD.

Academy Award® nominee Jake Gyllenhaal (2005, Best Actor in a Supporting Role, Brokeback Mountain), Academy Award® winner Sir Ben Kingsley (1982, Best Actor in a Leading Role, Gandhi), Alfred Molina (Spider-Man 2, The Da Vinci Code) and Gemma Arterton (Clash of the Titans, Quantum of Solace) lead the international cast in this epic action-adventure film filled with spectacular visual effects, exotic locales and breathtaking action. Produced by Jerry Bruckheimer (Pirates of the Caribbean Trilogy, National Treasure) and directed by Mike Newell (Harry Potter and the Goblet of Fire), Prince of Persia: The Sands of Time boasts a sandstorm of bonus features that bring viewers deep into the mystical lands of Persia and unlock the secrets behind the scenes of this imaginative and entertaining adventure. The combo-pack exclusive ―Sands of Time‖ feature gives fans control of the Dagger of Time, allowing them to rewind time and uncover behind the scenes magic in over 40 spellbinding segments.

Prince of Persia: The Sands of Time is available in a 3-Disc Blu-ray Combo Pack (Blu-ray + DVD + Digital Copy), 1-Disc Blu-ray, and 1-Disc DVD and Movie Download.

Synopsis:
In the spirit of the Pirates of the Caribbean trilogy, Walt Disney Pictures and Jerry Bruckheimer Films transport you to the mystical lands of Persia for this wildly entertaining, epic action-adventure. It‘s a race against time when a rogue prince (Jake Gyllenhaal) reluctantly teams up with a rival princess (Gemma Arterton) to safeguard a magical dagger that gives its possessor the power to reverse time and rule the world. Filled with death-defying escapes and unexpected twists at every turn – Prince of Persia: The Sands of Time is a fun-filled adventure that will keep your pulse pounding long after the credits end.

DVD Bonus Feature:
An Unseen World: Making Prince of Persia – A look behind the scenes on the set of the film.

1-Disc Blu-ray Bonus Feature:
All of above DVD bonus plus Deleted Scene – The Banquet: Garsiv Presents Heads

3-Disc Combo Pack Bonus Features:
All of the above DVD and Blu-ray bonus features plus CineExplore: The Sands of Time – Take control of the dagger and use it to unlock secrets behind your favorite scenes! Turn back time and uncover over 40 spellbinding segments – including ―Walking Up Walls,‖ ―Filming in Morocco‖, and ―Ostrich Jockey Tryouts‖ – with this exclusive interactive feature. Blu-ray puts you in control!

Prince of Persia: The Sands of Time STREET DATE: September 14, 2010
Direct prebook: July 20, 2010
Distributor prebook: August 3, 2010
Suggested retail price: 1-Disc DVD - US: $29.99 Canada: $35.99
1-Disc Blu-ray Disc - US: $39.99 Canada: $44.99
3-Disc BD Combo Pack – US: $44.99 Canada: $51.99
Feature run time: Approx. 116 minutes
Rated: US ‗PG-13‘; Canada: ‘PG‘
Aspect ratio: 1 Disc DVD: 480i / Widescreen 2.40:1
Blu-ray Disc: 1080p High Definition Widescreen
Sound: 1 Disc DVD: Dolby Digital 5.1 English, French, Spanish,
English 2.0 DVS
Subtitles: English SDH, French, Spanish

Blu-ray Disc: English 5.1 DTS-HD Master Audio
(48kHz/24-bit), English 2.0 DVS, French and Spanish
Dolby Digital 5.1 Surround Sound
Subtitles: English SDH, French, Spanish


About Disney Combo Packs:
To provide consumers with unprecedented quality, value and portability of their favorite Disney classics, in 2008 WDSHE pioneered the Combo Pack – a Blu-ray Disc plus a DVD and in some cases a Digital Copy of the movie in a single package. Current 2010 Disney titles available as Combo Packs include Alice in Wonderland, Ponyo, Toy Story, Toy Story 2 and Princess and the Frog.

About Walt Disney Studios Home Entertainment:
Walt Disney Studios Home Entertainment, a recognized leader in the home entertainment industry, is the marketing, sales and distribution company for Walt Disney, Touchstone, Hollywood Pictures, Miramax and Buena Vista product, which includes DVD, Blu-ray Disc™ and electronic distribution. Walt Disney Studios Home Entertainment is a division of The Walt Disney Studios.


Saturday, June 5, 2010

Tim Burton Talks "Alice in Wonderland"

The following is a general Tim Burton interview provided by Walt Disney to the media to promote the DVD release of Burton's recent film, Alice in Wonderland:

TIM BURTON is the DIRECTOR of ALICE IN WONDERLAND


QUESTION: The film almost suggests that you were Lewis Carroll in a former life?

TIM BURTON: I’m like a lot of people, I just responded to what he did. There have been so many movie versions and I hope that somewhere there is a version that might have pleased him.

QUESTION: The film is as though you put a camera into our dreams and recorded them. Was that dream-like quality what you wanted to create?

TIM BURTON: Yeah, that’s why we didn’t follow the literal stories. That seemed to be the problem with the other versions. What I liked about this was that it explored the characters and what I feel that Carroll’s work did for me and other people in exploring your dream state, and using fantasy in your dream state to deal with real issues and problems in your life. People like to separate those things but the fact is that they are things that are intertwined. That is what Carroll did so beautifully and he was so cryptic with what he wrote. You can analyze it to death but it still remains a mystical, kind of unidentifiable thing and yet it is so powerful.

QUESTION: And Lewis Carroll was so ahead of his time?

TIM BURTON: If the books were written today it would be…Woah, what’s this!…That shows you the power of it.

QUESTION: What has happened to your aversion to CGI?

TIM BURTON: In this case it was that we were using so many techniques that it felt like this was the way to go. It is like I am in love with it but at the same time it is just a tool. Whether it is stop motion or cell or CGI, it is still animation; you still deal with animators and do the same thing. You still have fun and the same goal to make the animation work.

QUESTION: Was it always going to be a 3D film?

TIM BURTON: Absolutely! That’s the only reason I did it. Three years ago when they talked to me about it I thought it seemed like the perfect material and mix. I don’t think that a few years ago that I would have been interested. But I just felt that the trippiness of Wonderland and 3D seemed like something I was interested in. Now 3D is no longer a fad but I don’t get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It’s like if a movie needs to be in black and white then that’s how I will shoot it. I see color as just another character or black and white as a character.

QUESTION: When Alice gets in a jam she says it’s her dream and she can do what she wants. Would that describe your approach to film making?

TIM BURTON: It is an aspiration. No matter what you go through with the business side or the Hollywood side at the end of it all, when you are there on the set, it is your thing. So it is your own private world and that’s great. That’s where you have that bubble to create something in.

QUESTION: But when a film gets as big as this is it still possible to control it?

TIM BURTON: The time issue meant it was like a backwards process of making a movie. Normally you shot a shot and see it the next day but here you did not see a shot till near the end.

QUESTION: Everyone has their own idea of Alice. Was that extra pressure for you?

TIM BURTON: Just for that reason, I did not feel there was a definitive version, one shining version that everybody loves. If there was then maybe you have trouble. But when there are 20 versions – and all the music and illustrations – the imagery comes up in so many different forms that it is in the culture. So I did not feel that pressure.

QUESTION: How tough was it to drop characters like The Walrus And The Carpenter?

TIM BURTON: There is a picture of the walrus on a wall though. Linda, the writer, and I discussed that. I felt other versions suffered in trying to be literal to the stories. We did not want to try to pack it all in. So we weaved in according to the structure of what Linda had written. Everyone probably has a favorite character but we fed in the ones that felt appropriate.

QUESTION: You made the Mad Hatter a much more focal point?

TIM BURTON: With all of the characters we felt they suffered in other versions because they were just depicted as crazy. Rather than him bouncing around being crazy we tried to layer the characters with some depth. There was a lot of research into them being called Mad Hatters because of the mercury poisoning in hat making. So all the characters in Alice In Wonderland are mad but we tried to make sure that they each have their own particular kind of madness.

QUESTION: Having made so many films with Johnny Depp do you now see him as your avatar as you go into these strange dream worlds?

TIM BURTON: To some degree, we have pretty similar tastes that way. That’s the energy, that’s what keeps it going.

QUESTION: The 3D butterfly at the end of the film is very touching. What was the reason for the last shot?

TIM BURTON: It was the Caterpillar turning into the butterfly…That was what I liked so much about the script. It’s not so much about being literal to the story, it’s about that feeling that you have been here before and you know these characters through exploring your childhood. People like to be literal about everything and that is what is so beautiful about what Carroll did. It’s not literal. It’s absurdist and yet it has cryptic meaning so that everyone will see the meaning in a different way. That’s the power of those stories.

QUESTION: Is Tim Burton now becoming more of the mainstream?

TIM BURTON: One of the things that keeps me semi-sane is not analyzing that stuff. You never want to become a thing, you want to remain a human being. People go…you have worked with Johnny seven times…and I go…really? I’ve not been counting. I try not to go there. I try to remember I like doing this and don’t think about all the trappings.

QUESTION: What about the green screen?

TIM BURTON: Johnny was acting to a tennis ball, which he loved. He was the only one who really liked that. Everyone else hated it.

QUESTION: Was finding Alice a difficult process?

TIM BURTON: We had a big search but Mia was pretty clear pretty soon. There was something about her and I liked the idea that we hadn’t seen much of her. She was a young person with an old person’s soul. That was something I felt no previous Alice had. They came across like bratty, precocious children. In most other versions she was obnoxious. Our key was not to be obnoxious. The studio was supportive in going for an unknown Alice, and at the end of the day they are happy about it.

QUESTION: Is Helena always going to be in your films?

TIM BURTON: No it’s the same way with Johnny. It is not automatic. It is important that it is the right part. If Helena is right for a part then ok. But it’s not because we are together, that would be a real mistake that would only end in tragedy.

TIM BURTON’S ALICE IN WONDERLAND is now available on Blu-ray & DVD.


Friday, May 7, 2010

Shake Your Money Maker for "Alice in Wonderland"

I received the following press release about an Alice in Wonderland-related contest from Walt Disney.  It ties into the recently released 3D Alice in Wonderland movie, directed by Tim Burton and starring Johnny Depp.  One of the prizes is an iPad:

ATTENTION ALL ALICE FANS: IT’S TIME TO GATHER YOUR MUCHNESS FOR DISNEY’S ALL NEW “ALICE IN WONDERLAND” INSPIRED DANCE-OFF

WALT DISNEY STUDIOS IS ASKING YOU TO “SHOW US YOUR BEST FUTTERWACKEN!”

Prizes Include iPads, Blu-ray™ Players, Autographed Alice Memorabilia and More

FUTTER WHAT??
In celebration of Frabjous Day and the upcoming Blu-ray™ & DVD release of ALICE IN WONDERLAND on June 1st, Walt Disney Studios is asking America to “Show Us Your Best Futterwacken!”

For those who haven’t seen the film, this is the crazy, awesome dance performed by The Mad Hatter. In the world of Alice’s Wonderland, the Futterwacken is a dance of unbridled joy.

The contest challenges ALICE fans to submit their best interpretation of the Futterwacken dance to www.Disney.com/Alicedance and add their own original twists, turns and dance moves. So start gathering your muchness and go completely Gallymoggers as you Futterwacken vigorously! The more creative your dance moves, the better your chance to win!

Oh and one of the coolest parts is being able to put your dance moves to Kerli’s song “Tea Party” featured on the Alice in Wonderland companion album, Almost Alice. Disney's Almost Alice soundtrack features two songs by Kerli that provide the perfect beat to "show us your best Futterwacken!"

KLOTCHYN! (Head’s up!) Judging will be based on Dance Performance, Entertainment Value, Technical Quality, Creativity and Originality.

HOW TO ENTER:
Consumers must visit www.Disney.com/Alicedance to enter. Entries should be no longer than 40 seconds in length and include your first name and the state where you reside. Directions on how to enter are clearly detailed on the website. It only takes three easy steps to enter – record your video, add music and upload to Disney’s website.

The submission period for the contest begins at 3:00 p.m. PDT on Friday, April 30, 2010 and ends at 3:00 p.m. PDT on Thursday, June 3, 2010.

JUDGING & PRIZING:
There will be two (2) Grand Prize winning submissions and ten (10) First Prize winning submissions. Disney will announce winners on Wednesday, June 16th based on the following equally weighted criteria: Dance Performance, Entertainment Value, Technical Quality, Creativity and Originality.

Prizes include Apple iPads, Panasonic Blu-ray Players, Alice In Wonderland Blu-ray Combo Packs of the film, Mad Hatter Hats, Autographed Alice in Wonderland Nesting Books and iTunes Gift Cards.

My Alice in Wonderland review is here.


Friday, April 23, 2010

Final DVD Collecting 1990s X-Men Cartoon Arrvies Soon

X-MEN: Volume 5 2-Disc DVD FACT SHEET


COMPLETE YOUR COLLECTION WITH THE FINAL VOLUME !

Studio: Buena Vista Home Entertainment

Synopsis: The original tales of Marvel comic books come to life in Volume 5 of the X-men collection. Relive the action of the popular animated series in this collectible compilation of the X-men adventures. The X-men must turn to their arch-nemesis, Magneto, in an effort to save the life of Professor Xavier! Watch the action unfold in the final episode, “Graduation Day, “ and don’t miss a moment of X-men excitement in this 2-disc set, complete with 14 riveting episodes. Complete your X-men collection with this must-own final installment of this great animated series.

X-men stars voice talents Iona Morris (Law and Order, Spider-man, Fantastic Four, The Wayans Bros), Lenore Zann (Law and Order, Dragon Tales) and Alison Seasly-Smith (Honey, Degrassi: The Next Generation, M.V.P: The Secret Lives of Hockey Wives) and is executive produced by Stan Lee (Spider-Man, Iron Man, The Fantastic Four, The Ultimate Avengers II), Scott Thomas (Gargoyles: The Goliath Chronicles) and Will Meugniot (Teenage Mutant Ninja Turtles, X-Men: Evolution, Silver Surfer).

EPISODE LIST:

Disc 1
Episode 63 The Phalanx Covenant (Part 1)
Episode 64 The Phalanx Covenant (Part 2)
Episode 65 A Deal With The Devil
Episode 66 No Mutant Is An Island
Episode 67 Longshot
Episode 68 Bloodlines

Disc 2
Episode 69 Storm Front (Part 1)
Episode 70 Storm Front (Part 2)
Episode 71 Jubilee's Fairy Tale Theatre
Episode 72 The Fifth Horseman
Episode 73 Old Soldiers
Episode 74 Descent
Episode 75 Hidden Agendas
Episode 76 Graduation Day

STREET DATE: May 4, 2010
Suggested retail price: $23.99 US; $29.99 Canada
Rated: TV – Y7
Run time: 308 minutes
DVD aspect ratio: 4:3
Sound: Dolby Digital Surround Sound, Spanish and French Language
Tracks & Subtitles

© MARVEL, X-MEN, and all related characters and their distinctive likenesses thereof are trademarks of Marvel Entertainment, Inc. and its subsidiaries and are used with permission. © 2010 Marvel Entertainment, Inc. and its subsidiaries. © Buena Vista Home Entertainment, Inc.

Thursday, April 22, 2010

1994 Iron Man Animated TV Series on DVD in May

IRON MAN: The Complete 1994 Animated Television Series

3-Disc DVD Set - FACT SHEET

Studio: Buena Vista Home Entertainment

Story: From Stan Lee comes Marvel’s complete 1994 animated television series, Iron Man. Experience every thrilling moment – from the very first episode, to the final climactic battle – in this 3-disc collector’s edition. Witness the action-packed adventure from the very beginning as billionaire inventor Tony Stark dons his invincible suit of iron to battle the villainous Mandarin and the power of his ten deadly rings.

With fellow super heroes Nick Fury, War Machine, Scarlet Witch, Spider Woman and Hawkeye at his side, Iron Man faces off against a band of evil foes, including Whiplash…and confronts his own demons, as well.

Go behind the armor and get to know the man under the powered suit. This complete Iron Man collection is a must-have for fans of all ages !

“Iron Man” stars voice talent Robert Hays (Superhero Movie), John Reilly (TV’s “General Hospital: Night Shift”), Jennifer Hale (Ariel’s Beginning – Voice) and is executive produced by Stan Lee (Spider-Man, Iron Man, The Fantastic Four, The Ultimate Avengers II), Avi Arad (Spider-Man 4, Fantastic Four, X-Men: The Last Stand) and Larry Leiber (Iron Man, Iron Man 2).

EPISODE LIST:

Disc 1:
1. And The Sea Shall Give Up It's Dead
2. Rejoice! I Am Ultimo Thy Deliverer
3. Data In - Chaos Out
4. Silence My Companion, Death My Destination
5. The Grim Reaper Wears A Teflon Coat
6. Enemy Within, Enemy Without
7. Origin Of The Mandarin
8. Defection Of The Hawkeye

Disc 2:
9. Iron Man To The Second Power (Part 1)
10. Iron Man To The Second Power (Part 2)
11. Origin Of Iron Man (Part 1)
12. Origin Of Iron Man (Part 2)
13. Wedding Of Iron Man!
14. The Beast Within
15. Fire And Rain
16. Cell Of Iron
17. Not Far From The Tree

Disc 3:
18. Beauty Knows No Pain
19. On The Inside
20. Distant Boundaries
21. The Armor Wars (Part 1)
22. The Armor Wars (Part 2)
23. Hulkbuster
24. Empowered
25. Hands Of The Mandarin (Part 1)
26. Hands Of The Mandarin (Part 2)

STREET DATE: May 4, 2010
Suggested retail price: $29.99 US; $35.99 Canada
Rated: TV – Y7
Run time: 572 minutes
DVD aspect ratio: 4:3
Sound: Dolby Digital Surround Sound, Spanish and French Language Tracks & Subtitles

© MARVEL, IRON-MAN and all related characters and their distinctive likenesses thereof are trademarks of Marvel Entertainment, Inc. and its subsidiaries and are used with permission. © 2010 Marvel Entertainment, Inc. and its subsidiaries. © Buena Vista Home Entertainment, Inc.

Tuesday, March 2, 2010

Hayao Miyazaki Talks about "Ponyo"

Provided by Walt Disney Home Entertainment:

Hayao Miyazaki Q&A


Ponyo, the latest animated masterpiece from Academy-Award-winning director Hayao Miyazaki (Spirited Away) debuts on DVD & Blu-ray on March 2, 2010 from Walt Disney Home Entertainment.

Inspired by Hans Christian Andersen's famous fairy tale, The Little Mermaid, Ponyo tells the enchanting and visually rich story of a young and overeager goldfish named Ponyo and her quest to become human. Ponyo was the top film in Japan in 2008 and is the eighth highest grossing film in Japanese history. Featuring an all-star English language voice cast, including newcomers Noah Cyrus and Frankie Jonas, the Walt Disney Studios presentation of a Studio Ghibli film is also the highest grossing Miyazaki feature in U.S. history.

The single disc Ponyo DVD contains the new English-language version executive produced by John Lasseter, Chief Creative Officer for Walt Disney and Pixar Animation Studios, and Kathleen Kennedy and Frank Marshall. Also included is the subtitled original Japanese version. Bonus features include: "Behind The Microphone," a behind the scenes look at the voice talent for Ponyo, and the music video for the Ponyo theme song sung by Frankie Jonas & Noah Cyrus.

Meanwhile, the single disc Ponyo Blu-ray contains the same content as the DVD, plus such exclusive bonus features as "The Five Geniuses Who Created Ponyo" (including Supervising Animator Katsuya Kondo, Art Director Noboru Yoshida, Color Designer Michiyo Yasuda and Recording & Sound Mixer Shuji Inoue); interviews with Miyazaki and long-time producer Toshio Suzuki; a storyboard documentary; and Trailer #2.

On a rare trip to Los Angeles for the movie's theatrical release, the legendary director spoke about Ponyo:

Q: Aside from The Little Mermaid, what else inspired Ponyo?

MIYAZAKI: I was initially attracted to a children's book about a frog: But as I worked on the story, it became something completely different… so I didn't pursue that direction. I have told the author of that children's book that that was the hint for this film, though. Sometimes, I test myself, wondering, if I get a death sentence if I don't make this movie, would I still make this movie. And that's where the frog came into play.

Q: Why are you attracted to fairy tales?

MIYAZAKI: When I work on a new story, I think I'm writing a new story, but when I scrape things away to its core, I realize that there are fragments of these old folk tales or legends that form my stories. It's not that I'm trying to resurrect an old legend, but naturally it's there at the core. I think it shows that I'm in the flow of human civilization.

Q: Did you reference Disney's animated version of The Little Mermaid?

MIYAZAKI: I watched the video of The Little Mermaid many years ago when I was first given it," Miyazaki continued, "but I haven't watched it recently. And, on purpose, I didn't watch it while making this film.

Q: How do you make your movies?

MIYAZAKI: I do all my work on storyboard, so as I draw my storyboard, the world gets more and more complex. And as a result, my north, south, east, west sense of direction kind of shift and go off base. But it seems like my staff as well as the audience don't quite realize that this is happening. Don't tell them about it.

Q: Why did you abandon your CG department for Ponyo?

MIYAZAKI: Actually, at Studio Ghibli, we dissolved the computer graphics section before we started production on Ponyo. So we had decided at that point to stick with hand-drawn animation… I think I can leave the computer-generated animation [John Lasseter] and I can stick to the hand-drawn animation.

Q: How did you achieve the splashing waves?

MIYAZAKI: The secret was keeping the squiggly lines moving all the time.

Q: Where does your concern for nature come from?

MIYAZAKI: It's not that nature or ecology has become a growing concern for me. I think it's just part of our natural surrounding and it's sort of a common thing to depict it. For example, I tell my artists and the team working together to make it smoggier. Then it looks more like the natural surroundings that we live in. It's not that I like smog. So it's the kind of landscape that our children and we are used to living in and whether we should do something about it or not is something that we should think about in real life rather than depicting it in a particular way in the stories on screen.

Q: How do you make your villains so sympathetic?

MIYAZAKI: When I start creating a villain, I start liking the villain and so the villain is not really evil. The Fleischer brothers made Superman, and they have a scene where there's a steel making iron works right behind the Hollywood Hills. A bad guy -- the evil character -- who puts so much into creating such a factory and investing so much is somebody that should be lovable. And villains actually work harder than the heroes.

Q: How is the importance of family demonstrated in Ponyo?

MIYAZAKI: The most important thing is, I think, that even within such an environment, children grow up, they learn to love and they enjoy living in that environment. I think what is most important is that parents and children see each other as being very valuable and very precious to each other, and if they can get that out of the movie that's fine.

John Lasseter Talks Ponyo

Provided by Walt Disney Home Entertainment:

PONYO INTERVIEWS WITH JOHN LASSETER


Ponyo, the latest animated masterpiece from Academy-Award-winning director Hayao Miyazaki (Spirited Away), debuts on DVD & Blu-ray on March 2nd from Walt Disney Home Entertainment.

Inspired by Hans Christian Andersen's famous fairy tale, The Little Mermaid, Ponyo tells the enchanting and visually rich story of a young and overeager goldfish named Ponyo and her quest to become human. Ponyo was the top film in Japan in 2008 and is the eighth highest grossing film in Japanese history. Featuring an all-star English language voice cast, including newcomers Noah Cyrus and Frankie Jonas, the Walt Disney Studios presentation of a Studio Ghibli film is also the highest grossing Miyazaki feature in U.S. history.

The single disc Ponyo DVD contains the new English-language version executive produced by John Lasseter, Chief Creative Officer for Walt Disney and Pixar Animation Studios, and Kathleen Kennedy and Frank Marshall. Also included is the subtitled original Japanese version. Bonus features include: "Behind The Microphone," a behind the scenes look at the voice talent for Ponyo, and the music video for the Ponyo theme song sung by Frankie Jonas & Noah Cyrus.

Meanwhile, the single disc Ponyo Blu-ray contains the same content as the DVD, plus such exclusive bonus features as "The Five Geniuses Who Created Ponyo" (including Supervising Animator Katsuya Kondo, Art Director Noboru Yoshida, Color Designer Michiyo Yasuda and Recording & Sound Mixer Shuji Inoue); interviews with Miyazaki and long-time producer Toshio Suzuki; a storyboard documentary; and Trailer #2.

"In one of my favorite scenes, Ponyo arrives at Sosuke's house as a girl while a storm rages," says Lasseter. "Sosuke's mother makes noodles for her -- which she discovers she loves. It's so special, because Ponyo is a little girl but she's a brand-new little girl and everything is brand new to her.

"Ponyo transcends age groups: everybody enjoys this film," adds Lasseter. "I've watched it with many audiences and people are truly entertained by it. There's a depth and a beauty to the film; it really works for all ages."

Aside from The Little Mermaid, what else inspired Ponyo? On a rare trip to Los Angeles for the movie's theatrical release, the legendary director suggested that he was initially attracted to a children's book about a frog: "But as I worked on the story, it became something completely different… so I didn't pursue that direction. I have told the author of that children's book that that was the hint for this film, though. Sometimes, I test myself, wondering, if I get a death sentence if I don't make this movie, would I still make this movie. And that's where the frog came into play."

"He is one of the great filmmakers of our time and has been a tremendous inspiration to our generation of animators," continues Lasseter. "At Pixar, when we have a problem that we can't seem to solve, we often look at one of Miyazaki's films."

The lure of fairy tales still resonates strongly for Miyazaki. "When I work on a new story, I think I'm writing a new story, but when I scrape things away to its core, I realize that there are fragments of these old folk tales or legends that form my stories. It's not that I'm trying to resurrect an old legend, but naturally it's there at the core. I think it shows that I'm in the flow of human civilization."

And what inspiration did Miyazaki glean from the acclaimed Disney animated version of The Little Mermaid? "I watched the video of The Little Mermaid many years ago when I was first given it," Miyazaki continued, "but I haven't watched it recently. And, on purpose, I didn't watch it while making this film."

Not surprisingly, the 68-year-old animation master, who manages to find the time to draw monthly for a Japanese Manga magazine, still maintains the same disciplined approach to making his animated features. "I do all my work on storyboard, so as I draw my storyboard, the world gets more and more complex. And as a result, my north, south, east, west sense of direction kind of shift and go off base. But it seems like my staff as well as the audience don't quite realize that this is happening. Don't tell them about it," he joked.

For those who notice a much simpler graphic design to Ponyo, it's no coincidence. Ponyo marks Miyazaki's return to completely hand-drawn animation. "Actually, at Studio Ghibli, we dissolved the computer graphics section before we started production on Ponyo," Miyazaki explained. "So we had decided at that point to stick with hand-drawn animation… I think I can leave the computer-generated animation to [John Lasseter] and I can stick to the hand-drawn animation."

In fact, watching Ponyo more closely on DVD or Blu-ray will enable the viewer to see how exquisite the splashing waves look. Miyazaki explained that the secret to the hand-animated waves in Ponyo was keeping the squiggly lines moving all the time.

"It reminded me of when I was on holiday at the beach with my boys," explains Lasseter. "The waves were very different—coming up out of the water and smashing right on the boys. They were scared, so I started giving the waves personality—like they're hiding from the kids and waiting for them to come close and then they'd reach up and get them. In Ponyo, Miyazaki actually made the ocean a character," Lasseter continues. "The waves become creatures and the style of the water is actually very believable for the world that he created."

And yet, Miyazaki's appreciation and love of nature is very evident in Ponyo. "It's not that nature or ecology has become a growing concern for me. I think it's just part of our natural surrounding and it's sort of a common thing to depict it. For example, I tell my artists and the team working together to make it smoggier. Then it looks more like the natural surroundings that we live in. It's not that I like smog. So it's the kind of landscape that our children and we are used to living in and whether we should do something about it or not is something that we should think about in real life rather than depicting it in a particular way in the stories on screen."

Even Miyazaki's depiction of villains remains generous in Ponyo. The goldfish's wizard of a father (voiced by Liam Neeson) is terrified that his daughter's transformation into a little human girl will upset the delicate balance of nature. He tries to use his magic to return her to the sea and her former self, rather than letting go and letting her exhibit her free will.

"When I start creating a villain, "Miyazaki explained, "I start liking the villain and so the villain is not really evil. The Fleischer brothers made Superman, and they have a scene where there's a steel making iron works right behind the Hollywood Hills. A bad guy -- the evil character -- who puts so much into creating such a factory and investing so much is somebody that should be lovable. And villains actually work harder than the heroes."

And with Ponyo, the director stresses the importance of family."The most important thing is, I think, that even within such an environment, children grow up, they learn to love and they enjoy living in that environment. I think what is most important is that parents and children see each other as being very valuable and very precious to each other, and if they can get that out of the movie that's fine."

"Ponyo is just stunning visually and tells a wonderful story. The magic in the film, the adventure itself are beyond description," says Lasseter. "It's so beautiful and full of heart and it features great characters. I want people all over the country to see it, fall in love with it, and discover Miyazaki's whole library."

Monday, March 1, 2010

Miyazaki's Ponyo Now on DVD and Blu-Ray


Press release from Walt Disney Home Video:

Disney Presents a Studio Ghibli Film From Oscar®-Winning Director Hayao Miyazaki:


PONYO

A Fantastic Re-imagination of Hans Christian Andersen’s “The Little Mermaid”

Comes to Blu-Ray™ Hi-Def and DVD on March 2, 2010

A heartwarming and lushly animated retelling of a beloved fairytale, Ponyo comes to Blu-ray™ Hi-Def and DVD on March 2, 2010 from Walt Disney Studios Home Entertainment. Presented by legendary filmmaker Hayao Miyazaki and featuring the exquisitely hand-drawn animation that has won Miyazaki worldwide acclaim, Ponyo transports audiences into an enchanting dreamscape where anything seems possible. Inspired by the classic Hans Christian Andersen tale “The Little Mermaid” also incorporates a very contemporary concern for nature. Hayao Miyazaki’s Ponyo is packed with never-before-seen bonus features. The Ponyo Blu-ray and DVD brings audiences a breathtaking introduction to the world of global animation for children and adults, making it a perfect holiday gift for the whole family.

Miyazaki creates a bold, imaginative vision of a magical world from a child’s point of view. The first film from Miyazaki to be made available on Blu-ray, Ponyo brims with color and energy on a stunning journey into a child’s inner life. With a story that families can enjoy together, the film’s star-studded voice cast includes Cate Blanchett (Elizabeth, Babel), Matt Damon (The Bourne Ultimatum), Tina Fey (“30 Rock”), Liam Neeson (The Chronicles of Narnia), Cloris Leachman (Castle in the Sky), Betty White (“The Golden Girls”), comedian Lily Tomlin and introduces Noah Lindsey Cyrus (as Ponyo) and Frankie Jonas (as Sosuke).

Creator of acclaimed and beloved animated classics including Academy Award®-winner Spirited Away (2002 winner for Best Animated Feature) and Howl’s Moving Castle, Miyazaki is founder of the legendary Japanese animation studio, Studio Ghibli. John Lasseter, chief creative officer of Pixar Animation Studios, is a two-time Academy Award winner (1998 winner for Best Short Film, Animated for Tin Toy and 1995 Special Achievement Award for Toy Story) and a recognized pioneer in the field of animation. He is credited with executive producing as well as directing the English language voice cast on the film. Joining Lasseter as executive producers of the English-language version are Kathleen Kennedy and Frank Marshall.

Walking on the beach near his home, a five-year old boy named Sosuke (voiced by Frankie Jonas) finds a beautiful goldfish trapped in a bottle. He releases the tiny creature and, sure that she is no ordinary fish, names his new friend Ponyo (Noah Lindsey Cyrus). As Ponyo and Sosuke grow closer, she reveals to him that she is the daughter of a powerful wizard (Liam Neeson) and a sea goddess (Cate Blanchett), and magically transforms herself into a real human girl. But by crossing from her watery world onto land, Ponyo has created a dangerous imbalance in nature. As the moon begins to draw closer to the earth, sea levels rise and a giant tsunami threatens to destroy Sosuke’s home. Ponyo’s father marshals all his might to find his missing daughter, as the two children embark on an adventure of a lifetime to try and save the world.

Bonus Features
The World of Ghibli- Allows fans to immerse themselves in the amazing worlds from each film created by legendary filmmaker, Hayao Miyazaki in this multi-layered interactive experience.

Lands to explore include:
• PONYO’S Land
• KIKI’S Land
• CASTLE’S Land
• TOTORO’S Land

Behind the Studio- Unprecedented access to all the background, inspiration and process behind he making of Ponyo and the inner workings of Studio Ghibli through a series of documentaries. They include all new interviews with Hayao Miyazaki, and composer Joe Hisaishi.

Also included in this feature are:
• Creating Ponyo
• Ponyo & Fujimoto
• The Nursery
• Behind the Microphone: The Voice of Ponyo
• Producers Perspective: Telling the Story
• Scoring Miyazaki
• The Scenery in Ghibli
• Original Japanese Trailer

Ponyo is priced at $39.99 for Blu-ray Hi-Def and $29.99 for 2-Disc DVD.
STREET DATE: March 2, 2010
Pricing: DVD: $29.99 (US), $ 35.99(Canada)
Blu-ray Disc: $39.99 (U.S.), $41.99 (Canada)
Rated: G

Technical specifications may only apply to feature

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