Showing posts with label Michael Caine. Show all posts
Showing posts with label Michael Caine. Show all posts

Thursday, September 18, 2014

New "Interstellar" Poster - September 17th, 2014



































The end of Earth will not be the end of us.

Official YouTube: https://www.youtube.com/interstellarmovie
Official Twitter: https://twitter.com/Interstellar
Official Facebook: https://www.facebook.com/InterstellarMovie

#Interstellar

Opens November 7th, 2014


Tuesday, May 6, 2014

Teaser Poster for Christopher Nolan's "Interstellar" Revealed




































MANKIND WAS BORN ON EARTH.  IT WAS NEVER MEANT TO DIE HERE.

From Christopher Nolan

INTERSTELLAR

November 2014

To watch the teaser trailer: http://youtu.be/nyc6RJEEe0U

Official Website:http://www.InterstellarMovie.com/
Official Twitter: https://twitter.com/Interstellar
Official Facebook: https://www.facebook.com/InterstellarMovie
Official YouTube: https://www.youtube.com/user/InterstellarMovie

Wednesday, August 14, 2013

Christopher Nolan Begins Shooting "Interstellar"

PARAMOUNT PICTURES AND WARNER BROS. PICTURES ANNOUNCE THE START OF PRINCIPAL PHOTOGRAPHY ON CHRISTOPHER NOLAN’S “INTERSTELLAR”

HOLLYWOOD, CA (August 13, 2013) – Paramount Pictures, a division of Viacom, Inc., and Warner Bros. Pictures announced today that principal photography on “INTERSTELLAR” is officially underway in Alberta, Canada. The film will be released in IMAX® and 35mm theaters on November 7, 2014.  Paramount Pictures will distribute domestically, Warner Bros. Pictures internationally.

Directed and co-written by Christopher Nolan (“Inception,” “The Dark Knight” Trilogy), the production will travel the globe and utilize a mixture of 35mm anamorphic and IMAX film photography to bring to the screen a script based on the combination of an original idea by Nolan and an existing script by Jonathan Nolan, originally developed for Paramount Pictures and producer Lynda Obst.  The new script chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

“Interstellar” features a prestigious cast that includes Matthew McConaughey (“Magic Mike,” “Mud”), Academy Award® winner Anne Hathaway (“Les Miserables,” “The Dark Knight Rises”), Academy Award® nominee Jessica Chastain (“Zero Dark Thirty,” “The Tree of Life”), Bill Irwin (“Rachel Getting Married,” TV’s “CSI: Crime Scene Investigation”) Academy Award® nominee John Lithgow (“Terms of Endearment,” “Rise of the Planet of the Apes”) Academy Award® nominee Casey Affleck (“The Assassination of Jesse James by the Coward Robert Ford,” Gone Baby Gone”), David Gyasi (“Cloud Atlas”), Wes Bentley (“The Hunger Games”), Mackenzie Foy (“The Twilight Saga: Breaking Dawn – Parts 1 and 2”) Timothée Chalamet (TV’s “Homeland”), Topher Grace (“Spider-Man 3”), David Oyelowo (“Jack Reacher,” “Rise of the Planet of the Apes”), Academy Award® winner Ellen Burstyn (“The Last Picture Show,” “The Exorcist”), and Academy Award® winner Michael Caine (“The Cider House Rules,” “The Dark Knight” Trilogy).

The film is being produced by Academy Award® nominee Emma Thomas (“Inception,” “The Dark Knight” Trilogy) and Lynda Obst (“How to Lose a Guy in 10 Days,” “The Siege”).  Renowned theoretical physicist Kip Thorne is consulting on the film as well as serving as executive producer, along with Jake Myers (“Jack Reacher,” “RED,” “RED 2”) and Jordan Goldberg (“Inception,” “The Dark Knight” Trilogy).

The behind-the-scenes creative team includes director of photography Hoyte van Hoytema (“Tinker Tailor Soldier Spy,” “The Fighter”), Academy Award®-nominated production designer Nathan Crowley (“The Dark Knight” Trilogy), Academy Award®-nominated costume designer Mary Zophres (“Gangster Squad,” “True Grit”) Academy Award®-nominated editor Lee Smith “The Dark Knight” Trilogy,” “Elysium,”, Academy Award®-winning composer Hans Zimmer (“The Lion King,” “The Dark Knight” Trilogy), and Academy Award®-winning visual effects supervisor Paul Franklin (“Inception,” “The Dark Knight” Trilogy).
 
Official Site: www.InterstellarMovie.com

About Paramount Pictures Corporation 
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

About Warner Bros. Pictures
Warner Bros. Pictures meets worldwide tastes and demands with a diverse mix of filmed entertainment and is a global leader in the marketing and distribution of feature films.  The International Division operates offices in 24 countries and releases films in over 125 international territories, either directly to theaters or in conjunction with partner companies and co-ventures.  Internationally, the Studio has been the market leader in six of the last 13 years, having surpassed $1 billion in grosses a total of 15 years, 12 of which were consecutive years, and crossed $2 billion five times, including 2004, 2007, 2010, 2011 and 2012.


Saturday, June 1, 2013

Review: Michael Caine Still Cool in "The Italian Job"

TRASH IN MY EYE No. 190 (of 2004) by Leroy Douresseaux


The Italian Job (1969)
COUNTRY OF ORIGIN: UK; Languages: English and Italian
Running time: 99 minutes (1 hour, 39 minutes)
DIRECTOR: Peter Collinson
WRITER: Troy Kennedy Martin
PRODUCERS: Stanley Baker and Michael Deeley
CINEMATOGRAPHER: Douglas Slocombe
EDITOR: John Trumper
COMPOSER: Quincy Jones
Golden Globe nominee

CRIME with elements of action and comedy

Starring: Michael Caine, Noël Coward, Benny Hill, Raf Vallone, Tony Beckley, John Le Mesurier, Fred Emney, Rossano Brazzi, Maggie Blye, George Innes, Irene Handl and Harry Baird

The subject of this movie review is The Italian Job, a 1969 British caper and crime film directed by Peter Collinson. Starring Michael Caine and featuring a soundtrack composed by Quincy Jones, it is a beloved film in Great Britain.

Before it was the remade into a 2003 summer hit, The Italian Job was a cult favorite caper film starring Michael Caine as Charlie Croker, a clever criminal who adopts a complicated heist plan formulated by a recently murdered colleague. The film is a nice crime film with an air of subdued comedy and some short, but exciting action sequences. In fact, the film has aged quite well and, except for the ending, stands with today’s crime thrillers.

Croker, just out of prison, hatches a plan to steal a huge cache of Chinese gold ($4 million) en route to Turin, Italy to be used as collateral for a Fiat automobile plant. The necessary diversion for the snatch and grab comes courtesy of huge traffic jam that Charlie and his gang plan to cause during an all-important Italy-Great Britain soccer match. Croker eventually convinces Mr. Bridger (Noël Coward), an incarcerated criminal genius, to fiancé and equip the criminal enterprise, all from his jail cell. In spite of all their planning, the hitch is that the Mafia doesn’t want the Englishmen to steal the gold, and are willing to commit murder to stop them.

The film is pleasant, but it’s a bit more than just a diversion. Michael Caine is charming, and while he is ostensibly the lead and his character directs the heist, neither the script nor the director gives the audience much time to really get to know Charlie Croker outside of some witty lines. Actually, the film’s focus is almost totally on the criminal enterprise, and the characters are just checker pieces in the story. Other than Caine and Coward’s characters, no other players really stand out except for a few seconds here or there.

The ending is very problematic, and the 2003 remake (in a sense) picks up where the original left off, although in a more spiritual than literal sense. The remake also vastly improves on the original in giving the characters more room to breath. Still, there is nothing like this film, and fans of caper and heist films should like this, especially as it features the golden age of the young Michael Caine.

6 of 10
B

NOTES:
1970 Golden Globes, USA: 1 nomination: “Best English-Language Foreign Film”

Saturday, July 21, 2012

Review: "The Dark Knight Rises," But the Movie is Bloated

TRASH IN MY EYE No. 58 (of 2012) by Leroy Douresseaux

The Dark Knight Rises (2012)
Running time: 164 minutes (2 hours, 44 minutes)
MPAA – PG-13 for intense sequences of violence and action, some sensuality and language
DIRECTOR: Christopher Nolan
WRITERS: Jonathan Nolan and Christopher Nolan; from a story by David S. Goyer and Christopher Nolan (based upon the characters created by Bob Kane and Bill Finger)
PRODUCERS: Christopher Nolan, Charles Roven, and Emma Thomas
CINEMATOGRAPHER: Wally Pfister (D.o.P.)
EDITOR: Lee Smith
COMPOSER: Hans Zimmer

SUPERHERO/ACTION/DRAMA

Starring: Christian Bale, Tom Hardy, Anne Hathaway, Michael Caine, Gary Oldman, Morgan Freeman, Marion Cotillard, Joseph Gordon-Levitt, Matthew Modine, Cillian Murphy, Ben Mendelsohn, Burn Gorman, Tom Conti, and Liam Neeson

The subject of this movie review is The Dark Knight Rises, a film directed by Christopher Nolan. It is a sequel to The Dark Knight and is also the third film in Nolan’s “The Dark Knight trilogy,” which began with 2005’s Batman Begins. The Dark Knight Rises is a highly-anticipated film, and I have been anxious to see it for some time.

Now, that I’ve seen The Dark Knight Rises, I must admit that I did not like it. In fact, not long into the movie, I was bored with it and, three times I considered walking out of the theatre. The Dark Knight Rises has some interesting ideas, characters, and subplots, but they don’t really come together to form a complete movies. The story elements feel like they are building up to something big; the film is like a constant upsurge of anticipation that never delivers. Too often, scenes ultimately deliver an anti-climax.

The Dark Knight Rises opens eight years after the events that closed The Dark Knight, which saw Batman (Christian Bale) vanishing into the night after he made it seem as if he (Batman) had killed District Attorney Harvey Dent. By assuming the blame for Dent’s demise, Batman sacrificed everything for what he and Commissioner James Gordon (Gary Oldman) both hoped was the greater good. In a sense, that worked. As the film begins, organized crime in Gotham City is dead.

Bruce Wayne (Christian Bale) has given up being Batman and lives in seclusion, but his meeting with Selina Kyle (Anne Hathaway), a cunning cat burglar gets him interested in what is currently happening in the city. Meanwhile, a masked terrorist called Bane (Tom Hardy) has come to Gotham to tear the city down in the name of revolution. Bane’s acts of destruction and terror drive Bruce out of his self-imposed exile, but Batman may be no match for Bane

Although the film runs at nearly 2¾ hours, The Dark Knight Rises did not seem too long to me. It did seem bloated. The film does have some good action set pieces, but they combine to form a movie that is too damned loud and obnoxious. Talk about full of sound and fury, signifying nothing. Speaking of loud: Hans Zimmer’s score is comically overdone, even farcical. Every time something momentous is about to be said or done, Zimmer unleashes ear-drum pounding brass and Ragnorok synth. The music makes the movie seem either pretentious or a joke.

The new characters are interesting, but they’re equally pompous and hollow. Anne Hathaway has a great moment as Selina Kyle when the character first meets Bruce Wayne that is deliciously cool. After that, the character comes across as tacked-on. Nolan is too coy about her; is she villainess or anti-hero? Please, make up your mind, Mr. Director. Joseph Gordon-Levitt’s John Blake is a good character lost in the excesses of this movie. Tom Hardy’s Bane is scary, but his frightfulness is mitigated by this story’s murky intentions. Utterly underutilized are two supporting characters: Bruce Wayne’s business rival, John Daggett (Ben Mendelsohn), and his assistant, Stryver (Burn Gorman). The actors give this film’s best performances, and the characters are this movie’s dynamic duo. I was sad when they “left” the story.

All of The Dark Knight Rises’ characters, settings, sub-plots, and action don’t lead from point A to point B – beginning, middle, and end. They come together as one huge rambling wreck that eventually crashes, which we can call the end of the movie. The story is a good idea, but the screenplay is overkill. This is Christopher Nolan’s worst major film to date. If I did not know better, I would think that Joel Schumacher had directed The Dark Knight Rises, but this movie’s self-importance reminds me that this is a Chris Nolan flick.

4 of 10
C

Saturday, July 21, 2012

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Friday, July 20, 2012

About this Movie: The Dark Knight Rises

WARNER BROS. PICTURES Presents
In Association with Legendary Pictures
A Syncopy Films Production
THE DARK KNIGHT RISES
DIRECTOR: Christopher Nolan
WRITERS: Jonathan Nolan and Christopher Nolan; from a story by David S. Goyer and Christopher Nolan (based upon the characters created by Bob Kane and Bill Finger)
PRODUCERS: Christopher Nolan, Charles Roven, and Emma Thomas
CINEMATOGRAPHER: Wally Pfister (D.o.P.)
EDITOR: Lee Smith
COMPOSER: Hans Zimmer

OPENING DATE: Friday, July 20, 2012
RUN TIME: 164 minutes
RATING: MPAA – PG-13 for intense sequences of violence and action, some sensuality and language

Starring: Christian Bale, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Michael Caine, Gary Oldman and Morgan Freeman

Synopsis:
Warner Bros. Pictures' and Legendary Pictures' "The Dark Knight Rises" is the epic conclusion to filmmaker Christopher Nolan's Dark Knight trilogy.

It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act.

But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane.

Leading an all-star international cast, Oscar® winner Christian Bale ("The Fighter") again plays the dual role of Bruce Wayne/Batman. "The Dark Knight Rises" also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard ("La Vie en Rose"), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake.

Returning to the main cast, Oscar® winner Michael Caine ("The Cider House Rules") plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman ("Million Dollar Baby") reprises the role of Lucius Fox.

The screenplay is written by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. The film is produced by Emma Thomas, Christopher Nolan and Charles Roven, who previously teamed on "Batman Begins" and the record-breaking blockbuster "The Dark Knight." The executive producers are Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull, with Jordan Goldberg serving as co-producer. The film is based upon characters created by Bob Kane and published by DC Comics.

Behind the scenes, "The Dark Knight Rises" reunites the director with several of his longtime collaborators, all of whom worked together on "The Dark Knight." The creative team includes director of photography Wally Pfister, who won an Oscar® for his work on Nolan's "Inception"; production designers Nathan Crowley and Kevin Kavanaugh; editor Lee Smith; and Oscar®-winning costume designer Lindy Hemming ("Topsy-Turvy"). In addition, Paul Franklin and Chris Corbould, who both won Oscars® for the effects in "Inception," supervised the visual and special effects, respectively. The music is composed by Oscar® winner Hans Zimmer ("The Lion King").

In helming the film, Christopher Nolan utilized IMAX® cameras even more extensively than he did on "The Dark Knight," which had marked the first time ever that a major feature film was even partially shot with the large-format cameras.

"The Dark Knight Rises" will be presented on 70-millimeter film in 102 IMAX 15/70mm locations worldwide. Christopher Nolan stated, "Having shot almost half the picture with large-format IMAX film cameras, it is very important to me that we show 'The Dark Knight Rises' in the IMAX film format wherever possible. Audiences everywhere should be assured that every presentation of the film will be of the highest standard—having benefited from the clarity and depth IMAX cameras offer. However, these 102 screens will showcase the original IMAX film photography in its optimum form, and I hope anyone who has an opportunity to experience the film in these theatres will seek it out."

Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a Film by Christopher Nolan, "The Dark Knight Rises." Opening in theatres and IMAX, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

http://www.thedarkknightrises.com/

Review: "The Dark Knight" Rose Above All Other Batman Movies

TRASH IN MY EYE No. 32 (of 2008) by Leroy Douresseaux

The Dark Knight (2008)
Running time: 152 minutes (2 hours, 32 minutes)
MPAA – PG-13 for intense sequences of violence and some menace
DIRECTOR: Christopher Nolan
WRITERS: Jonathan Noland and Christopher Nolan; from a story by David S. Goyer and Christopher Nolan (based upon the characters created by Bob Kane and Bill Finger)
PRODUCERS: Christopher Nolan, Charles Roven, and Emma Thomas
CINEMATOGRAPHER: Wally Pfister (D.o.P.)
EDITOR: Lee Smith
Academy Award winner

SUPERHERO/FANTASY/ACTION and CRIME/DRAMA/THRILLER

Starring: Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine, Maggie Gyllenhaal, Gary Oldman, Morgan Freeman, Monique Gabriela Curren, Nestor Carbonell, Eric Roberts, Colin McFarlane, Joshua Harto, and Michael Jai White

Director Christopher Nolan’s The Dark Knight, the sequel to his 2005 film, Batman Begins, is indeed as good as practically everyone who has seen it says. The Dark Knight is both loud and complex, sometimes as scary as it is over the top, but the heart of the movie isn’t loud explosions and violent confrontations. For all the attention paid to this film’s villain, The Joker as portrayed by the late Heath Ledger, Nolan uses The Dark Knight to examine the heart, soul, and guts (constitution) of a hero, in particularly both the character Batman and his alter ego Bruce Wayne.

The steadfast Lieutenant Jim Gordon (Gary Oldman) and the heroic District Attorney Harvey Dent (Aaron Eckhart) join Batman’s (Christian Bale) plot to destroy organized crime in Gotham City for good. The three are highly effective, as they track Gotham organized crime’s cash, the hundreds of millions of dollars that criminals hide in Gotham banks. They’ll follow the money even when it means Bruce Wayne (Christian Bale) and his partner Lucius Fox (Morgan Freeman) must undertake a secret mission to Hong Kong.

However, their success is short lived, when The Joker (Heath Ledger), a rising criminal mastermind, inserts himself into the situation. The Joker practically bullies Gotham’s crime lords into hiring him to kill Batman. The Joker’s antics throw Gotham into anarchy, and his acts of terrorism force the Dark Knight and everyone one around him ever closer to crossing the fine line between hero and vigilante.

So many things stand out as being exceptional about The Dark Knight. The story by Christopher Nolan and David S. Goyer, who wrote Batman Begins together, is quite fine, but the script by Nolan and his brother Jonathan Nolan is the cream on top. For one thing, it takes four of Batman Begins’ excellent supporting characters, Jim Gordon, Lucius Fox, Bruce Wayne’s butler, Alfred (Michael Caine), and Rachel Dawes (Maggie Gyllenhaal, but previously played by Katie Holmes in Batman Begins). Not only does the script emphasize their connections to Batman, but all four of the characters also genuinely contribute to the action, ideas, and philosophies of the larger narrative. When four fine actors (with Caine and Freeman being Oscar-winning legends) get this kind of character writing, they can work wonder – as they do here.

As for the much-talked about performance of the late Heath Ledger as The Joker, it is the real deal. Topping Jack Nicholson’s turn as the clown prince of crime in the 1989 Batman seemed impossible, but Ledger simply took the character someplace even darker. Ledger’s Joker isn’t just a criminal; he’s an anarchist, a terrorist, and a madman. He eschews society’s morals, rules, and excepted standards of behavior. To hell with society; he just wants to see the world burn. That kind of personality and behavior will always be the makings for a memorable villain, but Ledger takes that material and turns it into a Joker the he sears into the audience’s memory.

For all the fireworks of Heath Ledger’s performance, The Dark Knight is, in the hands of Chris Nolan and actor Christian Bale as Batman, about Batman’s battle for his own soul. Together, Nolan and Bale test the limits of endurance of a superhero. Batman’s bravery isn’t in question, but his honesty, integrity, morals, and honor are. Will he go to the “dark side,” so to speak, and thusly, himself become a villain in order to fight villains (Joker and his crime lord cohorts)? Is he a warrior sworn to uphold values of courage and honor or is he just like weaker mortals – people who are all too ready to drop their civilized ways and become monsters the moment something really terrifies them?

Like Batman’s conundrum, The Dark Knight is ominously complicated, but it is so damn entertaining and intelligent and thought provoking and better than most summer blockbusters and superhero movies could hope to be. The Dark Knight is by no means perfect; sometimes, it goes over the top trying to make its points. Sometimes, it’s way too loud and maybe just a bit too pretentious and heavy with its own self-importance. But it’s still so damn good.

9 of 10
A+

Sunday, August 03, 2008

NOTES:
2009 Academy Awards: 2 wins: “Best Performance by an Actor in a Supporting Role” (Heath Ledger – Posthumously won with the award accepted by his father, mother and sister) and “Best Achievement in Sound Editing” (Richard King); 6 nominations: “Best Achievement in Art Direction” (Nathan Crowley-art director and Peter Lando-set decorator), “Best Achievement in Cinematography” (Wally Pfister), “Best Achievement in Film Editing” (Lee Smith), “Best Achievement in Makeup” (John Caglione Jr. and Conor O'Sullivan), “Best Achievement in Sound Mixing” (Lora Hirschberg, Gary Rizzo, Ed Novick), “Best Achievement in Visual Effects” (Nick Davis, Chris Corbould, Timothy Webber and Paul J. Franklin)


2009 BAFTA Awards: 1 win: “Best Supporting Actor” (Heath Ledger –Posthumously); 8 nominations: “Best Cinematography” (Wally Pfister), “Best Costume Design” (Lindy Hemming), “Best Editing” (Lee Smith), “Best Make Up & Hair” (Peter Robb-King), “Best Music” (Hans Zimmer and James Newton Howard), “Best Production Design” (Nathan Crowley and Peter Lando), “Best Sound” (Lora Hirschberg, Richard King, Ed Novick, and Gary Rizzo), “Best Special Visual Effects” (Chris Corbould, Nick Davis, Paul J. Franklin, and Tim Webber)


2009 Golden Globes, USA: 1 win: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Heath Ledger – Awarded posthumously with the award accepted by Christopher Nolan on Heath Ledger's behalf)

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Thursday, July 19, 2012

About "The Dark Knight Rises" - The Cast

About the Cast if The Dark Knight Rises

CHRISTIAN BALE (Bruce Wayne/Batman) was born in Wales and grew up in England and the USA. He made his film debut in Steven Spielberg's World War II epic "Empire of the Sun."

His film work to date also includes "Henry V," "The Portrait of a Lady," "The Secret Agent," "Metroland," "Velvet Goldmine," "All the Little Animals," "American Psycho," "Laurel Canyon," "The Machinist," "Batman Begins," "The New World," "The Prestige," "Harsh Times," "Rescue Dawn," "3:10 to Yuma," "I'm Not There," "The Dark Knight," "Public Enemies," "The Fighter," and "The Flowers of War."

Audiences will next see him in Terrence Malick's "Knight of Cups," and he recently completed filming "Out of the Furnace."

MICHAEL CAINE (Alfred), a two-time Academy Award® winner, has appeared in more than 100 films in a career spanning over half a century. He first played the role of Bruce Wayne's loyal butler, Alfred, in the 2005 hit, "Batman Begins," which also marked his first collaboration with director Christopher Nolan. He returned to the part in the 2008 blockbuster "The Dark Knight." "The Dark Knight Rises" marks Caine's fifth collaboration with Nolan. He has also acted under Nolan's direction in "The Prestige," for which he won a London Film Critics' Circle Award for Best Supporting Actor, and 2010's most talked-about film, "Inception."

Caine's upcoming films include Louis Leterrier's thriller "Now You See Me," with Morgan Freeman, and "Mr. Morgan's Last Love," based on the novel La Douceur Assassine by Françoise Dorner, in which he plays the title role under the direction of Sandra Nettelbeck.

Caine won his first Oscar®, for Best Supporting Actor, for his work in Woody Allen's "Hannah and Her Sisters," for which he also received Golden Globe and BAFTA Award nominations. He took home his second Best Supporting Actor Oscar® for his role in Lasse Hallström's "The Cider House Rules," also winning a Screen Actors Guild Award® and earning Golden Globe and BAFTA Award nominations.

He has garnered four more Oscar® nominations for Best Actor, the first coming in 1966 for the title role in "Alfie," for which he also received a Golden Globe nomination and a New York Film Critics Award. He earned his second Oscar® nod, in addition to a Golden Globe nomination and an Evening Standard Award, for the part of Milo Tindle in 1972's "Sleuth," opposite Laurence Olivier. His role in "Educating Rita" brought him his third Oscar® nomination, as well as Golden Globe and BAFTA Awards. He gained his latest Oscar®, Golden Globe and BAFTA Award nominations for his work in 2002's "The Quiet American," for which he also won a London Film Critics' Circle Award. In addition, Caine won Golden Globe and London Film Critics' Circle Awards and received a BAFTA Award nomination, all for Best Supporting Actor, for "Little Voice."

Caine was born Maurice Micklewhite in South London in 1933 and developed an interest in acting at an early age. Upon his discharge from the Queen's Royal Regiment and Royal Fusiliers in 1953, he began pursuing his career. Taking his stage name from the title "The Caine Mutiny," he toured Britain in a variety of plays and began appearing in British films and television shows.

In 1964, Caine landed his first major film role as Lieutenant Gonville Bromhead in "Zulu." The following year, he starred in the hit thriller "The Ipcress File," earning his first of 37 BAFTA Award nominations for his portrayal of secret agent Harry Palmer. However, it was his Oscar®-nominated performance in the seminal '60s film "Alfie" that catapulted Caine to international stardom. He went on to star in eleven more films during the late '60s, including "The Ipcress File" sequels, "Funeral in Berlin" and "Billion Dollar Brain"; "Gambit," earning a Golden Globe nomination; "Hurry Sundown"; "Woman Times Seven"; "Deadfall"; "The Magus"; "The Italian Job"; and "Battle of Britain."

Over the next two decades, Caine had diverse roles in more than 40 films, including Robert Aldrich's "Too Late the Hero"; "X, Y and Zee," opposite Elizabeth Taylor; John Huston's "The Man Who Would Be King"; "Harry and Walter Go to New York"; Richard Attenborough's "A Bridge Too Far"; the Neil Simon comedy "California Suite"; Brian De Palma's "Dressed to Kill"; John Huston's "Victory"; Sidney Lumet's "Deathtrap"; Stanley Donen's "Blame It on Rio"; John Frankenheimer's "The Holcroft Covenant"; Neil Jordan's "Mona Lisa"; and "Dirty Rotten Scoundrels," for which he received a Golden Globe nomination.

Continuing to work almost non-stop, Caine has since starred in such films as "Blood and Wine," "Quills," "Miss Congeniality," "Austin Powers in Goldmember," "The Weather Man," "Children of Men," and "Harry Brown," in the title role. His most recent films include "Journey 2: The Mysterious Island," and he also lent his voice to the animated features "Cars 2" and "Gnomeo & Juliet."

Apart from his work onscreen, Caine wrote an autobiography entitled What's It All About?, as well as Acting on Film, a book based on a series of lectures he gave on BBC Television. His latest memoir, The Elephant to Hollywood, was published in 2010 by Henry Holt and Co. in the United States.

In the 1992 Queen's Birthday Honours, Caine was awarded the Commander of the Order of the British Empire (C.B.E.). Eight years later, he received his knighthood.

GARY OLDMAN (Commissioner Gordon) has been a legendary presence on the screen for more than 25 years and is known to millions worldwide for his embodiment of some of cinema's most iconic characters. In addition to Commissioner Jim Gordon, he has portrayed such wide-ranging and unforgettable roles as Harry Potter's beloved godfather, Sirius Black; Dracula; Beethoven; Lee Harvey Oswald; Sid Vicious; and John le Carré's ultimate spy, George Smiley, in an Oscar®-nominated performance.

Oldman is one of the highest-grossing actors at the global box office, having appeared in a number of the most successful films of all time, including the top-grossing Harry Potter franchise. He originated the part of Sirius Black in 2004's "Harry Potter and the Prisoner of Azkaban," and reprised his role in "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix," and the record breaking finale, "Harry Potter and the Deathly Hallows – Part 2."

He first played Jim Gordon in Christopher Nolan's 2005 hit "Batman Begins." Oldman returned to the role of Batman's crime-fighting ally in 2008's billion dollar blockbuster "The Dark Knight."

In 2011, Oldman portrayed master spy George Smiley in the film version of John le Carré's "Tinker Tailor Soldier Spy." In addition to an Oscar® nomination, Oldman's performance was recognized with a BAFTA Award nomination, a British Independent Film Award nomination, and an Empire Award, all for Best Actor.

He has repeatedly been honored for his work on the screen, including the 2011 Empire Icon Award, bestowed for a lifetime of outstanding achievements; the Gotham Awards' Career Tribute Award; and the International Star of the Year Award at the Palm Springs Film Festival.

Oldman began his acting career on the stage in 1979, and for the next few years he worked exclusively in the theatre. From 1985 through 1989, he performed at London's Royal Court. His earliest onscreen work includes the BBC films "Meantime," for director Mike Leigh, and "The Firm," directed by the late Alan Clarke.

He followed with such features as "Sid & Nancy"; "Prick Up Your Ears," directed by Stephen Frears; Tom Stoppard's "Rosencrantz & Guildenstern are Dead"; "State of Grace"; "JFK," for director Oliver Stone; and the title role in "Bram Stoker's Dracula," directed by Francis Ford Coppola. Among Oldman's many other credits are "True Romance," directed by Tony Scott; "Romeo is Bleeding"; the Luc Besson-directed films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; "The Scarlett Letter," directed by Roland Joffé; "Lost in Space"; Wolfgang Petersen's "Air Force One," as the terrorist who hijacked the plane of the President, played by Harrison Ford; and "The Book of Eli."

In 1995, with manager/producing partner Douglas Urbanski, he formed a production company, which subsequently produced the highly acclaimed "Nil by Mouth," marking Oldman's directing and writing debut. The film was selected to open the main competition for the 1997 50th Anniversary of the Cannes Film Festival, where Kathy Burke won Best Actress and Oldman was nominated for a Palme d'Or. Among the film's other honors, Oldman won the prestigious Channel 4 Director's Prize at the Edinburgh Film Festival; an Empire Award; a BAFTA Award, shared with Urbanski, for Best Film; and a BAFTA Award for Best Original Screenplay.

In 2000, Oldman starred in the political drama "The Contender," which he and Urbanski also produced. The film, which also starred Joan Allen, Jeff Bridges, Christian Slater and Sam Elliott, received a number of award recognitions, including two Oscar® nominations.

ANNE HATHAWAY (Selina Kyle) was honored with an Academy Award® nomination for Best Actress for her performance in Jonathan Demme's critically acclaimed drama "Rachel Getting Married." For her work in the film, Hathaway also earned Golden Globe, Independent Spirit Award and Screen Actors Guild (SAG) Award® nominations, and also won the National Board of Review, Chicago Film Critics Association, and Critics' Choice Awards for Best Actress. She more recently received another Golden Globe nomination, for Best Actress in a Motion Picture – Comedy or Musical, for her role in Edward Zwick's "Love and Other Drugs," opposite Jake Gyllenhaal.

Later this year, Hathaway stars as Fantine in Tom Hooper's much-anticipated feature film adaptation of the beloved musical "Les Misérables," opening in December.

Hathaway made an auspicious feature film debut with a starring role in Garry Marshall's 2001 hit comedy "The Princess Diaries," and reprised her role in "The Princess Diaries 2: Royal Engagement." Her early film credits also include Douglas McGrath's screen rendition of Charles Dickens' "Nicholas Nickleby" and the title role in "Ella Enchanted."

In 2005, Hathaway co-starred with Jake Gyllenhaal and Heath Ledger in Ang Lee's groundbreaking drama "Brokeback Mountain," and was nominated with her castmates for a SAG Award® nomination for Outstanding Motion Picture Cast. The following year, she received widespread acclaim for her performance in the smash hit "The Devil Wears Prada," opposite Meryl Streep.

Hathaway has also starred in such diverse films as Tim Burton's "Alice in Wonderland"; "Valentine's Day," which reunited her with Garry Marshall; Gary Winick's "Bride Wars"; Rodrigo Garcia's "Passengers"; Peter Segal's "Get Smart"; the Jane Austen biopic "Becoming Jane"; "Havoc"; and "The Other Side of Heaven." In addition, she lent her voice to the animated hit features "Rio" and "Hoodwinked!," and, in 2010, won an Emmy for Outstanding Voice-Over Performance for the role of Princess Penelope on an episode of "The Simpsons."

Hathaway's theatre credits include Shakespeare in the Park's 2009 production of "Twelfth Night"; Lincoln Center's Encores! presentation of "Carnival," for which she won a 2002 Clarence Derwent Award; Andrew Lloyd Webber's workshop of "Woman in White"; and "Forever Your Child." She also participated in the 2005 celebration gala for Stephen Sondheim's 75th birthday.

In January 2005, Hathaway traveled to Cambodia on behalf of the documentary "A Moment in the World," organized by Angelina Jolie. The project placed approximately 25 participants in various locations on a specific day, each instructed to videotape their surroundings at the same specific moment in time.

Born in New York, Hathaway studied acting at the Paper Mill Playhouse in New Jersey and at the award-winning Barrow Group in New York City, where she was the first and only teen ever admitted to their intensive acting program. In 2005, she was honored for her achievements by the Barrow Group. She also studied in the musical theatre program with the Collaborative Arts Project, CAP 21, affiliated with NYU. An accomplished dancer, she studied at the Broadway Dance Center in New York City. Additionally, she performed in two concerts at Carnegie Hall as a member of the All-Eastern US High School Honors Chorus. She began her professional career on television on the series "Get Real."

TOM HARDY (Bane) is currently in production on George Miller's new post-apocalyptic actioner, in which he takes on the role of Mad Max, opposite Charlize Theron. He will next be seen in the crime drama "Lawless," which premiered at the 2012 Cannes Film Festival.

Hardy previously collaborated with director Christopher Nolan in the thought-provoking 2010 thriller "Inception," alongside an international cast led by Leonardo DiCaprio. He recently also starred in the boxing drama "Warrior," with Nick Nolte and Joel Edgerton, and the thriller "Tinker Tailor Soldier Spy," with Gary Oldman.

Hailing from Great Britain, Hardy began his screen career when he was plucked straight from London's Drama Centre for a role in HBO's award-winning World War II miniseries "Band of Brothers," executive produced by Tom Hanks and Steven Spielberg. He made his feature film debut in Ridley Scott's war drama "Black Hawk Down," followed by the sci-fi adventure "Star Trek: Nemesis."

In 2008, Hardy delivered a powerhouse performance in the title role of the drama "Bronson," for which he won a British Independent Film Award, and earned nominations for a London Film Critics' Circle Award and an Evening Standard Film Award, all in the category of Best Actor.

On television, Hardy received a BAFTA TV Award nomination for Best Actor for his performance in the HBO movie "Stuart: A Life Backwards." He also portrayed Heathcliff in the 2009 ITV production of "Wuthering Heights." His work on the small screen also includes the telefilms "Oliver Twist," "A for Andromeda," "Sweeney Todd," "Gideon's Daughter," and "Colditz," as well as the BBC miniseries "The Virgin Queen."

Hardy has also starred in numerous plays in London's West End, including "Blood" and "In Arabia We'd All Be Kings," winning the Outstanding Newcomer Award at the 2003 Evening Standard Theatre Awards for his work in both productions. For the latter play, he was also nominated for a 2004 Olivier Award. In 2005, Hardy starred in the London premiere of Brett C. Leonard's "Roger and Vanessa." His later stage work includes Rufus Norris' adaptation of "Festen," at the Almeida; "The Modernists," at Sheffield's Crucible Theatre; "The Man of Mode," for the National Theatre; and the 2010 world premiere of Leonard's "The Long Red Road," directed by Philip Seymour Hoffman at Chicago's Goodman Theatre.

MARION COTILLARD (Miranda Tate) won a Best Actress Academy Award® for her performance in "La Vie en Rose," making her the first actress to earn an Oscar® for a performance in the French language. For her captivating portrayal of legendary French chanteuse Edith Piaf in that film, Cotillard also won a BAFTA Award, a Golden Globe and a César Award, and received Screen Actors Guild (SAG) Award® and Critics' Choice Award nominations.

"The Dark Knight Rises" marks the second collaboration for Cotillard and Christopher Nolan. She previously worked under Nolan's direction in the 2010 hit thriller "Inception," opposite Leonardo DiCaprio.

This fall, Cotillard will be seen in Guillaume Canet's comedy/drama "Little White Lies;" and the drama "Rust & Bone," which screened at the 2012 Cannes Film Festival. Recently, Cotillard completed production on the as-yet-untitled drama, directed by James Gray and also starring Joaquin Phoenix and Jeremy Renner; as well as the crime drama "Blood Ties," which reunited her with director Guillaume Canet.

Cotillard first gained attention for her work in the successful French "Taxi" film series, written by Luc Besson, for which she received a César Award nomination. She was introduced to American moviegoers with her role in Tim Burton's 2003 fantasy drama "Big Fish," and also starred that year in Yann Samuell's "Love Me If You Dare." Cotillard won her first César Award, for Best Supporting Actress, for her performance in Jean-Pierre Jeunet's "A Very Long Engagement." She went on to star in a number of French films, as well as Ridley Scott's "A Good Year."

In 2009, Cotillard starred in Michael Mann's "Public Enemies" and Rob Marshall's screen adaptation of the hit musical "Nine." For her role in the latter, she received Golden Globe and Critics' Choice Award nominations, in addition to sharing in a SAG Award® nomination for Outstanding Motion Picture Cast. Her additional film credits include Steven Soderbergh's thriller "Contagion," as well as Woody Allen's acclaimed romantic comedy "Midnight in Paris," for which she shared in a SAG Award® nomination for Outstanding Motion Picture Cast with Owen Wilson, Kathy Bates, and Rachel McAdams.

In 2010, Cotillard was named a Knight of the Order of Arts and Letters, for her contribution to the enrichment of French culture. Born in Paris, she studied drama at Conservatoire d'Art Dramatique in Orléans.

JOSEPH GORDON-LEVITT (John Blake) is one of today's busiest actors and has also been showcasing his talents behind the camera. Following "The Dark Knight Rises," he stars in three more films due out this year: the thriller "Premium Rush," for writer/director David Koepp; Rian Johnson's sci-fi thriller "Looper," which he stars in with Emily Blunt and Bruce Willis and also executive produced; and the Steven Spielberg-directed biopic "Lincoln," playing Robert Todd Lincoln. In addition, Gordon-Levitt is currently making his feature film directorial debut on the comedy "Don Jon's Addiction," which he also wrote and stars in with Scarlett Johansson and Julianne Moore.

Gordon-Levitt recently earned his second Golden Globe nomination in the category of Best Actor in a Motion Picture – Comedy or Musical for his performance in the comedy/drama "50/50," in which he starred with Seth Rogen, Anna Kendrick and Bryce Dallas Howard. He previously garnered Golden Globe and Independent Spirit Award nominations for his work in the award-winning sleeper hit "(500) Days of Summer," opposite Zooey Deschanel.

In 2010, Gordon-Levitt starred in Christopher Nolan's hit thriller "Inception," joining an international all-star cast, including Leonardo DiCaprio, Ellen Page and Tom Hardy. He also played the title role in the independent drama "Hesher," which premiered at the 2010 Sundance Film Festival.

His broad range of film credits also include the global action hit "G.I. Joe: The Rise of Cobra," for director Stephen Sommers; Spike Lee's World War II drama "Miracle at St. Anna"; Kimberly Peirce's controversial drama "Stop-Loss"; and the crime drama "The Lookout," which marked Scott Frank's directorial debut. In addition, Gordon-Levitt has received widespread praise for his performances in such independent features as John Madden's "Killshot"; Lee Daniels' "Shadowboxer"; Rian Johnson's award-winning debut film, "Brick"; "Mysterious Skin," for writer/director Gregg Araki; and "Manic," with Don Cheadle.

Early in his career, Gordon-Levitt won a Young Artist Award for his first major role, in Robert Redford's drama "A River Runs Through It." He went on to co-star in "Angels in the Outfield," "The Juror," "Halloween H20" and "10 Things I Hate About You."

Gordon-Levitt is also well known to television audiences for his starring role on NBC's award-winning comedy series "3rd Rock from the Sun." During his six seasons on the show, he won two YoungStar Awards and also shared in three Screen Actors Guild Award® nominations for Outstanding Comedy Series Cast. Following the series, Gordon-Levitt took a short break from acting to attend Columbia University.

Gordon-Levitt founded and directs an open collaborative production company called hitRECord.org comprised of an online community of thousands of artists from all over the world. Through the site, more than 40,000 participants have had the opportunity to team together to create short films, music, art or stories. The company has presented evenings of short film and live entertainment at the Sundance and South by Southwest Film Festivals; toured some of the country's top colleges; published Tiny Book of Tiny Stories (released by Harper Collins in December 2011); and last fall released a DVD/book/CD called RECollection Volume 1.

A budding writer/director in the more traditional sense, as well, Gordon-Levitt adapted the Elmore Leonard story "Sparks" into a 24-minute short film. Marking his directorial debut, the short screened at the 2009 Sundance Film Festival.

MORGAN FREEMAN (Lucius Fox) won an Academy Award® for Best Supporting Actor for his role in Clint Eastwood's "Million Dollar Baby," for which he also won a Screen Actors Guild (SAG) Award® and received a Golden Globe nomination. In 2009, he reunited with Eastwood to star in the director's true-life drama "Invictus," on which Freeman also served as an executive producer under his Revelations Entertainment banner. For his portrayal of Nelson Mandela in the film, Freeman garnered Oscar®, Golden Globe and Critics' Choice Award nominations, and won the National Board of Review Award for Best Actor.

Freeman has been honored with three additional Oscar® nominations, the first for his chilling performance in the 1987 drama "Street Smart," which also brought him Los Angeles Film Critics, New York Film Critics, and National Society of Film Critics Awards, and an Independent Spirit Award for Best Supporting Actor, as well as his first Golden Globe Award nomination. He earned his second Oscar® nomination and won Golden Globe and National Board of Review Awards for Best Actor for the 1989 film "Driving Miss Daisy," in which he recreated his award-winning off-Broadway role. He gained his third Oscar® nod, as well as Golden Globe and SAG Award® nominations, for his performance in Frank Darabont's 1994 drama "The Shawshank Redemption." Among his many other accolades, Freeman was named a Kennedy Center Honoree in 2008, and, in 2011, was honored with the 39th AFI Lifetime Achievement Award, and the Cecil B. DeMille Award at the Golden Globe Awards.

In "The Dark Knight Rises," Freeman reprises the role he played in Christopher Nolan's "Batman Begins" and "The Dark Knight." Freeman has several films upcoming, including the thriller "Now You See Me," under the direction of Louis Leterrier, and the science fiction actioner "Oblivion," in which he stars with Tom Cruise.

Freeman's long list of film credits also includes "Dolphin Tale"; "RED"; Rob Reiner's "The Bucket List," opposite Jack Nicholson; Robert Benton's "Feast of Love"; Ben Affleck's "Gone Baby Gone"; Lasse Hallström's "An Unfinished Life"; the Jet Li actioner "Unleashed"; the comedy "Bruce Almighty" and its sequel, "Evan Almighty"; "The Sum of All Fears"; "Along Came a Spider"; "Nurse Betty"; "Deep Impact"; Steven Spielberg's "Amistad"; "Kiss the Girls"; David Fincher's "Se7en"; "Glory"; "Lean on Me"; "Harry & Son," directed by and starring Paul Newman; and "Brubaker." He also lent his distinctive voice to such projects as Spielberg's "War of the Worlds" and the Oscar®-winning documentary "March of the Penguins."

In 1993, Freeman made his directorial debut on "Bopha!" and soon after formed Revelations Entertainment. Other Revelations productions include "Levity," "Under Suspicion," "Mutiny," "Along Came a Spider," "Feast of Love," "10 Items or Less" and "Maiden Heist."

The Memphis-born actor began his career on the stages of New York in the early 1960s, following a stint as a mechanic in the Air Force. A decade later, he became a nationally known television personality when he created the popular character Easy Reader on the acclaimed children's show "The Electric Company."

Throughout the 1970s, he continued his work on stage, winning Drama Desk and Clarence Derwent Awards and receiving a Tony Award nomination for his performance in "The Mighty Gents" in 1978. In 1980, he won two Obie Awards, for his portrayal of Shakespearean anti-hero Coriolanus at the New York Shakespeare Festival and for his work in "Mother Courage and Her Children." Freeman won another Obie in 1984 for his performance as The Messenger in the acclaimed Brooklyn Academy of Music production of Lee Breuer's "The Gospel at Colonus" and, in 1985, won the Drama-Logue Award for the same role. In 1987, Freeman created the role of Hoke Coleburn in Alfred Uhry's Pulitzer Prize-winning play "Driving Miss Daisy," which brought him his fourth Obie Award. In 1990, Freeman starred as Petruchio in the New York Shakespeare Festival's "The Taming of the Shrew," opposite Tracey Ullman. Returning to the Broadway stage in 2008, Freeman starred with Frances McDormand and Peter Gallagher in Clifford Odett's drama "The Country Girl," directed by Mike Nichols.

Friday, May 11, 2012

Batman Vehicles Tour the U.S. Before "The Dark Knight Rises"

The Tumbler and the Bat-Pod Are Rolling from Coast-to-Coast

BURBANK, Calif.--(BUSINESS WIRE)--Fans who have been eagerly awaiting the July 20 release of Warner Bros. Pictures’ and Legendary Pictures’ “The Dark Knight Rises” will have an opportunity to get a firsthand look at the Tumbler and the Bat-Pod, which are rolling out on a coast-to-coast tour, sponsored by Mountain Dew and IMAX®.

Both the Tumbler and the Bat-Pod have served as high-powered modes of transportation for Batman in Christopher Nolan’s earlier blockbusters—with the Tumbler first appearing in “Batman Begins,” and the Bat-Pod being introduced in “The Dark Knight.” They will both be featured in different ways in the hugely anticipated finale to the director’s Batman trilogy, “The Dark Knight Rises.”

Leading up to the opening of the film, the Tumbler and the Bat-Pod will be making their way across North America, appearing in the following cities and towns*:

Bentonville, Arkansas May 12

Tulsa, Oklahoma May 15

Overland Park, Kansas May 19

Kansas City, Missouri May 21

Chicago, Illinois May 25

Washington, DC May 27

Baltimore, Maryland May 28

Philadelphia, Pennsylvania May 30

Buffalo, New York June 1

Toronto, Canada June 7

Montreal, Canada June 10

Purchase, New York June 12

Columbus, Ohio June 13

Lansing, Michigan June 15

Detroit, Michigan June 16

Brooklyn, Michigan June 17

Indianapolis, Indiana June 19

Nashville, Tennessee June 21

Knoxville, Tennessee June 22

Atlanta, Georgia June 23

Dallas, Texas June 25

San Antonio, Texas June 27

El Paso, Texas June 29

Albuquerque, New Mexico July 1

Phoenix, Arizona July 2

Los Angeles, California July 7

*Please note that dates and locations are subject to change, and more may be added.

More information on the tour can be found at:
http://www.tumblertour.com/
www.facebook.com/tumblertour
@tumblertour


About “The Dark Knight Rises”:
Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a Film by Christopher Nolan, “The Dark Knight Rises.” The film stars Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, and Morgan Freeman.

Christopher Nolan directed the film from a screenplay by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. Emma Thomas, Christopher Nolan and Charles Roven are the producers, with Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull serving as executive producers, and Jordan Goldberg co-producing. “The Dark Knight Rises” is based upon Batman characters created by Bob Kane and published by DC Comics.

Opening in theatres and IMAX on July 20, 2012, “The Dark Knight Rises” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated PG-13 for intense sequences of violence and action, some sensuality and language.

http://www.thedarkknightrises.com/

Wednesday, March 14, 2012

Journey 2 Passes "Journey to the Center of the Earth" in Worldwide Box Office

“Journey 2: The Mysterious Island” Travels Farther Than Its Predecessor, Surpassing $275 Million Worldwide

Ranks #1 Internationally for Fourth Consecutive Weekend

BURBANK, Calif.--(BUSINESS WIRE)--Audience response to New Line Cinema’s “Journey 2: The Mysterious Island” has already taken the new 3D family adventure to greater heights than the 2008 hit “Journey to the Center of the Earth,” with more than $276.5 million in worldwide box office gross and still counting. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.

In addition, the new film has held the number one spot in international box office for the past four weekends in a row.

“Journey 2” The Mysterious Island” was a box-office winner in its international debut beginning January 19th, and has so far outpaced its popular predecessor by earning more than $190 million in 52 markets overseas, with some territories, including Japan, yet to release. It then opened February 10th in North America to positive word-of-mouth and has generated over $86.5 million domestically to date.

Moviegoers are also onboard in IMAX® theaters, making the film a giant-screen hit in 448 IMAX® locations around the world, with a box office total exceeding $22.7 million.

In this follow-up to “Journey to the Center of the Earth,” starring Dwayne Johnson, Michael Caine, Josh Hutcherson, Vanessa Hudgens, Luis Guzmán and Kristin Davis, the new adventure begins when young Sean Anderson receives a coded distress signal from a mysterious island where no island should exist. It’s a place of strange life forms, mountains of gold, deadly volcanoes, and more than one astonishing secret. Unable to stop him from going, Sean’s new stepfather joins the quest. Together with a helicopter pilot and his beautiful, strong-willed daughter, they set out to find the island, rescue its lone inhabitant and escape before seismic shockwaves force the island under the sea and bury its treasures forever.

“Journey 2: The Mysterious Island” is directed by Brad Peyton and produced by Beau Flynn & Tripp Vinson and Charlotte Huggins, from a screenplay by Brian Gunn & Mark Gunn, screen story by Richard Outten. Serving as executive producers are Michael Bostick, Evan Turner, Marcus Viscidi, Richard Brener, Samuel J. Brown and Michael Disco. The creative filmmaking team includes director of photography David Tattersall; production designer Bill Boes; costume designer Denise Wingate; and Academy Award® nominee Boyd Shermis ("Poseidon") as visual effects supervisor. The music is composed by Andrew Lockington.

“Journey 2: The Mysterious Island” is a New Line Cinema presentation of a Contrafilm Production and is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. Concurrently, the film is being released in IMAX® theatres worldwide.

It is rated PG for some adventure action and brief, mild language.

http://www.themysteriousisland.com/

Thursday, February 16, 2012

"Journey 2: The Mysterious Island" Now an International Box Office Success

Moviegoers Worldwide Take New Line Cinema’s “Journey 2: The Mysterious Island” beyond the $100 Million Mark

Fans Also Turn Out in Force for its Concurrent IMAX® Release

BURBANK, Calif.--(BUSINESS WIRE)--Audiences around the globe have enthusiastically embarked on the new 3D family adventure “Journey 2: The Mysterious Island,” delivering more than $112 million in combined domestic and overseas box office. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.

“Journey 2: The Mysterious Island” opened in North America on Friday, February 10, going on to earn a weekend box office total of $27.3 million. That followed an international release, launched on January 19, which has taken in $85 million to date, exceeding by 85% the success achieved in the same markets by its popular predecessor, the 2008 worldwide hit “Journey to the Center of the Earth.”

“Journey 2: The Mysterious Island” is also a major hit on IMAX® screens in more than 410 locations around the world, with a strong box office performance of $8.9 million, and counting.

Fellman stated, “We are immensely happy to see this fun family film become the crowd pleaser we believed it would be and we anticipate continued success as more moviegoers join in the adventure in the weeks to come. Congratulations are in order for the talented filmmakers and cast, as well as our colleagues at New Line Cinema.”

“The strength of the film in international markets, releasing as early as three weeks prior to its successful domestic opening, shows that this is truly global entertainment,” Kwan-Rubinek said. “We’re thrilled that audiences everywhere have responded so strongly to the fantastic world brought to life by director Brad Peyton and his wonderful cast and crew.”

In this follow-up to the 2008 worldwide hit “Journey to the Center of the Earth,” the new adventure begins when young Sean Anderson receives a coded distress signal from a mysterious island where no island should exist. It’s a place of strange life forms, mountains of gold, deadly volcanoes, and more than one astonishing secret. Unable to stop him from going, Sean’s new stepfather joins the quest. Together with a helicopter pilot and his beautiful, strong-willed daughter, they set out to find the island, rescue its lone inhabitant and escape before seismic shockwaves force the island under the sea and bury its treasures forever.

“Journey 2: The Mysterious Island” stars Dwayne Johnson, Michael Caine, Josh Hutcherson, Vanessa Hudgens, Luis Guzmán and Kristin Davis. It is directed by Brad Peyton and produced by Beau Flynn & Tripp Vinson and Charlotte Huggins, from a screenplay by Brian Gunn & Mark Gunn, screen story by Richard Outten. Serving as executive producers are Michael Bostick, Evan Turner, Marcus Viscidi, Richard Brener, Samuel J. Brown and Michael Disco. The creative filmmaking team includes director of photography David Tattersall; production designer Bill Boes; costume designer Denise Wingate; and Academy Award® nominee Boyd Shermis ("Poseidon") as visual effects supervisor. The music is composed by Andrew Lockington.

“Journey 2: The Mysterious Island” is a New Line Cinema presentation of a Contrafilm Production and is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. Concurrently, the film is being released in IMAX® theatres worldwide.

It is rated PG for some adventure action and brief, mild language.

http://www.themysteriousisland.com/

Monday, December 5, 2011

First Six Minutes of "The Dark Knight Rises" Released December 16th

Opening Sequence of “The Dark Knight Rises” Will Be Unwrapped Just in Time for the Holidays

The film’s prologue will be released exclusively in select IMAX® 70mm film theatres.

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ “The Dark Knight Rises”—the epic conclusion to filmmaker Christopher Nolan’s Batman trilogy—is one of the most anticipated films of 2012, but moviegoers won’t have to wait until next year to see the six-minute opening sequence of the film. The film’s prologue will be unveiled exclusively in select 70mm IMAX® theatres worldwide. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.

The Prologue will be released in North America on December 16, and in the UK on December 21, 2011. Additional international dates vary by territory and will be announced soon.

In making the 2008 blockbuster “The Dark Knight,” Nolan was the first to use IMAX® cameras in a major motion picture release, and, as now, audiences were given an advance look at that film’s prologue months prior to the Summer 2008 opening. Nolan employed the extremely high-resolution cameras even more extensively on “The Dark Knight Rises”—including the film’s prologue—to achieve unprecedented crispness and clarity and a truly immersive experience for the moviegoers.

Christopher Nolan stated, “Our experience on ‘The Dark Knight’ shooting and projecting IMAX 15 perf 65mm/70mm film was inspiring. The immersive quality of the image goes beyond any other filmmaking tool available, and in revisiting Gotham, we were determined to shoot even more of the movie in this unique format. Giving the fans an early look at an IMAX sequence is a great way to draw attention to what I believe will be an incredible way to experience our story when it comes out next summer.”

Following is a list of the theatres in North America in which the Prologue of “The Dark Knight Rises” will be revealed on December 16th:

Market-Theatre, City
Austin, TX-IMAX Theater Austin, Austin
Boston, MA-Jordan's IMAX. Natick
Boston, MA-IMAX 3D Theatre in Reading, Reading
Calgary, AB-Scotiabank Theatre Chinook 16 + IMAX, Calgary
Chantilly, VA-Washington, DC-Udvar-Hazy Center IMAX, Chantilly
Chicago, IL-Navy Pier IMAX Theatre, Chicago
Des Moines, IA-SCI IMAX Dome Theater, Des Moines
Detroit, MI-Henry Ford IMAX, Dearborn
Edmonton, AB-Scotiabank Theatre Edmonton + IMAX, Edmonton
Harrisburg, PA-The Whitaker Center for Science & the Arts IMAX, Harrisburg
Houston, TX-Houston Marq*e Stadium 22 + IMAX, Houston
Indianapolis-White River IMAX, Indianapolis
Los Angeles, CA-Irvine Spectrum 20 + IMAX, Irvine
Los Angeles, CA-RAVE 18 + IMAX, Los Angeles
Los Angeles, CA-Ontario Palace Stadium 22 + IMAX, Ontario
Los Angeles, CA-Citywalk Stadium 19 with IMAX, Universal City
Madison, WI-Star 18 Fitchburg with IMAX, Fitchburg
Miami, FL-AutoNation IMAX, Fort Lauderdale
Minneapolis, MN-Great Clips IMAX, Apple Valley
Montreal, QC-Cinema Banque Scotia Montreal + IMAX, Montreal
Nashville,TN-Opry Mills Stadium 20 + IMAX, Nashville
New York, NY-Lincoln Square 13 with IMAX, New York
New York, NY-Palisades IMAX, West Nyack
Omaha, NE-Star Cinema 16 with IMAX, Council Bluffs
Orlando, FL-Pointe Orlando Stadium 20 + IMAX, Orlando
Ottawa, ON-Silvercity Gloucester + IMAX, Gloucester-Ottawa
Palm Springs (Los Angeles)-Desert IMAX Theatre, Cathedral City
Philadelphia, PA-IMAX & the Tropicana, Atlantic City
Philadelphia, PA-Tuttleman IMAX - Franklin Institute, Philadelphia
Phoenix, AZ-Arizona Mills 25 with IMAX, Tempe
Providence, RI-Providence Place 16 with IMAX, Providence
Quebec City, QC-IMAX Le Theatre At Quebec, Quebec City
Sacramento, CA-Esquire IMAX, Sacramento
San Antonio, TX-IMAX at RiverCenter, San Antonio
San Francisco, CA-Metreon 16 with IMAX & ETX, San Francisco
Seattle, WA-Boeing IMAX - Pacific Science Center, Seattle
Tampa, FL-Museum of Science and Industry (MOSI), Tampa
Toronto, ON-Coliseum 12 Mississauga + IMAX, Mississauga
Toronto, ON-Scotiabank Theatre Toronto + IMAX, Toronto
Toronto, ON-Colossus 18 Woodbridge + IMAX, Woodbridge-Vaughan
Vancouver, BC-Colossus Langley + IMAX, Langley
Vancouver, BC-Silvercity Riverport 18 + IMAX, Richmond

Below is a list of the theatres in the UK in which the Prologue of “The Dark Knight Rises” will be revealed on December 21st:

UK-BFI London, London
UK-National Media Museum IMAX Bradford, Bradford
UK-Glasgow Science Centre IMAX Cinema, Glasgow
UK-Odeon Manchester IMAX @ The Printworks, Manchester

Opening on July 20, 2012, “The Dark Knight Rises” features an international all-star cast, led by Oscar® winner Christian Bale (“The Fighter”) in the dual role of Bruce Wayne/Batman. The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard (“La Vie en Rose”), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake. Reprising their roles from both “Batman Begins” and “The Dark Knight,” Oscar® winner Michael Caine (“The Cider House Rules”) plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman (“Million Dollar Baby”) plays Lucius Fox.

Nolan directed “The Dark Knight Rises” from a screenplay by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. The film is produced by Emma Thomas, Christopher Nolan and Charles Roven, who previously teamed on “Batman Begins” and the record-breaking blockbuster “The Dark Knight.” Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull are the executive producers, with Jordan Goldberg serving as co-producer. “The Dark Knight Rises” is based upon characters appearing in comic books published by DC Comics. Batman created by Bob Kane.

“The Dark Knight Rises” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The prologue has been rated PG-13 by the MPAA for “some violence.” http://www.thedarkknightrises.com/

Tuesday, September 6, 2011

Brian De Palma's "Dressed to Kill" Now on Blu-ray

A BEAUTIFUL STRANGER HAS A NAUGHTY SECRET…

Brian De Palma’s Sexy Crime Thriller DRESSED TO KILL Makes Its Blu-ray Debut on September 6

Relive every suspenseful, erotically-charged fantasy captured in the timeless MGM classic DRESSED TO KILL, making its Blu-ray debut September 6 from Twentieth Century Fox Home Entertainment. Written and directed by critically-acclaimed filmmaker Brian De Palma (Scarface, The Untouchables), DRESSED TO KILL is a dark, psychological crime thriller with twists and turns around every corner.

Kate Miller (Angie Dickinson, “Police Woman”) is a sexually-repressed housewife who seeks treatment from Dr. Robert Elliott (two-time Academy Award®-winner Michael Caine, Hannah and Her Sisters, The Cider House Rules). While secretly leaving a hotel after a one-night affair, Kate is mysteriously murdered by a tall blonde woman wearing sunglasses. The only witness is a high-priced call girl, Liz (Nancy Allen in a Golden Globe®-nominated performance), who becomes the killer’s next target. With the help of Kate’s grown son, Peter (Keith Gordon, A Midnight Clear), Liz discovers that the murderer is connected to Dr. Elliott, and the pair come face-to-face with a shocking surprise.

DRESSED TO KILL will be available on single-disc Blu-ray and includes four behind-the-scenes featurettes and a photo gallery. The ARP for Blu-ray is $16.99.

DRESSED TO KILL Special Features
• Unrated Cut Blu-ray
• “The Making of a Thriller” Full-Length Documentary including interviews with Brian De Palma, Angie Dickinson, Nancy Allen and Dennis Franz
• “Slashing Dressed to Kill” Featurette
• “Dressed to Kill: An Appreciation by Keith Gordon” Featurette
• “Comparison of the Unrated, R-rated, and Network Versions” Featurette
• Animated Photo Gallery


About Metro-Goldwyn-Mayer Studios Inc.
Metro-Goldwyn-Mayer Studios Inc. is actively engaged in the worldwide production and distribution of motion pictures, television programming, home video, interactive media, music, and licensed merchandise. The company owns the world’s largest library of modern films, comprising around 4,100 titles. Operating units include Metro-Goldwyn-Mayer Studios Inc., Metro-Goldwyn-Mayer Pictures Inc., United Artists Films Inc., MGM Television Entertainment Inc., MGM Networks Inc., MGM Distribution Co., MGM International Television Distribution Inc., Metro-Goldwyn-Mayer Home Entertainment LLC, MGM ON STAGE, MGM Music, MGM Consumer Products and MGM Interactive. In addition, MGM has ownership interests in domestic and international TV channels reaching over 130 countries. For more information, visit http://www.mgm.com/.

About Twentieth Century Fox Home Entertainment
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

DRESSED TO KILL DVD: (Catalog #M124694)
Street Date: September 6, 2011
Screen Format: Widescreen 2.35:1
Audio: English: 5.1 DTS-HD Master Audio / French: Mono
Subtitles: Dubbed: English & French / Subtitled: English, French & Spanish
U.S. Rating: Unrated
Total Run Time: 105 minutes
Closed Captioned: Yes


Sunday, June 26, 2011

Review: "Cars 2" is Pixar's First Clunker

TRASH IN MY EYE No. 53 (of 2011) by Leroy Douresseaux

Cars 2 (2011)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – G
DIRECTOR: John Lasseter with Brad Lewis
WRITERS: Ben Queen; from a story by John Lasseter, Brad Lewis, and Dan Fogelman
PRODUCER: Denise Ream
COMPOSER: Michael Giacchino

ANIMATION/ACTION/COMEDY/FAMILY/SPORTS

Starring: (voices) Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Eddie Izzard, John Turturro, Joe Mantegna, Thomas Kretschmann, Vanessa Redgrave, Bruce Campbell, Jeff Garlin, Jason Isaacs, Cheech Marin, Bonnie Hunt, Tony Shalhoub, Guido Quaroni, Jenifer Lewis, John Ratzenberger, Katherine Helmond, Franco Nero, Brent Musburger, and Darrell Waltrip

Pixar Animation Studios finally did it. They made a bad movie… a really bad movie. They made a loud, empty, action movie. It is full of sound and fury – signifying nothing more than new characters that can be turned into merchandise for the kids who are the only ones that will love this ridiculous movie.

Of course, I’m talking about Cars 2, the computer-animated film and sequel to the 2006, Oscar-nominated Cars. Cars 2, set in a world where talking cars and vehicles are the people, is a globe-trotting tale of car races, spies, and international intrigue. It’s like Cody Banks meets Ricky Bobby.

Cars 2 opens with everybody’s favorite rusty tow truck, Mater (Larry the Cable Guy), eagerly awaiting the return of his buddy, the champion race car, Lightning McQueen (Owen Wilson), to the sleepy burg of Radiator Springs. Soon after he returns, McQueen finds himself entered in the World Grand Prix, a race sponsored by former oil tycoon, Miles Axlerod (Eddie Izzard), and used to promote Axlerod’s new renewable fuel, Allinol. With Mater in tow, McQueen heads to Tokyo for the first leg of the World Grand Prix. Soon after they arrive, it becomes obvious to McQueen that Mater is having trouble behaving himself.

McQueen is busy with the first race, trying to beat his rival, FI racer, Francesco Bernoulli (John Turturro). Meanwhile, Mater falls into a bit of international intrigue when two British spycars, Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer), mistake Mater for a spy. An evil scientist, Professor Zündapp (Thomas Kretschmann), has developed a device that can destroy race cars. If the plan to foil Zündapp relies on Mate, can the tow truck really save the day? Can he even save his friendship with McQueen?

The original Cars was a technological and artistic leap, particularly in how it animated the race cars that acted like humans and also the racing sequences. Cars 2 actually improves on that. It is as visually appealing as any other Pixar feature, but this movie isn’t any good. Cars 2 is a shiny, pretty, candy-painted car that is an unappealing lemon under the hood. This movie has the elements of a comic caper and spy spoof, but it isn’t funny and it spoofs the audience. Cars 2 is a series of action scenes stuck together to form a Frankenstein-like kids action comedy with a goofy plot, but no real story and little in the way of character. Cars 2 is tire-bursting action with a story as rundown as Mater looks.

Speaking of Mater: Cars 2 is his film the way Cars is McQueen’s film, and that is Cars 2’s saving grace. Larry the Cable Guy, the standup comedian who is the voice of Mater, can be a funny guy, even as a comic actor. His rapid-fire verbosity and one-liners provide most of this movie’s few laughs.

And that’s sad. Cars 2 is so mediocre that it is hard to believe that it is a Pixar production. I dozed off four times during this movie, and I was desperate for it to end so that I could speed away from this awful movie.

3 of 10
C-

Sunday, June 26, 2011

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Saturday, May 28, 2011

Review: Cute "Gnomeo & Juliet" Charms All Ages

TRASH IN MY EYE No. 44 (of 2011) by Leroy Douresseaux

Gnomeo & Juliet (2011)
Running time: 84 min (1 hour, 24 minutes)
MPAA – G
DIRECTOR: Kelly Asbury
WRITERS: Andy Riley, Kevin Cecil, Mark Burton, Emily Cook, Kathy Greenberg, Steve Hamilton Shaw, and Kelly Asbury; from a story by Rob Sprackling, John R. Smith, Andy Riley, Kevin Cecil, and Steve Hamilton Shaw and from an original screenplay by Rob Sprackling and John R. Smith (based upon the play by William Shakespeare)
PRODUCERS: Baker Bloodworth, David Furnish, and Steve Hamilton Shaw
EDITOR: Catherine Apple
COMPOSERS: Chris Bacon and James Newton Howard
SONGS: Elton John and Bernie Taupin

ANIMATION/COMEDY/ACTION/ROMANCE

Starring: James McAvoy, Emily Blunt, Ashley Jensen, Michael Caine, Matt Lucas, Jim Cummings, Maggie Smith, Jason Statham, Ozzy Osbourne, Stephen Merchant, Patrick Stewart, Julie Walters, Richard Wilson, and Hulk Hogan

Gnomeo & Juliet is a computer-animated film released earlier this year. A family film, it retells William Shakespeare’s Romeo and Juliet using garden gnomes that walk and talk. Recordings of Elton John songs like “Saturday Night’s Alright for Fighting,” “Don’t Go Breaking My Heart,” and “Your Song,” are the soundtrack to this classic love story with a twist.

Mrs. Montague (Julie Walters), with her blue house, and Mr. Capulet (Richard Wilson), with his red house, are next door neighbors and enemies. When they leave their homes, the objects in their backyard come to life. The Montague backyard is filled with blue garden gnomes, while the Capulet backyard has red garden gnomes, and like their masters, the blue and red garden gnomes are mortal enemies. They are constantly fighting or engaging in dangerous games like lawnmower races. The blues are led by Lady Blueberry (Maggie Smith) and the reds by Lord Redbrick (Michael Caine).

The garden gnome feud takes a complicated turn when Gnomeo (James McAvoy), son of Lady Blueberry, and Juliet (Emily Blunt), daughter of Redbrick, meet and begin a romance. When a lawnmower race goes horribly awry, Gnomeo is on the run and Juliet is confined to a fountain. Will their love prevail or will Gnomeo and Juliet come to the same tragic end as Shakespeare’s Romeo and Juliet?

There is not much to say about Gnomeo & Juliet. It’s cute, often heartwarming, and surprisingly (at least to me) fun to watch. A movie doesn’t really have to be good to be entertaining, and while Gnomeo & Juliet isn’t by any means great, it has a few moments that you might find just delightful to watch. Exceptional animated films have great supporting characters, but this one doesn’t, although there are good ones that the film underutilizes (like Nanette the garden frog and Shroom the silent mushroom).

The Elton John songs, some of which are turned into instrumental melodies or interludes, are a mixed bag. The duets, with Lady Gaga on “Hello, Hello” and with Nelly Furtado on “Crocodile Rock,” are disappointing, especially the Gaga joint, which sounds like a symphony of warring cats. The film, however, makes good use of the classic songs.

That aside, Gnomeo & Juliet will delight its intended audience – children, but many adults are in for a surprise. They will find this wacky take on Romeo and Juliet sometimes witty and often charming.

6 of 10
B

Saturday, May 28, 2011

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Monday, May 23, 2011

"Gnomeo and Juliet" Arrives on Disney DVD and Blu-ray May 24th

This coming summer to the U.S., don’t miss the chance to bring home GNOMEO & JULIET - the hilarious twist on William Shakespeare’s legendary tale Romeo & Juliet as you’ve never seen it before, perfect for the whole family. Enter the secret world of garden gnomes and meet two adorable gnomes from completely different worlds who fight the odds to be together. From a director of Shrek 2, and featuring fun, all-new music by Sir Elton John, the out-of-the-ordinary animated comedy GNOMEO & JULIET releases on Blu-ray™, Blu-ray 3D™, DVD, Movie Download and On-Demand – May 24, 2011.

Uniquely packaged with families’ top of mind, GNOMEO & JULIET will be made available for purchase by Walt Disney Studios as either a 3-Disc Blu-ray Combo Pack (Blu-ray 3D, Blu-ray 3D + DVD with Digital Copy), a 2-Disc Blu-ray Combo Pack (Blu-ray 2D + DVD) and/or a 1-Disc DVD. Disney Blu-ray Combo Packs provide families with an enhanced entertainment experience – with the value and flexibility to enjoy your favorite movies on a variety of platforms of choice.

And for those who enjoy to learn more about the making of the film, GNOMEO & JULIET discs come enclosed with never-before-seen bonus features including “Elton Builds A Garden,” “Frog talk with Ashley Jensen,”, “Crocodile Rock Music Video featuring Elton John and Nelly Furtado.” And for those who purchase the Blu-ray Disc, it includes hours of extra exclusive bonus features including alternate endings, deleted scenes and more.

GNOMEO & JULIET is brought to life by the extraordinary voices of Golden Globe nominee James McAvoy (The Chronicles of Narnia: The Lion, The Witch and the Wardrobe) as Gnomeo; Emily Blunt (The Devil Wears Prada) as Juliet; Academy Award winner Michael Caine (Inception) as Lord Redbrick; Jason Statham (The Trasnsporter franchise) as Tybalt; Ashley Jensen (TV’s Ugly Betty) as Nanette; Patrick Stewart (X-Men franchise) as William Shakespeare; Ozzy Osbourne (TV’s The Osbournes) as Fawn and Maggie Smith (Harry Potter franchise) as Lady Blueberry.

Bonus Features:
DVD & Movie Download:
• Elton Builds a Garden
• Frog Talk with Ashley Jensen
• “Crocodile Rock” Music Video, featuring Elton John and Nelly Furtado

Blu-ray:
• DVD Bonus plus:
• 2 Alternate Endings with Filmmaker Introductions
• Deleted & Alternate Scenes with Filmmaker Introductions, including: 1 Alternate Opening, 1 Alternate Scene and 6 Deleted Scenes
• The Fawn of Darkness, featuring Ozzy Osbourne

Film Synopsis:
From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes — Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world’s most timeless stories features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and Sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingos and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!


Gnomeo and Juliet (Three-Disc Combo: Blu-ray 3D/Blu-ray/DVD + Digital Copy)


Friday, May 20, 2011

"The Dark Knight Rises" Begins

PRODUCTION BEGINS ON "THE DARK KNIGHT RISES"

Filming will take place on three continents, with an all-star cast working under the direction of Christopher Nolan.

BURBANK, CA, May 19, 2011 - Principal photography has begun on Warner Bros. Pictures' and Legendary Pictures' "The Dark Knight Rises," the epic conclusion to filmmaker Christopher Nolan's Batman trilogy.

Leading an all-star international cast, Oscar® winner Christian Bale ("The Fighter") again plays the dual role of Bruce Wayne/Batman.

The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard ("La Vie en Rose"), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake.

Returning to the main cast, Oscar® winner Michael Caine ("The Cider House Rules") plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman ("Million Dollar Baby") reprises the role of Lucius Fox.

In helming "The Dark Knight Rises," Christopher Nolan is utilizing IMAX® cameras even more extensively than he did on "The Dark Knight," which had marked the first time ever that a major feature film was partially shot with IMAX® cameras. The results were so spectacular that the director wanted to expand the use of the large-format cameras for this film.

The screenplay for "The Dark Knight Rises" is written by Christopher Nolan and Jonathan Nolan, story by Christopher Nolan & David S. Goyer. The film is being produced by Emma Thomas, Christopher Nolan and Charles Roven, who previously teamed on "Batman Begins" and the record-breaking blockbuster "The Dark Knight." The executive producers are Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull, with Jordan Goldberg serving as co-producer. "The Dark Knight" is based upon characters appearing in comic books published by DC Comics. Batman was created by Bob Kane.

Behind the scenes, "The Dark Knight Rises" reunites the director with several of his longtime collaborators, all of whom worked together on the "The Dark Knight." The creative team includes director of photography Wally Pfister, who recently won an Oscar® for his work on Nolan's "Inception"; production designer Nathan Crowley; editor Lee Smith; and Oscar®-winning costume designer Lindy Hemming ("Topsy-Turvy"). In addition, Paul Franklin and Chris Corbould, who both won Oscars® for the effects in "Inception," will supervise the visual and special effects, respectively. The music will be composed by Oscar® winner Hans Zimmer ("The Lion King").

The locations for "The Dark Knight Rises" span three continents and include the American cities of Pittsburgh, New York and Los Angeles, as well as sites in India, England and Scotland.

"The Dark Knight Rises" is a presentation of Warner Bros. Pictures, in association with Legendary Pictures. Slated for release on July 20, 2012, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Monday, March 14, 2011

Review: "The Quiet American" Waits Until the End to Get Loud (Happy B'day, Michael Caine)

TRASH IN MY EYE No. 51 (of 2003) by Leroy Douresseaux

The Quiet American (2002)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for images of violence and some language
DIRECTOR: Phillip Noyce
WRITERS: Christopher Hampton and Robert Schenkkan (based upon a novel by Graham Greene)
PRODUCERS: Staffan Ahrenberg and William Horberg
CINEMATOGRAPHER: Christopher Doyle
EDITOR: John Scott
Academy Award nominee

DRAMA/MYSTERY with elements of a thriller

Starring: Michael Caine, Brendan Fraser, Do Thi Hai Yen, Tzi Ma, Pham Thi Mai, Robert Stanton, and Rade Serbedzija

Michael Caine earned a Best Actor Oscar nomination for his performance in Phillip Noyce’s film The Quiet American. It’s an understated, but rich performance by a veteran actor. However, you have to watch closely as you might miss some of the nuances. Caine plays by hook and by crook, taking advantage of visual and spoken opportunities to develop his character.

Thomas Fowler (Caine) is a British foreign correspondent in Vietnam, circa 1952, for the London Times. He’s also an opium addict with a girlfriend, Phuong (Do Thi Hai Yen). He’d love to marry his Asian flower, but he can’t because his wife back in England is a Catholic who won’t grant him a divorce. Fowler is also resentful of American colonialist encroachment in Vietnam, a French colony. The French military is steadily losing a war against the communist rebels, and the Americans don’t want the country to “fall” to the communists. Fowler meets Alden Pyle (Brendan Fraser, The Mummy), a quiet young American doctor who eventually vies with the older Englishman for the affection of Phuong and creates a rift between himself and Fowler of philosophical, cultural, political, and emotional ramifications.

Caine’s Fowler seems to exist in three phases. Early in the film, he’s quite uninteresting, just another Western dope addict with a Vietnamese sugar mama. Later, he’s a man with a dilemma who is afraid to lose the love of his life to Pyle, a man without his own marital entanglements. Finally, he’s a troubled man, angry at the growing American involvement in Vietnam, at the rising bloodshed and mounting casualties of a civil war, and afraid of what he might do to hold onto what he believes he has. The viewer literally has to watch Caine’s every facial tick and gesture, watch the actor’s eyes, and even scan the flush of his face. The audience also has to comb through the actor’s dialogue and listen to the subtle changes in tone during the voiceovers. Caine’s performance isn’t an obvious powerhouse; it’s straightforward, almost realistic. It’s almost as if he weren’t acting. There’s nothing phony about it, nor is their artifice. Caine’s Fowler is a mystery, and we can never figure him out even when we think we have him pinned. Fowler shifts with the wind and rolls with the punches, and the movie almost entirely belongs to Caine.

The Quiet American can at times seem almost too understated. The film lacks passion and rarely even smolders. It’s the most sedate thriller I’ve seen in years, which is a surprise coming from Noyce who is known for his thrillers and noisy action films like Dead Calm and Clear and Present Danger. Although he allows Caine room to roam, Noyce leaves the rest of his cast very little room in which to play, but they make the most of it. Fraser is an underrated actor who is quite capable of strong dramatic parts as seen in Gods and Monsters. Ms. Yen’s Phuong is too hemmed in, but Tzi Ma and Pham Thi Mai make the most of their small parts.

Caine’s performance makes The Quiet American worth a look, but the movie may be a bit slow for most viewers. Noyce and his screenwriters really underplay the film’s potential for dramatic impact. It’s a good film that has some very nice moments, but Noyce doesn’t really turn up the heat until the end when the implications of the story come to a head and leave us dizzy and shocked. Thankfully, we have a fine actor in Michael Caine to carry us along the slow journey.

6 of 10
B

NOTES:
2003 Academy Awards: 1 nomination: “Best Actor in a Leading Role” (Michael Caine)

2003 BAFTA Awards: 1 nomination: “Best Performance by an Actor in a Leading Role” (Michael Caine)

2003 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture – Drama” (Michael Caine)

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