2014 Student Academy Awards Call for Applications

2014 Student Academy Awards® Competition Now Underway

BEVERLY HILLS, CA — The Academy is now accepting applications for its 2014 Student Academy Awards competition. Past Student Academy Award® winners have gone on to receive 46 Oscar® nominations and have won or shared eight awards.  Winners include Pete Docter, John Lasseter, Spike Lee, Trey Parker and Robert Zemeckis.

Gold, Silver and Bronze Medal awards, along with cash prizes, may be presented to student filmmakers in the following categories: Alternative, Animation, Narrative, Documentary and Foreign Film.

The rules and online application forms are available at www.oscars.org/saa.

The U.S. competition is open to all full-time college and university students at accredited institutions, whose films are made within the curricular structure of a film program or class at their respective schools. For 2014, the Academy has again limited the accepted accreditation agencies for U.S. institutions to the following: Middle States Association of Colleges and Schools; New England Association of Schools and Colleges; North Central Association of Colleges and Schools; Northwest Commission on Colleges and Universities; Western Association of Schools and Colleges; and the Southern Association of Colleges and Schools. U.S. entries must be submitted by Tuesday, April 1, 2014.

In the Foreign Film category, entries are accepted only from full-time college and university students attending schools that are members of the international film school organization known as CILECT (www.cilect.org) and located outside the borders of the United States. The deadline to submit a foreign student film for consideration is Friday, March 21, 2014.

The 41st Annual Student Academy Awards presentation will be held in June at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level.

Pixar to Be Honored by International 3D Society

Pixar Animation Studios to Receive Sir Charles Wheatstone Award from International 3D & Advanced Imaging Society January 28th, 2014

HOLLYWOOD, Calif.--(BUSINESS WIRE)--The International 3D & Advanced Imaging Society will present Pixar Animation Studios with the 2014 Sir Charles Wheatstone Award for creative excellence, it was announced in Hollywood. The award will be presented at the Society's 5th Annual Creative Arts Awards at a black tie ceremony held at Warner Bros. Studios on January 28th, 2014.

“The Society’s core mission is to educate the global creative community and recognize outstanding creative achievement by our industry’s leaders,” said Tom Cosgrove, CEO of 3net Studios and Co-Chairman of the Society. “John Lasseter and the Pixar team are at the very pinnacle of brilliant storytelling and flawless technical achievement, and most worthy of our highest honor,” he added.

“What an amazing honor to be recognized with this year's Wheatstone Award,” said John Lasseter, Chief Creative Officer of Walt Disney and Pixar Animation Studios. “In our films, story is the most important ingredient and 3D is an incredible tool to help tell those stories; it builds emotion, lands a joke and expands a world. 3D truly helps us make our films great, and to receive this award from the International 3D Society is awesome in every dimension of the word.”

The Society’s Creative Arts Awards annually bestow its gold Lumiere™ statuette to 3D movies, television programs, 4K technology and other content as selected by the Society’s voting membership.

“This year’s ‘Monsters University’ is but the most recent example of Pixar’s spectacular work,” said Society Awards Chairman Buzz Hays, Founder and CEO of the True Image Company. “Pixar has been our most honored studio, having received 4 previous Lumiere™ awards. The Sir Charles Wheatstone Award is our opportunity to recognize Mr. Lasseter and the entire Pixar organization for their entire body of work and their support of 3D storytelling.”

“Sir Charles Wheatstone is credited by history as the inventor of modern-day 3D. Although he lived and worked in the 19th century, his legacy of educating professionals about 3D remains an important function of the Society today,” said Society President Jim Chabin. “In honoring Pixar Animation Studios, we have an opportunity to shine the spotlight on the incredible contributions this creative team has made to filmmaking, and to storytelling, in 3D,” he added.

Pixar’s ‘Brave’ was honored by the Society as 2012’s “Best Animated 3D Feature.” Other honors include “Best 3D Short Film” awards for ‘Partly Cloudy’ (2010), ‘Day and Night’ (2011) and ‘La Luna’ (2012).

About The International 3D & Advanced Imaging Society:
The International 3D & Advanced Imaging Society is a community of content creators and professionals whose mission is to develop the arts and technologies of 3D, advanced imaging and its innovators. With over 60 companies and 800 professional members in 20 countries, the Society is open to individuals and organizations active in moving 3D and advanced imaging to an exciting new era of creative achievement and consumer support. For more information please visit: www.International3DSociety.com.

Disney's D23 Expo 2013 Takes Fans Behind the Scenes

The Walt Disney Studios Takes Fans behind the Scenes at Disney’s D23 Expo, August 9–11

BURBANK, Calif.--(BUSINESS WIRE)--Exclusively at Disney’s D23 Expo August 9–11 at the Anaheim Convention Center, Disney fans are invited to explore the incredible roster of film, stage, and music projects on the horizon at The Walt Disney Studios, with a variety of panel discussions, sneak peeks, and exhibits.

This year the Studio will present two arena shows, kicking off the Expo at 10 a.m. Friday, August 9, with “Art and Imagination: Animation at The Walt Disney Studios,” a showcase of upcoming animated films from Walt Disney Animation Studios, Pixar Animation Studios, and DisneyToon Studios. John Lasseter, Chief Creative Officer of Disney’s Animation Studios, will host a lively exhibition chock-full of never-before-seen footage, celebrity and filmmaker appearances, and live performances from films like Disney’s Frozen, Pixar’s The Good Dinosaur and the Mickey Mouse short Get a Horse!. Then at 10:30 a.m. Saturday, August 10, Walt Disney Studios Chairman Alan Horn, Disney Live Action Production President Sean Bailey, and Marvel Studios President and Producer Kevin Feige will host “Let the Adventures Begin: Live Action at The Walt Disney Studios,” an expedition through the Studio’s exciting live-action offerings from Disney as well as several powerhouse pictures on tap from Marvel Studios, with exclusive clips and surprise guests from a range of films including Saving Mr. Banks, Tomorrowland, Thor: The Dark World, Captain America: The Winter Soldier and much more.

Fans can expect appearances from Kristen Bell and Idina Menzel (Frozen), Dane Cook (Disney’s Planes), Jason Schwartzman and B.J. Novak (Saving Mr. Banks), Ty Burrell (Muppets Most Wanted) and top Marvel and Disney•Pixar talent. And in typical D23 Expo fashion, fans can also anticipate surprise appearances from more of their favorite stars.

In “Broadway & Beyond…Celebrating the Stars of Disney on Broadway,” Friday, August 9 at 6:30 p.m., audiences will take a musical journey with Disney Theatrical Productions President Thomas Schumacher and a bevy of stage stars, including Heidi Blickenstaff (The Little Mermaid), Ashley Brown (Mary Poppins, Beauty and the Beast), Merle Dandridge (Tarzan® and AIDA), Josh Strickland (Tarzan) and Alton Fitzgerald White (The Lion King), who sing beloved songs from the award-winning musicals they starred in as well as classic tunes from the Disney on Broadway catalog.

Throughout the weekend, fans will have the opportunity to go behind the scenes with the animation artists at Disney and Pixar with several featured panels, including:

* Inside the Ice: The Art of Disney’s Frozen – Walt Disney Animation Studios’ big-screen comedy adventure Frozen, with its icy setting and colorful cast of characters, presented breathtaking opportunities, plus a few challenges for filmmakers. Join the team behind the movie for an exclusive look at the art and animation of Frozen. (Saturday, August 10, 10:30 a.m.)

* The Art of The Good Dinosaur – Pixar Animation Studios’ latest feature explores what might have happened if the cataclysmic asteroid that forever changed life on Earth actually missed the planet completely and giant dinosaurs never became extinct. Take a closer look at this imaginative world of possibility and the artistry and production design behind it. (Saturday, August 10, 3 p.m.)

* Toy Story OF TERROR! and the Motivation Behind Pixar’s Short Form Content – From toys on vacation to tow-riffic four wheelers, Pixar keeps some of their most beloved characters alive and well through short-form content. Angus MacLane, director of Toy Story OF TERROR!, a new adventure featuring Woody, Buzz and the Toy Story gang set for release on TV this fall; producer Galyn Susman; and other Pixar short-form filmmakers share their experiences and discuss the exciting challenges of expanding the worlds of these characters loved by audiences across the globe. (Saturday, August 10, 5 p.m.)

* Pixar: Doing Our Homework – Research is an integral part of the filmmaking process, and with a story in hand, Pixar artists set out to become experts, immersing themselves in places, people and experiences that inspire and inform their filmmaking, whether it be spirited Scots, delectable French cuisine, or deep sea adventures. (Friday, August 9, 6 p.m.)

* Women of Pixar – Jessie. Dory. Sally. Merida. Although they never cross paths and exist in different worlds, these iconic Pixar females have one thing in common: girl power. Meet a dynamic group of women from Pixar, whose experience and success at the studio have helped craft some of the most memorable animated films in recent history. They will share stories from their journeys and the lessons they have learned along the way. (Sunday, August 11, 1 p.m.)

Expo attendees will also have access to an Exclusive Screening of Disney’s Planes in 3D, featuring an introduction by some very special guests. (Friday, August 9, 3 p.m.)

As Disney welcomes Lucasfilm into the family, fans will have a chance to delve deep in the Star Wars universe with “Crash Course in the Force: Star Wars Saga 101,” an immersive journey into the rich history of the worldwide phenomenon, led by Lucasfilm’s resident authority Pablo Hidalgo. (Saturday, August 10, 5 p.m.)

Music fans will be treated to performances by Good Luck Charlie star and platinum-selling Hollywood Records artist Bridgit Mendler, and Hollywood Records artists R5, fronted by Teen Beach Movie and Austin & Ally star Ross Lynch. D23 will also present Richard Sherman and Alan Menken, two of the world’s most celebrated songwriters and composers who have won a combined 10 Academy Awards for their work with Disney. In addition, Grammy® Award-winning producer and resident Disney Music Historian, Randy Thornton, will take fans on a musical journey with inside stories of songs written for classic Disney films.

Out on the Expo floor, fans can explore the world of The Walt Disney Studios at their leisure with comprehensive exhibits, including:

* Walt Disney Animation Studios Pavilion – Attendees can summon their inner artist and escape into diverse worlds of where there’s much to explore, from the stunning snow-covered setting of Frozen to the high-tech, action-packed world of Big Hero 6, featuring the latest animation technology, sneak peeks, and giveaways.

* Disneytoon Studios Pavilion – Aviation aficionados and fairy fans will be on cloud nine as they explore projects including Disney’s Planes and immerse themselves in the world of Pixie Hollow and the magical heroines from Disney’s Fairies with exciting demonstrations and presentations.

* Walt Disney Studios In-Home Entertainment Zones – Dive into cutting-edge home entertainment technology and learn what the future holds for Disney movie fans, with sneak peeks of upcoming films in breathtaking high-definition Blu-ray 3D™, including new hit films and new-to-Blu classics, the latest on Disney Second Screen and more. Also, the adorable Disney "Buddies" are back with an all-new movie—Super Buddies—coming August 27! Fans can get a picture with one of the real puppy super heroes. They are appearing live at D23 Expo for the first time—Saturday and Sunday!

Tickets for the D23 Expo are $57 for a one-day adult admission and $47 for children 3–12. Tickets for members of D23: The Official Disney Fan Club are $50 for a one-day adult admission and $42 for children. Multi-day money-saving tickets are also available for both D23 Members and the general public, and D23 Members can save as much as $84 off the price of admission, based on the purchase of four three-day tickets at the D23 Member rate. For more information on tickets and the ticket pricing structure for members and general admission, visit D23Expo.com.

About D23 Expo 2013
The D23 Expo—The Ultimate Disney Fan Event—brings the entire world of Disney under one roof, providing attendees with unprecedented access to Disney films, television, and theme parks. For the latest D23 Expo 2013 news, visit D23Expo.com. To be part of the D23 Expo conversation, make sure to follow @DisneyD23 and tag your tweets with #D23Expo.

About D23
The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official club for fans in Disney’s nearly 90-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at D23.com with members-only content; and member-exclusive discounts and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 9–11, 2013.

Fans can join D23 at Gold, Silver, and Free Membership levels at D23.com and at www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us @DisneyD23 on Twitter, Facebook, Pinterest, and YouTube.

Review: Pixar's "Brave" is Brave, But Not Bold

TRASH IN MY EYE No. 43 (of 2013) by Leroy Douresseaux

Brave (2012)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG for some scary action and rude humor
DIRECTORS: Mark Andrews and Brenda Chapman with Steve Purcell
WRITERS: Mark Andrews, Steve Purcell, Brenda Chapman, and Irene Mecchi with Michael Arndt; from a story by Brenda Chapman
PRODUCER: Katherine Sarafian
EDITOR: Nicholas C. Smith
COMPOSER: Patrick Doyle
Academy Award winner

ANIMATION/FANTASY/DRAMA

Starring: (voices) Kelly Mcdonald, Emma Thompson, Billy Connolly, Julie Walters, Robbie Coltrane, Kevin McKidd, Craig Ferguson, Sally Kinghorn, Eilidh Fraser, Peigi Barker, Steven Cree, Steve Purcell, Callum O’Neill, Patrick Doyle, and John Ratzenberger

Brave is a 2012 computer-animated, fairy tale film from Pixar Animation Studios. Distributed by Walt Disney Pictures, Brave won the Academy Award for “Best Animated Feature” (February 2013), making its co-director, Brenda Chapman, the first female director to win an Oscar in that category. The film was executive produced by three of Pixar’s biggest creative voices: John Lasseter, Pete Docter, and Andrew Stanton.

Brave centers on a defiant princess who must fight a curse she brings upon her family. As Pixar films go, Brave is second-tier and not on the level of such films as Toy Story 2, Wall-E, or Up. It is a good movie, but nothing I would call great. In fact, I would not have voted Brave the best animated feature Oscar over a film like ParaNorman and Madgascar 3: Europe’s Most Wanted (which was not nominated).

In Scotland of old, Princess Merida (Kelly Mcdonald) is the 16-year-old daughter of King Fergus (Billy Connolly) of the Clan Dun Broch (Dunbroch). Merida’s mother, Queen Elinor (Emma Thompson), wants what is best for both the kingdom and her daughter. Thus, the Queen clashes with the rebellious and free-spirited Merida who wants to make her own path in life. Skilled at horse-riding and with a bow, Merida does not want to be a lady.

One day, Elinor informs Merida that she must be betrothed to one of her father, King Fergus’ allied clans. Lord Macintosh (Craig Ferguson), Lord MacGuffin (Kevin McKidd), and Lord Dingwall (Robbie Coltrane) arrive with their first-born sons. These sons will compete in the Highland Games for Merida’s hand in marriage. Merida balks, however, and runs away. Desperate to find her own fate, she makes a deal that unwittingly hurts her family. Now, Merida must rely on her bravery and her archery skills to undo a beastly curse.

The first half-hour of Brave is an awkward attempt to introduce characters, themes, plot, and setting, with wheezy music making that awkward even more annoying. The first half hour is the usual raucous, kid-friendly, action-comedy material, which is a Disney trait of turning every family in its films into a nuclear family-like unit. It sort of knocked me for a loop, because it seemed to me that in Brave, Pixar had made its first film that could be described as typical Disney animation product.

It is not until Merida’s second encounter with the will-o’-the-wisps and her meeting with The Witch (Julie Walters) that Brave becomes what it is supposed to be, a fairy tale. When it focuses on Merida’s quest, the magical elements, and the mother-daughter relationship, Brave is at its best. Merida’s younger brothers, the identical triplets: Hamish, Harris, and Hubert are excellent comic relief, but are woefully underutilized.

Everything else about this movie is not really special. The animation is good, although some of the characters bounce like Muppets when they walk or run. The animation’s colors are spectacular, especially Merida’s gloriously red hair and the rich greens of the forests and countryside.

You might be surprised at how deeply Brave digs into the mother-daughter relationship; that brought tears to my eyes. Still, the movie misses the mark of perfection. Brave is mostly a great fairy tale, but partly a Disney-movie-by-committee. That’s a shame, and that is not an Oscar winner (or shouldn’t be).

7 of 10
A-

NOTES:
2013 Academy Awards: 1 win: “Best Animated Feature Film of the Year” (Mark Andrews and Brenda Chapman)

2013 BAFTA Awards: 1 win: “Animated Film” (Mark Andrews and Brenda Chapman)

2013 Golden Globes, USA: 1 win: “Best Animated Film”

Tuesday, June 18, 2013

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Winnie the Pooh Film and Marvel's The Avengers Now on DVD

WINNIE THE POOH - The Walt Disney Studios proudly invites families and audiences of all ages to return to the Hundred Acre Wood with some of the world's most beloved characters, as “Winnie the Pooh,” the delightful all-new animated feature film comes home to Blu-ray Combo Pack for the very first time, as well as DVD and Movie Download on October 25, 2011. Reuniting audiences with Pooh, Tigger, Rabbit, Piglet, Owl, Kanga, Roo and last, but certainly not least, Eeyore (who has lost his tail), “Winnie the Pooh” is a honey of an in-home release containing hours of immersive bonus features, including exclusive animated shorts “The Ballad of Nessie” and “Mini-Adventures of Winnie the Pooh: The Balloon;” a sing-along viewing option; an informative behind-the-scenes featurette for the whole family and deleted scenes with director commentary – all available on Blu-ray Combo Pack.

Winnie The Pooh will be avaialable at retail as follows:
* 3-Disc Blu-ray Combo Pack (Blu-ray + DVD + Digital Copy) for the suggested retail price of $44.99 U.S. and $51.99 Canada
* 2-Disc Blu-ray Combo Pack (Blu-ray + DVD) for the suggested retail price of $39.99 U.S. and $46.99 Canada
* 1-Disc DVD for the suggested retail price of $29.99 U.S. and $35.99 Canada
* High-Definition Digital for the suggested retail price of $39.99 U.S. and $44.99 Canada
* Standard-Definition Digital for the suggested retail price of $29.99 U.S. and $35.99 Canada

Inspired by the beloved stories from A.A. Milne's books and crafted in Disney's classic style, “Winnie the Pooh,” is the most critically-acclaimed animated film of 2011*. It is narrated by the voice of John Cleese and features the vocal talents of legendary voice actor Jim Cummings (over 350 voices including Gnomeo & Juliet) and a host of other distinctive actors including Craig Ferguson (TV's 'The Late Late Show with Craig Ferguson'), Tom Kenny (TV's 'SpongeBob SquarePants'), Bud Luckey (Toy Story 3) and musical performances by Zooey Deschanel (indie folk band “She &Him”).

The all-new “Winnie the Pooh” brings back to life the timeless charm, wit and whimsy of the original featurettes and characters. Sure to become a family favorite for every household, it is directed by Stephen Anderson (Meet The Robinsons) and Don Hall (The Princess and The Frog) and Executive Produced by John Lasseter.

Winnie the Pooh (Three-Disc Blu-ray/DVD Combo + Digital Copy)

THE AVENGERS: EARTH’S MIGHTIEST HEROES – VOLUME 3 IRON MAN UNLEASHED - The Avengers: Earth’s Mightiest Heroes is a television series on Disney DVD that is inspired by the Marvel Comics Super Hero team of the same name. In each episode, the Avengers defend Earth from unimaginable threats – dangerous Super Villains, time-travelling conquerors, alien invaders and mythical beasts bent on the total destruction of humanity. When the forces of evil are so overwhelming that no single hero has the power to save the world, when no hope is left… the Avengers Assemble! Join Iron Man, Thor, Captain America, The Hulk, and many more of your favorite Avengers, as they discover the value of teamwork and friendship in the fight against evil!

The pulse-pounding action continues on October 25th with six unforgettable episodes in the Volume 3 release of The Avengers: Earth’s Mightiest Heroes! Enjoy all the thrills as Iron Man, Thor, Captain America, Hulk and the rest of the Avengers face off against Baron Zemo’s Masters of Evil and defend earth from a full-scale alien invasion led by the time-traveling Kang the Conqueror!

The Avengers: Earth’s Mightiest Heroes! Volume 3 Iron Man Unleashed is only available in the U.S. as a 1-Disc DVD for the suggested retail price of $19.99. This release follows the April 26th release of Volume 1 & 2 (episodes 1-13) which consumers can still find for purchase at local retail stores.

Marvel The Avengers: Earth's Mightiest Heroes, Volume Three


THE AVENGERS: EARTH’S MIGHTIEST HEROES – VOLUME 4 THOR’S LAST STAND - The Avengers: Earth’s Mightiest Heroes is a television series on Disney DVD that is inspired by the Marvel Comics Super Hero team of the same name. In each episode, the Avengers defend Earth from unimaginable threats – dangerous Super Villains, time-travelling conquerors, alien invaders and mythical beasts bent on the total destruction of humanity. When the forces of evil are so overwhelming that no single hero has the power to save the world, when no hope is left… the Avengers Assemble! Join Iron Man, Thor, Captain America, The Hulk, and many more of your favorite Avengers, as they discover the value of teamwork and friendship in the fight against evil!

On October 25th, get ready for the ultimate adrenaline rush with Volume 4 of The Avengers: Earth’s Mightiest Heroes! In these final seven episodes of Season One, Iron Man, Thor, Captain America, The Hulk and the rest of The Avengers attempt to stop Ultron and his army of robots from ending all of humanity and prevent Loki from unleashing armies from Asgard on Earth!

The Avengers: Earth’s Mightiest Heroes! Volume 4 Thor’s Last Stand is only available in the U.S. as a 1-Disc DVD for the suggested retail price of $19.99. This release follows the April 26th release of Volume 1 & 2 (episodes 1-13) and is accompanied with the October 25th release of Volume 3 (episodes 14-10) which will be available for consumers to purchase at their local retail store.

Pixar's Lasseter and Catmull on Steve Jobs' Passing

John Lasseter, Chief Creative Officer & Ed Catmull, President, Walt Disney and Pixar Animation Studios on Steve Jobs’ Passing

EMERYVILLE, Calif.--(BUSINESS WIRE)--The following is a statement from John Lasseter, Chief Creative Officer & Ed Catmull, President, Walt Disney and Pixar Animation Studios on Steve Jobs’ passing:

"Steve Jobs was an extraordinary visionary, our very dear friend and the guiding light of the Pixar family. He saw the potential of what Pixar could be before the rest of us, and beyond what anyone ever imagined. Steve took a chance on us and believed in our crazy dream of making computer animated films; the one thing he always said was to simply 'make it great.' He is why Pixar turned out the way we did and his strength, integrity and love of life has made us all better people. He will forever be a part of Pixar’s DNA. Our hearts go out to his wife Laurene and their children during this incredibly difficult time."

Disney's D23 Expo Starts Friday, August 19th

THE WALT DISNEY STUDIOS TAKES FANS BEHIND THE SCENES AT DISNEY’S D23 EXPO, AUGUST 19-21

Exclusively at Disney’s D23 Expo August 19-21 at the Anaheim Convention Center, Disney film fans will go behind the scenes to explore the exciting roster of projects on the horizon at The Walt Disney Studios, with a variety of panel discussions, sneak peeks and exhibits.

On Saturday, August 20, Rich Ross, chairman, The Walt Disney Studios; Sean Bailey, president, production, The Walt Disney Studios; John Lasseter, chief creative officer, Walt Disney and Pixar Animation Studios; and Kevin Feige, producer and president, Marvel Studios, will present a not-to-be-missed look at The Walt Disney Studios’ upcoming film slate, which includes Disney’s The Muppets, John Carter, Disney•Pixar’s Brave, Marvel’s The Avengers, Tim Burton’s Frankenweenie, Oz The Great and Powerful and more.

With projects from Disney, Pixar Animation Studios and Marvel Studios, this special presentation will feature never-before-seen footage and all-star appearances by Jason Segel, Kermit and Miss Piggy (Disney’s The Muppets), Taylor Kitsch, Lynn Collins and Willem Dafoe (John Carter), Kelly Macdonald and Kevin McKidd (Brave), Jennifer Garner (The Odd Life of Timothy Green), Jack McBrayer and Sarah Silverman (Wreck-It Ralph), cast members from Marvel’s The Avengers and other surprise guests.

In celebration of 25 years of moviemaking magic, five sessions will be devoted to the artistry and technical wizardry of Pixar:

* A Conversation with the Pixar Creative Team – Enjoy a rare opportunity to spend some time with the key figures responsible for Pixar’s unprecedented success, including John Lasseter (chief creative officer, Walt Disney and Pixar Animation Studios), Jim Morris (general manager, Pixar Animation Studios), Pete Docter (director, Monsters, Inc., Up), Andrew Stanton (director, Finding Nemo, WALL-E), Bob Peterson (co-director, Up), Lee Unkrich (director, Toy Story 3), Mark Andrews (director, Brave) and Dan Scanlon (director, Monsters University).

* The Characters of Monsters University – Director Dan Scanlon and Production Designer Ricky Nierva discuss how they combine hair, horns and a lot of heart to bring the wonderful Monsters University characters to life.

* Michael Giacchino’s Music of Pixar – In this musical presentation, award-winning composer Michael Giacchino explores his early influences through the creation of modern-day classic scores from Ratatouille, Up and Cars 2.

* The Art of Brave – Production Designer Steve Pilcher and Shading Art Director Tia Kratter show how they and their team put paint to canvas and fingers to computer keys to create the stunning visuals of Scotland for Disney•Pixar’s upcoming film Brave.

* Pixar Shorts – This retrospective screening of the animation studio’s legendary short films will be followed by a panel discussion with several of the filmmakers, including Ralph Eggleston (director, For the Birds), Andy Jimenez (director, One Man Band), Angus MacLane (director, BURN-E), Pete Sohn (director, Partly Cloudy), Teddy Newton (director, Day & Night), and Enrico Casarosa (director, La Luna).

Expo attendees will also have access to advance screenings of an all-new 3D version of The Lion King, presented by RealD 3D, coming to theaters and homes this fall, and the upcoming ABC holiday special Prep & Landing: Naughty vs. Nice from Walt Disney Animation Studios.

Out on the Expo floor, fans can explore the world of The Walt Disney Studios at their leisure with comprehensive exhibits, including:

* Walt Disney Studios Animation Pavilion – Experience the art, technology, culture and legacy of Walt Disney Animation Studios with filmmaker demonstrations, drawing classes, book signings, meet-and-greets and art exhibits.

* Walt Disney Studios In-Home Entertainment Pavilion – Dive into cutting-edge home entertainment technology and learn what the future holds for Disney movie fans, with sneak peeks of upcoming films in breathtaking high-definition Blu-ray 3D™ and more.

* Inside Tides: Pirates of the Caribbean Film Prop Collection – Get an up-close look at an exclusive collection of detailed set pieces, props and costumes from the billion-dollar blockbuster Pirates of the Caribbean: On Stranger Tides.

Tickets to the D23 Expo are available at http://www.d23expo.com/. Admission includes access to all experiences and entertainment at the D23 Expo, including the Disney Legends Ceremony, and can be purchased for single days or for the full three days of festivities. Admission is $47 for a one-day adult ticket and $37 for children 3-12. Three-day passes are $136 for adults and $106 for children. Members of D23: The Official Disney Fan Club will receive a discount for up to four admissions, as well as early entry to each day of the D23 Expo for themselves and their guests.


About D23 Expo 2011
The D23 Expo—The Ultimate Disney Event for Fans and Families—brings the entire world of Disney under one roof at the Anaheim Convention Center, providing guests with unprecedented access to Disney films, television and theme parks.

About D23
The name "D23" pays homage to the wonder and excitement that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official community for fans in Disney's 88-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at www.Disney.com/D23; a collectibles line, The Walt Disney Archives Collection; and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 19-21, 2011.

Fans can join D23 at www.Disney.com/D23, select shops at Disneyland Resort and Walt Disney World Resort and www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us "DisneyD23" on Twitter, YouTube and Facebook.

Review: "Cars 2" is Pixar's First Clunker

TRASH IN MY EYE No. 53 (of 2011) by Leroy Douresseaux

Cars 2 (2011)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – G
DIRECTOR: John Lasseter with Brad Lewis
WRITERS: Ben Queen; from a story by John Lasseter, Brad Lewis, and Dan Fogelman
PRODUCER: Denise Ream
COMPOSER: Michael Giacchino

ANIMATION/ACTION/COMEDY/FAMILY/SPORTS

Starring: (voices) Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Eddie Izzard, John Turturro, Joe Mantegna, Thomas Kretschmann, Vanessa Redgrave, Bruce Campbell, Jeff Garlin, Jason Isaacs, Cheech Marin, Bonnie Hunt, Tony Shalhoub, Guido Quaroni, Jenifer Lewis, John Ratzenberger, Katherine Helmond, Franco Nero, Brent Musburger, and Darrell Waltrip

Pixar Animation Studios finally did it. They made a bad movie… a really bad movie. They made a loud, empty, action movie. It is full of sound and fury – signifying nothing more than new characters that can be turned into merchandise for the kids who are the only ones that will love this ridiculous movie.

Of course, I’m talking about Cars 2, the computer-animated film and sequel to the 2006, Oscar-nominated Cars. Cars 2, set in a world where talking cars and vehicles are the people, is a globe-trotting tale of car races, spies, and international intrigue. It’s like Cody Banks meets Ricky Bobby.

Cars 2 opens with everybody’s favorite rusty tow truck, Mater (Larry the Cable Guy), eagerly awaiting the return of his buddy, the champion race car, Lightning McQueen (Owen Wilson), to the sleepy burg of Radiator Springs. Soon after he returns, McQueen finds himself entered in the World Grand Prix, a race sponsored by former oil tycoon, Miles Axlerod (Eddie Izzard), and used to promote Axlerod’s new renewable fuel, Allinol. With Mater in tow, McQueen heads to Tokyo for the first leg of the World Grand Prix. Soon after they arrive, it becomes obvious to McQueen that Mater is having trouble behaving himself.

McQueen is busy with the first race, trying to beat his rival, FI racer, Francesco Bernoulli (John Turturro). Meanwhile, Mater falls into a bit of international intrigue when two British spycars, Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer), mistake Mater for a spy. An evil scientist, Professor Zündapp (Thomas Kretschmann), has developed a device that can destroy race cars. If the plan to foil Zündapp relies on Mate, can the tow truck really save the day? Can he even save his friendship with McQueen?

The original Cars was a technological and artistic leap, particularly in how it animated the race cars that acted like humans and also the racing sequences. Cars 2 actually improves on that. It is as visually appealing as any other Pixar feature, but this movie isn’t any good. Cars 2 is a shiny, pretty, candy-painted car that is an unappealing lemon under the hood. This movie has the elements of a comic caper and spy spoof, but it isn’t funny and it spoofs the audience. Cars 2 is a series of action scenes stuck together to form a Frankenstein-like kids action comedy with a goofy plot, but no real story and little in the way of character. Cars 2 is tire-bursting action with a story as rundown as Mater looks.

Speaking of Mater: Cars 2 is his film the way Cars is McQueen’s film, and that is Cars 2’s saving grace. Larry the Cable Guy, the standup comedian who is the voice of Mater, can be a funny guy, even as a comic actor. His rapid-fire verbosity and one-liners provide most of this movie’s few laughs.

And that’s sad. Cars 2 is so mediocre that it is hard to believe that it is a Pixar production. I dozed off four times during this movie, and I was desperate for it to end so that I could speed away from this awful movie.

3 of 10
C-

Sunday, June 26, 2011

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Review: Superb "Cars" Hydroplanes on Nostalgia

TRASH IN MY EYE No. 127 (of 2006) by Leroy Douresseaux

Cars (2006)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – G
DIRECTOR: John Lasseter
WRITERS: Dan Fogelman, Philip Loren, and Kiel Murray; additional screenplay material: Robert L. Baird and Dan Gerson; from a story by John Lasseter, Jorgen Klubien, and Joe Ranft
PRODUCER: Darla K. Anderson
EDITOR: Ken Schretzmann
Academy Award nominee

ANIMATION/COMEDY/FAMILY/SPORTS with elements of action, drama, and romance

Starring: (voices) Owen Wilson, Paul Newman, Bonnie Hunt, Larry the Cable Guy, Cheech Marin, Tony Shalhoub, Guido Quaroni, Jenifer Lewis, Paul Dooley, Michael Wallis, George Carlin, Katherine Helmond, John Ratzenberger, Michael Keaton, Richard Petty, Jeremy Piven, Bob Costas, Darrell Waltrip, and Lynda Petty

If that’s possible considering what they’ve already done, Disney/Pixar’s latest computer animated feature film, Cars, is a technical improvement over their previous work. It’s easy to see why so many consider Pixar Animation Studios the gold standard in computer animation. The pity is that the only thing holding this technically and artistically exceptional and pleasurable animated film from greatness is a less than compelling story grounded in dewy-eyed nostalgia.

Lightning McQueen (Owen Wilson) is a hotshot rookie race car trying to win the Piston Cup Championship (similar to NASCAR). On his way to a championship race in California, Lighting makes an unexpected detour down the famous Route 66 and finds himself in the sleepy burg of Radiator Springs, where he meets the town’s eccentric automotive denizens. Self-absorbed and snobby of what he considers lesser cars, Lightning has to repair the town’s only road after he damages it.

The time he spends “prisoner” in Radiator Springs allows him to get to know the other cars, including Doc Hudson (Paul Newman), a 1951 Hudson Hornet with a mysterious past, Mater (Larry the Cable Guy), a rusty tow truck who becomes Lightning’s trusty friend, and Sally (Bonnie Hunt), a snazzy Porsche who at first is Lightning’s rival, but later becomes the friend who helps him see the simple beauty of Radiator Springs. And maybe he’ll learn that there are things more important than championships and fame.

I think many viewers will be shocked to find that the racing sequences, especially the Piston Championship Cup race that opens the film, capture the feel of watching NASCAR-style racing. It has all the ferocity, intensity, organized chaos, the spectacular crashes and wild spins off the course, the rumbling and shaking, etc. However, most of Cars’ narrative takes place in Radiator City. By architecture and design, this small town is like stepping back into the postwar era that roughly covers from about 1945 to 1965. Cars tries to recapture this small town era of neon-lit drive-in diners and spanking new motels just off a highway like Route 66. The Western landscapes and the golden backdrops of desert landscapes, dusty roads, pastoral skies, and marvelous rock formations transport the viewer back to some kind of midwestern idyll. This is the kind of “old America” that Hollywood likes – small towns where things moved slowly and everyone knew everyone.

That’s where the fault in Cars lies. It’s a nostalgia piece; it’s more longing than it is a narrative – a story with a universal message, which Pixar’s previous films have had. For instance, in Finding Nemo, an overprotective father fights unceasingly to save the only thing left of his family, a handicapped son, and learns that he will gradually have to let go as his son grows into his own person. In Cars, Lighting McQueen is just a dumb kid – arrogant, smug, lacking in humility; that is true, but he’s ultimately a dumb harmless kid. What’s compelling about that? The central idea behind Cars is that Lightning must embrace the simple life of a small town as a balance against his celebrity status. Balance is a good message, and that’s cute and all, but ultimately, the storytellers, Pixar, are being nostalgic for a time most of them are probably too young to remember. They’re yearning for a lifestyle that never existed in the ideal fashion it’s usually presented as in pop culture – this romanticized version of mid-century American history.

They try to sell us this wonderful world (that still exists in TV Land) using a variety of ethnic stereotypes blended into a politically-correct collection of townsfolk that couldn’t have lived together in a real small town like Radiator Springs: Italians with heavy accents, a hippie, a taciturn former military officer, a sassy black woman named Flo who sounds like Aretha Franklin (but is voiced by Jenifer Lewis), a flashy Latino, an affable redneck rogue, etc. It’s a multicultural cast of village idiots. Still, Cars actually makes for a very entertaining tale of rustic charm versus the fast life of celebrity. I could certainly feel the old-timey charm tugging at my heart. Only Pixar through the magic of their eye-catching achievements in animation could make such preening nostalgia charming and enjoyable eye candy. Cars has spectacular animation painted in so many vivid colors that it dazzles the eyes just the way a Pixar flick should.

8 of 10
A

Saturday, June 10, 2006

NOTES:
2007 Academy Awards: 2 nominations: “Best Achievement in Music Written for Motion Pictures, Original Song” (Randy Newman for the song "Our Town") and “Best Animated Feature Film of the Year” (John Lasseter)

2007 BAFTA Awards: 1 nomination: “Best Animated Feature Film” (John Lasseter)

2007 Golden Globes: 1 win: “Best Animated Film”

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Pixar's "The Incredibles" On Blu-ray Tuesday

Everyone’s Favorite Family of Undercover Superheroes Bursts Into High-Definition

Academy Award®-Winning Animated Feature Disney•Pixar’s THE INCREDIBLES Makes Its Highly-Anticipated Blu-ray™ Debut On April 12th

BURBANK, Calif., February 10, 2011 – THE INCREDIBLES, everyone’s favorite family of undercover superheroes and Disney•Pixar’s two time Academy Award®-winning animated feature film (2004 Best Animated Feature Film and Best Achievement in Sound Editing), makes its highly- anticipated Blu-ray™ debut on April 12, 2011. Releasing as a 4-Disc Blu-ray Combo Pack (2 Blu-ray Discs + 1 DVD + 1 Digital Copy), this superset has something for everyone – from the discerning enthusiast who demands nothing less than the highest-quality home entertainment experience, to the family who enjoys the interactive and engaging bonus features that only Blu-ray can provide – making this a “must add” to every home entertainment collection across the nation.

From the creative minds behind the Toy Story films and Ratatouille, comes the hilarious, action-packed animated adventure about a seemingly ordinary family with an incredible secret. Releasing for the first time ever in high-definition and in its original theatrical wide screen version, THE INCREDIBLES has been packed to include fascinating audio commentary by Academy Award®-winning director Brad Bird and his fellow filmmakers, exclusive new bonus features, deleted scenes, behind-the-scenes features, hilarious bloopers and much, much more.

An explosion of fun, comedy and action-packed adventure, THE INCREDIBLES 4-Disc Blu-ray Combo Pack will be available at retailers nationwide for the suggested price of $45.99 U.S./$52.99 Canada.

BONUS FEATURES:

Blu-ray:
Includes The Following All-New Bonus Features Plus All The Classic DVD Features:

• The Incredibles Revisited – A roundtable discussion with Writer/Director Brad Bird, Producer John Walker, Story Supervisor Mark Andrews, Supervising Technical Director Rick Sayre, Production Designer Lou Romano, Character Designer Teddy Newton, and Supervising Animator Tony Fucile.

• Paths To Pixar: Story Artists – Continuing the popular bonus feature series that viewers have seen on many other Disney•Pixar releases, this exciting new feature showcases multiple Pixar story artists giving viewers exciting insight into their work, their inspiration and the personal paths that eventually led them to a career at Pixar.

• Studio Stories: Gary’s Birthday – Trying to make a movie when there are not enough work days and too many birthday parties? This feature showcases how The Incredibles crew solved that problem.

• Ending With A Bang: Making The End Credits – Interview with Director of Photography Andy Jimenez and Character Designer Teddy Newton about the process of creating the end credits for the film.

• “The New Nomanisan” Island Redevelopment Plan – A guided tour of Nomanisan Island, post- Syndrome, pitching the island as a vacation resort paradise.

Classic DVD Features:
The DVD in the 4-Disc Blu-ray Combo Pack Includes:
• The Incredibles feature film
• The original short film Jack-Jack Attack
• Pixar’s Academy Award®-nominated short film Boundin’ (2003 Best Animated Short)

BLU-RAY COMBO PACK TECHNICAL SPECIFICATIONS

Street Date April 12, 2011
Direct Prebook February 8, 2011
Distributors Prebook February 22, 2011
Suggested Retail Price 4-Disc Blu-ray Combo Pack (2 Blu-ray Discs + 1 DVD + 1 Digital Copy Disc) = $45.99 U.S./$52.99 Canada
Feature Run Time Approximately 115 Minutes
Rated USA: “PG” (For Action Violence); Canada: “G” (For Violence) *Bonus materials not rated
Technical 2.39 (Presentation Size: 16X9)
Sound English 5.1 DTS-HD Master Audio Sound, Eng 2.0 DVS
Languages English, French and Spanish
Subtitles English SDH, French and Spanish


ABOUT THE FILM:
THE INCREDIBLES follows the adventures of a family of former superheroes who are rediscovering the true source of their powers—in one another. Once one of the world’s top masked crime fighters, Bob Parr (a.k.a. Mr. Incredible) fought evil and saved lives on a daily basis. But 15 years later, he and his wife Helen (the former Elastigirl) have been forced to take on civilian identities and retreat to the suburbs.

Today they, and all superheroes, live as mere mortals. Bob and Helen lead all- too-ordinary lives with their children, Violet and Dashiell “Dash” Parr, who go out of their way to appear “normal,” and new baby Jack-Jack As a clock-punching insurance man, the only thing Bob fights these days is boredom and a bulging waistline. Itching for action, the sidelined superhero gets his chance when a mysterious communication summons him to a remote island for a top-secret assignment. Now, with the fate of the world hanging in the balance, the family must come together and once again find the fantastic in their family life.

ABOUT THE CAST & CREW:
THE INCREDIBLES, features a top-notch list of voice cast talent that includes Craig T. Nelson (TV’s “Parenthood,” “Coach”) as Bob Parr/Mr. Incredible, Holly Hunter (TV’s “Saving Grace,” 1993 Academy Award®-winning Best Actress for The Piano) as Helen Parr/Elastigirl, Samuel L. Jackson (The Other Guys, Iron Man 2) as Lucius Best/Frozone, Jason Lee (TV’s “My Name is Earl,” Almost Famous) as Buddy Pine/Syndrome, Spencer Fox (The Groomsmen, and the voice of Mudbud in Air Buddies) as Dashiell Parr (Dash), Sarah Vowell (author and noted radio show commentator on public radio’s “This American Life”) as Violet Parr, Jean Sincere (TV’s “Glee,” “The Drew Carey Show,” “Frasier”) as Mrs. Hogenson, John Ratzenberger (TV’s “Cheers,” the Toy Story films) as the Underminer, Wallace Shawn (TV’s “Gossip Girl,” The Princess Bride) as Gilbert Huph and many more.

THE INCREDIBLES is produced by John Walker (The Iron Giant) and executive produced by Academy Award®-winning filmmaker and chief creative officer of Walt Disney and Pixar Animation Studios John Lasseter (The Toy Story films, Cars, Monsters, Inc.). Kori Rae is associate producer, and Katherine Sarafian is production manager. Written and directed by Academy Award®-winning Brad Bird (Ratatouille, The Iron Giant, TV’s “The Simpsons”). And playing a major role in creating the film’s retro-futuristic style and exuberant mood is Academy Award®-winning composer Michael Giacchino (Up, Ratatouille and TV’s “Lost”).

ABOUT THE WALT DISNEY STUDIOS:
For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company (DIS: NYSE) was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under four banners: Walt Disney Pictures, which includes Walt Disney Animation Studios and Pixar Animation Studios, Disneynature, Touchstone Pictures and Marvel. Through the Home Entertainment division, innovative distribution methods provide access to creative content across multiple platforms.

Original music and motion picture soundtracks are produced under Walt Disney Records and Hollywood Records, while Disney Theatrical Group produces and licenses live events, including Broadway theatrical productions, Disney on Ice and Disney LIVE! For more information, please visit http://www.disney.com/.

Aaron Sorkin Wins Best Adapted Screenplay Oscar for "The Social Network"

Writing (Adapted Screenplay)

“The Social Network” Screenplay by Aaron Sorkin WINNER

“127 Hours” Screenplay by Danny Boyle and Simon Beaufoy

“Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich

“True Grit” Written for the screen by Joel Coen and Ethan Coen

“Winter's Bone” Adapted for the screen by Debra Granik and Anne Rosellini

Walt Disney Studios Celebrates Multiple 2011 Oscar Nominations

The Walt Disney Studios Celebrates 12 Oscar® Nominations for Toy Story 3, Alice in Wonderland and More

Disney•Pixar animated film earns Best Picture nomination for second straight year

BURBANK, Calif.--(BUSINESS WIRE)--The Walt Disney Studios is proud to announce its 2010 films have earned 12 Oscar® nominations. Today, the Academy of Motion Picture Arts and Sciences announced five nominations for Disney•Pixar’s Toy Story 3, including for the coveted title of Best Picture; three for Alice in Wonderland, and one each for Day & Night, Tangled, The Tempest and TRON: Legacy.

“2010 was a banner year for The Walt Disney Studios, and we are thrilled that the Academy has chosen to recognize both our animated blockbusters Toy Story 3 and Tangled and our live-action hits Alice in Wonderland and TRON: Legacy for their artistry, technical achievements and storytelling,” said Rich Ross, chairman of The Walt Disney Studios.

Toy Story 3 marks only the third time in history that Academy members have honored an animated film in the Best Picture category. It also earned a nomination for Adapted Screenplay – making it the fourth consecutive screenplay nomination for a Disney•Pixar film. The Toy Story trilogy’s tally of Oscar nominations now stands at nine.

Commenting on the announcement, John Lasseter, chief creative officer for Walt Disney and Pixar Animation Studios, said, “To have Toy Story 3 represented in the Best Picture category is a great honor, and a fitting tribute to director Lee Unkrich, producer Darla Anderson, screenwriter Michael Arndt, and all of the talented people at Pixar, who worked so hard to live up to and exceed the standards and expectations of Toy Story fans and moviegoers all over the world.”

A summary of nominations for The Walt Disney Studios is as follows:

Toy Story 3
Best Motion Picture of the Year - Toy Story 3 (Walt Disney) A Pixar Production: Darla K. Anderson, Producer
Best Animated Feature Film of the Year - Toy Story 3 (Walt Disney): Lee Unkrich
Achievement in Music Written for Motion Pictures (Original Song) – “We Belong Together” from Toy Story 3 (Walt Disney):  Music and Lyric by Randy Newman
Achievement in Sound Editing - Toy Story 3 (Walt Disney): Tom Myers and Michael Silvers
Adapted Screenplay - Toy Story 3 (Walt Disney): Screenplay by Michael Arndt. Story by John Lasseter, Andrew Stanton and Lee Unkrich

Alice in Wonderland
Art Direction - Alice in Wonderland (Walt Disney): Robert Stromberg (Production Design), Karen O’Hara (Set Decoration)
Achievement in Costume Design - Alice in Wonderland (Walt Disney): Colleen Atwood
Achievement in Visual Effects - Alice in Wonderland (Walt Disney): Ken Ralston, David Schaub, Carey Villegas and Sean Phillips

Day & Night
Best Animated Short Film - Day & Night (Walt Disney) A Pixar Animation Studios Production: Teddy Newton

Tangled
Achievement in Music Written for Motion Pictures (Original Song) – “I See the Light” from Tangled (Walt Disney): Music by Alan Menken; Lyric by Glenn Slater

The Tempest
Achievement in Costume Design - The Tempest (Touchstone): Sandy Powell

TRON: Legacy
Achievement in Sound Editing - TRON: Legacy (Walt Disney): Gwendolyn Yates Whittle and Addison Teague

2011 Oscar Nominations: Adapted Screenplay

Writing (Adapted Screenplay)

“127 Hours” Screenplay by Danny Boyle & Simon Beaufoy

“The Social Network” Screenplay by Aaron Sorkin

“Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich

“True Grit” Written for the screen by Joel Coen and Ethan Coen

“Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Review: "Toy Story 3" is Really Good; So What Else is New?

TRASH IN MY EYE No. 3 (of 2011) by Leroy Douresseaux

Toy Story 3 (2010)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA - G
DIRECTOR: Lee Unkrich
WRITERS: Michael Arndt; from a story by John Lasseter, Andrew Stanton, and Lee Unkrich
PRODUCER: Darla K. Anderson
CINEMATOGRAPHERS: Jeremy Lasky (D.o.P.) and Kim White (D.o.P.)
EDITOR: Ken Schretzmann
COMPOSER: Randy Newman

ANIMATION/FANTASY/COMEDY/
ADVENTURE/FAMILY

Starring: (voices) Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty, Don Rickles, Michael Keaton, Wallace Shawn, John Ratzenberger, Estelle Harris, John Morris, Jodi Benson, Emily Hahn, Laurie Metcalf, Blake Clark, and Whoopi Goldberg

It was an 11-year wait for a sequel to Toy Story 2. The beloved, computer-animated Toy Story film franchise closes with Toy Story 3. The creation of Pixar Animation Studios (Monsters, Inc., Up), Toy Story 3 opened to near universal acclaim and record-setting box office, so I don’t know what more I can say. I was spellbound by the previous films. If I’d had a vote, I would have voted the first two Toy Story movies the best picture Oscar winners for 1995 and 1999, respectively.

Toy Story 3 begins with 17-year-old Andy Davis (John Morris) packing as he prepares to head off to college. Andy has not played with his toys in years, but he decides to take Woody (Tom Hanks) to college with him and store the other toys in the attic. Of course, Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), and the rest of the toys are disappointed. However, when Andy’s mom, Mrs. Davis (Laurie Metcalf), mistakenly throws them out, they’re furious. They climb into a box of stuff to be donated to Sunnyside Daycare. They also refuse to listen to Woody when he tries to explain that Mrs. Davis’ action was a mistake.

Andy’s toys are enthusiastically welcomed by the numerous toys at Sunnyside. The leader of the Sunnyside toys, Lots O’-Huggin Bear a.k.a. “Lotso” (Ned Beatty), gives the newcomers a tour. Andy’s toys quickly become enamored with their new home, and Woody is forced to leave without them in his attempt to return home to Andy. However, all is not sunny at Sunnyside, and so, a thrilling rescue mission and breathless adventure ensue before they return home, again.

Lots O’-animated movies blend adventure, comedy, and emotion, some more deftly than others, but the difference is that in every Pixar film, the emotions are always honest and genuine. Even with expectations so high for Toy Story 3, Pixar still managed to produce a movie that charmed, captivated, and moved audiences so deeply, even making grown men cry at the end.

Starting with the first film, I was not surprised that a 3D digitally animated film about plastic toys could charm us. I’ve been watching the work of animators and filmmakers of animated movies entertain, impress, and dazzle for decades. The more talented the animators, the more they are able to match the power of live-action film, and sometimes even surpass the work of the best live-action filmmakers. Toy Story 3 is clever and exhilarating, poignant and stirring, and amusing and sometimes just plain funny.

Still, I can say the above about a lot of Pixar productions, but this time there is something a bit darker and perhaps, more special about this movie. The story echoes themes of death and endings, betrayal and bitterness, and change and new beginnings – with children’s playthings as the characters. It is like classic juvenile literature that speaks to all of us. That’s it. Toy Story 3 is great.

10 of 10

Sunday, January 09, 2011

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Review: "Toy Story" Was and Still is the Best Picture of 1995

TRASH IN MY EYE No. 89 (of 2010) by Leroy Douresseaux

Toy Story (1995)
Running time: 80 minutes (1 hour, 20 minutes)
MPAA – G
DIRECTOR: John Lasseter
WRITERS: Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow; from a story by John Lasseter, Pete Docter, Andrew Stanton, and Joe Ranft
PRODUCERS: Bonnie Arnold and Ralph Guggenheim
EDITORS: Robert Gordon and Lee Unkrich
COMPOSER: Randy Newman
Academy Award winner

ANIMATION/FANTASY/ADVENTURE/COMEDY/FAMILY

Starring: Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, John Morris, Laurie Metcalf, and R. Lee Emery

Released in 1995, Disney/Pixar’s Toy Story is remembered as the first feature-length, computer-animated film (or 3D animation). Being the first film made entirely with computer-generated imagery (CGI) may be Toy Story’s main claim to fame, but it is also a superb film. Its sophisticated screenplay is full of wit and rich characterization, and the film challenges the notion that only Oscar-caliber films can deliver mature drama and complex storytelling.

Toy Story is set in a world where toys come to life when their owners are not present. The story focuses on a traditional, pull-string, talking cowboy doll named Woody (Tom Hanks). Woody is the leader of a group of toys belonging to a six-year-old boy named Andy Davis (John Morris). Woody has also long enjoyed a place of honor as the favorite among Andy’s menagerie of toys. Woody is prepping the others toys for the Davis family’s big move to a new home. In the meantime, Andy is having his party a week before his actual birthday, so the toys stage a reconnaissance mission to discover what new presents Andy will receive.

It turns out that Andy’s favorite birthday gift is a new action figure – a space ranger Buzz Lightyear (Tim Allen). Buzz is an impressive toy that has lots of things on it that light up and make noise, and even has pop-up wings. Disappointed and resentful because he believes Buzz has taken his place, Woody plots to get rid of Buzz. His plan, however, backfires, and both Woody and Buzz end up on an adventure that might cost them their happy home and their very survival.

Toy Story is full of charming and funny characters, and they will be especially appealing to people who remember owning a toy that was their very best friend. The characters are what make this movie. Even though Toy Story marked the dawn of a new era of movie animation, it would be merely a technical achievement without such winning characters.

In fact, one cannot help but marvel at how fully-realized Woody and Buzz are. We watch each character grow and also see what seems like a real friendship blossom. It all feels real because Woody and Buzz’s personalities are revealed through the story’s action. Conflict and dilemma challenge the characters within the film, and how the two react tells the audience more about them.

It seems as if 3D animation has created a strange, almost real world that looks as if it is somewhere between animation and reality. This is what Toy Story introduced to movie audiences, but it would all seem flat without the characters. Toy Story has exceptional characters in a special story, and so it is more than just a landmark technical achievement.

10 of 10

NOTES:
1996 Academy Awards: 1 win: “Special Achievement Award” (John Lasseter – For the development and inspired application of techniques that have made possible the first feature-length computer-animated film.); 3 nominations: “Best Music, Original Musical or Comedy Score” (Randy Newman), “Best Music, Original Song” (Randy Newman for the song "You've Got a Friend"), and “Best Writing, Screenplay Written Directly for the Screen” (Joss Whedon-screenplay, Andrew Stanton-screenplay/story, Joel Cohen-screenplay, Alec Sokolow-screenplay, John Lasseter-story, Pete Docter-story, and Joe Ranft-story)

1996 Golden Globes: 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Original Song - Motion Picture” (Randy Newman for the song "You Got a Friend in Me")

1997 BAFTA Awards: 1 nomination: “Best Achievement in Special Visual Effects” (Eben Ostby and William Reeves)

Monday, November 01, 2010

 

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Review: "Toy Story 2" is the Best Film of 1999

TRASH IN MY EYE No. 11 (of 2001) by Leroy Douresseaux

Toy Story 2 (1999) – computer animated
Running time: 92 minutes (1 hour, 32 minutes)
DIRECTORS: John Lasseter with Ash Brannon & Lee Unkrich
WRITERS: Rita Hsaio, Doug Chamberlain, Andrew Stanton, and Chris Webb, from a story by Peter Docter, Ash Brannon, Andrew Stanton, and John Lasseter
PRODUCERS: Karen Robert Jackson, Sarah McArthur, and Helene Plotkin
CINEMATOGRAPHER: Sharon Calahan (director of photography)
EDITOR: Edie Bleiman, David Ian Salter, and Lee Unkrich
COMPOSER: Randy Newman
Academy Award nominee

ANIMATION/ADVENTURE/FAMILY

Starring: (voices) Tom Hanks, Tim Allen, Joan Cusack, Kelsey Grammer, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, Wayne Knight, John Morris, Laurie Metcalf, Estelle Harris, and R. Lee Emery

When Al McWhiggin (Wayne Knight), a nefarious toy dealer, steals Sheriff Woody (Tom Hanks), it’s up to Buzz Lightyear of Star Command (Tim Allen) to rescue him. While in captivity, Woody discovers his Howdy Doody-like previous life and his old compadres: Jessie the Yodeling Cowgirl (Joan Cusack), Stinky Pete the Prospector (Kelsey Grammer). But time is running out to rescue Woody. Buzz meets an updated version of himself, Buzz Lightyear II ( Tim Allen), who is mistakenly taken in by the other rescuers. Meanwhile Emperor Zurg (Andrew Stanton), Buzz’s enemy pursues him as he races to rejoin his friends.

With the thrill of an old fashioned serial, fine voice acting talent, and the artistry of Pixar, Toy Story 2 is thrilling tale that can be enjoyed by all ages. The scriptwriters designed a story that is a virtual thrill machine that rivals many more hardcore action movies. However, they didn’t forget the children. There’s plenty of comedy, both low and high, and the guest appearances of many toys, both old and new will keep the kids’ interests.

Toy Story 2 also has many good ideas behind it, issues of growth, responsibility, loyalty, and friendship. In the hands of the talented Pixar crew, they take these ideas and weave a thoughtful and entertaining story. With a cast of excellent dramatic actors, comediennes, and character actors, the story becomes one of the best movies in recent memory. John Ratzenberger as Hamm is as funny as he ever was on “Cheers” as “Cliff” Clavin, Jr. Wallace Shawn’s Rex the dinosaur is a good thing, and in his last role, Jim Varney as Slinky Dog leaves us with one more good time. Don Rickles also entertains as Mr. Potato Head.

There’s magic in this movie – something for young and old. Only narrow minds that perceive any animated movie as being for tykes could ignore the charm and quality of this film. Perhaps the finest computer animated movie of ever, it joins the ranks of the great, animated films.

10 of 10

NOTES:
2000 Academy Awards: 1 nomination: “Best Music, Original Song” (Randy Newman for the song "When She Loved Me")

2000 Golden Globes: 1win “Best Motion Picture - Comedy/Musical;” 1 nomination: “Best Original Song - Motion Picture” (Randy Newman for the song "When She Loved Me")

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John Lasseter Talks Ponyo

Provided by Walt Disney Home Entertainment:

PONYO INTERVIEWS WITH JOHN LASSETER


Ponyo, the latest animated masterpiece from Academy-Award-winning director Hayao Miyazaki (Spirited Away), debuts on DVD & Blu-ray on March 2nd from Walt Disney Home Entertainment.

Inspired by Hans Christian Andersen's famous fairy tale, The Little Mermaid, Ponyo tells the enchanting and visually rich story of a young and overeager goldfish named Ponyo and her quest to become human. Ponyo was the top film in Japan in 2008 and is the eighth highest grossing film in Japanese history. Featuring an all-star English language voice cast, including newcomers Noah Cyrus and Frankie Jonas, the Walt Disney Studios presentation of a Studio Ghibli film is also the highest grossing Miyazaki feature in U.S. history.

The single disc Ponyo DVD contains the new English-language version executive produced by John Lasseter, Chief Creative Officer for Walt Disney and Pixar Animation Studios, and Kathleen Kennedy and Frank Marshall. Also included is the subtitled original Japanese version. Bonus features include: "Behind The Microphone," a behind the scenes look at the voice talent for Ponyo, and the music video for the Ponyo theme song sung by Frankie Jonas & Noah Cyrus.

Meanwhile, the single disc Ponyo Blu-ray contains the same content as the DVD, plus such exclusive bonus features as "The Five Geniuses Who Created Ponyo" (including Supervising Animator Katsuya Kondo, Art Director Noboru Yoshida, Color Designer Michiyo Yasuda and Recording & Sound Mixer Shuji Inoue); interviews with Miyazaki and long-time producer Toshio Suzuki; a storyboard documentary; and Trailer #2.

"In one of my favorite scenes, Ponyo arrives at Sosuke's house as a girl while a storm rages," says Lasseter. "Sosuke's mother makes noodles for her -- which she discovers she loves. It's so special, because Ponyo is a little girl but she's a brand-new little girl and everything is brand new to her.

"Ponyo transcends age groups: everybody enjoys this film," adds Lasseter. "I've watched it with many audiences and people are truly entertained by it. There's a depth and a beauty to the film; it really works for all ages."

Aside from The Little Mermaid, what else inspired Ponyo? On a rare trip to Los Angeles for the movie's theatrical release, the legendary director suggested that he was initially attracted to a children's book about a frog: "But as I worked on the story, it became something completely different… so I didn't pursue that direction. I have told the author of that children's book that that was the hint for this film, though. Sometimes, I test myself, wondering, if I get a death sentence if I don't make this movie, would I still make this movie. And that's where the frog came into play."

"He is one of the great filmmakers of our time and has been a tremendous inspiration to our generation of animators," continues Lasseter. "At Pixar, when we have a problem that we can't seem to solve, we often look at one of Miyazaki's films."

The lure of fairy tales still resonates strongly for Miyazaki. "When I work on a new story, I think I'm writing a new story, but when I scrape things away to its core, I realize that there are fragments of these old folk tales or legends that form my stories. It's not that I'm trying to resurrect an old legend, but naturally it's there at the core. I think it shows that I'm in the flow of human civilization."

And what inspiration did Miyazaki glean from the acclaimed Disney animated version of The Little Mermaid? "I watched the video of The Little Mermaid many years ago when I was first given it," Miyazaki continued, "but I haven't watched it recently. And, on purpose, I didn't watch it while making this film."

Not surprisingly, the 68-year-old animation master, who manages to find the time to draw monthly for a Japanese Manga magazine, still maintains the same disciplined approach to making his animated features. "I do all my work on storyboard, so as I draw my storyboard, the world gets more and more complex. And as a result, my north, south, east, west sense of direction kind of shift and go off base. But it seems like my staff as well as the audience don't quite realize that this is happening. Don't tell them about it," he joked.

For those who notice a much simpler graphic design to Ponyo, it's no coincidence. Ponyo marks Miyazaki's return to completely hand-drawn animation. "Actually, at Studio Ghibli, we dissolved the computer graphics section before we started production on Ponyo," Miyazaki explained. "So we had decided at that point to stick with hand-drawn animation… I think I can leave the computer-generated animation to [John Lasseter] and I can stick to the hand-drawn animation."

In fact, watching Ponyo more closely on DVD or Blu-ray will enable the viewer to see how exquisite the splashing waves look. Miyazaki explained that the secret to the hand-animated waves in Ponyo was keeping the squiggly lines moving all the time.

"It reminded me of when I was on holiday at the beach with my boys," explains Lasseter. "The waves were very different—coming up out of the water and smashing right on the boys. They were scared, so I started giving the waves personality—like they're hiding from the kids and waiting for them to come close and then they'd reach up and get them. In Ponyo, Miyazaki actually made the ocean a character," Lasseter continues. "The waves become creatures and the style of the water is actually very believable for the world that he created."

And yet, Miyazaki's appreciation and love of nature is very evident in Ponyo. "It's not that nature or ecology has become a growing concern for me. I think it's just part of our natural surrounding and it's sort of a common thing to depict it. For example, I tell my artists and the team working together to make it smoggier. Then it looks more like the natural surroundings that we live in. It's not that I like smog. So it's the kind of landscape that our children and we are used to living in and whether we should do something about it or not is something that we should think about in real life rather than depicting it in a particular way in the stories on screen."

Even Miyazaki's depiction of villains remains generous in Ponyo. The goldfish's wizard of a father (voiced by Liam Neeson) is terrified that his daughter's transformation into a little human girl will upset the delicate balance of nature. He tries to use his magic to return her to the sea and her former self, rather than letting go and letting her exhibit her free will.

"When I start creating a villain, "Miyazaki explained, "I start liking the villain and so the villain is not really evil. The Fleischer brothers made Superman, and they have a scene where there's a steel making iron works right behind the Hollywood Hills. A bad guy -- the evil character -- who puts so much into creating such a factory and investing so much is somebody that should be lovable. And villains actually work harder than the heroes."

And with Ponyo, the director stresses the importance of family."The most important thing is, I think, that even within such an environment, children grow up, they learn to love and they enjoy living in that environment. I think what is most important is that parents and children see each other as being very valuable and very precious to each other, and if they can get that out of the movie that's fine."

"Ponyo is just stunning visually and tells a wonderful story. The magic in the film, the adventure itself are beyond description," says Lasseter. "It's so beautiful and full of heart and it features great characters. I want people all over the country to see it, fall in love with it, and discover Miyazaki's whole library."