TRASH IN MY EYE No. 83 (of 2003) by Leroy Douresseaux
Trading Places (1983)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – R
DIRECTOR: John Landis
WRITERS: Timothy Harris and Herschel Weingrod
PRODUCER: Aaron Russo
CINEMATOGRAPHER: Robert Paynter (D.o.P.)
EDITOR: Malcolm Campbell
COMPOSER: Elmer Bernstein
Academy Award nominee
COMEDY
Starring: Dan Aykroyd, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliot, Jamie Lee Curtis, Kristin Holby, and Paul Gleason
The subject of this movie review is Trading Places, a 1983 comedy film and satire from director John Landis. The film stars Dan Aykroyd and Eddie Murphy as a snobbish commodities trader and a streetwise con artist, respectively, who plot revenge against two conniving millionaires who cruelly use them in a personal wager.
Rare is the comedy film that enjoys success across a broad spectrum of viewer types and still remain popular even two decades after its initial release. That is exactly the case with director John Landis’s buddy, comic caper Trading Places.
Mortimer (Don Ameche) and Randolph Duke (Ralph Bellamy), millionaire commodity brokers, have made a bet. Randolph believes that he can take a common criminal off the streets, Billy Ray Valentine (Eddie Murphy), and make him into a successful businessman, the old nature vs. environment/nurture. Mortimer disagrees, siding with nature, and the brothers bet one dollar to whoever wins. To learn if even a man who has been brought up in the right environment and has gotten everything he wants can go bad, they pick their hand-chosen successor at Duke and Duke, the snobbish Louis Winthorp III (Dan Aykroyd), and frame him for a few crimes. He loses his job and winds up in jail. The Dukes give Billy Ray Louis’s home and job at Duke and Duke. When Billy Ray accidentally discovers the wager, the wily young con artist joins Louis, Ophelia (Jamie Lee Curtis) a hooker with a heart of gold who has befriended Louis, and Louis’s butler Coleman (Denholm Elliot) to turn the tables on the two callous Duke Brothers.
One of the things that makes this film so much fun is that it plays upon broad socio-economic stereotypes that are very familiar to audiences. What makes these almost stock characters work so well is a combination of excellent comic actors and a good comedic script. Dan Akyroyd is a very good actor, but he is mostly known as a comedian; combine good acting with a great sense of comic timing, and you have a great performance.
Eddie Murphy’s star as a movie actor was rapidly rising at this point in his career, but he was already a quite accomplished player in the cast of “Saturday Night Live.” The Murphy here is still the brash, streetwise, fast talker bursting with the kinda of “black comedy” that both black and white audiences love – you know, the sassy and mouthy Negro who always has a come back or something smart-alecky to say. That Murphy is mostly gone and rarely makes a film appearance now almost 20 years into Murphy’s film career, but looking back, one can see that he makes Billy Ray Valentine both hilarious and loveable – the guy you can root for and with whom you can almost identify.
Kudos also go to longtime screen veterans Bellamy, Ameche, and Elliot for bravura performances that take stock characters and give them flavor and delightful personalities. We also get the added gem of seeing Ms. Curtis in a role that didn’t require her to run from a knife-wielding murder. Up to this point in her career, Ms. Curtis had become the new "Scream Queen" of horror films.
If you haven’t seen this film, you don’t know what you’re missing. If you’ve seen it once before, you should be at least on your tenth viewing.
8 of 10
A
NOTES:
1984 Academy Awards: 1 nomination: “Best Music, Original Song Score and Its Adaptation or Best Adaptation Score” (Elmer Bernstein)
1984 BAFTA Awards: 2 wins: “Best Supporting Actor” (Denholm Elliott) and “Best Supporting Actress” (Jamie Lee Curtis); 1 nomination: “Best Screenplay – Original” (Timothy Harris and Herschel Weingrod)
1984 Golden Globes, USA: 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Eddie Murphy)
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Saturday, October 6, 2012
Review: "Trading Places" is Timeless (Remembering Denholm Elliot)
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Friday, October 5, 2012
New Anime Series "K" Hits Japan and North America
VIZ MEDIA LAUNCHES NEW ANIME SERIES “K” ON VIZANIME.COM
Newest Original Anime Series With Action Packed Psychic War Between Seven Kings Launches On Leading U.S. Anime Streaming Site The Same Day It Debuts In Japan
VIZ Media takes fans to an alternative world of – K - in the North American debut of the new anime series on VIZAnime.com, the company’s own website for free anime, as well as on the free, ad-supported Hulu service and the Hulu Plus subscription service (www.Hulu.com).
K will be presented in Japanese with English subtitles, and debuts in North America the same day it launches in Japan. Episode 1 is now available, and new installments of the 13-episode series will debut every Thursday.
K is set in a world where history has taken a slightly different course from the one we’re familiar with and follows the story of a young boy whose life is caught in a psychic war between seven kings. Yashiro Isana, also known as Shiro, is wanted for a crime he has no recollection of committing. He finds himself being hunted by the groups Homura, led by Mikoto Suoh, “The Red King,” and Scepter 4, led by Reisi Munakata, “The Blue King.” While on the run, another young man named Kuroh Yatogami helps him. Will this fated encounter change Shiro’s life forever?
“K is the newest anime property to be acquired by VIZ Media and we’re extremely excited to debut it on VIZAnime.com the same day as its launch in Japan,” says Brian Ige, Vice President, Animation. “K was developed by GoHands, the studio that created the cyberpunk anime film series, Mardock Scramble, and enigmatic writers’ collective GoRA Project. The highly detailed look of K’s production and its intriguing story will definitely give this new series a strong following. Don’t miss the exciting first episode!”
For more information on K and other animated titles from VIZ Media please visit www.VIZAnime.com.
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Review: Original "Frankenweenie" Short and Sweet
TRASH IN MY EYE No. 187 (of 2004) by Leroy Douresseaux
Frankenweenie (1984) – B&W
Running time: 27 minutes
DIRECTOR: Tim Burton
WRITERS: Leonard Ripps (from an idea by Tim Burton)
PRODUCER: Julie Hickson
CINEMATOGRAPHER: Thomas Ackerman
EDITOR: Ernest Milano
SHORT/SCI-FI/COMEDY with elements of horror
Starring: Shelley Duvall, Daniel Stern, Barret Oliver, Joseph Maher, Roz Braverman, and Domino (Sofia Coppola)
Back in 1984, Tim Burton made a delightful little film short entitled, Frankenweenie, for Disney. Disney didn’t like the offbeat story and refused to release the film. However, after Burton had a hit film with Beetle Juice and landed the gig to direct Batman (1989), Disney released the film on videocassette in the late 80’s.
The film retells the Frankenstein story from a child’s perspective with gentle humor and simplicity. When his pet dog Sparky is hit and killed by a car, Victor Frankenstein (Barret Oliver) revives Sparky Frankenstein-style using electricity. While Victor’s parents Susan (Shelley Duval) and Ben (Daniel Stern) slowly come to accept the resurrected Sparky, the neighbors aren’t so cool with it. The chase Sparky to miniature golf course where Sparky becomes a tragic hero, but can he come back again?
In Frankenweenie, Burton reveals his whimsical gothic style and his penchant for putting the unusual, the weird, and the bizarre in a suburban setting, a theme he’s revisited several times. The black and white photography and Victor’s neighborhood, which the photography turns into a “Leave it to Beaver” wonderland, are a nice fit for this gentle tale about a boy and his dog. Frankenweenie is nowhere near as good as Burton’s great films, but it is a nice and charming little oddity-lite.
6 of 10
B
Frankenweenie (1984) – B&W
Running time: 27 minutes
DIRECTOR: Tim Burton
WRITERS: Leonard Ripps (from an idea by Tim Burton)
PRODUCER: Julie Hickson
CINEMATOGRAPHER: Thomas Ackerman
EDITOR: Ernest Milano
SHORT/SCI-FI/COMEDY with elements of horror
Starring: Shelley Duvall, Daniel Stern, Barret Oliver, Joseph Maher, Roz Braverman, and Domino (Sofia Coppola)
Back in 1984, Tim Burton made a delightful little film short entitled, Frankenweenie, for Disney. Disney didn’t like the offbeat story and refused to release the film. However, after Burton had a hit film with Beetle Juice and landed the gig to direct Batman (1989), Disney released the film on videocassette in the late 80’s.
The film retells the Frankenstein story from a child’s perspective with gentle humor and simplicity. When his pet dog Sparky is hit and killed by a car, Victor Frankenstein (Barret Oliver) revives Sparky Frankenstein-style using electricity. While Victor’s parents Susan (Shelley Duval) and Ben (Daniel Stern) slowly come to accept the resurrected Sparky, the neighbors aren’t so cool with it. The chase Sparky to miniature golf course where Sparky becomes a tragic hero, but can he come back again?
In Frankenweenie, Burton reveals his whimsical gothic style and his penchant for putting the unusual, the weird, and the bizarre in a suburban setting, a theme he’s revisited several times. The black and white photography and Victor’s neighborhood, which the photography turns into a “Leave it to Beaver” wonderland, are a nice fit for this gentle tale about a boy and his dog. Frankenweenie is nowhere near as good as Burton’s great films, but it is a nice and charming little oddity-lite.
6 of 10
B
----------------------
Labels:
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Tim Burton,
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Thursday, October 4, 2012
Amazon.com Options Horror Novel for Film
Amazon Studios Options First Novel
Ania Ahlborn’s Horror Novel SEED Added to Amazon Studios Development Slate
SEATTLE--(BUSINESS WIRE)--(NASDAQ:AMZN) — Amazon Studios, the original content arm of Amazon.com, Inc., has optioned the rights to author Ania Ahlborn’s popular horror novel SEED – a top seller of 47North – the science fiction, fantasy, and horror imprint of Amazon Publishing.
Amazon Studios has added the project to its development slate and will begin testing various big screen adaptations of the spine-tingling Southern gothic suspense tale of an ordinary man with a demon on his back. The move to option a novel in circulation is a first for Amazon Studios, which up to this point has optioned only movie scripts and episodic series projects submitted to Amazon Studios.
“Our primary objective at Amazon Studios is to develop great, commercial projects that our customers love,” said Roy Price, Director, Amazon Studios. “Ania Ahlborn’s SEED has been a top seller for Amazon Publishing’s 47North so we already have a sense of the mainstream attraction of the story and are excited to keep the project in-house for movie development.”
Released in mid-2011 as a self-published title, SEED was quick to gain recognition and praise among lovers of horror. Called ‘bold,’ ‘daring,’ and ‘unflinching,’ SEED reached the #1 spot on Amazon’s bestselling horror list by nothing more than word-of-mouth. SEED was re-released in 2012 after Ahlborn restructured certain plot points and added over six thousand words to the manuscript.
Amazon Studios recently hosted a trailer contest allowing fans the opportunity to create the official SEED book trailer and awarded $3,000 to the winning trailer “Grinning Demons,” as selected by the author Ania Ahlborn. Ahlborn’s second book, The Neighbors, comes out November 27.
About SEED
With nothing but the clothes on his back—and something horrific snapping at his heels—Jack Winter fled his rural Georgia home when he was still just a boy. Watching the world he knew vanish in a trucker’s rearview mirror, he thought he was leaving an unspeakable nightmare behind forever. But years later, the bright new future he’s built suddenly turns pitch black, as something fiendishly familiar looms dead ahead.
When Jack, his wife Aimee, and their two small children survive a violent car crash, it seems like a miracle. But Jack knows what he saw on the road that night, and it wasn’t divine intervention. The profound evil from his past won’t let them die…at least not quickly. It’s back, and it’s hungry; ready to make Jack pay for running, to work its malignant magic on his angelic youngest daughter, and to whisper a chilling promise: I’ve always been here, and I’ll never leave.
About 47 North
For avid readers of science fiction, fantasy, and horror, 47North offers a wide array of new novels and cult favorites, from urban fantasies and space operas to alternate histories and supernatural horror.
About Amazon Studios
Amazon Studios is Amazon’s content development division that uses audience feedback to develop great, original entertainment customers will love. Since its launch in November 2010, more than 10,000 movie scripts and 1,800 series pilot scripts have been submitted to Amazon Studios. Currently, 21 film projects and seven series are in development. For more information about Amazon Studios, visit http://studios.amazon.com.
About Amazon.com
Amazon.com, Inc. (NASDAQ: AMZN), a Fortune 500 company based in Seattle, opened on the World Wide Web in July 1995 and today offers Earth’s Biggest Selection. Amazon.com, Inc. seeks to be Earth’s most customer-centric company, where customers can find and discover anything they might want to buy online, and endeavors to offer its customers the lowest possible prices. Amazon.com and other sellers offer millions of unique new, refurbished and used items in categories such as Books; Movies, Music & Games; Digital Downloads; Electronics & Computers; Home & Garden; Toys, Kids & Baby; Grocery; Apparel, Shoes & Jewelry; Health & Beauty; Sports & Outdoors; and Tools, Auto & Industrial. Amazon Web Services provides Amazon’s developer customers with access to in-the-cloud infrastructure services based on Amazon’s own back-end technology platform, which developers can use to enable virtually any type of business. Kindle Paperwhite is the most-advanced e-reader ever constructed with 62% more pixels and 25% increased contrast, a patented built-in front light for reading in all lighting conditions, extra-long battery life, and a thin and light design. The new latest generation Kindle, the lightest and smallest Kindle, now features new, improved fonts and faster page turns. Kindle Fire HD features a stunning custom high-definition display, exclusive Dolby audio with dual stereo speakers, high-end, laptop-grade Wi-Fi with dual-band support and dual-antennas/MIMO for 40% faster throughput than other tablets, enough storage for HD content, and the latest generation processor and graphics engine—and it is available in two display sizes—7” and 8.9”. The all-new Kindle Fire features a faster processor for 40% faster performance, twice the memory, and longer battery life.
Amazon and its affiliates operate websites, including www.amazon.com, www.amazon.co.uk, www.amazon.de, www.amazon.co.jp, www.amazon.fr, www.amazon.ca, www.amazon.cn, www.amazon.it, and www.amazon.es. As used herein, “Amazon.com,” “we,” “our” and similar terms include Amazon.com, Inc., and its subsidiaries, unless the context indicates otherwise.
Forward-Looking Statements
This announcement contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. Actual results may differ significantly from management's expectations. These forward-looking statements involve risks and uncertainties that include, among others, risks related to competition, management of growth, new products, services and technologies, potential fluctuations in operating results, international expansion, outcomes of legal proceedings and claims, fulfillment center optimization, seasonality, commercial agreements, acquisitions and strategic transactions, foreign exchange rates, system interruption, inventory, government regulation and taxation, payments and fraud. More information about factors that potentially could affect Amazon.com's financial results is included in Amazon.com's filings with the Securities and Exchange Commission, including its most recent Annual Report on Form 10-K and subsequent filings.
Ania Ahlborn’s Horror Novel SEED Added to Amazon Studios Development Slate
SEATTLE--(BUSINESS WIRE)--(NASDAQ:AMZN) — Amazon Studios, the original content arm of Amazon.com, Inc., has optioned the rights to author Ania Ahlborn’s popular horror novel SEED – a top seller of 47North – the science fiction, fantasy, and horror imprint of Amazon Publishing.
Amazon Studios has added the project to its development slate and will begin testing various big screen adaptations of the spine-tingling Southern gothic suspense tale of an ordinary man with a demon on his back. The move to option a novel in circulation is a first for Amazon Studios, which up to this point has optioned only movie scripts and episodic series projects submitted to Amazon Studios.
“Our primary objective at Amazon Studios is to develop great, commercial projects that our customers love,” said Roy Price, Director, Amazon Studios. “Ania Ahlborn’s SEED has been a top seller for Amazon Publishing’s 47North so we already have a sense of the mainstream attraction of the story and are excited to keep the project in-house for movie development.”
Released in mid-2011 as a self-published title, SEED was quick to gain recognition and praise among lovers of horror. Called ‘bold,’ ‘daring,’ and ‘unflinching,’ SEED reached the #1 spot on Amazon’s bestselling horror list by nothing more than word-of-mouth. SEED was re-released in 2012 after Ahlborn restructured certain plot points and added over six thousand words to the manuscript.
Amazon Studios recently hosted a trailer contest allowing fans the opportunity to create the official SEED book trailer and awarded $3,000 to the winning trailer “Grinning Demons,” as selected by the author Ania Ahlborn. Ahlborn’s second book, The Neighbors, comes out November 27.
About SEED
With nothing but the clothes on his back—and something horrific snapping at his heels—Jack Winter fled his rural Georgia home when he was still just a boy. Watching the world he knew vanish in a trucker’s rearview mirror, he thought he was leaving an unspeakable nightmare behind forever. But years later, the bright new future he’s built suddenly turns pitch black, as something fiendishly familiar looms dead ahead.
When Jack, his wife Aimee, and their two small children survive a violent car crash, it seems like a miracle. But Jack knows what he saw on the road that night, and it wasn’t divine intervention. The profound evil from his past won’t let them die…at least not quickly. It’s back, and it’s hungry; ready to make Jack pay for running, to work its malignant magic on his angelic youngest daughter, and to whisper a chilling promise: I’ve always been here, and I’ll never leave.
About 47 North
For avid readers of science fiction, fantasy, and horror, 47North offers a wide array of new novels and cult favorites, from urban fantasies and space operas to alternate histories and supernatural horror.
About Amazon Studios
Amazon Studios is Amazon’s content development division that uses audience feedback to develop great, original entertainment customers will love. Since its launch in November 2010, more than 10,000 movie scripts and 1,800 series pilot scripts have been submitted to Amazon Studios. Currently, 21 film projects and seven series are in development. For more information about Amazon Studios, visit http://studios.amazon.com.
About Amazon.com
Amazon.com, Inc. (NASDAQ: AMZN), a Fortune 500 company based in Seattle, opened on the World Wide Web in July 1995 and today offers Earth’s Biggest Selection. Amazon.com, Inc. seeks to be Earth’s most customer-centric company, where customers can find and discover anything they might want to buy online, and endeavors to offer its customers the lowest possible prices. Amazon.com and other sellers offer millions of unique new, refurbished and used items in categories such as Books; Movies, Music & Games; Digital Downloads; Electronics & Computers; Home & Garden; Toys, Kids & Baby; Grocery; Apparel, Shoes & Jewelry; Health & Beauty; Sports & Outdoors; and Tools, Auto & Industrial. Amazon Web Services provides Amazon’s developer customers with access to in-the-cloud infrastructure services based on Amazon’s own back-end technology platform, which developers can use to enable virtually any type of business. Kindle Paperwhite is the most-advanced e-reader ever constructed with 62% more pixels and 25% increased contrast, a patented built-in front light for reading in all lighting conditions, extra-long battery life, and a thin and light design. The new latest generation Kindle, the lightest and smallest Kindle, now features new, improved fonts and faster page turns. Kindle Fire HD features a stunning custom high-definition display, exclusive Dolby audio with dual stereo speakers, high-end, laptop-grade Wi-Fi with dual-band support and dual-antennas/MIMO for 40% faster throughput than other tablets, enough storage for HD content, and the latest generation processor and graphics engine—and it is available in two display sizes—7” and 8.9”. The all-new Kindle Fire features a faster processor for 40% faster performance, twice the memory, and longer battery life.
Amazon and its affiliates operate websites, including www.amazon.com, www.amazon.co.uk, www.amazon.de, www.amazon.co.jp, www.amazon.fr, www.amazon.ca, www.amazon.cn, www.amazon.it, and www.amazon.es. As used herein, “Amazon.com,” “we,” “our” and similar terms include Amazon.com, Inc., and its subsidiaries, unless the context indicates otherwise.
Forward-Looking Statements
This announcement contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. Actual results may differ significantly from management's expectations. These forward-looking statements involve risks and uncertainties that include, among others, risks related to competition, management of growth, new products, services and technologies, potential fluctuations in operating results, international expansion, outcomes of legal proceedings and claims, fulfillment center optimization, seasonality, commercial agreements, acquisitions and strategic transactions, foreign exchange rates, system interruption, inventory, government regulation and taxation, payments and fraud. More information about factors that potentially could affect Amazon.com's financial results is included in Amazon.com's filings with the Securities and Exchange Commission, including its most recent Annual Report on Form 10-K and subsequent filings.
Labels:
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Review: "The Omen" Remake is Very 666
TRASH IN MY EYE No. 126 (of 2006) by Leroy Douresseaux
The Omen (2006)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – R for disturbing violent content, graphic images, and some language
DIRECTOR: John Moore
WRITER: David Seltzer
PRODUCERS: Glenn Williamson and John Moore
CINEMATOGRAPHER: Jonathan Sela
EDITOR: Dan Zimmerman
COMPOSER: Marco Beltrami
HORROR/DRAMA/THRILLER
Starring: Julia Stiles, Liev Schreiber, Mia Farrow, David Thewlis, Pete Postlethwaite, Giovanni Lombardo, Reggie Austin, Tonya Graves, and Seamus Davey-Fitzpatrick
The subject of this movie review is The Omen, a 2006 horror thriller. This film, which is also known as The Omen: 666, is a remake of the 1976 horror film, The Omen. This remake is written by David Seltzer who also wrote the screenplay for the 1976 film.
Venerated movie critic Roger Ebert (the only writer to win a Pulitzer Prize for writing film criticism) says that the new movie, The Omen, a remake of the 1976 film of the same name, is faithful to that original. It’s been well over 25 years since I’ve seen the 1976 flick, so I can’t say with certainty. However, David Seltzer, who wrote the first film, has also written the remake, and I remember enough to say that at least this new flick creeped me out just as the original did.
Robert Thorn (Liev Schreiber) is a young American diplomat in Rome, awaiting the birth of his first child by his wife, Katherine (Julia Stiles). He arrives at the hospital, where the presiding priest, one Father Spiletto (Giovanni Lombardo), informs Robert that Katherine had an extremely difficult delivery, during which their infant son died. The priest also tells him that Katherine doesn’t know that their child died. He reports to Robert that another woman delivered the same time Katherine went into labor, and while that mother died during delivery, her son survived. Father Spiletto implores Robert to take this other infant as his own son, but not tell Katherine that this isn’t her infant. God won’t mind this little deception, the priest tells Robert.
Five years later, the Thorns’ son, the mystery infant they named Damien (Seamus Davey-Fitzpatrick), is a brooding, peculiar child who seems to be, from the point of view of his mother, the nexus of strange events. Katherine feels detached from the child, and she insists that Robert hire a nanny to help her with the boy. Into their lives arrives Mrs. Blaylock (Mia Farrow), who seems as strange as Damien. They mostly ignore the weirdness in their lives, especially Robert, but when Father Brennan (Pete Postlethwaite), a frantic priest with a haunted air and haunted look about him, continually gives Robert dire warnings about Damien, the newly minted U.S. Ambassador starts to have his own misgivings. With the help of a photographer, Keith Jennings (David Thewlis), Robert is about to discover his son’s true origins and a secret so dire that the fate of mankind may hang in the balance.
The Omen is an adult psychological thriller, a supernatural suspense story in the tradition of Rosemary’s Baby, The Exorcist, and of course the 1976 version of The Omen. Recent films of that type include such box office stumbles as End of Days, Lost Souls, and The Ninth Gate. Director John Moore takes the few changes the new movie makes to the original flick and uses them to create a creepy film with a narrative haunted by the proverbial ominous future. Known for directing commercials before helming such films as Behind Enemy Lines (2001) and Flight of the Phoenix (2004), Moore blends composer Marco Beltrami’s eerie score with his own visual gumbo of ghostly locales and engaging, but troubled characters. Moore and his crew turn their filming locations in Italy, Ireland, Croatia, and the Czech Republic into places where the supernatural is quite natural: an isolated monastery reachable only by traveling across a midst covered lake; an ancient underground Hebrew village; the forlorn mansion in which the Thorns live, and a weird Etruscan graveyard, etc.
Moore also gets superb performances from his cast, each one giving his character that something extra that makes him or her much more appealing than the standard horror movie victim. Schreiber adds of touch of Laurence Olivier circa Rebecca to Robert Thorn, while Julia Stiles is riveting and spot-on as Katherine, a mother so terrified of her child that it leads to dreams filled with terrible apparitions. Mia Farrow is the ultimate witch-hag evil nanny – all wide-eyed with intense devotion to her evil charge and a stone cold face surrounded by thick mane of hair. As for Seamus Davey-Fitzpatrick as Damien, it’s scary that a child actor can play the bad seed so well. Seamus’s Damien is a soul spoiled - just pure rotten, like bad meat surrounded by an evil presence. Pete Postlethwaite and David Thewlis also strike the perfect notes in their respective supporting character parts.
I would compare The Omen to the 2005 film, The Skeleton Key. Both are entertaining supernatural thrillers aimed at an older crowd, each one at times a little illogical and having holes in both concept and execution. Good, but not great, The Omen delivers not less, but a little more than it promises.
6 of 10
B
Wednesday, June 7, 2006
NOTES:
2007 Razzie Awards: 1 nomination: “Worst Supporting Actor” (David Thewlis, also for Basic Instinct 2)
The Omen (2006)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – R for disturbing violent content, graphic images, and some language
DIRECTOR: John Moore
WRITER: David Seltzer
PRODUCERS: Glenn Williamson and John Moore
CINEMATOGRAPHER: Jonathan Sela
EDITOR: Dan Zimmerman
COMPOSER: Marco Beltrami
HORROR/DRAMA/THRILLER
Starring: Julia Stiles, Liev Schreiber, Mia Farrow, David Thewlis, Pete Postlethwaite, Giovanni Lombardo, Reggie Austin, Tonya Graves, and Seamus Davey-Fitzpatrick
The subject of this movie review is The Omen, a 2006 horror thriller. This film, which is also known as The Omen: 666, is a remake of the 1976 horror film, The Omen. This remake is written by David Seltzer who also wrote the screenplay for the 1976 film.
Venerated movie critic Roger Ebert (the only writer to win a Pulitzer Prize for writing film criticism) says that the new movie, The Omen, a remake of the 1976 film of the same name, is faithful to that original. It’s been well over 25 years since I’ve seen the 1976 flick, so I can’t say with certainty. However, David Seltzer, who wrote the first film, has also written the remake, and I remember enough to say that at least this new flick creeped me out just as the original did.
Robert Thorn (Liev Schreiber) is a young American diplomat in Rome, awaiting the birth of his first child by his wife, Katherine (Julia Stiles). He arrives at the hospital, where the presiding priest, one Father Spiletto (Giovanni Lombardo), informs Robert that Katherine had an extremely difficult delivery, during which their infant son died. The priest also tells him that Katherine doesn’t know that their child died. He reports to Robert that another woman delivered the same time Katherine went into labor, and while that mother died during delivery, her son survived. Father Spiletto implores Robert to take this other infant as his own son, but not tell Katherine that this isn’t her infant. God won’t mind this little deception, the priest tells Robert.
Five years later, the Thorns’ son, the mystery infant they named Damien (Seamus Davey-Fitzpatrick), is a brooding, peculiar child who seems to be, from the point of view of his mother, the nexus of strange events. Katherine feels detached from the child, and she insists that Robert hire a nanny to help her with the boy. Into their lives arrives Mrs. Blaylock (Mia Farrow), who seems as strange as Damien. They mostly ignore the weirdness in their lives, especially Robert, but when Father Brennan (Pete Postlethwaite), a frantic priest with a haunted air and haunted look about him, continually gives Robert dire warnings about Damien, the newly minted U.S. Ambassador starts to have his own misgivings. With the help of a photographer, Keith Jennings (David Thewlis), Robert is about to discover his son’s true origins and a secret so dire that the fate of mankind may hang in the balance.
The Omen is an adult psychological thriller, a supernatural suspense story in the tradition of Rosemary’s Baby, The Exorcist, and of course the 1976 version of The Omen. Recent films of that type include such box office stumbles as End of Days, Lost Souls, and The Ninth Gate. Director John Moore takes the few changes the new movie makes to the original flick and uses them to create a creepy film with a narrative haunted by the proverbial ominous future. Known for directing commercials before helming such films as Behind Enemy Lines (2001) and Flight of the Phoenix (2004), Moore blends composer Marco Beltrami’s eerie score with his own visual gumbo of ghostly locales and engaging, but troubled characters. Moore and his crew turn their filming locations in Italy, Ireland, Croatia, and the Czech Republic into places where the supernatural is quite natural: an isolated monastery reachable only by traveling across a midst covered lake; an ancient underground Hebrew village; the forlorn mansion in which the Thorns live, and a weird Etruscan graveyard, etc.
Moore also gets superb performances from his cast, each one giving his character that something extra that makes him or her much more appealing than the standard horror movie victim. Schreiber adds of touch of Laurence Olivier circa Rebecca to Robert Thorn, while Julia Stiles is riveting and spot-on as Katherine, a mother so terrified of her child that it leads to dreams filled with terrible apparitions. Mia Farrow is the ultimate witch-hag evil nanny – all wide-eyed with intense devotion to her evil charge and a stone cold face surrounded by thick mane of hair. As for Seamus Davey-Fitzpatrick as Damien, it’s scary that a child actor can play the bad seed so well. Seamus’s Damien is a soul spoiled - just pure rotten, like bad meat surrounded by an evil presence. Pete Postlethwaite and David Thewlis also strike the perfect notes in their respective supporting character parts.
I would compare The Omen to the 2005 film, The Skeleton Key. Both are entertaining supernatural thrillers aimed at an older crowd, each one at times a little illogical and having holes in both concept and execution. Good, but not great, The Omen delivers not less, but a little more than it promises.
6 of 10
B
Wednesday, June 7, 2006
NOTES:
2007 Razzie Awards: 1 nomination: “Worst Supporting Actor” (David Thewlis, also for Basic Instinct 2)
--------------------
Labels:
2006,
20th Century Fox,
Drama,
Horror,
Julia Stiles,
Liev Schreiber,
Marco Beltrami,
Movie review,
remake,
Thrillers
Wednesday, October 3, 2012
Star Trek: TNG Reunion Heads to the Big Easy
'Star Trek: The Next Generation' 25-Year Reunion Set for Wizard World New Orelans As Main Cast Members Join Patrick Stewart, Nov. 30 - Dec. 2
Jonathan Frakes, LeVar Burton, Michael Dorn, Marina Sirtis, Brent Spiner, Gates McFadden Added To Celebration At New Orleans Ernest N. Morial Convention Center
NEW YORK and NEW ORLEANS, October 3, 2012 – It has been 25 years since “Star Trek: The Next Generation,” hit the air. Now, seven main members of that historic show will reunite as Patrick Stewart (Captain Jean-Luc Picard), Jonathan Frakes (Commander William T. Riker), LeVar Burton (Lt. Commander Geordi La Forge), Michael Dorn (Lieutenant Worf), Marina Sirtis (Counselor Deanna Troi), Brent Spiner (Lt. Commander Data) and Gates McFadden (Dr. Beverly Crusher) will attend Wizard World New Orleans Comic Con, Nov. 30 - Dec. 2 at New Orleans Ernest N. Morial Convention Center.
The series, which ran for seven seasons from 1987 through 1994, garnered 18 daytime Emmys and was a hugely successful follow-up to the original “Star Trek” from two decades earlier. The seven stars are also scheduled to appear at this month's Austin Comic Con in what would be the first gathering of the group in the U.S. since “TNG” first aired.
Stewart is scheduled to appear on Saturday and Sunday, Dec. 1-2, while the rest of the cast is slotted for attendance all three days. Weekend fans will have the unique opportunity to pose for a photo op with all seven actors.
Other standouts on the Wizard World New Orleans Comic Con celebrity roster include comics legend Stan Lee, “Buffy the Vampire Slayer” star Eliza Dushku, Reservoir Dogs headliner Michael Madsen and WWE® Superstar CM Punk®. They will be joined by an All-Star collection of well-known artists and a variety of activities, exhibitors and special attractions in the final event on Wizard World's 2012 calendar.
Wizard World New Orleans Comic Con, produced by Wizard World, Inc. (WIZD.PK), will bring together thousands of fans of all ages to celebrate the best in pop-fi, pop culture, movies, graphic novels, comics, toys, video gaming, television, sci-fi, gaming, original art, collectibles, contests and more. Admission is free for kids 10 and under, and Sunday, Dec. 2, is “Kids Day,” filled with an array of programming specially designed for children.
For more on the 2012 Wizard World New Orleans Comic Con, visit http://www.wizardworld.com/home-neworleans.html.
About Wizard World:
Wizard World produces Comic Cons and pop culture conventions across North America that celebrate graphic novels, comic books, movies, TV shows, gaming, technology, toys and social networking. The events often feature celebrities from movies and TV, artists and writers, and events such as premieres, gaming tournaments, panels, and costume contests.
The full event schedule can be found at www.wizardworld.com.
***** SAVE THE 2012-13 DATES *****
October 26-28, 2012 – Wizard World Austin Comic Con
November 30 - December 2, 2012 – Wizard World New Orleans Comic Con
February 22-24, 2013 – Wizard World Portland Comic Con
May 30 - June 2, 2013 – Wizard World Philadelphia Comic Con
August 8-11, 2013 – Wizard World Chicago Comic Con
September 20-22, 2013 – Wizard World Ohio Comic Con
Labels:
convention,
Eliza Dushku,
event,
Patrick Stewart,
press release,
star appearances,
Star Trek,
Wizard World
"V for Vendetta" Surprisingly Both Safe and Edgy
TRASH IN MY EYE No. 91 (of 2006) by Leroy Douresseaux
V for Vendetta (2006)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – R for strong violence and some language
DIRECTORS: James McTeigue
WRITERS: The Wachowski Brothers (based upon the DC/Vertigo graphic novel illustrated by David Lloyd)
PRODUCERS: Joel Silver, Grant Hill, and Andy Wachowski and Larry Wachowski
CINEMATOGRAPHER: Adrian Biddle
EDITOR: Martin Walsh
COMPOSER: Dario Marianelli
SCI-FI/FANTASY/ACTION/DRAMA/THRILLER
Starring: Natalie Portman, Hugo Weaving, Stephen Rea, Stephen Fry, John Hurt, Tim Pigott-Smith, and Rupert Graves
The subject of this movie review is V for Vendetta, a 2006 dystopian film and science fiction thriller directed by James McTeigue. The film is produced by the team behind The Matrix, producer Joel Silver and the brothers, Andy and Larry Wachowski, who also wrote this film’s screenplay. This movie is based on the comic book, V for Vendetta, which was written by Alan Moore and drawn by David Lloyd.
In a futuristic Britain ruled by a totalitarian government, represented by Chancellor Adam Sutler (John Hurt), a terrorist freedom fighter who calls himself “V” (Hugo Weaving) begins his campaign to wake up his fellow citizens to rise up against tyranny and throw off the yoke of oppression by blowing up a landmark building. As incomparably charismatic as he is ferociously skilled in the arts of combat and deception, V has secretly obtained a seemingly inexhaustible supply of explosives, hacked his way into the government’s information network (BTN – British Television Network), and built a well-supplied infrastructure that allows him to move and do as he pleases.
V also dresses in black combat gear wrapped in a flowing dark cloak. Best of all, he wears a sweetly creepy Guy Fawkes mask. V encounters Evey (Natalie Portman), a young woman whose parents were killed by the government, and though she at first resists, Evey becomes an unlikely ally in V’s final plot to bring down a cruel, corrupt, and ultimately evil government.
[Guy Fawkes was part of “The Gunpowder Plot,” a Catholic plan to overthrow the English Parliament in 1605. Fawkes was hanged for planting explosives in the Parliament buildings. London revelers celebrate “Guy Fawkes Day” on November 5th and wear stylized masks of Fawke’s mustachioed and bearded face.]
V for Vendetta is the latest comic book to get a big screen adaptation. In the original comic book series (eventually collected in book form – a graphic novel – by DC Comics), which was written by Alan Moore and drawn by David Lloyd, V represented anarchy and the British government was fascist. Written in the 1980’s, the government of V for Vendetta was a stand-in for the government of former Prime Minister Margaret Thatcher. In the film, the British government is more totalitarian, but retains a dash of fascism. However, the movie version of the character V is more about democracy and government by the people – a government that answers directly to the ordinary, everyday person – and uses terror and bombings to destabilize the deceitful government. By showing the government for what it is – evil and corrupt – V hopes to make the people rise up. The V of the comic book wanted to put an end to all governments in favor of anarchy, which is a political theory that believes the highest attainment of humanity is not to be free, unhindered by any kind of outside repression or control.
This film adaptation of V for Vendetta is written and co-produced by The Wachowski Brothers (Andy and Larry), creators of The Matrix. They maintained the comic book’s London setting, but instead of British government is just a stand-in for the administration of President George W. Bush. The viewer doesn’t need to be politically astute to catch the allusions. In fact, of the film’s sub-plot turns on a horrific terrorist attack that happens in the movie’s history (or back story). The terrorists use a biological weapon that causes the death of 100,000 people – this is clearly a nod at 9/11. In fact, The Wachowskis’ script goes so far to suggest that the terrorists who launched the attack were actually high government officials who used the fear and aftermath of the attack to take control of the country. Conspiracy theorists also believe that 9/11 was orchestrated by the Bush Administration to launch foreign wars in Afghanistan and Iraq, as well as use fear of terror to strengthen its power at home.
Alan Moore, who has seen two of his other comic books/graphic novels – The League of Extraordinary Gentlemen and From Hell, turned into films that were not faithful to his comics, was livid about the changes the Wachowskis made to his work and demanded that his name be removed from the project.
The movie itself is very much like a comic book, but that isn’t meant in the pejorative sense. V for Vendetta the movie is full of the kind wild and crazy ideas that comics from the 1940’s and 60’s were so good at introducing. This is all played at with a pop culture sensitivity. Directed by John McTeigue (the “first assistant director” on all three Matrix films and Star Wars: Episode II – Attack of the Clones, among others), V is impressionistic and is meant to hit the audience’s heart by playing with its emotions; that is done by showing the government and its agents committing senseless acts of barbaric cruelty, not only against loyal citizens, but against anyone who is different of thinks differently (freethinkers, homosexuals, protesters, etc.). V speaks of ideas and words, and that’s how the film appeals to the intellect. It’s always giving the viewer something to think about between the cool looking scenes of fighting and of storm troopers, shock troops, and police knocking down doors and knocking heads. It can make you wonder about how much the government lies and tries to manipulate. For added fun, there is even a Bill O’Reilly-like big mouth hollering about faith and unity.
The key to enjoying V for Vendetta is V himself. The other characters are alright, but it’s clear that neither the Wachowskis nor the director love them as much as they love V. In fact, Natalie Portman may be a really fine actress – even a great stage actress, as some say – but her Evey pales next to V, even though she does some good work here and has some scenes that allow her to press her serious actress button real hard.
Played by Hugo Weaving (the evil agent, Mr. Smith, in The Matrix films), V is like Batman in a music video version of George Orwell’s novel, 1984. Although we hear Weaving’s voice, he is always in costume and we never see his face (or body, for that matter). Moving gracefully, sometimes subtle, and sometimes with stylized exaggeration, Weaving shows us how truly cool it looks to wear a costume with a cape and a mask and be the mystery man in the shadows fighting tyranny and oppression. Weaving’s voice and movements turn the Guy Fawkes mask that V wears into an enchanted jester’s face that mocks fear, apathy, and weakness. Weaving’s V makes you want to stand up, be strong, and cast off the chains of oppression and the net of ignorance. Underneath that mask and beneath that costume is a spirit, an essence of a free mind and a free ass.
And though, the V for Vendetta film is sometimes shaky with a narrative that goes all over the place, and though it is a movie with more ideas than it can handle, this movie is bold and audacious. It is a dangerous comic book brought to life as a series of bold and explosive “View Master” reels. It is as sly as it is clumsy, and it is as daring in its ideas as it is confused. V for Vendetta plays it safe, but only a little, while criticizing (our) government, but it gets in enough digs to make us think.
7 of 10
B+
Friday, April 28, 2006
V for Vendetta (2006)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – R for strong violence and some language
DIRECTORS: James McTeigue
WRITERS: The Wachowski Brothers (based upon the DC/Vertigo graphic novel illustrated by David Lloyd)
PRODUCERS: Joel Silver, Grant Hill, and Andy Wachowski and Larry Wachowski
CINEMATOGRAPHER: Adrian Biddle
EDITOR: Martin Walsh
COMPOSER: Dario Marianelli
SCI-FI/FANTASY/ACTION/DRAMA/THRILLER
Starring: Natalie Portman, Hugo Weaving, Stephen Rea, Stephen Fry, John Hurt, Tim Pigott-Smith, and Rupert Graves
The subject of this movie review is V for Vendetta, a 2006 dystopian film and science fiction thriller directed by James McTeigue. The film is produced by the team behind The Matrix, producer Joel Silver and the brothers, Andy and Larry Wachowski, who also wrote this film’s screenplay. This movie is based on the comic book, V for Vendetta, which was written by Alan Moore and drawn by David Lloyd.
In a futuristic Britain ruled by a totalitarian government, represented by Chancellor Adam Sutler (John Hurt), a terrorist freedom fighter who calls himself “V” (Hugo Weaving) begins his campaign to wake up his fellow citizens to rise up against tyranny and throw off the yoke of oppression by blowing up a landmark building. As incomparably charismatic as he is ferociously skilled in the arts of combat and deception, V has secretly obtained a seemingly inexhaustible supply of explosives, hacked his way into the government’s information network (BTN – British Television Network), and built a well-supplied infrastructure that allows him to move and do as he pleases.
V also dresses in black combat gear wrapped in a flowing dark cloak. Best of all, he wears a sweetly creepy Guy Fawkes mask. V encounters Evey (Natalie Portman), a young woman whose parents were killed by the government, and though she at first resists, Evey becomes an unlikely ally in V’s final plot to bring down a cruel, corrupt, and ultimately evil government.
[Guy Fawkes was part of “The Gunpowder Plot,” a Catholic plan to overthrow the English Parliament in 1605. Fawkes was hanged for planting explosives in the Parliament buildings. London revelers celebrate “Guy Fawkes Day” on November 5th and wear stylized masks of Fawke’s mustachioed and bearded face.]
V for Vendetta is the latest comic book to get a big screen adaptation. In the original comic book series (eventually collected in book form – a graphic novel – by DC Comics), which was written by Alan Moore and drawn by David Lloyd, V represented anarchy and the British government was fascist. Written in the 1980’s, the government of V for Vendetta was a stand-in for the government of former Prime Minister Margaret Thatcher. In the film, the British government is more totalitarian, but retains a dash of fascism. However, the movie version of the character V is more about democracy and government by the people – a government that answers directly to the ordinary, everyday person – and uses terror and bombings to destabilize the deceitful government. By showing the government for what it is – evil and corrupt – V hopes to make the people rise up. The V of the comic book wanted to put an end to all governments in favor of anarchy, which is a political theory that believes the highest attainment of humanity is not to be free, unhindered by any kind of outside repression or control.
This film adaptation of V for Vendetta is written and co-produced by The Wachowski Brothers (Andy and Larry), creators of The Matrix. They maintained the comic book’s London setting, but instead of British government is just a stand-in for the administration of President George W. Bush. The viewer doesn’t need to be politically astute to catch the allusions. In fact, of the film’s sub-plot turns on a horrific terrorist attack that happens in the movie’s history (or back story). The terrorists use a biological weapon that causes the death of 100,000 people – this is clearly a nod at 9/11. In fact, The Wachowskis’ script goes so far to suggest that the terrorists who launched the attack were actually high government officials who used the fear and aftermath of the attack to take control of the country. Conspiracy theorists also believe that 9/11 was orchestrated by the Bush Administration to launch foreign wars in Afghanistan and Iraq, as well as use fear of terror to strengthen its power at home.
Alan Moore, who has seen two of his other comic books/graphic novels – The League of Extraordinary Gentlemen and From Hell, turned into films that were not faithful to his comics, was livid about the changes the Wachowskis made to his work and demanded that his name be removed from the project.
The movie itself is very much like a comic book, but that isn’t meant in the pejorative sense. V for Vendetta the movie is full of the kind wild and crazy ideas that comics from the 1940’s and 60’s were so good at introducing. This is all played at with a pop culture sensitivity. Directed by John McTeigue (the “first assistant director” on all three Matrix films and Star Wars: Episode II – Attack of the Clones, among others), V is impressionistic and is meant to hit the audience’s heart by playing with its emotions; that is done by showing the government and its agents committing senseless acts of barbaric cruelty, not only against loyal citizens, but against anyone who is different of thinks differently (freethinkers, homosexuals, protesters, etc.). V speaks of ideas and words, and that’s how the film appeals to the intellect. It’s always giving the viewer something to think about between the cool looking scenes of fighting and of storm troopers, shock troops, and police knocking down doors and knocking heads. It can make you wonder about how much the government lies and tries to manipulate. For added fun, there is even a Bill O’Reilly-like big mouth hollering about faith and unity.
The key to enjoying V for Vendetta is V himself. The other characters are alright, but it’s clear that neither the Wachowskis nor the director love them as much as they love V. In fact, Natalie Portman may be a really fine actress – even a great stage actress, as some say – but her Evey pales next to V, even though she does some good work here and has some scenes that allow her to press her serious actress button real hard.
Played by Hugo Weaving (the evil agent, Mr. Smith, in The Matrix films), V is like Batman in a music video version of George Orwell’s novel, 1984. Although we hear Weaving’s voice, he is always in costume and we never see his face (or body, for that matter). Moving gracefully, sometimes subtle, and sometimes with stylized exaggeration, Weaving shows us how truly cool it looks to wear a costume with a cape and a mask and be the mystery man in the shadows fighting tyranny and oppression. Weaving’s voice and movements turn the Guy Fawkes mask that V wears into an enchanted jester’s face that mocks fear, apathy, and weakness. Weaving’s V makes you want to stand up, be strong, and cast off the chains of oppression and the net of ignorance. Underneath that mask and beneath that costume is a spirit, an essence of a free mind and a free ass.
And though, the V for Vendetta film is sometimes shaky with a narrative that goes all over the place, and though it is a movie with more ideas than it can handle, this movie is bold and audacious. It is a dangerous comic book brought to life as a series of bold and explosive “View Master” reels. It is as sly as it is clumsy, and it is as daring in its ideas as it is confused. V for Vendetta plays it safe, but only a little, while criticizing (our) government, but it gets in enough digs to make us think.
7 of 10
B+
Friday, April 28, 2006
Labels:
2006,
Alan Moore,
comic book movies,
DC Comics,
Hugo Weaving,
Joel Silver,
Movie review,
Natalie Portman,
sci-fi,
Thrillers,
Wachowskis,
Warner Bros
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