Showing posts with label Tom Stoppard. Show all posts
Showing posts with label Tom Stoppard. Show all posts

Sunday, June 25, 2023

Review: Steven Spielberg's "EMPIRE OF THE SUN"

TRASH IN MY EYE No. 27 of 2023 (No. 1916) by Leroy Douresseaux

Empire of the Sun (1987)
Running time:  153 minutes (2 hours, 33 minutes)
MPAA – PG
DIRECTOR:  Steven Spielberg
WRITER:  Tom Stoppard (based on the novel by J.G. Ballard)
PRODUCERS:  Steven Spielberg, Frank Marshall, and Kathleen Kennedy
CINEMATOGRAPHER:  Allen Daviau (D.o.P.)
EDITOR:  Michael Kahn
COMPOSER:  John Williams
Academy Award nominee

DRAMA

Starring:  Christian Bale, John Malkovich, Miranda Richardson, Nigel Havers, Joe Pantoliano, Leslie Phillips, Masato Ibu, Emily Richard, Rupert Frazer, Peter Gale, Takataro Kataoka, and Ben Stiller

Empire of the Sun is a 1987 wartime drama and historical film directed by Steven Spielberg.  The film is based on the 1984 semi-autobiographical novel, Empire of the Sun, from author J.G. Ballard (1930-2009).  Empire of the Sun the film focuses on a young English boy who is separated from his parents and then, struggles to survive the Japanese occupation of China during World War II

Empire of the Sun opens in 1941 in the “International Settlement,” an enclave of British and American citizens in Shanghai, ChinaJames “Jamie” Graham is the only child of an British upper middle class couple, John Graham (Rupert Frazer) and Mary Graham (Emily Richard).  Jamie enjoys a privileged life in the International Settlement, but he keeps an eye on the activities of the Japanese who have encroached on Shanghai.  After their attack on Pearl Harbor, the Japanese begin their occupation of the settlement.  During the family's bid to escape, Jamie is separated from his parents.

Eventually, Jamie is taken prisoner and moved into an internment camp.  He survives by befriending the American expatriate and hustler, Basie (John Malkovich), and also the kindly Englishman, Dr. Rawlins (Nigel Havers).  Now, called “Jim” by everyone, he establishes a successful trading network that keeps him with food and necessities.  As World War II drags on, however, Jim realizes that he no longer remembers what his parents look like.

Last year, I began watching and, in some cases, re-watching early Steven Spielberg films, such as Duel, Jaws, and 1941, in anticipation of Spielberg's autobiographical film, The Fabelmans, which was released in 2022.  The film has long since completed its theatrical run, but there remained Spielberg films I wanted to see.  I had been putting off watching Empire of the Sun for 36 years, and my best resource to see it, DVDNetflix, is closing soon.  So why not see Empire of the Sun now?

What can I say?  Empire of the Sun is not one of Spielberg's better films.  It does not really have a narrative center, and the plot is unfixed.  The film plays like a series of anecdotes – many, many, many anecdotes – played over a film that runs nearly two and a half hours long.  Some of the scenes have great emotional impact, such as Jim's reunion with his parents and even that last shot of the suitcase in the water.  Still, overall, the film lacks dramatic heft and emotion.  It's too cold and is disjointed.  Instead of feeling like a narrative that flows from beginning to end, Empire of the Sun feels like individual pages from a children's picture book.

If Empire of the Sun is a coming-of-age story and a boys' adventure tale, then, the film needs a great boy.  That is what actor Christian Bale is for this film.  All of 13-years-old when filming began, Bale carries Empire of the Sun with the tenacity and acting chops of an actor more than twice his age.  Bale embodies the emotional depth and dramatic depth that this film lacks as a whole.  None of the other actors' performances approach his, not because they are bad, but because neither Spielberg nor Tom Stoppard's script gives them the space and material.

Spielberg makes this film seem as if its true purpose is to be about a boy and his wartime adventures.  Thus, none of the Japanese elements really feel as if they have the force of an empire behind them.  Still, the focus on Jim Graham works because Christian Bale is the child emperor of Empire of the Sun.

6 of 10
B
★★★ out of 4 stars

Sunday, June 25, 2023


NOTES:
1988 Academy Awards, USA:  6 nominations:  “Best Cinematography” (Allen Daviau), “Best Art Direction-Set Decoration” (Norman Reynolds and Harry Cordwell), “Best Costume Design” (Bob Ringwood), “Best Sound” (Robert Knudson, Don Digirolamo, John Boyd, and Tony Dawe), “Best Film Editing” (Michael Kahn), and “Best Music, Original Score” (John Williams)

1989 BAFTA Awards:  3 wins: “Best Cinematography” (Allen Daviau), “Best Score” (John Williams), and “Best Sound” (Charles L. Campbell, Louis L. Edemann, Robert Knudson, and Tony Dawe); 3 nominations:  “Best Screenplay-Adapted” (Tom Stoppard), “Best Costume Design” (Bob Ringwood), and “Best Production Design” (Norman Reynolds)

1988 Golden Globes, USA  2 nominations: “Best Motion Picture – Drama” and “Best Original Score-Motion Picture” (John Williams)


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Thursday, November 14, 2013

2013 European Film Award Nominations List

by Amos Semien

The European Film Awards (EFA) recognize excellence in European cinematic achievements.  They have been presented annually since 1988 by the European Film Academy. There are over ten categories, with the most important being the “film of the year” award.  Formerly known as the “Felix Awards,” the European Film Awards are restricted to European cinema and European producers, directors, and actors.

The host cities alternate, as Berlin hosts them every other year while other European cities get the chance in between the years in which Berlin hosts.

The film, The Broken Circle Breakdown (Belgium), a love story from Felix van Groeningen, leads the 2013 EFA with five nominations.  This film is also Belgium’s official entry for the foreign language category in this year’s Academy Awards.  Paolo Sorrentino’s La Grande Bellezza (The Great Beauty), an homage to the city of Rome, received four nominations.

The more than 2,900 EFA Members will vote for the winners.  The awards will be presented in Berlin on December 7, 2013.

26th European Film Awards (2013) nominees:

European Film 2013:
THE BEST OFFER
Italy, 130 min
WRITTEN & DIRECTED BY: Giuseppe Tornatore
PRODUCED BY: Isabella Cocuzza & Arturo Paglia

BLANCANIEVES
Spain/France, 104 min
WRITTEN & DIRECTED BY: Pablo Berger
PRODUCED BY: Ibon Cormenzana, Jérôme Vidal & Pablo Berger

THE BROKEN CIRCLE BREAKDOWN
Belgium, 100 min
DIRECTED BY: Felix van Groeningen
WRITTEN BY: Carl Joos & Felix van Groeningen
PRODUCED BY: Dirk Impens

LA GRANDE BELLEZZA (THE GREAT BEAUTY)
Italy/France, 140 min
DIRECTED BY: Paolo Sorrentino
WRITTEN BY: Paolo Sorrentino & Umberto Contarello
PRODUCED BY: Nicola Giuliano & Francesca Cima

OH BOY!
Germany, 83 min
WRITTEN & DIRECTED BY: Jan Ole Gerster
PRODUCED BY: Marcos Kantis & Alexander Wadouh

LA VIE D’ADELE: CHAPITRES 1 & 2 (ADELE: CHAPTERS 1 & 2)
France, 179 min
DIRECTED BY: Adellatif Kechiche
WRITTEN BY: Abdellatif Kechiche & Ghalya Lacroix
PRODUCED BY: Brahim Chioua, Vincent Maraval & Abdellatif Kechiche

European Comedy 2013:

LOS AMANTES PASAJEROS (I’M SO EXCITED!)
Spain, 90 min
WRITTEN & DIRECTED BY: Pedro Almodóvar
PRODUCED BY: Agustín Almodóvar & Esther García

BENVENUTO PRESIDENTE! (WELCOME MR PRESIDENT!)
Italy, 100 min
DIRECTED BY: Riccardo Milani
WRITTEN BY: Fabio Bonifacci
PRODUCED BY: Nicola Giuliano & Francesca Cima

DEN SKALDEDE FRISØR (LOVE IS ALL YOU NEED)
Denmark, 111 min
DIRECTED BY: Susanne Bier
WRITTEN BY: Anders Thomas Jensen & Susanne Bier
PRODUCED BY: Sisse Graum Jørgensen, Vibeke Windeløv

SVECENIKOVA DJECA (THE PRIEST’S CHILDREN)
Croatia/Serbia, 93 min
DIRECTED BY: Vinko Brešan
WRITTEN BY: Mate Matišić & Vinko Brešan
PRODUCED BY: Ivan Maloča

European Director 2013:
Pablo Berger for BLANCANIEVES
Felix van Groeningen for THE BROKEN CIRCLE BREAKDOWN
Abdellatif Kechiche for LA VIE D’ADELE: CHAPITRES 1 & 2 (Adele: Chapters 1 & 2)
François Ozon for DANS LA MAISON (In the House)
Paolo Sorrentino for LA GRANDE BELLEZZA (The Great Beauty)
Giuseppe Tornatore for THE BEST OFFER

European Actress 2013:
Keira Knightley in ANNA KARENINA
Veerle Baetens in THE BROKEN CIRCLE BREAKDOWN
Barbara Sukowa in HANNAH ARENDT
Naomi Watts in LO IMPOSIBLE (The Impossible)
Luminita Gheorghiu in POZITIA COPILULUI (Child's Pose)

European Actor 2013:
Jude Law in ANNA KARENINA
Johan Heldenbergh in THE BROKEN CIRCLE BREAKDOWN
Fabrice Luchini in DANS LA MAISON (In the House)
Toni Servillo in LA GRANDE BELLEZZA (The Great Beauty)
Tom Schilling in OH BOY

European Screenwriter 2013:
Tom Stoppard for ANNA KARENINA
Giuseppe Tornatore for THE BEST OFFER
Carl Joos & Felix van Groeningen for THE BROKEN CIRCLE BREAKDOWN
François Ozon for DANS LA MAISON (In the House)
Paolo Sorrentino & Umberto Contarello for LA GRANDE BELLEZZA (The Great Beauty)

Here are the previously announced nominations and winners:

European Discovery - Prix FIPRESCI:
Äta sova dö (Eat Sleep Die), Gabriela Pichler, Sweden
Call Girl, Mikael Marcimain, Sweden, Norway, Ireland and Finland
Miele (Honey), valeria Golino, Italy and France
Oh Boy!, Jan Ole Gerster, Germany
La Plaga (The Plague), Neus Ballús, Spain

European Animated Feature Film:
The Congress, Ari Folman, Israel, Germany, Poland, Luxembourg, France and Belgium
Jasmine, Alain Ughetto, France
Pinocchio, Enzo d'AIò, Italy, Luxembourg, France and Belgium

European Documentary:
The Act of Killing, Joshua Oppenheimer, Denmark, Norway and UK
L'Escale (Stop-Over), Kaveh Bakhtiari, Switzerland and France
L'Image Manquante (The Missing Picture), Rithy Panh, France and Cambodia

European Short Film:
Cut, Christoph Girardet & Matthias Müller, Germany, 12' (Vila do Conde nominee)
Dood Van Een Schaduw (Death of a Shadow), Tom Van Avermaet, Belgium and France, 20' (Valladolid nominee)
Houses with Small Windows, Bülent Öztürk, Belgium, 15' (Venice nominee)
La Lampe au Beurre de Yak (Butter Lamp), Hu Wei, France and China, 15' (Drama nominee)
Letter, Sergei Loznitsa, Russia, 20' (documentary) (Krakow nominee)
Misterio (Mystery), Chema García Ibarra, Spain, 12' (Berlin nominee)
Morning, Cathy Brady, UK and Ireland, 21' (Cork nominee)
As Ondas (The Waves), Miguel Fonseca, Portugal, 22' (Ghent nominee)
Orbit Ever After, Jamie Stone, UK, 20' (Bristol nominee)
Skok (Jump), Petar Valchanov and Kristina Grozeva, Bulgaria, 30' (Clermont-Ferrand nominee)
Sonntag 3 (Sunday 3), Jochen Kuhn, Germany, 14' (Tampere nominee)
A Story for the Modlins, Sergio Oksman, Spain, 26' (documentary) (Sarajevo nominee)
Though I Know The River Is Dry, Omar Robert Hamilton, Egypt, Palestine and UK, 20' (Rotterdam nominee)
Yaderni Wydhody (Nuclear Waste), Myroslav Slaboshpytskiy, Ukraine, 25' (Grimstad nominee)
Zima, Christina Picchi, Russia, 12' (documentary) (Locarno nominee)

Carlo di Palma European Cinematographer Award: Asaf Sudry for Lemale et Ha'Halal (Fill The Void), Israel

European Editor: Cristiano Travaglioli for La Grande Bellezza (The Great Beauty), Italy and France

European Production Designer: Sarah Greenwood for Anna Karenina, UK

European Composer: Ennio Morricone for The Best Offer, Italy

European Costume Designer: Paco Delgado for Blancanieves, Spain and France

European Sound Designer: Matz Müller and Erik Mischijew for Paradies: Glaube (Paradise: Faith), Austria, Germany and Fran.


Tuesday, April 27, 2010

The Real "Brazil" Still Dazzles the Imagination

TRASH IN MY EYE No. 209 (of 2006) by Leroy Douresseaux


Brazil (1985) – Director’s Cut
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – R
COUNTRY OF ORIGIN: UK
DIRECTOR: Terry Gilliam
WRITERS: Terry Gilliam, Tom Stoppard, and Charles McKeown
PRODUCERS: Arnon Milchan
CINEMATOGRAPHER: Roger Pratt
EDITOR: Julian Doyle
Academy Award nominee

SCI-FI/FANTASY/COMEDY with element of romance

Starring: Jonathan Pryce, Robert De Niro, Katherine Helmond, Ian Holm, Bob Hoskins, Michael Palin, Peter Vaughan, Kim Greist, Barbara Hicks, Charles McKeown, Kathryn Pogson, Shelia Reid, and Holly Gilliam

In a dystopian future, an inefficient bureaucracy controls society. Sam Lowry (Jonathan Pryce) is a daydreaming civil servant in the Department of Records (part of the Ministry of Information) who spots an error in a sea of paperwork – an innocent man was arrested and apparently killed because that error mistakenly identified him as a terrorist. In this future, the government expects citizens to pay fines and monetary penalties for their offences against society (the government) simply because even the most minor offenses generate so much paperwork. So the family of the innocent, now-deceased man is owed a refund for the money charged them for his “crimes.” While attempting to deliver the refund, Sam encounters Jill Layton (Kim Greist), and she looks exactly like the woman who is in all his daydreams. In the course of trying to catch up with Jill, Sam incorrectly becomes the object of government’s (via the Ministry) ire, as they assume him to be the mysterious, illegal serviceman and terrorist, Harry Tuttle (Robert De Niro).

Part social commentary, part outrageous fantasy, and black comedy, Terry Gilliam’s Brazil is one of the most dead-on socio-political satires in film history. It so accurately portrays both bureaucratic excess and negligence that it is both uncanny and uncannily timely, especially in light of recent events involving individual citizens being mistaken for terrorists because of their names, nationalities, and/or ethnicities. In fact, the Ministry of Information’s slogan, “Suspicion Breeds Confidence” defines the mentality of post-9/11 America.

The things that make this film excellent are the script and the actors’ ability to interpret its subtleties, while performing amidst the director’s indulgences. Terry Gilliam’s (Time Bandits) direction is obtuse, and he often seems more enamored with the dressings of his scenario rather than the narrative and allegorical aspects of it. Meanwhile, the cast seems better at bringing Gilliam’s vision to the screen that the director himself. This includes a brilliant performance by Jonathan Pryce as an exasperated everyman who doesn’t realize that he truly is different from everyone one else (kind, considerate, intelligent) and how much that endangers his life. The text (writing) is what makes Brazil a superb social commentary and an exceptional black comic satire, and luckily the cast acted as midwife to bring the script’s best aspects to screen even when Gilliam meanders.

8 of 10
A

NOTES:
1986 Academy Awards: 2 nominations: “Best Writing, Screenplay Written Directly for the Screen” (Terry Gilliam, Tom Stoppard, and Charles McKeown) and “Best Art Direction-Set Decoration” (Norman Garwood and Maggie Gray)


1986 BAFTA Awards: 2 wins” “Best Production Design (Norman Garwood) and “Best Special Visual Effects” (George Gibbs and Richard Conway)

Sunday, October 8, 2006