Five Major Studios Sign Theatrical Digital Distribution Deal

Lionsgate, Universal Pictures, The Walt Disney Company, Warner Bros. Entertainment Inc. and Paramount Pictures Sign on to DCDC Distribution Service Platform

BURBANK, Calif. & LOS ANGELES--(BUSINESS WIRE)--The Digital Cinema Distribution Coalition (DCDC) announced today that it has reached agreements with Lionsgate, Universal Pictures, The Walt Disney Company, Warner Bros. Entertainment Inc. and Paramount Pictures to provide each with theatrical digital delivery services across North America. DCDC, formed by AMC Theatres, Regal Entertainment Group, Cinemark Theatres, Universal Pictures and Warner Bros., has created a network for next generation satellite and terrestrial digital distribution capable of supporting feature, promotional, pre-show and live content distribution into theatres using the latest in digital distribution technologies. The network is designed to provide a highly reliable and cost effective distribution model for distributors and exhibitors alike. As digital distribution replaces the use of traditional, physical media for content distribution, users of the network will have access to a host of delivery options and resources.

Speaking on behalf of DCDC, Randolph Blotky stated, “DCDC’s service platform is the state of the art for digital delivery of various kinds of content to theatres in North America. Its business model will assure long-term consistent low cost pricing to content providers and exhibitors across the industry. We are very excited to welcome Warner Bros. Entertainment, Lionsgate, The Walt Disney Company, Universal Pictures and Paramount Pictures to our service.”

Darcy Antonellis, President, Technical Operations, and Chief Technology Officer, Warner Bros. Entertainment added, “The vision of creating a cross-industry distribution service to benefit distributors, exhibitors, service providers and consumers is becoming a reality. We're extremely pleased to be working with our colleagues to bring to fruition a powerful distribution network that is advantageous for us all.”

Nikki Rocco, President, Universal Pictures Distribution, added, “With the majority of the domestic theatrical market now digital, the ability to efficiently distribute films via satellite to a large subset of our exhibitor partners will further ensure moviegoers have access to the latest and highest quality theatrical entertainment. Universal is excited to work with DCDC in the satellite delivery of our films, as it rolls out its satellite platform over the coming months.”

“DCDC’s new satellite service provides a seamless and secure system that will enable us to streamline and expedite access to our latest content,” said Dave Hollis, Executive Vice President, Theatrical Exhibition Sales and Distribution, The Walt Disney Studios. “This is a crucial advancement in theatrical distribution, and we’re thrilled to be on board.”

“The wide-spread adoption of DCDC’s platform is a game-changer,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The service ensures that audiences have the most high-quality entertainment experience while exhibitors and content providers achieve a strategic, secure and cost-effective new business model. We are very pleased to join DCDC and our partner studios in this initiative.”

“We are pleased that Lionsgate can again be at the forefront of digital cinema and be part of the state of the art digital delivery system that will benefit the entire industry,” said Richie Fay, Lionsgate’s President of Domestic Theatrical Distribution.

“All of us at Paramount believe the advancement of digital distribution technologies will help to further our goal to bring the finest entertainment to audiences in a seamless and secure manner, and the DCDC will be a great partner for us to achieve that goal,” said Megan Colligan, Paramount Pictures’ President of Domestic Marketing and Distribution.

“DCDC is creating a technological superhighway,” said Tim Warner, CEO and President, Cinemark Theatres. “It’s one port access to thousands of screens, for both movies and alternative content, from all content providers.”

DCDC is expected to complete the initial network roll-out before year-end. Deluxe/EchoStar LLC will be providing operations support for the DCDC network.


About Warner Bros. Entertainment:
Warner Bros. Entertainment is a global leader in all forms of entertainment and their related businesses across all current and emerging media and platforms. A Time Warner Company, the fully integrated, broad-based Studio is home to one of the most successful collections of brands in the world and stands at the forefront of every aspect of the entertainment industry from feature film, television and home entertainment production and worldwide distribution to Blu-ray and DVD, digital distribution, animation, comic books, video games, product and brand licensing and broadcasting.

About Universal Pictures:
Universal Pictures is a division of Universal Studios (www.universalstudios.com). Universal Studios is part of NBCUniversal. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

About The Walt Disney Company:
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.

About Lionsgate:
Lionsgate is a leading global entertainment company with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, family entertainment, digital distribution, new channel platforms and international distribution and sales. Its feature film business has been fueled by such recent successes as the blockbuster first installment of The Hunger Games franchise, the 13th highest-grossing domestic release of all time, The Twilight Saga: Breaking Dawn – Part 2, which has grossed more than $800 million at the worldwide box office, Warm Bodies, Texas Chainsaw 3D, The Expendables 2, The Possession, Sinister, The Cabin in the Woods and Arbitrage. With the January 2012 acquisition of Summit Entertainment, the Company has now added the blockbuster Twilight Saga franchise, which has grossed more than $3.3 billion at the worldwide box office, to its current slate, giving the Company the two premier young adult franchises in the world. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world.

About Paramount Pictures Corporation:
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

Review: "The Master" Piece

TRASH IN MY EYE No. 17 (of 2013) by Leroy Douresseaux

The Master (2012)
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – R for sexual content, graphic nudity and language
WRITER/DIRECTOR: Paul Thomas Anderson
PRODUCERS: Paul Thomas Anderson, Megan Ellison, Daniel Lupi, and JoAnne Sellar
CINEMATOGRAPHER: Mihai Malaimare Jr.
EDITORS: Leslie Jones and Peter McNulty
COMPOSER: Jonny Greenwood

DRAMA

Starring: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Jesse Plemons, Ambyr Childers, Rami Malek, Laura Dern, and Kevin J. O’Connor

The Master is a 2012 film drama from writer/director Paul Thomas Anderson (There Will Be Blood). The film follows a World War II Naval veteran who returns to America unsettled and uncertain of his future – until he is tantalized by a new religion and its charismatic leader. The Master is also noted for its similarities to the life of L. Ron Hubbard, the founder of Scientology.

The Master opens with a brief look at Freddie Quell (Joaquin Phoenix) and his service during World War II. After the war, Freddie is sex-obsessed and an alcoholic, and he struggles to adjust to post-war life. Early in 1950, Freddie is jobless and drifting, when he stows away on the yacht of Lancaster Dodd (Philip Seymour Hoffman), the founder and leader of a philosophical movement called “The Cause.”

Seeing something in Freddie, Dodd takes him into the movement, and Freddie travels with Dodd along the East Coast, spreading the teachings of The Cause. Freddie’s erratic and violent behavior, however, makes Dodd’s followers, especially Dodd’s wife, Peggy (Amy Adams), suspicious of him.

First, let me say, The Master is a film overflowing with quality. The cinematography by Mihai Malaimare Jr. is some of the best that I’ve ever seen. The colors practically pulse with enchantment. Every so often, I come across a film score that affects me in ways that just seem to inspire me to better things. Jonny Greenwood, the lead guitarist and keyboardist of the rock band, Radiohead, delivers such a score for The Master.

Yada, yada, yada: do I have to say that Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams deliver stellar performances? Of course, they do; it’s some of the best work these three actors have ever done.

Anderson takes what he gets from his collaborators and delivers a vibrant, uncompromising film in The Master. It is a trip down the piss-gold, yellow brick road into the American heart of darkness, delving into themes of master-disciple relationships, the yearning for success, and our urge to uncover each other’s secrets. The Master is challenging and frustrating, but for serious movie audiences, it is simply a gift.

Greenwood’s score, which Anderson uses to maximum effect, makes me think that, in some ways, The Master is a science fiction film. As much as the film delves into the past, it is about where the characters are going – their futures. At times, The Master looks like a weird science fiction film made in the late 1940s or early 1950s. The Master seems out of time, a movie that belongs to a time over a half-century ago, and it was trying to predict what the psychological state of affairs would be like after “The Cause” took over the world.

Anderson refuses to settle the matters of the characters by the end of this film –sorry for that semi-spoiler. However, The Master is the kind of movie that proves that film is indeed an art form and not merely a commercial endeavor for people and corporations that want fame and money.

9 of 10
A+

NOTES:
2013 Academy Awards: 3 nominations: “Best Performance by an Actor in a Leading Role” (Joaquin Phoenix), “Best Performance by an Actor in a Supporting Role” (Philip Seymour Hoffman), and “Best Performance by an Actress in a Supporting Role” (Amy Adams)

2013 BAFTA Awards: 4 nominations: “Leading Actor” (Joaquin Phoenix), “Original Screenplay” (Paul Thomas Anderson), “Supporting Actor” (Philip Seymour Hoffman), and “Supporting Actress” (Amy Adams)

2013 Golden Globes, USA: 3 nominations: “Best Performance by an Actor in a Motion Picture – Drama” (Joaquin Phoenix), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Philip Seymour Hoffman) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Amy Adams)

Tuesday, March 05, 2013

Happy Birthday, M.A.D.

I recently remembered that you loved those initials... and the magazine and it copycats and competitors.  So have a MAD Happy Birthday.

First "Hobbit" Film Over a Billion Dollars in Worldwide Box Office

“The Hobbit: An Unexpected Journey” Crosses One Billion Dollars and Still Climbing

BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: An Unexpected Journey” has surpassed the billion dollar milestone at the worldwide box office. The joint announcement was made today by Toby Emmerich, President and Chief Operating Officer, New Line Cinema; Gary Barber, Chairman and Chief Executive Officer, Metro-Goldwyn-Mayer Studios; Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures; and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

To date, the blockbuster has earned $301.4 million domestically. With its recent release in China, where it has grossed $37.3 million in 10 days, the film has earned a staggering estimated $700 million internationally, for a global total of $1 billion to date. “The Hobbit: An Unexpected Journey” becomes only the 15th film in history to exceed one billion dollars worldwide.

In making the announcement, Fellman stated, “We could not be more proud to have reached this amazing benchmark. Together with our partners at MGM and New Line, everyone at Warner Bros. congratulates Peter Jackson and his entire cast and crew on the extraordinary success of this film.”

Kwan Vandenberg said, “From Berlin to Beijing, it is so gratifying to see how the release of ‘The Hobbit: An Unexpected Journey’ has been such an event with audiences around the world. We know that moviegoers everywhere are already excited about the next film, as are we.”

“The Hobbit: An Unexpected Journey,” a production of New Line Cinema and Metro-Goldwyn-Mayer (MGM) Pictures, is the acclaimed first film in Oscar®-winning filmmaker Peter Jackson’s epic “The Hobbit” Trilogy, based on the timeless novel by J.R.R. Tolkien. The film recently earned three Oscar® nominations, for Best Production Design, Best Makeup and Hairstyling, and Best Visual Effects.

From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: An Unexpected Journey,” the first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”

The film stars Ian McKellen, Martin Freeman, Richard Armitage, James Nesbitt, Ken Stott, Sylvester McCoy, Barry Humphries, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood and Andy Serkis.

The screenplay for “The Hobbit: An Unexpected Journey” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: An Unexpected Journey.” All three films in “The Hobbit” Trilogy, also including “The Hobbit: The Desolation of Smaug,” and the final film, “The Hobbit: There and Back Again,” are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.

www.thehobbit.com

Review: Average "Willow" Entertains

TRASH IN MY EYE No. 69 (of 2005) by Leroy Douresseaux


Willow (1988)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG
DIRECTOR: Ron Howard
WRITERS: Bob Dolman; based upon a story by George Lucas
PRODUCER: Nigel Wooll
CINEMATOGRAPHER: Adrian Biddle
EDITORS: Daniel Hanley, Michael Hill, and Richard Hiscott
COMPOSER: James Horner
Academy Award nominee

FANTASY/ADVENTURE

Starring: Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, Patricia Hayes, Billy Barty, Pat Roach, Gavan O’Herlihy, David Steinberg, Mark Northover, Kevin Pollack, Rick Overton, Maria Holvoe, Julie Peters, Mark Vande Brake, Dawn Downing, Tony Cox, and Ruth & Kate Greenfield

The subject of this movie review is Willow, the 1988 fantasy film that was a collaboration between George Lucas and Ron Howard. Joe Johnston was also an associate producer on the film.

The 1988 film, Willow, which Ron Howard directed, was George Lucas’ attempt to do for fantasy films what Star Wars had done for science fiction films, but Willow’s box office receipts barely paid back the film’s production costs. Lucas reportedly studied mythology from around the world in the process of writing this film’s story, but in the end, he borrowed heavily from author J.R.R. Tolkien’s The Lord of the Rings (which nearly a decade and a half later became an international super hit film trilogy) the way he borrowed from author Frank Herbert’s Dune for Star Wars. Willow is by no means great, but it’s a good, entertaining fantasy adventure for the juvenile, teens, and adults who like fantasy films, although Willow is low-wattage compared to the intensity of Peter Jackson’s The Lord of the Rings films.

In the story, Willow Ufgood (Warwick Davis), the member of a dwarfish race called the “Nelwyn,” takes possession of Elora Danan (Ruth & Kate Greenfield), a special baby girl sought by an evil sorceress, Queen Bavmorda (Jean Marsh). Bavmorda wants to kill Elora because a certain prophecy says the child will cause Bavmorda’s destruction. Willow, who is also an apprentice sorcerer, must take the baby girl back to her people, all while being pursued by Bavmorda’s soldiers. Through the difficult journey, Willow is joined on his quest by the boastful and loony swordsman, Madmartigan (Val Kilmer), and two sarcastic brownies, a type of diminutive fairy.

Although Willow borrows from such high fantasy tales at the Rings trilogy, the film is more grounded in reality, more earthy. In Willow, magic is inconsistent, and practitioners must rely as much on their wits and skills to survive as they do on magic. The film is notable for the fact that the hero is played by a dwarf actor, and the both of the powerful magic users are old women. However, nothing much about the film stands out as memorable, except for James Horner’s fabulous score, which borrows heavily from other musical sources, in particularly Mozart. The other item of note is a giant two-headed dragon that appears in the middle of the film’s narrative. It was one of the early attempts at adding computer-generated characters into live action film.

5 of 10
B-

Friday, May 20, 2005

NOTES:
1989 Academy Awards: 2 nominations: “Best Effects, Sound Effects Editing” (Ben Burtt and Richard Hymns) and “Best Effects, Visual Effects” (Dennis Muren, Michael J. McAlister, Phil Tippett, and Christopher Evans)

1989 Razzie Awards: 2 nominations: “Worst Screenplay” (Bob Dolman; George Lucas-story) and “Worst Supporting Actor” (Billy Barty)

Ron Howard, Warwick Davis to Tweet "Willow" Anniversary

DIRECTOR RON HOWARD AND STAR WARWICK DAVIS REUNITE ON TWITTER TO CELEBRATE THE 25th ANNIVERSARY OF "WILLOW"

WHAT:
Join Director Ron Howard and star Warwick Davis for an exclusive Artist to Artist Twitter chat in celebration of the 25th anniversary of Willow! Fans can even join in the conversation by tweeting questions using the hashtag #WillowChat.

In celebration of its 25th anniversary, the unforgettable classic, Willow, has been fully digitally restored and debuts on Blu-ray and DVD Combo Pack March 12, 2013 from Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment.

The Willow Blu-ray and DVD include a dazzling array of extras with never-before-seen exclusive content such as deleted scenes with remarks from Ron Howard, a personal video diary of Warwick Davis, matte paintings and much more. In addition, look out for Ron Howard’s new introduction for the original 1988 featurette “The Making of an Adventure,” as well as special effect legend Dennis Muren’s new intro to his piece, “From Morf to Morphing: The Dawn of Digital Filmmaking.”

WHO:
Director, Ron Howard - @RealRonHoward
Actor, Warwick Davis - @WarwickADavis

WHEN:
Tuesday, March 12
2:00pm – 2:30pm PST

WHERE:
Twitter - #WillowChat

"War Witch" Tops 2013 Canadian Screen Awards

by Leroy Douresseaux

War Witch was named the “Best Motion Picture” of 2012 at the 2013 Canadian Screen Awards. Kim Nguyen, director of War Witch, won “Achievement in Direction.”

This was the inaugural Canadian Screen Awards, which honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

War Witch, which is also known by its French-language name, Rebelle, swept away nearly all competition at the inaugural Canadian Screen Awards broadcast gala Sunday night (March 3, 2013). The Congo-set drama about child soldiers won in 10 of the 12 categories for which it was nominated.

War Witch’s teen star, Rachel Mwanza, won “Actress in a Leading Role.” Mwanza once lived on the streets of Kinshasa (the capital of the Democratic Republic of the Congo). Now, she is earning accolades internationally for her performance as Komona, a child forced to kill her parents and join a local warlord’s band of soldiers

The 2013 Canadian Screen Award winners:

Film categories:

Best Motion Picture: War Witch

Achievement in Direction: Kim Nguyen, War Witch

Actor in a Leading Role: James Cromwell, Still Mine.

Actress in a Leading Role: Rachel Mwanza, War Witch.

Actor in a Supporting Role: Serge Kanyinda, War Witch.

Actress in a Supporting Role: Seema Biswas, Midnight’s Children

Original Screenplay: Kim Nguyen, War Witch

Adapted Screenplay: Salman Rushdie, Midnight’s Children

Art Direction/Production Design: Emmanuel Frechette and Josée Arsenault, War Witch.

Make-Up: Colleen Quinton, Kathy Kelson, Michelle Cote, and Martin LaPointe, Laurence Anyways.

Costume Design: Xavier Dolan and François Barbeau, Laurence Anyways.

Cinematography: Nicolas Bolduc, War Witch.

Editing: Richard Comeau, War Witch.

Music - Original Score: Howard Shore, Cosmopolis.

Music - Original Song: Howard Shore, Emily Haines, James Shaw, “Long to Live” (from Cosmopolis)

Overall Sound: Claude La Haye, Daniel Bisson, Bernard Gariepy Stroble, War Witch.

Sound Editing: Martin Pinsonnault, Jean-Francois, B. Sauve, Simon Meilleur, and Claire Pochon, War Witch.

Feature Length Documentary Award: Sarah Polley and Anita Lee, Stories We Tell.

Short Documentary: Ariel Nasr and Annette Clarke, The Boxing Girls of Kabul.

Live Action Short Drama: Miranda de Pencier and Stacey Aglok MacDonald, Throat Song.

Animated Short: Dominic Étienne Simard and Julie Roy, Paula.

Visual Effects: Dennis Beradi, Jason Edwardh, Matt Glover, Trey Harrell, Leann Harvey, Jo Hughes, Ethan Lee, Scott Riopelle, Eric Robinson, and Kyle Yoneda, Resident Evil: Retribution.

Television categories:

Dramatic Series: Flashpoint.

Comedy Program/Series: Less Than Kind.

International Drama: The Borgias.

Lead Actor in a Dramatic Role: Enrico Colantoni, Flashpoint.

Lead Actress in a Dramatic Role: Meg Tilly, Bomb Girls.

Lead Actor in a Comedic Role: Gerry Dee, Mr. D.

Lead Actress in a Comedic Role: Wendel Meldrum, Less Than Kind.

Reality/Competition Program: Dragon’s Den.

News Anchor: Peter Mansbridge, CBC News The National.

Sports Host or Analyst: Brian Williams, London 2012 Olympic Games.

Host in a Variety, Lifestyle, Reality/Competition, Performing Arts or Talk Program: George Stroumboulopoulos, George Stroumboulopoulos Tonight.

Previously announced awards:

Claude Jutra Award for Best First Feature Film: Jason Buxton, Blackbird.

Cineplex Golden Reel Award: Resident Evil: Retribution

Academy Special Film Award: Victor Loewy, former head of Alliance and Vivafilm.