Julie Taymor's "The Tempest" on DVD September 2011

THE TEMPEST

 

From the visionary Director Julie Taymor (Frida) comes a modern retelling of William Shakespeare’s masterpiece in the visually stunning and innovative feature film THE TEMPEST. Available nationwide on Blu-ray™, DVD, Movie Download, and On-Demand on September 13, 2011.

Film Synopsis:
This modern retelling of William Shakespeare’s final masterpiece is an exciting, mystical and magical fantasy with Academy Award®-winner Helen Mirren (Best Actress, The Queen, 2006) leading a star-studded cast including Russell Brand (Get Him To The Greek) and Alfred Molina (The Sorcerer’s Apprentice). Exiled to a magical island, the sorceress Prospera (Mirren) conjures up a storm that shipwrecks her enemies, and then unleashes her powers for revenge. Directed by Julie Taymor (Frida) — and complete with exclusive bonus features — The Tempest, with its innovative twist, is a supernatural dramedy filled with Shakespearean villains, lovers and fools that will leave you spellbound.

U.S. Release Date:
September 13, 2011
(Direct Prebook July 19, 2011/ Distributor Prebook August 2, 2011)

Rating: PG 13 - for some nudity, suggestive content and scary images
Feature Run Time: Approximately 110-minutes
Release Format: Blu-ray™, DVD, Movie Download & On-Demand
Suggested Retail Price: 1-Disc Blu-ray = $39.99 U.S.
1-Disc DVD = $29.99 U.S.
Movie Download High Definition = $39.99 U.S.
Movie Download Standard Definition = $29.99 U.S.
On-Demand = for pricing, please contact your television provider or favorite digital retailer

Bonus Features:
Audio Commentary with Director Julie Taymor Russell Brand Rehearsal Riff
O MISTRESS MINE Reeve Carney Music Video
And more!

Talent:
Helen Mirren (The Debt, State of Play, The Queen)
Russell Brand (Get Him To The Greek; Forgetting Sarah Marshall)
Alfred Molina (The Sorcerer’s Apprentice, Prince of Persia, An Education)
Djimon Hounsou (Blood Diamond)
Alan Cumming (“The Good Wife,” It’s Complicated)
Chris Cooper (Remember Me, The Kingdom)
David Straitharn (The Bourne Ultimatum)

Director/Writer:
Julie Taymor (Frida, Broadway’s The Lion King and Spider-Man: Turn Off the Dark)
Producers:
Julie Taymor (Frida, Broadway’s The Lion King and Spider-Man: Turn Off the Dark) and Ronald Bozeman (Confessions of a Shopaholic)

Review: Elizabeth Taylor Roars in "Who's Afraid of Virginia Woolf?"

TRASH IN MY EYE No. 39 (of 2006) by Leroy Douresseaux

Who’s Afraid of Virginia Woolf? (1966) – B&W
Running time: 131 minutes (2 hours, 11 minutes)
DIRECTOR: Mike Nichols
WRITER/PRODUCER: Ernest Lehman (from the play by Edward Albee)
CINEMATOGRAPHER: Haskell Wexler
EDITOR: Sam O’Steen
Academy Award winner

DRAMA

Starring: Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis

At a New England college, on the serene campus grounds, in their disordered campus home, George (Richard Burton), an emasculated professor, and Martha (Elizabeth Taylor), his rancorous emasculating wife, have returned from a faculty party at about two in the morning. Martha is already drunk, and they both start drinking more while their conversations turns to bellows and accusations aimed at each other, a disagreeable autopsy on the corpse that their marriage isn’t… yet. Soon, the couple’s guests arrive – Nick (George Segal), a new junior professor, and his fragile wife, Honey (Sandy Dennis). Before long, the warring duo of George and Martha suck the young couple into their whirlpool of wrenching disclosures, petty name-calling, and endless antagonism, which before long is also starting to open up the dark places in Nick and Honey’s marriage.

Who’s Afraid of Virginia Woolf? is director Mike Nichols adaptation of Edward Albee’s famous play about a couple whose marriage is a maelstrom created by their feelings of anger, guilt, and frustration with each other. Nichols, Elizabeth Taylor, and Richard Burton actually used Albee’s original play as the script, retaining only two lines of dialogue from producer/writer Ernest Lehman’s script adaptation of the stage drama, so the audience pretty much gets the full effect of Albee’s original writing.

Simply put: Martha is angry at George’s despairing view of life, and that his ambition was satisfied when he got the job at the university (where her father, whom we never see, is President) and he married her. George, on the other hand, apparently understands, but is not wholly sympathetic with Martha’s struggle to connect with him, especially as they couldn’t have children. Her passive/aggressive way of dealing with what she sees as his shortcomings drive George to contemplate violent harm to Martha. The young couple, Nick and Honey, are simply getting an advance view of where their marriage will be because their problems are similar to George and Martha’s, but still in their infancy stage.

Who’s Afraid of Virginia Woolf?, the screen version, is difficult to watch because of the frank and brutal conversations – the vitriol. With only some artifice, Nichols allows the actors to commit to playing this intricate drama that is held together not only by physical acting, but also by concisely delivered lines of dialogue from competing speakers, intertwining and battling. Truthfully, the movie tends to dry up in several spaces, and it is easily a half-hour too long, but where to cut? This, in a sense, is a thriller, and the action is in the build up to every topic of conversation that becomes an argument, confession, or trust betrayed.

The film has excellent production values, from the gorgeous dreamlike Oscar-winning black and white photography of Haskell Wexler to the otherworldly, Oscar-winning set decoration and art direction. The cast is also excellent, and while Richard Burton does a top-notch professional job, Elizabeth Taylor’s turn as the ultimate bitch is a career changer. Some people tend to remember Taylor as a tough woman, best exemplified by her performance as Martha delivering countless verbal body blows to Burton’s George, while he cuts and stabs at her in self-defense.

Who’s Afraid of Virginia Woolf? is not for the feint of heart or people who don’t like films built around conversations and dialogue – all that talk-talk, but if you like that, this is an embarrassment of riches.

7 of 10
A-

NOTES:
1967 Academy Awards: 5 wins: “Best Actress in a Leading Role” (Elizabeth Taylor), “Best Actress in a Supporting Role” (Sandy Dennis), “Best Art Direction-Set Decoration, Black-and-White” (Richard Sylbert and George James Hopkins), “Best Cinematography, Black-and-White” (Haskell Wexler), “Best Costume Design, Black-and-White” (Irene Sharaff); 8 nominations: “Best Picture” (Ernest Lehman), “Best Actor in a Leading Role” (Richard Burton), “Best Actor in a Supporting Role” (George Segal), “Best Director” (Mike Nichols), “Best Film Editing” (Sam O'Steen), “Best Music, Original Music Score” (Alex North), “Best Sound” George Groves-Warner Bros. SSD), “Best Writing, Screenplay Based on Material from Another Medium” (Ernest Lehman)

1967 BAFTA Awards: 3 wins: “Best British Actor” (Richard Burton), “Best British Actress” (Elizabeth Taylor), and “Best Film from any Source” (Mike Nichols)

1967 Golden Globes: 7 nominations: “Best Motion Picture – Drama. “Best Motion Picture Actor – Drama” (Richard Burton), “Best Motion Picture Actress – Drama” (Elizabeth Taylor), “Best Motion Picture Director” (Mike Nichols), “Best Screenplay’ (Ernest Lehman), “Best Supporting Actor” (George Segal), and “Best Supporting Actress” (Sandy Dennis)

Sunday, February 19, 2006

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Elizabeth Taylor Has Died at 79

I watching CBS' dreadful "The Early Show."  As usual, they managed to find what I call a "dead white girl" story, but during the broadcast of this tragic story, one of the news personalities broke in to report that one of the greatest white girls of all time, Elizabeth Taylor (1932-2011), had died.  Huffington Post and Cinema Blend have more.

R.I.P. Ms. Taylor.

Production Officially Begins on "The Hobbit"

Production Begins in New Zealand on “The Hobbit,” Peter Jackson’s Two Film Epic Adaptation of J.R.R. Tolkien’s Timeless Classic

In a hole in the ground there lived a Hobbit…

WELLINGTON, New Zealand--(BUSINESS WIRE)--Production has commenced in Wellington, New Zealand, on “The Hobbit,” filmmaker Peter Jackson’s two film adaptation of J.R.R. Tolkien’s widely read masterpiece.

“The Hobbit” is set in Middle-earth 60 years before Tolkien’s “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar-winning “The Lord of the Rings: The Return of the King.”

The two films, with screenplays by Fran Walsh, Philippa Boyens, Guillermo del Toro and Peter Jackson, will be shot consecutively in digital 3D using the latest camera and stereo technology. Filming will take place at Stone Street Studios, Wellington, and on location around New Zealand.

“The Hobbit” follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior, Thorin Oakensheild. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers.

Although their goal lies to the East and the wastelands of the Lonely Mountain first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever … Gollum.

Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of guile and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities … A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

Martin Freeman takes the title role as Bilbo Baggins and Ian McKellen returns in the role of Gandalf the Grey. The Dwarves are played by Richard Armitage (Thorin Oakenshield), Ken Stott (Balin), Graham McTavish (Dwalin), William Kircher (Bifur) James Nesbitt (Bofur), Stephen Hunter (Bombur), Rob Kazinsky (Fili), Aidan Turner (Kili), Peter Hambleton (Gloin), John Callen (Oin), Jed Brophy (Nori), Mark Hadlow (Dori) and Adam Brown (Ori). Reprising their roles from “The Lord of the Rings” trilogy are Cate Blanchett as Galadriel, Andy Serkis as Gollum and Elijah Wood as Frodo. Jeffrey Thomas and Mike Mizrahi also join the cast as Dwarf Kings Thror and Thrain, respectively. Further casting announcements are expected.

“The Hobbit” is produced by Peter Jackson and Fran Walsh, alongside Carolynne Cunningham. Executive producers are Ken Kamins and Zane Weiner, with Philippa Boyens as co-producer. The Oscar-winning, critically acclaimed “The Lord of the Rings” trilogy, also from the production team of Jackson and Walsh, grossed nearly $3 billion worldwide at the box office. In 2003, “The Return of the King” swept the Academy Awards, winning all of the 11 categories in which it was nominated, including Best Picture – the first ever Best Picture win for a fantasy film. The trilogy’s production was also unprecedented at the time.

Among the creative behind-the-scenes team returning to Jackson’s crew are director of photography Andrew Lesnie, production designer Dan Hennah, conceptual designers Alan Lee and John Howe, composer Howard Shore and make-up and hair designer Peter King. Costumes are designed by Ann Maskrey and Richard Taylor.

Taylor is also overseeing the design and production of weaponry, armour and prosthetics which are once again being made by the award winning Weta Workshop. Weta Digital take on the visual effects for both films, led by the film’s visual effects supervisor, Joe Letteri. Post production will take place at Park Road Post Production in Wellington.

“The Hobbit” films are co-produced by New Line Cinema and MGM, with New Line managing production. Warner Bros Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television licensing being handled by MGM. The two films are planned for release in late 2012 and 2013, respectively.


ABOUT NEW LINE CINEMA:
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar®-winning “The Lord of the Rings” trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.

ABOUT PETER JACKSON/WINGNUT FILMS:
Peter Jackson is one of the world's most successful filmmakers. His monumental achievement co-writing, co-producing and directing The Lord of the Rings trilogy (with fellow Academy Award winners and frequent collaborators Fran Walsh and Philippa Boyens) earned a total of 30 Academy Award nominations and 17 Academy Awards. Jackson and Walsh received their first Oscar nomination for Best Original Screenplay for their acclaimed film Heavenly Creatures. Jackson, through his New Zealand-based Wingnut Films banner, also was responsible for the globally successful 2005 remake of King Kong which earned over $500 million worldwide and 3 Academy Awards. Jackson most recently directed the Academy Award nominated The Lovely Bones; an adaptation of the acclaimed best-selling novel by Alice Sebold, which to date has earned nearly $100 million worldwide; and produced the global sensation, District 9, which received an Academy Award nomination for Best Picture. He is also developing a trilogy of films with Steven Spielberg based on Tintin, the world renowned comic book series by Herge. In 2010 he received a Knighthood for his services to film.

ABOUT METRO-GOLDWYN-MAYER STUDIOS INC.
Metro-Goldwyn-Mayer Studios Inc. is actively engaged in the worldwide production and distribution of motion pictures, television programming, home video, interactive media, music, and licensed merchandise. The company owns the world's largest library of modern films, comprising around 4,100 titles. Operating units include Metro-Goldwyn-Mayer Studios Inc., Metro-Goldwyn-Mayer Pictures Inc., United Artists Films Inc., MGM Television Entertainment Inc., MGM Networks Inc., MGM Distribution Co., MGM International Television Distribution Inc., Metro-Goldwyn-Mayer Home Entertainment LLC, MGM ON STAGE, MGM Music, MGM Consumer Products and MGM Interactive. In addition, MGM has ownership interests in domestic and international TV channels reaching over 130 countries. For more information, visit http://www.mgm.com/.

Review: "Nil by Mouth" (Happy B'day, Gary Oldman)

TRASH IN MY EYE No. 29 (of 2004) by Leroy Douresseaux

Nil by Mouth (1997)
COUNTRY OF ORIGIN: U.K. and France
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – R for graphic drug use, non-stop strong language, brutal domestic violence and some nudity
WRITER/DIRECTOR: Gary Oldman
PRODUCERS: Luc Besson, Gary Oldman, and Douglas Urbanski
CINEMATOGRAPHER: Ron Fortunato
EDITOR: Brad Fuller
COMPOSER: Eric Clapton
BAFTA Award winner

DRAMA

Starring: Ray Winstone, Kathy Burke, Charlie Creed-Miles, Laila Morse, Edna Doré, Chrisse Cotterill, Jon Morrison, Jamie Foreman, Steve Sweeney, and Leah Fitzgerald

Nil by Mouth is acclaimed actor Gary Oldman’s directorial debut. It’s what I call “cinema de unflinching,” in particular that “cinema’s” sub-genre “film de raw.” Oldman, an extremely talented actor who can simultaneously bury himself in a role and also exude movie star wattage, composed a film that stands as one of the most powerful family dramas of the 1990’s because of its dogged pursuit of portraying the effects of drugs and alcohol on a poor family in notorious South London.

Ray (Ray Winstone) is a coke snorting, alcoholic bully who brow beats his wife Valerie (Kathy Burke) and his brother-in-law, Billy (Charlie Creed-Miles), who lives with the couple. After Raymond savagely attacks Billy and kicks him out of the apartment, both men spiral downward, as Ray drinks more and becomes more paranoid and Billy does little other than feed his dope habit. Meanwhile, Val and the rest of the women in the family valiantly hold the family together and look for a few good times in a drug-addled world of poverty and crushing of claustrophobia.

The film starts off quite slowly, and I am certain that it will be difficult for many non-Brits to understand the London dialects (as it was for me). Still, the acting is good, quite good, actually. Oldman gives this film a good pace and a high level of intensity, considering that this film is heavy with the kind of dialogue that reveals character. However, when Nil by Mouth bogs down on a plot point, it is almost anal, and I occasionally found myself drifting away from it. Nil by Mouth is raw and unflinching, but it did not always hold my attention. Still, the script is well-written and well thought out; when you consider the movie as a whole, the screenplay seems rather brilliant.

All in all, Nil by Mouth is a satisfying and rewarding film viewing experience. Oldman makes the right choice in terms of satisfying the audience by letting his film family work through their difficulties. Rather than call it a Hollywood ending, I’ll describe it as artfully handled.

7 of 10
B+

NOTES:
1998 BAFTA Awards: 2 wins: “Alexander Korda Award for Best British Film” (Luc Besson, Douglas Urbanski, and Gary Oldman) and “Best Screenplay – Original” (Gary Oldman); 2 nominations: “Best Performance by an Actor in a Leading Role” (Ray Winstone) and “Best Performance by an Actress in a Leading Role” (Kathy Burke)

1997 Cannes Film Festival: 1 win: “Best Actress” (Kathy Burke) and 1 nomination: “Golden Palm” (Gary Oldman)

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Review: Aussie "Animal Kingdom" is Awesome

TRASH IN MY EYE No. 24 (of 2011) by Leroy Douresseaux

Animal Kingdom (2010)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for violence, drug content and pervasive language
WRITER/DIRECTOR: David Michôd
PRODUCER: Liz Watts
CINEMATOGRAPHER: Adam Arkapaw
EDITOR: Luke Doolan
COMPOSER: Antony Partos
Academy Award nominee

DRAMA/CRIME/THRILLER

Starring: James Frecheville, Jacki Weaver, Ben Mendelsohn, Joel Edgerton, Guy Pearce, Luke Ford, Sullivan Stapleton, and Laura Wheelwright

Often, I am reluctant to just come right out and say, “Go see this movie!” When it comes to the Australian crime drama, Animal Kingdom, the debut film from writer/director David Michôd, I cannot hesitate to say, “See this movie!” and “It’s on DVD for your home viewing comfort.”

Animal Kingdom follows Joshua Daniel “J” Cody (James Frecheville). After his mother, Julia Cody, dies of a heroine overdose, J goes to live with his maternal grandmother, Janine “Smurf” Cody (Jacki Weaver), the matriarch of a Melbourne-based crime family. Eldest son, Andrew “Pope” Cody (Ben Mendelsohn) and family friend, Barry “Baz” Brown (Joel Edgerton) are armed robbers. Craig Cody (Sullivan Stapleton) is a mid-level drug dealer, and barely legal Darren Cody (Luke Ford) is an up and coming apprentice to the crime family.

The family is under surveillance by Melbourne’s notorious Armed Robbery Squad. After the Squad strikes first, the Cody brothers strike back. Suddenly, J is the prize in a cat and mouse game between Janine and her sons and the police, personified by a senior detective named Nathan Leckie (Guy Pearce). Now, J has to make a decision that will determine where he belongs – with his relatives or somewhere else.

With all the critical acclaim that Animal Kingdom has received, it would be redundant to go over the film’s highlights in detail. Animal Kingdom is very well acted, and Jacki Weaver certainly deserved the Oscar nomination she received for best supporting actress. Ben Mendelsohn also deserved an Oscar nomination (which he didn’t get) for his stunning turn as Pope, one of the year’s best performances. Luke Ford is quite good in a quiet way as the reluctant and hapless Darren. James Frecheville is a bit stiff as J, but has some moments in the film where he shines.

I must reserve time to heap praise on writer/director David Michôd. I don’t know him well enough to call him a liar, but this cannot be his debut film. Really? This is really good, and it’s his first?

Anyway, not only is Animal Kingdom well written and exceptionally well directed, it is also different from the standard crime family flick. Michôd composes this film with J as the center, but after introducing J, Michôd brings him to the Cody household and then, moves him into the background. There, J becomes the eyes and ears through which Michôd both introduces to and immerses us in the world of the Cody crime family. By the time J returns to the forefront (when he is asked to participate in the act that launches this film’s central conflict), the narrative is ready to focus on him again.

The way Michôd uses J and directs the actor playing him, James Frecheville, gives an odd, otherworldly feel to this film, which is good. Instead of being bloody and gritty, Animal Kingdom is a matter of fact examination of the police and the thieves, presenting both sides as predators always on the lookout for prey they can uses to their advantage. This different way of presenting a crime film, the exceptional character writing, riveting plot, and excellent performances make Animal Kingdom one of 2010’s best movies.

9 of 10
A+

NOTES:
2011 Academy Awards: 1 nomination: “Best Performance by an Actress in a Supporting Role” (Jacki Weaver)

2011 Golden Globes: 1 nomination: “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Jacki Weaver)

Saturday, March 19, 2011

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Review: "The 40 Year-Old Virgin" is Still a Steve Carell Showcase

TRASH IN MY EYE No. 133 (of 2005) by Leroy Douresseaux

The 40 Year-Old Virgin (2005)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – R for pervasive sexual content, language, and some drug use
DIRECTOR: Judd Apatow
WRITERS: Steve Carell and Judd Apatow
PRODUCERS: Shauna Robertson, Clayton Townsend, and Judd Apatow
CINEMATOGRAPHER: Jack Green
EDITOR: Brent White

COMEDY/ROMANCE

Starring: Steve Carell, Catherine Keener, Paul Rudd, Romany Malco, Seth Rogen, Elizabeth Banks, Leslie Mann, Jane Lynch, Gerry Bednob, Shelley Malil, Kat Dennings, Erica Vittina Phillips, Cedric Yarbrough, David Koechner, Lee Weaver, Gloria Helena Jones, and Nancy Walls

Andy Stitzer (Steve Carell) has never “done the deed,” or, to put it more plainly, Andy has never had sexual intercourse. That makes the avid toy collector, video gaming enthusiast, and comic book reader a 40 year-old virgin. When his co-workers: the three randy bastards, David (Paul Rudd), Jay (Romany Malco), and Cal (Seth Rogen), accidentally discover Andy’s situation, they immediately want to help him get his cherry popped.

After a series of misadventures, Andy is once again ready to accept that he will never have sexual intercourse, but fate brings him into contact with Trish (Catherine Keener), a single mother of three children and a grandmother of one. Andy and Trish become very close and decide to have a platonic relationship until they get to know each other. However, when the time finally arrives for them to get intimate, Andy is still having reservations…

The 40 Year-Old Virgin could have been nothing more than a shameless excuse to make a tawdry film aimed at teenagers and 20-somethings – full of bad jokes about virginity, loosing one’s virginity and having awkward first-time sex. Instead the film is only half that. Sure, there is plenty of gross humor and embarrassingly frank discussions of sexuality. In fact much of the sex talk is the kind of triple-blue tales guys tell each other when they’re not in polite company because together they aren’t polite company.

Romany Malco and Seth Rogen gamely lead the charge unleashing a barrage of X-rated storytelling that tops the wretched bragging that is a stable on B.E.T.’s “ComicView,” but Malco and Rogen are 10 times funnier. In fact, this is a breakthrough performance for Malco, who deft plays Jay as both comically and as a hypocrite. Both he and Rogen should have long film careers playing “the buddy” to a big name star’s turn as a struggling romantic. However, the third member of the support trio is limply played by Paul Rudd, but it’s not entirely his fault; the script gives him a few good scenes, and then leaves both him and the audience hanging for more of the obviously complicated David.

One thing that The 40 Year-Old Virgin’s screenplay (co-written by the director Judd Apatow and Steve Carell) has going for it is its sense of realness. There is a naturalness to the individual scenes that suggests the truth of real life. What the script lacks is a cohesive sense of honesty. Some things are true; others are just plot contrivances designed to make an outsider tale seem like normal Hollywood fare. In fact, since the writers chose to gloss over the supporting characters, they made the film too long by ten minutes. They could have given those 10 minutes to Catherine Keener so her character, Trish, wouldn’t only come across as a cardboard, sympathetic mother figure and cherry popper – a waste of a powerful actress for sure.

Ultimately, the main reason to see this film is Steve Carell; the seemingly humble actor (at least he comes across that way in interviews) has quietly delivered a number of roles, stunning in how good they are for their smallness, in films such as Bruce Almighty and Anchorman: The Legend of Ron Burgundy. Here, he plays a 40 year-old virgin not as a pathetic figure, but a man to be pitied because he has so willingly bought into a life of loneliness. This is especially sad because he’s the proverbial quiet and shy guy who is really a good fellow, and would make a fine pal.

While The 40 Year-Old Virgin’s script is soft, the film’s actors build their roles into characters that the audience wants to like and finally do. Carell, more than anyone else in this film, builds a guy in Andy Stitzer who is so likeable that the audience accepts everything about him, including his many quirks and eccentricities. In the real world, a lot of people wouldn’t recognize or pay attention to a guy like Andy. Carell amazingly turns Andy into an ideal, a perfection of nerd, if you will; Andy is the kind of dork that you could love, root for, cheer, and go out of your way to help.

The 40 Year-Old Virgin has been compared to an earlier 2005 summer hit, Wedding Crashers, but the latter is funnier by far. However, both films make up for crassness with engaging tales of romantic entanglements. Virgin isn’t perfect, and Steve Carell’s performance is more memorable than the film, which in the end may be remembered as a star-making vehicle for him. Although that ending has got to go, the film is daring in so many ways. It’s one of the very few “mainstream” comedies that have almost as many African-American roles as the typical “urban comedy” (comedy with a lot of black characters), and an actress (Catherine Keener) who is older than the male lead (Carell) playing the love interest. That alone makes it a class act.

7 of 10
B+

Saturday, August 20, 2005

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