New York Film Critics Cricle Chooses "Boyhood" as Best Picture of 2014

Founded in 1935, the New York Film Critics Circle is, according to their website, “an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema.”  Members are critics from daily newspapers, weekly newspapers, magazines, and online general-interest publications (that meet certain qualifications). Every year in December, Circle members meet in New York to vote on awards for the year's films.  The Circle also puts on an awards presentation, which will be held in January 2015 to honor 2014 winners.

The Circle was the first film critics organization that I encountered as a budding, young movie lover.  The Circle's awards have been predictors of the Oscar nominations. However, The Circle sees it awards “as a principled alternative to the Oscars, honoring esthetic merit in a forum that is immune to commercial and political pressures,” according to their website.

2014 NYFCC Awards:

Best Picture: Boyhood

Best Director: Richard Linklater – Boyhood

Best Screenplay: The Grand Budapest Hotel

Best Actress: Marion Cotillard - “The Immigrant,” and also “Two Days, One Night”

Best Actor: Timothy Spall - Mr. Turner

Best Supporting Actress: Patricia Arquette – Boyhood

Best Supporting Actor: J.K. Simmons – Whiplash

Best Cinematographer: Darius Khondji - The Immigrant

Best Animated Film: The LEGO Movie

Best Non-Fiction Film (Documentary): Citizenfour

Best Foreign Film: Ida (Poland)

Best First Film: Jennifer Kent - The Babadook

Special Award: Adrienne Mancia

2014 Gotham Awards Nominations - Complete List

by Leroy Douresseaux

Honoring independent films, the Gotham Awards are the first major awards of the film awards season.  This year, the 2014 edition kicks off the 2014-15 season.  The Gotham Awards ceremony will be held on Monday, December 1, 2014 at Cipriani Wall Street.

Richard Linklater's Boyhood leads the 24th Annual Gotham Independent Film Awards by IFP with four nominations, including “Best Feature.”

The 2014/24th Annual Gotham Independent Film Award nominations are:

Best Feature:

Birdman or (The Unexpected Virtue of Ignorance)
Alejandro G. Iñárritu, director; Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. Skotchdopole, producers (Fox Searchlight Pictures)

Boyhood
Richard Linklater, director; Richard Linklater, Cathleen Sutherland, Jonathan Sehring, John Sloss, producers (IFC Films)

The Grand Budapest Hotel
Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Fox Searchlight Pictures)

Love Is Strange
Ira Sachs, director; Lucas Joaquin, Jay Van Hoy, Lars Knudsen, Ira Sachs, Jayne Baron Sherman, producers (Sony Pictures Classics)

Under the Skin
Jonathan Glazer, director; Nick Wechsler, James Wilson, producers (A24)

Best Documentary:

Actress
Robert Greene, director; Douglas Tirola, Susan Bedusa, Robert Greene, producers (The Cinema Guild)

CITIZENFOUR
Laura Poitras, director; Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky, producers (RADiUS, Participant Media, and HBO Documentary Films)

Life Itself
Steve James, director; Zak Piper, Steve James, Garrett Basch, producers (Magnolia Pictures and CNN Films)

Manakamana
Stephanie Spray & Pacho Velez, directors; Lucien Castaing-Taylor, Véréna Paravel, producers (The Cinema Guild)

Point and Shoot
Marshall Curry, director; Marshall Curry, Elizabeth Martin, Matthew Van Dyke, producers (The Orchard and American Documentary / POV)

Bingham Ray Breakthrough Director Award:
Ana Lily Amirpour for A Girl Walks Home Alone at Night (Kino Lorber)
James Ward Byrkit for Coherence (Oscilloscope Laboratories)
Dan Gilroy for Nightcrawler (Open Road Films)
Eliza Hittman for It Felt Like Love (Variance Films)
Justin Simien for Dear White People (Lionsgate and Roadside Attractions)

Best Actor*
Bill Hader in The Skeleton Twins (Lionsgate and Roadside Attractions)
Ethan Hawke in Boyhood (IFC Films)
Oscar Isaac in A Most Violent Year (A24)
Michael Keaton in Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
Miles Teller in Whiplash (Sony Pictures Classics)

* The 2014 Best Actor nominating panel also voted to award a special Gotham Jury Award jointly to Steve Carell, Mark Ruffalo, and Channing Tatum for their ensemble performance in Foxcatcher(Sony Pictures Classics).

Best Actress
Patricia Arquette in Boyhood (IFC Films)
Gugu Mbatha-Raw in Beyond the Lights (Relativity Media)
Julianne Moore in Still Alice (Sony Pictures Classics)
Scarlett Johansson in Under the Skin (A24)
Mia Wasikowska in Tracks (The Weinstein Company)

Breakthrough Actor:
Riz Ahmed in Nightcrawler (Open Road Films)
Macon Blair in Blue Ruin (RADiUS)
Ellar Coltrane in Boyhood (IFC Films)
Joey King in Wish I Was Here (Focus Features)
Jenny Slate in Obvious Child (A24)
Tessa Thompson in Dear White People (Lionsgate and Roadside Attractions)

Spotlight on Women Filmmakers ‘Live the Dream’ Grant:
For the fourth consecutive year, IFP is proud present the euphoria Calvin Klein Spotlight on Women Filmmakers ‘Live the Dream’ grant, a $25,000 cash award for an alumna of IFP’s Independent Filmmaker Labs. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film.

The nominees are:
Garrett Bradley, director, Below Dreams
Claire Carré, director, Embers
Chloé Zhao, director, Songs My Brothers Taught Me

Gotham Independent Film Audience Award:
New this year, IFP members will have a voice in determining the 5th Annual Gotham Independent Film Audience Awardwith nominees comprised of the 15 nominated films in the Best Feature, Best Documentary, and Bingham Ray Breakthrough Director Award categories. All IFP current, active members at the Individual Level and above will be eligible to vote.  Voting will take place online from November 19th at 12:01 AM EST and conclude on November 26th at 5:00 PM EST. In addition, IFP will be scheduling screenings of many of the nominated films for IFP members in the theater at the Made in NY Media Center by IFP in Brooklyn. These screenings will take place from November 5-12. The winner of the Audience Award will be announced at the Gotham Awards Ceremony on December 1, 2014.

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Central Ohio Film Critics Point to "Moonrise Kingdom"

The Central Ohio Film Critics Association (COFCA) named Moonrise Kingdom as the "Best Film of 2012" and its director, Wes Anderson, as "Best Director."  Argo and director Ben Affleck were runners-up in both categories.

COFCA was founded in 2002 and is made up of film critics based in Columbus, Ohio, and the surrounding areas. Each January, COFCA votes on a number of awards, recognizing excellence in the film industry.

2012 Central Ohio Film Critics Awards:

Best Film
1. "Moonrise Kingdom"
2. "Argo"
3. "Django Unchained"
4. "Zero Dark Thirty"
5. "The Cabin in the Woods"
6. "Silver Linings Playbook"
7. "Lincoln"
8. "Looper"
9. "The Master"
10. "Les Misérables"

Best Picture
"Moonrise Kingdom"

Best Director
Wes Anderson, "Moonrise Kingdom"
(Runner-up: Ben Affleck, "Argo")

Best Actor
Daniel Day-Lewis, "Lincoln"
(Runner-up: John Hawkes, "The Sessions")

Best Actress
Jennifer Lawrence, "Silver Linings Playbook"
(Runner-up: Naomi Watts, "The Impossible")

Best Supporting Actor
Christoph Waltz, "Django Unchained"
(Runner-up: Leonardo DiCaprio, "Django Unchained")

Best Supporting Actress
Anne Hathaway, "Les Misérables"
(Runner-up -- TIE -- Helen Hunt, "The Sessions" and Ann Dowd, "Compliance")

Best Adapted Screenplay
"Lincoln"
(Runner-up: "Argo")
Best Original Screenplay
"Moonrise Kingdom"
(Runner-up: "The Cabin in the Woods")

Best Cinematography
"Skyfall"
(Runner-up: "Life of Pi")

Best Score
"Moonrise Kingdom"
(Runner-up: "Cloud Atlas")

Best Animated Film
"ParaNorman"
(Runner-up: "Wreck-It Ralph")

Best Foreign Language Film
"The Kid with a Bike" (from Belgium, France, and Italy)
(Runner-up: "Headhunters" – from Norway)

Best Documentary
"How to Survive a Plague"
(Runner-up: "The Imposter")

Best Ensemble
"Moonrise Kingdom"
(Runner-up: "Lincoln")

Best Overlooked FIlm
"Killer Joe" (Runner-up: "Safety Not Guaranteed")

Breakthrough Film Artist
Bart Layton, "The Imposter"
(Runner-up: Quvenzhané Wallis, "Beasts of the Southern Wild")

Actor of the Year (for exemplary body of work)
Matthew McConaughey, "Bernie," "Killer Joe," "Magic Mike" and "The Paperboy"
(Runner-up: Anne Hathaway, "The Dark Knight Rises" and "Les Misérables")

http://www.cofca.org/

Boston Online Critics Choose "Zero Dark Thirty"

The Boston Online Film Critics Association (BOFCA) named Zero Dark Thirty as the "Best Picture of 2012" and named the film's director, Kathryn Bigelow, as "Best Director."

BOFCA was founded in May 2012. According to the group, BOFCA fosters a community of web-based film critics and provides them with a supportive group of colleagues and a professional platform for their voices to be heard. They collect and link to their reviews every week at a website that also features original content by members, including filmmaker interviews and spotlights on Boston’s vital repertory film scene.

By widening professional membership to writers working in new media, BOFCA aims to encourage more diverse opinions in the field. The Boston Online Film Critics Association has gathered together critics writing for publications that collectively receive over 15 million impressions/page views per month. BOFCA is present on social media year-round with members’ film articles and essays.

Readers interested in how final decisions were made during the 2012 balloting can see the membership’s individual ballots at www.bofca.com.

Full list of 2012 BOFCA winners:

BEST PICTURE:
ZERO DARK THIRTY

BEST DIRECTOR:
Kathryn Bigelow, ZERO DARK THIRTY

BEST ACTOR:
Daniel Day-Lewis, LINCOLN

BEST ACTRESS:
Jessica Chastain, ZERO DARK THIRTY

BEST SUPPORTING ACTOR:
Tommy Lee Jones, LINCOLN

BEST SUPPORTING ACTRESS:
Anne Hathaway, LES MISERABLES

BEST SCREENPLAY:
Tony Kushner, LINCOLN

BEST FOREIGN LANGUAGE FILM:
OSLO, AUGUST 31ST (from Norway)

BEST DOCUMENTARY:
HOW TO SURVIVE A PLAGUE

BEST ANIMATED FILM:
PARANORMAN

BEST CINEMATOGRAPHY:
Roger Deakins, SKYFALL

BEST EDITING:
William Goldenberg & Dylan Tichenor, ZERO DARK THIRTY

BEST ORIGINAL SCORE:
Jonny Greenwood, THE MASTER

BEST ENSEMBLE CAST:
MOONRISE KINGDOM

The Ten Best Films of the Year:
ZERO DARK THIRTY

BEASTS OF THE SOUTHERN WILD

LINCOLN

MOONRISE KINGDOM

DJANGO UNCHAINED

OSLO, AUGUST 31ST

HOLY MOTORS

THE MASTER

ARGO

CLOUD ATLAS

Jordan Flaherty Names "Beasts of the Southern Wild" as 2012's Best Film

One of my favorite writers is journalist Jordan Flaherty, who is also a staffer with the Louisiana Justice Institute.  If there is a better journalist in Louisiana than Flaherty, he or she isn't better by much.  He has written a must-read piece on the year in movies for Truthout, "Best Films of 2012: Top Ten Picks From a Bumper Crop of Bold Creations."

You can read it here, but I am cheating and printing here, "Jordan Flaherty's Top Ten Movies for the Year 2012:"

1. Beasts of the Southern Wild

2. The Central Park Five

3. United in Anger: A History of ACT-UP

4. Middle of Nowhere

5. The Master

6. Red Hook Summer

7. Moonrise Kingdom

8. 5 Broken Cameras

9. Killing Them Softly

10. The Paperboy

2013 Oscar Nominations: "Best Writing, Screenplay Written Directly for the Screen"

Best Writing, Screenplay Written Directly for the Screen:

Amour: Michael Haneke

Django Unchained: Quentin Tarantino

Flight: John Gatins

Moonrise Kingdom: Wes Anderson, Roman Coppola

Zero Dark Thirty: Mark Boal  

2013 WGA Screenplay Nominations Announced

by Leroy Douresseaux

The Writers Guild of America is a labor union representing film, television, radio, and new media writers. The Writers Guild of America Award acknowledges outstanding achievements in film, television, and radio and has been presented annually by the Writers Guild of America, East and Writers Guild of America, West since 1949.

There are several categories, but I only focus on the film categories. I sometimes list the winners from other categories when they are announced.

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) recently announced nominations for outstanding achievement in writing for the screen during the year 2012. The winners in the following categories will be honored at the 2013 Writers Guild Awards on Sunday, February 17, 2013, during simultaneous ceremonies held in both Los Angeles and New York.

2013 Writers Guild Awards Screen Nominations:

ORIGINAL SCREENPLAY:
Flight, Written by John Gatins; Paramount Pictures

Looper, Written by Rian Johnson; TriStar Pictures

The Master, Written by Paul Thomas Anderson; The Weinstein Company

Moonrise Kingdom, Written by Wes Anderson & Roman Coppola; Focus Features

Zero Dark Thirty, Written by Mark Boal; Columbia Pictures

ADAPTED SCREENPLAY:
Argo, Screenplay by Chris Terrio; Based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired Magazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures

Life of Pi, Screenplay by David Magee; Based on the novel by Yann Martel; 20th Century Fox

Lincoln, Screenplay by Tony Kushner; Based in part on the book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin; DreamWorks Pictures

The Perks of Being a Wallflower, Screenplay by Stephen Chbosky; Based on his book; Summit Entertainment

Silver Linings Playbook, Screenplay by David O. Russell; Based on the novel by Matthew Quick; The Weinstein Company

DOCUMENTARY SCREENPLAY:
The Central Park Five, Written by Sarah Burns and David McMahon and Ken Burns; Sundance Selects

The Invisible War, Written by Kirby Dick; Cinedigm Entertainment Group

Mea Maxima Culpa: Silence in the House of God, Written by Alex Gibney; HBO Documentary Films

Searching for Sugar Man, Written by Malik Bendjelloul; Sony Pictures Classics

We Are Legion: The Story of the Hacktivists, Written by Brian Knappenberger; Cinetic Media

West of Memphis, Written by Amy Berg & Billy McMillin; Sony Pictures Classics

Oklahoma Film Critics Name "Argo" Best Film of 2012

The Oklahoma Film Critics Circle (OFCC) is the statewide group of professional film critics. OFCC members are Oklahoma-based movie critics who write for print, broadcast and online outlets that publish or post reviews of current film releases.

OFCC 2012 Film Awards:

Top 10 Films
1. “Argo.”

2. “Zero Dark Thirty.”

3. “Moonrise Kingdom.”

4. “Django Unchained.”

5. “Silver Linings Playbook.”

6. “Beasts of the Southern Wild.”

7. “The Master.”

8. “Lincoln.”

9. “Looper.”

10. “Les Miserables.”


Best Film: “Argo.”

Best Director: Ben Affleck, “Argo.”

Best Actor: Daniel Day-Lewis, “Lincoln.”

Best Actress: Jessica Chastain, “Zero Dark Thirty.”

Best Supporting Actor: Philip Seymour Hoffman, “The Master.”

Best Supporting Actress: Anne Hathaway, “Les Miserables.”

Best Original Screenplay: Wes Anderson and Roman Coppola, “Moonrise Kingdom.”

Best Adapted Screenplay: Chris Terrio, “Argo.”

Best Animated Film: “Wreck-It Ralph.”

Best Body of Work: Joseph Gordon-Levitt (“Looper,” “The Dark Knight Rises,” “Lincoln”)

Best Documentary: “Searching for Sugar Man.”

Best First Feature: “Beasts of the Southern Wild,” Benh Zeitlin.

Best Foreign Language Film: “Amour.” (from Austria)

Best Guilty Pleasure: “21 Jump Street.”

Not-So-Obviously Worst Movie: “Prometheus.”

Obviously Worst Movie: “That’s My Boy.”

Utah Film Critics Say "Zero Dark Thirty" the Best 2012

2012 Utah Film Critics Association winners:

Best Picture • "Zero Dark Thirty"
(runner-up: "Looper")

Directing • Wes Anderson, "Moonrise Kingdom"
(runner-up: Kathryn Bigelow, "Zero Dark Thirty")

Lead Actor • Joaquin Phoenix, "The Master"
(runners-up: Daniel Day-Lewis, "Lincoln," and John Hawkes, "The Sessions")

Lead actress TIE • Jennifer Lawrence, "Silver Linings Playbook," and Jessica Chastain, "Zero Dark Thirty"

Supporting Actor • Dwight Henry, "Beasts of the Southern Wild"
(runner-up: Philip Seymour Hoffman, "The Master")

Supporting Actress • Anne Hathaway, "Les Misérables"
(runner-up: Ann Dowd, "Compliance")

Original Screenplay • Rian Johnson, "Looper"
(runner-up: Joss Whedon & Drew Goddard, "The Cabin in the Woods")

Adapted Screenplay • Stephen Chbosky, "The Perks of Being a Wallflower"
(runner-up: David O. Russell, "Silver Linings Playbook")

Cinematography • Roger Deakins, "Skyfall"
(runner-up: Claudio Miranda, "Life of Pi")

Documentary Feature • "Indie Game: The Movie"
(runner-up: "The Invisible War")

Non-English Language Feature • "Headhunters" (from Norway)
(runner-up: "Amour" from France)

Animated Feature • "ParaNorman"
(runners-up: "Frankenweenie" and "Wreck-It Ralph")

Phoenix Film Critics Say "Argo" is Best Film of 2012

After showering Les Misérables with 12 nominations, the Phoenix Film Critics Society 2012 Annual Awards gives the film one win, Anne Hathaway as best supporting actress.  Argo gets "Best Picture," but "Best Director" goes to Zero Dark Thirty's Kathryn Bigelow.

Phoenix Film Critics Society 2012 Annual Awards winners:

Best Picture: Argo

Top Ten Films
•"Argo"
•"The Avengers"
•"Beasts of the Southern Wild"
•"Les Misérables"
•"Life of Pi"
•"Lincoln"
•"Moonrise Kingdom"
•"Silver Linings Playbook"
•"Skyfall"
•"Zero Dark T`hirty"

Best Director: Kathryn Bigelow - "Zero Dark Thirty"

Best Actor in a Leading Role: Daniel Day-Lewis - "Lincoln"

Best Actress in a Leading Role: Jessica Chastain - "Zero Dark Thirty"

Best Actor in a Supporting Role: Philip Seymour Hoffman - "The Master"

Best Actress in a Supporting Role: Anne Hathaway - "Les Misérables"

Best Ensemble Acting: "Moonrise Kingdom"

Best Screenplay Written Directly for the Screen: "Moonrise Kingdom"

Best Screenplay Adapted from Another Medium: "Argo"

Best Live Action Family Film: "Life of Pi"

Overlooked Film of the Year: "Safety Not Guaranteed"

Best Animated Film: "Wreck-It Ralph"

Best Foreign Language Film: "The Intouchables" (France)

Best Documentary: "Searching for Sugar Man"

Best Original Song: "Skyfall" from "Skyfall"

Best Original Score: "Skyfall"

Best Cinematography: "Life of Pi"

Best Film Editing: "Argo"

Best Production Design: "Moonrise Kingdom"

Best Costume Design: "Anna Karenina"

Best Visual Effects: "Life of Pi"

Best Stunts: "Skyfall"

Breakthrough Performance on Camera: Quvenzhané Wallis - "Beasts of the Southern Wild"

Breakthrough Performance Behind the Camera: Benh Zeitlin - "Beasts of the Southern Wild"

Best Youth Performance in a Lead or Supporting Role – Male: Tom Holland - "The Impossible"

Best Youth Performance in a Lead or Supporting Role – Female: Quvenzhané Wallis - "Beasts of the Southern Wild"

American Film Institute Announces 2012 Awards

The American Film Institute (AFI) describes itself as “America’s promise to preserve the history of the motion picture, to honor the artists and their work and to educate the next generation of storytellers.” Their awards focus on American feature films and television programs.

Some of the "best film" selections are expected, such as Zero Dark Thirty, Lincoln, and Beasts of the Southern Wild (which seems to be gaining not just momentum, but also a big head of steam).  The Dark Knight Rises, which I found to be loud and self-important (acceptable traits if you're a film critic), would make my bottom ten.  I have not watched any of the honored television series, and I've grown tired of "Modern Family."

AFI MOVIES OF THE YEAR – 2012:

ARGO

BEASTS OF THE SOUTHERN WILD

THE DARK KNIGHT RISES

DJANGO UNCHAINED

LES MISÉRABLES

LIFE OF PI

LINCOLN

MOONRISE KINGDOM

SILVER LININGS PLAYBOOK

ZERO DARK THIRTY

AFI TV PROGRAMS OF THE YEAR:

AMERICAN HORROR STORY: ASYLUM

BREAKING BAD

GAME OF THRONES

GIRLS

HOMELAND

LOUIE

MAD MEN

MODERN FAMILY

THE WALKING DEAD

AFI has stated that it will honor the creative ensembles for each of the selections at an invitation-only luncheon on Friday, January 11, 2013 in Los Angeles, California.

"Moonrise Kingdom" is Best Picture Winner at 2012 Gotham Awards

The first "best picture" winner of the 2012-13 movie award season is Wes Anderson's Moonrise Kingdom.  The romance film about a preteen couple caught in the intense throes of young love picked up the top prize at last night's ceremony (Monday, November 26, 2012) for the 2012 Gotham Awards.

The Gotham Awards is an annual film awards ceremony that honors independent films. The Gotham Awards are part of The Independent Filmmaker Project (IFP), the nation’s oldest and largest organization of independent filmmakers. The Gotham Awards also signal the kick-off to the film awards season.

Nominees are selected by groups of distinguished film critics, journalists, festival programmers, and film curators. Separate juries of writers, directors, actors, producers, editors and others directly involved in making films determine the final Gotham Award recipients.

22nd Annual Gotham Independent Film Awards Winners:

Best Feature:
Moonrise Kingdom
Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Focus Features)

Best Documentary:
How to Survive a Plague
David France, director; Howard Gertler, David France, producers (Sundance Selects)

Best Ensemble Performance:
Your Sister’s Sister
Emily Blunt, Rosemarie Dewitt, Mark Duplass (IFC Films)

Breakthrough Director:
Benh Zeitlin for Beasts of the Southern Wild (Fox Searchlight Pictures)

Breakthrough Actor:
Emayatzy Corinealdi in Middle of Nowhere (AFFRM and Participant Media)

Best Film Not Playing at a Theater Near You:
An Oversimplification of Her Beauty
Terence Nance, director; Terence Nance, Andrew Corkin, James Bartlett, producers

The Calvin Klein Spotlight on Women Filmmakers ‘Live the Dream’ grant is a $25,000 cash award for an alumna of IFP’s Independent Filmmaker Labs. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film.

Stacie Passon, director, Concussion WINNER

The 3rd Annual Gotham Independent Film Audience Award:
Voted on by an independent film community of 230,000 film fans worldwide. To be eligible, a U.S. film must have won an audience award at one of the top 50 U.S. or Canadian film festivals from November 2011 through October 2012. The nominees were announced November 5th, and the winner revealed at the Gotham Awards ceremony.

Winner:
ARTIFACT
Directed by Bartholomew Cubbins
Produced by Jared Leto and Emma Ludbrook

Nominees:
BEASTS OF THE SOUTHERN WILD
Director: Benh Zeitlin
Producers: Michael Gottwald, Dan Janvey, Josh Penn

BURN: ONE YEAR ON THE FRONT LINES OF THE BATTLE TO SAVE DETROIT
Directors: Brenna Sanchez, Tom Putnam
Producers: Brenna Sanchez, Tom Putnam

THE INVISIBLE WAR
Director: Kirby Dick
Producers: Amy Ziering, Tanner King Barklow

ONCE IN A LULLABY: THE PS 22 CHORUS STORY
Director: Jonathan Kalafer
Producers: Steve Kalafer, Jonathan Kalafer, Bao Nguyen

The Bingham Ray Award (The recipient of this award was chosen by a close group of Bingham’s friends and colleagues.):

BENH ZEITLIN, director of BEASTS OF THE SOUTHERN WILD

Review: Wes Anderson's "MOONRISE KINGDOM" is Simply Fantastic

TRASH IN MY EYE No. 90 (of 2012) by Leroy Douresseaux

Moonrise Kingdom (2012)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – PG-13 for sexuality content and smoking
DIRECTOR: Wes Anderson
WRITERS: Roman Coppola and Wes Anderson
PRODUCERS: Wes Anderson, Jeremy Dawson, Steven M. Rales and Scott Rudin
CINEMATOGRAPHER: Robert D. Yeoman (D.o.P.)
EDITOR: Andrew Weisblum
COMPOSER: Alexandre Desplat

ROMANCE/COMEDY/DRAMA

Starring: Jared Gilman, Kara Hayward, Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Marianna Bassham, Charlie Kilgore, Jason Schwartzman, Tilda Swinton, Harvey Keitel, and Bob Balaban

Moonrise Kingdom is a 2011 romance film from director Wes Anderson. Co-written by Anderson and Roman Coppola, the film follows a pair of young lovers on the run from the local search parties out to find them.

Moonrise Kingdom opens in the late summer of 1965 and is set on the idyllic New England locale of New Penzance Island. Sam Shakusky (Jared Gilman) is a 12-year-old orphan attending a “Khaki Scout” summer camp. Suzy Bishop (Kara Hayward) is a local girl who lives with her parents, Walt (Bill Murray) and Laura Bishop (Frances McDormand), and her three younger brothers. After meeting during a local church play, Sam and Suzy run away together.

Captain Duffy Sharp (Bruce Willis) of the Island Police and Khaki Scout Master Ward (Edward Norton) launch a search for the missing children. However, adult dysfunction and the approaching Hurricane Mabeline constantly hamper the various search efforts. Meanwhile, young love remains storm-proof.

When I reviewed the Coen Bros. remake of True Grit about two years ago, I said (more or less) that the film, while quite good, seemed like an exercise of the filmmaking brothers’ directorial trademarks and flourishes. I pretty much think the same of Wes Anderson’s Moonrise Kingdom. This movie is the quirky style and visual eccentricities of Anderson distilled into a fragrant essence that will entice his admirers, both old and new, for ages.

It’s all here. The primary colors have never been this primary, and the deliberate, methodical cinematography captures the intensity of those colors with such clarity that it could leave the viewer in a stupor (which it did to me early on in the movie). Anderson gets good performances that take the screenplay’s flat, one-dimensional characters and transforms them into poignant humans – flawed, but graceful.

Regardless of how quirky it all seems, Moonrise Kingdom is a love story like no other. Rarely do films capture stubborn youth in love as well as this film does. Jared Gilman as Sam and Kara Hayward as Suzy give inimitable performances, and without them, this movie would be nothing but an oddity that was shot in vivid color. Instead, Moonrise Kingdom is a rare romance in which the romantic comedy and drama elements cannot hide the fact that this is a pure love story.

8 of 10
A

Monday, November 26, 2012

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2012 Gotham Awards Nominations Announced

The Gotham Awards is an annual film awards ceremony that honors independent films. The Gotham Awards are part of The Independent Filmmaker Project (IFP), the nation’s oldest and largest organization of independent filmmakers. The Gotham Awards also signal the kick-off to the film awards season.

Nominees are selected by groups of distinguished film critics, journalists, festival programmers, and film curators. Separate juries of writers, directors, actors, producers, editors and others directly involved in making films determine the final Gotham Award recipients.

Today, (Thursday, October 18, 2012), the IFP announced the nominees for the 22nd Annual Gotham Independent Film Awards. The Gotham Awards ceremony will be held on Monday, November 26, 2012 at Cipriani Wall Street. Actors Marion Cotillard and Matt Damon, director David O. Russell, and Participant Media founder Jeff Skoll will each be presented with a career tribute. Twenty-one writers and programmers participated in the 2012 nomination process, considering 211 eligible submissions for six competitive categories.

22nd Annual Gotham Independent Film Awards:

Best Feature

Bernie
Richard Linklater, director; Richard Linklater, Ginger Sledge, Celine Rattray, Martin Shafer, Liz Glotzer, Matt Williams, David McFadzean, Judd Payne, Dete Meserve, producers (Millennium Entertainment)

The Loneliest Planet
Julia Loktev, director; Jay Van Hoy, Lars Knudsen, Helge Albers, Marie Therese Guirgis, producers (Sundance Selects)

The Master
Paul Thomas Anderson, director; Joanne Sellar, Daniel Lupi, Paul Thomas Anderson, Megan Ellison, producers (The Weinstein Company)

Middle of Nowhere
Ava DuVernay, director; Howard Barish, Ava DuVernay, Paul Garnes, producers (AFFRM and Participant Media)

Moonrise Kingdom
Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Focus Features)

Best Documentary

Detropia
Heidi Ewing and Rachel Grady, directors; Heidi Ewing, Rachel Grady, Craig Atkinson, producers (Loki Films)

How to Survive a Plague
David France, director; Howard Gertler, David France, producers (Sundance Selects)

Marina Abramović: The Artist is Present
Matthew Akers, director; Jeff Dupre, Maro Chermayeff, producers (HBO Documentary Films and Music Box Films)

Room 237
Rodney Ascher, director; Tim Kirk, producer (IFC Midnight)

The Waiting Room
Peter Nicks, director; Peter Nicks, Linda Davis, William B. Hirsch, producers (International Film Circuit)

Best Ensemble Performance

Bernie
Jack Black, Shirley MacLaine, Matthew McConaughey (Millennium Entertainment)

Moonrise Kingdom
Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jared Gilman, Kara Hayward, Jason Schwartzman, Bob Balaban (Focus Features)

Safety Not Guaranteed
Aubrey Plaza, Mark Duplass, Jake Johnson, Karan Soni, Jenica Bergere, Kristen Bell, Jeff Garlin, Mary Lynn Rajskub (Film District)

Silver Linings Playbook
Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker, Anupam Kher (The Weinstein Company)

Your Sister’s Sister
Emily Blunt, Rosemarie Dewitt, Mark Duplass (IFC Films)

Breakthrough DirectorZal Batmanglij for Sound of My Voice (Fox Searchlight Pictures)

Brian M. Cassidy and Melanie Shatzky for Francine (Factory 25 and The Film Sales Company)

Jason Cortlund and Julia Halperin for Now, Forager (Argot Pictures)

Antonio Méndez Esparza for Aquí y Allá (Here and There) (Torch Films)

Benh Zeitlin for Beasts of the Southern Wild (Fox Searchlight Pictures)

Breakthrough Actor
Mike Birbiglia in Sleepwalk with Me (IFC Films)

Emayatzy Corinealdi in Middle of Nowhere (AFFRM and Participant Media)

Thure Lindhardt in Keep the Lights On (Music Box Films)

Melanie Lynskey in Hello, I Must Be Going (Oscilloscope Laboratories)

Quvenzhané Wallis in Beasts of the Southern Wild (Fox Searchlight Pictures)

Best Film Not Playing at a Theater Near You

Kid-Thing
David Zellner, director; Nathan Zellner, Producer

An Oversimplification of Her Beauty
Terence Nance, director; Terence Nance, Andrew Corkin, James Bartlett, producers

Red Flag
Alex Karpovsky, director; Alex Karpovsky, Michael Bowes, producers

Sun Don’t Shine
Amy Seimetz, director; Kim Sherman, Amy Seimetz, producers

Tiger Tail in Blue
Frank V. Ross, director; Adam Donaghey, Drew Durepos, producers


The Calvin Klein Spotlight on Women Filmmakers "Live the Dream" grant is a $25,000 cash award for an alumna of IFP’s Independent Filmmaker Labs. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film.

The nominees are:
Leah Meyerhoff, director, I BELIEVE IN UNICORNS

Stacie Passon, director, CONCUSSION

Visra Vichit Vadakan, KARAOKE GIRL

The 3rd Annual Gotham Independent Film Audience Award will be voted on by an independent film community of 230,000 film fans worldwide. To be eligible, a U.S. film must have won an audience award at one of the top 50 U.S. or Canadian film festivals from November 2011 through October 2012. Voting begins today at http://gotham.ifp.org/audience_award for the 31 films on the eligibility list. The nominees will be announced November 5th, and the winner will be revealed at the Gotham Awards ceremony.

The recipient of the “Best Film Not Playing at a Theater Near You” award is determined by the editorial staff of Filmmaker Magazine, a publication of IFP, and a curator from The Museum of Modern Art (MoMA). All of these nominees will also be screened for the public at MoMA from November 16-19, 2012.

For more information: www.ifp.org

Review: Everything About "The Royal Tenenbaums" is Wonderful (Happy B'day, Wes Anderson)

TRASH IN MY EYE No. 15 (of 2002) by Leroy Douresseaux


The Royal Tenenbaums (2001)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – R for some language, sexuality/nudity and drug content
DIRECTOR: Wes Anderson
WRITERS: Owen Wilson and Wes Anderson
PRODUCERS: Wes Anderson, Barry Mendel, and Scott Rudin
CINEMATOGRAPHER: Robert Yeoman (D.o.P.)
EDITOR: Dylan Tichenor
COMPOSER: Mark Mothersbaugh
Academy Award nominee

COMEDY/DRAMA

Starring: Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Ben Stiller, Luke Wilson, Owen Wilson, Danny Glover, Bill Murray, Alec Baldwin, Seymour Cassel, Kumar Pallana, Grant Rosenmeyer, and Jonah Meyerson

The subject of this movie review is The Royal Tenenbaums, the 2001 Oscar-nominated comedy and drama from director, Wes Anderson. The film follows siblings whose early success was mitigated by their eccentric father’s behavior. I love this film and…

Apparently, Rushmore was not a fluke.

When Royal O’Reilly Tenenbaum (Gene Hackman) announces that he is dying, his family slowly, painfully reunites. His wife Etheline “Ethel” Tenenbaum (Anjelica Huston) removed her philandering husband from the home over a decade prior to the beginning of the movie. Their three children are business whiz Chas (Ben Stiller), playwright Margot Helen (Gwyneth Paltrow), who is actually adopted, and Richie “Baumer” (Luke Wilson), who grew up to become a professional tennis champion. Family friend and unofficial fourth Tenenbaum child is Elijah “Eli” Cash (Owen Wilson), a novelist and a drug addict, who is also in love with Margot.

Royal would like to get in good with his family, again, but he left so many open wounds when Ethel exiled him. The Tenenbaum children were celebrated prodigies who have fallen on bad times. Chas, a single father of two boys and who lost his wife the previous year in a plane crash, despises his father. Margot is a playwright in limbo, and Richie’s suffered a meltdown during his last championship tennis match. Royal is also disturbed by his wife’s engagement to her accountant Henry Sherman (Danny Glover), and he wants desperately to connect with Chas’s sons, his grandsons. What unfolds is a touching, but unusual family drama/comedy.

Directed by Wes Anderson of the aforementioned Rushmore, The Royal Tenenbaums is a film with a conventional story, the family drama, filled with the usual comedy, familial intrigue, and requisite feuds. What makes this film so different from other family dramas is Anderson’s conviction and determination not to be like other filmmakers or not to deliver something that is nothing more than film industry product. His vision is unique, and his storytelling technique demands not only one’s attention but that one also engage the film.

Anderson is a visual stylist, but in a quite manner. His cinematographer, Robert D. Yeoman has worked on Anderson’s other films and contributes a peculiar color palette that resembles Technicolor, but is merged with clean, earth tones. Tenenbaums has a dreamlike quality with a slight breath of realism. It’s eye candy, but doesn’t distract from the story; in fact, it keeps one attentive to what the camera reveals. Unlike many directors who are visually sharp by way of quick cuts and editing, Anderson doesn’t mind allowing his camera to linger on and to follow his characters.

The script by Anderson and Tenenbaum co-star Owen Wilson is filled with idiosyncrasies, but is, nevertheless, a story about a family and the damage family members do to one another. We’ve seen it before, but unlike American Beauty, Tenenbaums really manages to tell a familiar story in a unique and special way.

The performances are subtle and nuanced even as the characters appear to be over the top. We know that Gene Hackman is good, but he has a knack for giving range to familiar character types. His performances nearly always hint at characters that have lived long lives before their respective movies begin. Royal is like a book, and Hackman makes the mental exercise that it takes to figure out Royal worth it.

Gwyneth Paltrow continues to reveal the scope of her abilities. She is a classic film pretty face, but with the acting chops of serious thespian. Owen Wilson is his usual wacky self; he manages to be self-confident and endearing even when playing a not too bright character. However, the surprise here is his brother Luke Wilson. Even through dark glasses, he makes his eyes the windows to the soul of his troubled character. He is the film’s mystery man, and he is the sum of his family’s troubles. Wilson doesn’t miss a beat while carrying this burden.

The Royal Tenenbaums is filled with wonderful acting, directing, story telling. Too make such an offbeat clan and their associates so lovable, charming, and fun to follow is no minor feat. Anderson takes the ordinary and makes it extraordinary. Truly, he does it like few before him. Bravo!

We get all this and a wonderful voiceover narration by Alec Baldwin.

9 of 10
A+

NOTES:
2002 Academy Awards: 1 nomination: “Best Writing, Screenplay Written Directly for the Screen” (Wes Anderson and Owen Wilson)

2002 BAFTA Awards: 1 nomination: “Best Screenplay – Original” (Wes Anderson and Owen Wilson)

2002 Golden Globes, USA: 1 win: “Performance by an Actor in a Motion Picture - Comedy or Musical” (Gene Hackman)

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Review: "The Squid and the Whale" Finds Comedy in Pain

TRASH IN MY EYE No. 90 (of 2006) by Leroy Douresseaux

The Squid and the Whale (2005)
Running time: 81 minutes (1 hour, 21 minutes)
MPAA – R for strong sexual content, graphic dialogue, and language
WRITER/DIRECTOR: Noah Baumbach
PRODUCERS: Wes Anderson, Charlie Corwin, Clara Markowicz, and Peter Newman
CINEMATOGRAPHER: Robert D. Yeoman
EDITOR: Tim Streeto
Academy Award nominee

DRAMA/COMEDY

Starring: Jeff Daniels, Jesse Eisenberg, Laura Linney, Owen Kline, William Baldwin, Anna Paquin and Halley Feiffer

16-year old Walt Berkman (Jesse Eisenberg) and his 12-year old brother, Frank (Owen Kline), find themselves caught in the middle of their parents’ separation. Their dad, Bernard (Jeff Daniels), is a Brooklyn professor and writer who seems well past his prime as an author. Their mother, Joan (Laura Linney), is a writer with a burgeoning career. In fact, Joan is on the brink of stardom as she has a book deal, and The New Yorker is publishing an excerpt from her novel.

With their lives headed in different directions, Bernard and Joan are acrimonious about the past, present, and future of their relationship. As soon as their parents announce their separation to them, Walt and Frank’s steady foundation crumbles, and not only are the boys relegated to alternating days and a jumbled calendar when it comes to visitation, but their confusion and conflicted feelings also began to manifest in odd and troubling behavior. Walt passes off a song from a famous band as his own, and Frank begins to drink alcohol and chronically masturbate.

The Squid and the Whale is writer/director Noah Baumbach’s fictional account of his own parents; divorce. Of course, that sounds like an interest-killer, but Baumbach’s film is free of the kind of phony and cloying melodrama that often hampers even the best movies about divorce (or TV movies, that matter), simply because the filmmakers usually have “the best intentions” and “mean well” when such films. What probably makes The Squid and the Whale so good is that it is not only brutally frank and sometimes too frankly honest, but the film is also excruciating even in moments of levity. Divorce can be (very) destructive and painful, and just tears at the confidence and self-image of those involved. Baumbach is not out to provide cures, but to tell a riveting story.

The performances are… strong – no need of any special adjectives; they’re just strong. Jeff Daniels, more talented than most A-list stars, but lesser known than some “B-listers,” is haunting and hilarious as an academic whose fortunes have been on their way down for years. His Bernard Berkman (based on Baumbach’s father, the author Jonathan Baumbach) is hilarious in his intellectual snobbery and pathetic in his absolute belief that one shouldn’t engage in any endeavor unless there is the absolute guarantee of being an elite. Laura Linney’s Joan Berkman is a bit difficult to read. Complex and revealing her long held streak of independence, Linney’s Joan is one of the best and most fully realized female characters in recent memory. Joan is neither villain nor hero, but a person who wishes to have a life of her own not impeded by the sensitivities of insecure males.

The real stars of this film are Jesse Eisenberg and Owen Kline (the son of Phoebe Cates and Kevin Kline) as the Berkmans’ children. Jesse ably creates Walt as a mimic of his father, and then shows him struggling to gain his own footing and identity, even as he seems to have whole-heartedly bought into Bernard’s superiority and snobbery. Owen is so intriguing as Frank, a sly imp as curious as a cat and one who dispenses information with the cunningness of a Beltway reporter.

As well made as The Squid and the Whale is, the film has an impeccable blueprint in its screenplay. Baumbach’s writing is the family drama as farce, but with an honest examination of love, family bonds, and dependency is jeopardy. There are no villains, just people, and if the film via its script has a weakness, it’s that it is so narrow. The end of the film shows promise for even richer characters and story, but still, what The Squid and the Whale does give us is extraordinary – an almost divine human comedy.

9 of 10
A+

NOTES:
2006 Academy Awards: 1 nomination: “Best Writing, Original Screenplay” (Noah Baumbach)

2006 Golden Globes: 3 nominations: “Best Motion Picture - Musical or Comedy, “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Jeff Daniels), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Laura Linney)

Sunday, April 23, 2006

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Review: "Fantastic Mr. Fox" Actually Not Fantastic

TRASH IN MY EYE No. 35 (of 2010) by Leroy Douresseaux


Fantastic Mr. Fox (2009)
Running time: 87 minutes (1 hour, 27 minutes)
MPAA – PG for action, smoking and slang humor
DIRECTOR: Wes Anderson
WRITERS: Wes Anderson & Noah Baumbach (based upon the novel by Roald Dahl)
PRODUCERS: Allison Abbate, Wes Anderson , Jeremy Dawson, and Scott Rudin
CINEMATOGRAPHER: Tristan Oliver
EDITOR: Andrew Weisblum (supervising editor)
COMPOSER: Alexandre Desplat
Academy Award nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY/CRIME

Starring: (voices) George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Wally Wolodarsky, Eric Anderson, Michael Gambon, Willem Dafoe, Owen Wilson, Robin Hurlstone, Hugo Guinness Brian Cox, and Adrien Brody

Fantastic Mr. Fox is a 2009 stop-motion animation film from director Wes Anderson (The Royal Tenenbaums). The film is based on a children’s book of the same title by author Roald Dahl first published in 1970. It is the story of a human-like fox who outwits his human neighbors and steals their livestock and food right from under their noses.

Mr. Fox (George Clooney) is a thief. To feed his family, he steals livestock from three wealthy local farmers, and during one such mission, he is joined by his wife, Mrs. Felicity Fox (Meryl Streep). However, the couple is ensnared in a cage, but escape after Felicity reveals that she is pregnant. Years later, the couple is living an idyllic home life with their sullen son, Ash (Jason Schwartzman), and Mr. Fox’s visiting young nephew, the soft-spoken and talented Kristopherson Silverfox (Eric Chase Anderson).

After 12 years of domesticity, Mr. Fox feels his wild animal instincts coming to the fore, and this bucolic existence starts to bore him. With the help of his pal, an unassuming opossum named Kylie (Wallace Wolodarsky), Mr. Fox soon slips back into his old ways as a sneaky and highly successful thief stealing chickens, turkeys, and apple cider from the wealthy farmers, Franklin Bean (Michael Gambon), Walter Boggis (Robin Hurlstone), and Nathan Bunce (Hugo Guinness). Doing this endangers not only his beloved family, but also the whole animal community, when Bean leads a vicious, total war campaign to capture Mr. Fox. Trapped underground and without enough food to go around, will the animals band together or will they turn Mr. Fox over to the farmers?

Fantastic Mr. Fox is what happens when quirky drowns whimsical. Instead of a fanciful animal fable, what Wes Anderson gives us with this stop-motion animated film is weird and peculiar. It is sometimes entertaining, even delightful, but still weird and peculiar. The script by Anderson and Noah Baumbach tries to impart wisdom, but much of it is lost in the idiosyncratic visual vibe of this film.

There are some good voice performances, especially Wallace Wolodarsky as Kylie. Because their performances, Jason Schwartzman as Ash and Eric Chase Anderson as Kristopherson end up being the best pairing in the film – the most interesting team.

Fantastic Mr. Fox is a sometimes fun ride, although much of it seems awkward. The strange textures of the animation are a mixed bag. Fantastic Mr. Fox looks like a Tim Burton stop-motion animation picture done with tattered puppets and shabby sets. Ultimately, I find myself sitting on the fence about this film because it entertains and perplexes in equal measure.

5 of 10
B-

NOTES:
2010 Academy Awards: 2 nominations: “Best Achievement in Music Written for Motion Pictures, Original Score” (Alexandre Desplat) and “Best Animated Feature Film of the Year” (Wes Anderson)

2010 BAFTA Awards: 2 nominations: “Best Animated Film” (Wes Anderson) and “Best Music” (Alexandre Desplat)

2010 Golden Globes: 1 nomination: “Best Animated Feature Film”

Thursday, May 20, 2010

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Countdown to Oscar 2010: National Board of Review Awards 2009

From the National Board of Review:

UP IN THE AIR NAMED 2009 BEST FILM OF THE YEAR BY THE NATIONAL BOARD OF REVIEW


New York, NY – December 3rd, 2009 – The National Board of Review named Up In The Air the 2009 Best Film of the Year. Directed by Jason Reitman, Up In The Air is the timely odyssey of Ryan Bingham, a corporate downsizer and consummate modern business traveler who, after years of staying happily airborne, suddenly finds himself ready to make a real connection.

Below is a full list of the awards given by the National Board of Review:

Best Film: UP IN THE AIR

Best Director: CLINT EASTWOOD, Invictus

Best Actors: Tie
GEORGE CLOONEY, Up In The Air
MORGAN FREEMAN, Invictus

Best Actress: CAREY MULLIGAN, An Education

Best Supporting Actor: WOODY HARRELSON, The Messenger

Best Supporting Actress: ANNA KENDRICK, Up In The Air

Best Foreign Language Film: A PROPHET

Best Documentary: THE COVE

Best Animated Feature: UP

Best Ensemble Cast: IT’S COMPLICATED

Breakthrough Performance by an Actor: JEREMY RENNER, The Hurt Locker

Breakthrough Performance by an Actress: GABOUREY SIDIBE, Precious

Spotlight Award for Best Directorial Debut:
DUNCAN JONES, Moon
OREN MOVERMAN, The Messenger
MARC WEBB, (500) Days of Summer

Best Original Screenplay: JOEL AND ETHAN COEN, A Serious Man

Best Adapted Screenplay: JASON REITMAN and SHELDON TURNER, Up In The Air

Special Filmmaking Achievement Award: WES ANDERSON, The Fantastic Mr. Fox

William K. Everson Film History Award: JEAN PICKER FIRSTENBERG

NBR Freedom of Expression:
BURMA VJ: REPORTING FROM A CLOSED COUNTRY
INVICTUS
THE MOST DANGEROUS MAN IN AMERICA: DANIEL ELLSBERG AND THE PENTAGON PAPERS

TEN BEST FILMS (in alphabetical order):
AN EDUCATION
(500) DAYS OF SUMMER
THE HURT LOCKER
INGLOURIOUS BASTERDS
INVICTUS
THE MESSENGER
A SERIOUS MAN
STAR TREK
UP
WHERE THE WILD THINGS ARE

Five Best Foreign-Language Films (in alphabetical order):
THE MAID
REVANCHE
SONG OF SPARROWS
THREE MONKEYS
THE WHITE RIBBON

Five Best Documentaries (in alphabetical order):
BURMA VJ: REPORTING FROM A CLOSED COUNTRY
CRUDE
FOOD, INC.
GOOD HAIR
THE MOST DANGEROUS MAN IN AMERICA: DANIEL ELLSBERG AND THE PENTAGON PAPERS

Top Ten Independent Films (in alphabetical order):
AMREEKA
DISTRICT 9
GOODBYE SOLO
HUMPDAY
IN THE LOOP
JULIA
ME AND ORSON WELLES
MOON
SUGAR
TWO LOVERS


“The NBR is very proud to announce its honorees for 2009 – a year in which filmmakers’ voices and visions were innovative, exciting and eclectic. We are thrilled to honor Jason Reitman’s bittersweet and poignant film, Up In The Air, with wonderfully strong performances, writing and direction,” said NBR President Annie Schulhof. “The NBR is looking forward to this year’s gala at Cipriani 42nd Street with Meredith Vieira joining us as the evening’s MC.”

This year the NBR screened over 300 films – 181 narratives, 79 documentaries, 46 foreign language films and 11 animated films. The NBR, founded on January 25th, 1909, was originally founded as an anti-censorship organization and continues to honor excellence and freedom of expression in filmmaking today. The 108 members include knowledgeable film enthusiasts, academics, filmmakers and students from the NY metropolitan area. Many of the student members are past recipients of the NBR student grant program which enables students and young filmmakers to finish their projects and exhibit their work.

The 2010 NBR Gala wAS held on January 12th at Cipriani’s 42nd St. in New York City. Meredith Vieira served as the Mistress of Ceremonies. Once again, the accounting firm of Lutz & Carr tabulated the actual ballots.


THE NBR
For more than a century, the National Board of Review has been committed to freedom of expression in the cinema. Originally established to fight government censorship of motion pictures, the NBR has championed many films of significant social impact. The NBR continues that commitment today with its annual William K. Everson Award for film history, so named for the signature film historian and educator of modern times, a long-time NBR member, as well as its annual freedom of expression award. The NBR also celebrates the filmmakers of tomorrow with student philanthropy, which supports young filmmakers with financial aid that enables honorees to complete projects and exhibit them at various film festivals. For more information please visit http://www.nbrmp.org/

HISTORY
The National Board of Review was founded in 1909 in New York City, just thirteen years after the birth of cinema, to protest New York City Mayor George McClennan's revocation of moving-picture exhibition licenses Christmas Eve 1908 on the grounds that the new medium supposedly degraded the morals of the community. To assert their constitutional freedom of expression, theater owners, led by Marcus Loew, and film distributors (Edison Biograph, Pathe, and Gaumont), joined John Collier of The People's Institute at Cooper Union to establish a National Review Committee, an anti-censorship group, that endorsed films of merit and encouraged the new "art of the people." In 1919 the organization first selected its "10 best movies of the year." The NBR later published a magazine called Films in Review, which was the first publication devoted to critical discussion of film, counting among its contributors Harold Robbins, Dore Schary, Stephen Sondheim, Alfred Hitchcock, and Tennessee Williams. During the era of the Hollywood blacklist (when others were silent), Films in Review vigorously opposed film censorship. Movies released between 1920 and 1950 carried the legend "Passed by the National Board of Review."

http://www.nbrmp.org/