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TELEVISION - From SlashFilm: Lionsgate is among a group of entities developing a reboot of the 2008 film "Jumper." Doug Liman, who directed the film, is also developing a "Jumper"-related series for Youtube Red.
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TELEVISION - TVLine: The first three episode of "American Horror Story: Cult" have been screened for the press, revealing details about Lena Dunham and Emma Roberts' characters.
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MOVIES - From FlickeringMyth: Vera Farmiga and J.K. Simmons are joining Hugh Jackman in his Gary Hart biopic, "The Front Runner."
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MOVIES - From TheWrap: "It," the new film adaptation of Stephen King's epic novel, is looking like it may set a box office record for the month of September.
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COMICS-FILM - From Vulture: James Cameron ain't buying all the self-congratulatory back slapping over the "Wonder Woman" film.
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MOVIES - From ThePlaylist: A "Girls Trip" sequel may be in the works.
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COMICS-FILM - From THR: Glenn Ficarra and John Requa, the producers of NBC's hit drama, "This is Us," will write and direct a film featuring DC Comics' characters, The Joker and Harley Quinn.
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COMICS-FILM - From YahooMovies: Jon Favreau teases a reunion of Robert Downey, Gwyneth Paltrow and himself in "Avengers 4."
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CELEBRITY - From YahooTV: Tyler Perry says that he still takes care of his step-father although the man physically and verbally abused him as a child.
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COMICS-FILM - From TheWrap: Director Matt Reeves says that his movie, "The Batman" (starring Ben Affleck as Batman) will not be part of the DC Extended Universe and it will be a stand alone film.
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MOVIES - From TheWrap: Martin Lawrence does not think "Bad Boys 3" will happen.
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BLM - From GuardianUK: The U.S. justice system uses the chokehold to oppress and humiliate black men.
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TELEVISION - From Variety: Common will star in Starz "Black Samurai" series with RZA (Wu-Tang Clan) and Jerry Bruckheimer executive producing.
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MOVIES - From Variety: Iranian filmmaker, Asghar Farhadi, has begun shooting his new film in Spain with Oscar winners Javier Bardem and Penelope Cruz headlining the film.
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MOVIES - From Deadline: Warner Bros. and DC Entertainment are planning another Batman spinoff movie. This one would focus on the origin of iconic Batman villian, The Joker, and would involve the creative talents of Todd Phillips and Martin Scorsese.
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MOVIES - From CinemaBlend: Ed Skein of "Deadpool" is joining the "Hellboy" reboot film.
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TELEVISION - From TheWrap: NBC has scrapped its plans for a reboot of "Xena: Warrior Princess."
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MOVIES - From YahooMovies: Margot Robbie is unrecognizable as Queen Elizabeth I in the film, "Mary Queen of Scots."
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SPORTS - From BET: A large number of NYPD officers rally in support of blackballed NFL quarterback, Colin Kaepernick.
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CULTURE - From RollingStone: The history of White supremacy in America.
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MOVIES - From Deadline: New details emerge on "Deadpool 2" crash that took the life of stunt woman Joi Harris.
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TELEVISION - From Deadline: Lynn Whitfield joins Sanaa Lathan in Netflix's comedy, "Nappily Ever After."
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TELEVISION - From YahooTV: A spoiler-filled recap of the Aug. 20th, 2017 "Game of Thones."
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BOX OFFICE - From BoxOfficeMojo: The winner of the 8/18 to 8/20/2017 weekend box office is "Hitman's Bodyguard" with an estimated take of $21.6 million.
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ANIMATION - From YahooTV: Writer-director Adam Reid is trying to raise money to produce a pilot for a proposed animated TV series featuring President Barack Obama and Vice-President Joe Biden as time traveling heroes.
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MOVIES - From Variety: Cover story: Has Netflix's Ted Sarandos rescued or ruined Hollywood?
From Variety: Marvel/Netflix's "The Defenders" could set binge-viewing / streaming records.
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MOVIES - From Variety: New Line is looking to reboot the "Shaft" film franchise again. Samuel L. Jackson is in negotiations to join the film with Jessie T. Usher ("Survivor's Remorse"). Jackson starred in the title role in Paramount Pictures' 2000 "Shaft" film.
CULTURE - From Politico: How militias became the private police force for White supremacists.
OBITS:
From THR: The comedian, radio talk show host, and comic actor, Jay Thomas, has died at the age of 69, Thurs., August 24, 2017. Thomas won two Emmys playing "Jay Gold" on the 1980s-90s CBS sitcom, "Murphy Brown." He was also known for his annual appearances on David Letterman's late-night talks shows.
From RollingStone: Actor, filmmaker, comedian, and philanthropist, Jerry Lewis, has died at the age of 91, Sunday, August 20, 2017. Before he embarked on a solo film career, he partnered with legendary singer and actor, Dean Martin. Many knew Lewis for his annual "The Jerry Lewis MDA Labor Day Telethon," which raised money for the Muscular Dystrophy Association.
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From Variety: Groundbreaking civil rights activist and comedian, Dick Gregory, has died at the age of 84, Saturday, August 19, 2017. He counted among his friends Dr. Martin Luther King and Medgar Evars. Gregory wrote several books, including "Nigger: An Autobiography." His new book, "Defining Moments in Black History" is due in September.
From Variety: Tributes to Dick Gregory, who died on Saturday, pour in from colleagues, fans, and admirers, including Whoopi Goldberg, George Wallace, Ava DuVernay, Gilbert Gottfried, Jesse Jackson, Rev. Al Sharpton, Lawrence O'Donnell, and more.
From Variety: Dick Gregory recent guest column for Variety: "Fight Police Brutality with Your Wallet."
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From Variety: The actor Sonny Landham died at the age of 76, Thursday, August 17, 2017. Part Seminole and Cherokee, Landham was best known for playing the Native American tracker, Billy Sole, in the Arnold Schwarzenegger film, Predator (1987). He also had roles in "The Warriors," "48 Hrs," and "Action Jackson."
Showing posts with label Lynn Whitfield. Show all posts
Showing posts with label Lynn Whitfield. Show all posts
Saturday, August 26, 2017
Sunday, September 18, 2011
50 Cent Film, "All Things Fall Apart" Due Early 2012
Mario Van Peebles Directs and Co-Stars!
TORONTO--(BUSINESS WIRE)--Image Entertainment, Inc. (OTCQB:DISK) has acquired all U.S. rights to the heart-wrenching, yet truly inspirational film, All Things Fall Apart, starring Curtis “50 Cent” Jackson, Ray Liotta, Mario Van Peebles and Lynn Whitfield, with Van Peebles directing. The deal was finalized shortly before the beginning of the 2011 Toronto International Film Festival and announced by Image Entertainment’s Chief Acquisitions Officer, Bill Bromiley. All Things Fall Apart is slated for an early 2012 theatrical release with home entertainment, VOD, digital and broadcast to follow under the company’s One Village label.
“We are thrilled to be working with Hannibal Pictures again on such a wonderful film, directed by the talented Mario Van Peebles,” commented Bromiley. “Audiences are going to be quite surprised with 50 Cent’s performance.”
Added Rionda Del Castro, “All Things Fall Apart is a strong emotional film, a labor of love for all involved. Given our superb relationship with Image Entertainment, we know they will nurture the film and help it find the audience it deserves.”
“50 lost so much weight I started calling him 25 Cent,” jokes Van Peebles. “But what impressed me was his willingness to evolve past his rap persona and totally commit to his first dramatic lead without relying on guns. No backup, this is 50 like you have never seen him.”
All Things Fall Apart tells the story of a Heisman-bound college football star whose career hits a wall when he is diagnosed with a tumor only inches from his heart. Says Rionda Del Castro, “I found the script compelling and heartfelt, and have always admired Mario Van Peebles as a director. What finally sold me was a meeting with ‘50’ during pre-production.” Rionda Del Castro arrived for the meeting and did not recognize Jackson, who had shed a reported 80 pounds in preparation for the role. “I was stunned by his dedication to the movie. At that moment, before a frame of film had been shot, I knew we had something special.”
All Things Fall Apart is produced by Curtis “50 Cent” Jackson and Randall Emmett of Cheetah Vision Films. Patricia Eberle, Rionda Del Castro, Anthony Gudas, and Michael Corso are the executive producers. All Things Fall Apart marks Hannibal Pictures’ third collaboration with Cheetah Vision Films. Their previous film together, the action-packed Gun co-starring Val Kilmer, was released on DVD in early 2011 by Image Entertainment, and their next film Setup, co-starring Bruce Willis and Ryan Phillippe, will be released later this month.
All Things Fall Apart has played to packed theaters at several film festivals, including the Miami International Film Festival, the Atlanta Film Festival, the Aruba International Film Festival and the Peachtree Village International Film Festival in Atlanta, with more than 20 foreign territories sold to-date.
Image Entertainment’s Bill Bromiley and Brett Dismuke, along with Hannibal Pictures’ Richard Rionda Del Castro, were central in finalizing the domestic deal. Martin J. Barab of Hamrick & Evans, LLP acted as legal counsel in the deal for Hannibal Pictures, the film’s worldwide sales agent.
ABOUT HANNIBAL PICTURES
Founded in 1999 by Richard Rionda Del Castro, Chairman and CEO, Hannibal Pictures finances, produces and distributes three to six motion pictures per year with budgets between $3 and $15 million. For more information about Hannibal Pictures, please go to http://www.hannibalpictures.com/.
ABOUT ONE VILLAGE ENTERTAINMENT
Launched in 2007, One Village Entertainment, a division of Image Entertainment, is devoted to the development, production and acquisition of feature films, comedy specials, stage plays, documentaries and music content targeting the African-American consumer and urban market. The programming is distributed across multiple platforms including theatrical, broadcast, Blu-ray™/DVD and digital streaming and downloading. Among the more than 50 titles that carry the One Village imprimatur are live stand-up performances featuring Kevin Hart and Charlie Murphy, documentaries 2 Turntables and a Microphone: The Life and Death of Jam Master Jay and Soulmate, and the feature films American Violet starring Oscar-nominee Alfre Woodard and the acclaimed theatrical romantic comedy Russ Parr’s 35 & Ticking. Bestsellers in the One Village line also include the stage play productions What My Husband Doesn’t Know and Love in the Nick of Tyme by David E. Talbert, who is described by Variety as "the acknowledged kingpin of urban musicals."
ABOUT IMAGE ENTERTAINMENT
Image Entertainment, Inc. is a leading independent licensee and distributor of entertainment programming in North America, with approximately 3,200 exclusive DVD titles and approximately 340 exclusive CD titles in domestic release and more than 450 programs internationally via sublicense agreements. For many of its titles, the Company has exclusive audio and broadcast rights, as well as digital download rights to over 2,100 video programs and approximately 400 audio titles containing more than 6,000 individual tracks. The Company is headquartered in Chatsworth, California. For more information about Image Entertainment, Inc., please go to http://www.image-entertainment.com/.
Friday, April 2, 2010
Review: "Madea's Family Reunion" a Black Family Film Classic
TRASH IN MY EYE No. 48 (of 2006) by Leroy Douresseaux
Tyler Perry’s Madea’s Family Reunion (2006)
Opening date: Friday, February 24, 2006
MPAA – PG-13 for mature thematic material, domestic violence, and sex and drug references
DIRECTOR: Tyler Perry
WRITER: Tyler Perry (based upon his play)
PRODUCERS: Reuben Cannon and Tyler Perry
CINEMATOGRAPHER: Toyomichi Kurita
EDITOR: John Carter
COMEDY/DRAMA/ROMANCE
Starring: Tyler Perry, Lisa Arrindell Anderson, Rochelle Aytes, Lynn Whitfield, Blair Underwood, Boris Kodjoe, Keke Palmer, Henry Simmons, Mablean Ephriam, Cicely Tyson, and Maya Angelou
Southern matriarch Madea (Tyler Perry) is normally an unstoppable force, but she finds her hands full with a court ordered foster child, Nikki (Keke Palmer). Then, Madea also has to contend with planning a family reunion. That’s not enough on her plate, however; her nieces, sisters Lisa (Rochelle Aytes) and Vanessa (Lisa Arrindell Anderson), are having relationship problems. Lisa is engaged to marry Carlos (Blair Underwood), a wealthy investment banker who constantly hits and abuses her. Vanessa has finally found a good man Frankie (Boris Kodjoe), but she can’t quite bring herself to trust him no matter how good he is. Most of that distrust is based on her relationship with her and Lisa’s mother, Victoria (Lynn Whitfield), a desperate gold digger who is willing to marry Lisa off to an abusive husband like Carlos just so that he can take care of both Lisa and her. With the family reunion and dark secrets coming out of every clash between Victoria and her daughters, Madea has to use all her tricks to organize the reunion and hope God can cover the rest.
Tyler Perry’s Madea’s Family Reunion is technically a better composed film than the previous adaptation of one Perry’s plays to screen, Diary of a Mad Black Woman. Family Reunion is not as funny as Dairy, although there are lots of laughs, in particularly the scenes between Madea and her foster child Nikki. However, the emphasis here is on the various relationship combinations involving Victoria, Lisa, Vanessa, Frankie, and/or Carlos, and boy, are there fireworks. The combination of soap opera hysteria and melodramatic theatrics is not only over-the-top, but also often just too damn much. The conflicts, feuds, personal demons, etc. may not match up to the commotion that is sometimes real life, but the story here is a bit of a spectacle even for film.
Still, some of it rings true. Tyler Perry’s plays are what’s known by some as “Black Gospel Theatre,” in which characters, mostly poor and working class black folk, beset by all manner of personal setbacks, dilemmas, tribulations, obstacles, etc. have to fight their way out using both inner strength and their faith in (the Christian) God, with an emphasis on both healing and faith. This might put some off, especially those who aren’t particularly religious, but this kind of Christian and prayer oriented African-American drama appeals to many working class Americans, especially blacks, but increasingly whites.
The two film adaptations, like the plays, focus on female characters, but the message is universal. While women make up a large part of Madea’s Family Reunion’s audience, men can find messages and teachings aimed at them. Perry uses Madea as comic relief, but the character isn’t a clown. She spouts wisdom, most of it very practical and useful, between feeding her guests and arguing with Cousin Joe (Perry). This makes the film half-comedy and half-religious inflected drama.
The cast of Family reunion might overact (Lynn Whitfield in particular), and some may not be really good actresses (Lisa Arrindell Anderson), but they make the occasionally overheated drama and often-inflamed dramatics work. It’s palatable; one can feel that Blair Underwood (a very good actor short on work because he’s black) is ready to strike out at anyone who gets in his way. So Madea’s Family Reunion might be a crazy family drama, and it does go overboard; still, its good intentions don’t pave a road to hell, and the movie just works.
Besides, there’s always Madea herself for a good time, and maybe that’s what Madea’s Family Reunion needed – more Madea. I don’t know why playing fat-lady drag appeals to so many black comedians, but like Martin Lawrence in the Big Momma’s House franchise, Tyler Perry does it well. Family Reunion is at its best when Madea is being politically incorrect and giving more mouthy adolescents some good old-fashioned beatings; that would have meant an even better film. So here is one call for more Madea. Maybe next time.
7 of 10
A-
Saturday, March 4, 2006
Tyler Perry’s Madea’s Family Reunion (2006)
Opening date: Friday, February 24, 2006
MPAA – PG-13 for mature thematic material, domestic violence, and sex and drug references
DIRECTOR: Tyler Perry
WRITER: Tyler Perry (based upon his play)
PRODUCERS: Reuben Cannon and Tyler Perry
CINEMATOGRAPHER: Toyomichi Kurita
EDITOR: John Carter
COMEDY/DRAMA/ROMANCE
Starring: Tyler Perry, Lisa Arrindell Anderson, Rochelle Aytes, Lynn Whitfield, Blair Underwood, Boris Kodjoe, Keke Palmer, Henry Simmons, Mablean Ephriam, Cicely Tyson, and Maya Angelou
Southern matriarch Madea (Tyler Perry) is normally an unstoppable force, but she finds her hands full with a court ordered foster child, Nikki (Keke Palmer). Then, Madea also has to contend with planning a family reunion. That’s not enough on her plate, however; her nieces, sisters Lisa (Rochelle Aytes) and Vanessa (Lisa Arrindell Anderson), are having relationship problems. Lisa is engaged to marry Carlos (Blair Underwood), a wealthy investment banker who constantly hits and abuses her. Vanessa has finally found a good man Frankie (Boris Kodjoe), but she can’t quite bring herself to trust him no matter how good he is. Most of that distrust is based on her relationship with her and Lisa’s mother, Victoria (Lynn Whitfield), a desperate gold digger who is willing to marry Lisa off to an abusive husband like Carlos just so that he can take care of both Lisa and her. With the family reunion and dark secrets coming out of every clash between Victoria and her daughters, Madea has to use all her tricks to organize the reunion and hope God can cover the rest.
Tyler Perry’s Madea’s Family Reunion is technically a better composed film than the previous adaptation of one Perry’s plays to screen, Diary of a Mad Black Woman. Family Reunion is not as funny as Dairy, although there are lots of laughs, in particularly the scenes between Madea and her foster child Nikki. However, the emphasis here is on the various relationship combinations involving Victoria, Lisa, Vanessa, Frankie, and/or Carlos, and boy, are there fireworks. The combination of soap opera hysteria and melodramatic theatrics is not only over-the-top, but also often just too damn much. The conflicts, feuds, personal demons, etc. may not match up to the commotion that is sometimes real life, but the story here is a bit of a spectacle even for film.
Still, some of it rings true. Tyler Perry’s plays are what’s known by some as “Black Gospel Theatre,” in which characters, mostly poor and working class black folk, beset by all manner of personal setbacks, dilemmas, tribulations, obstacles, etc. have to fight their way out using both inner strength and their faith in (the Christian) God, with an emphasis on both healing and faith. This might put some off, especially those who aren’t particularly religious, but this kind of Christian and prayer oriented African-American drama appeals to many working class Americans, especially blacks, but increasingly whites.
The two film adaptations, like the plays, focus on female characters, but the message is universal. While women make up a large part of Madea’s Family Reunion’s audience, men can find messages and teachings aimed at them. Perry uses Madea as comic relief, but the character isn’t a clown. She spouts wisdom, most of it very practical and useful, between feeding her guests and arguing with Cousin Joe (Perry). This makes the film half-comedy and half-religious inflected drama.
The cast of Family reunion might overact (Lynn Whitfield in particular), and some may not be really good actresses (Lisa Arrindell Anderson), but they make the occasionally overheated drama and often-inflamed dramatics work. It’s palatable; one can feel that Blair Underwood (a very good actor short on work because he’s black) is ready to strike out at anyone who gets in his way. So Madea’s Family Reunion might be a crazy family drama, and it does go overboard; still, its good intentions don’t pave a road to hell, and the movie just works.
Besides, there’s always Madea herself for a good time, and maybe that’s what Madea’s Family Reunion needed – more Madea. I don’t know why playing fat-lady drag appeals to so many black comedians, but like Martin Lawrence in the Big Momma’s House franchise, Tyler Perry does it well. Family Reunion is at its best when Madea is being politically incorrect and giving more mouthy adolescents some good old-fashioned beatings; that would have meant an even better film. So here is one call for more Madea. Maybe next time.
7 of 10
A-
Saturday, March 4, 2006
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