Review: Original "TRON" Still Impresses

TRASH IN MY EYE No. 48 (of 2011) by Leroy Douresseaux

Tron (1982)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG
DIRECTOR: Steven Lisberger
WRITERS: Steven Lisberger; from a story by Steven Lisberger and Bonnie MacBird
PRODUCER: Donald Kushner
CINEMATOGRAPHER: Bruce Logan
EDITOR: Jeff Gourson
COMPOSER: Wendy Carlos
Academy Award nominee

SCI-FI/FANTASY/ACTION

Starring: Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, and Peter Jurasik

First released in 1982, Tron is a science fiction film from Walt Disney Pictures. Written and director by Steven Lisberger and produced by Donald Kushner, it is considered a landmark and a milestone (especially in the computer animation industry). Tron was one of the first films from a major studio to make extensive use of computer graphics and was also one of the first to make extensive use of computer animation.

The film focuses on Kevin Flynn (Jeff Bridges), a gifted young software engineer who used to work for the software company, ENCOM. Flynn has been attempting to hack into ENCOM’s mainframe to get evidence that a senior executive, Ed Dillinger (David Warner), stole Flynn’s code for several now-popular arcade games before firing him. Flynn is blocked by the Master Control Program (MCP), an artificial intelligence that controls the mainframe and also steals other programs.

Flynn’s former coworkers, ENCOM employees, Alan Bradley (Bruce Boxleitner) and Lora Baines (Cindy Morgan), tell Flynn that Dillinger has tightened security clearances. Bradley, however, has created a security program called, “Tron,” which would monitor communications between the Master Control Program and the outside world. Bradley and Baines help Flynn get inside the ENCOM’s building so that Flynn can help the Tron program. During Flynn’s hack, MCP uses a nearby laser to digitize Flynn and transport him into the mainframe.

Inside the mainframe is a Digital World where Programs appear in the likenesses of their creators (called “Users”). The programs also fight each other in gladiatorial events, including Light Cycle races. Flynn joins the Program named Tron (Bruce Boxleitner) in a race to stop the MCP. But to beat the MCP, Flynn will have to race across a digital landscape that is like nothing he has ever seen or experienced.

Considering that computers and animation played the largest part in bringing it to life, Tron is surprisingly engaging, even warm. The story is slight, but the humanity of the characters shines through the technological light show. Especially in the Digital World, the plight of the characters often comes through, allowing the viewers to get, at the very least, a small look at their personalities and quirks. Tron is not all razzle-dazzle, nor is it ultimately empty like so many of the special effects and computer-created extravaganzas that have come since Tron first appeared in theatres.

Tron may have been considered ahead of its time, but looking back on it now, this movie still amazes. The film still looks as if it could not have been created back in the late 1970s and early 1980s. Tron still looks like nothing before or after it. Director Steve Lisberger, producer Donald Kushner, and their collaborators made something special – something new that captured audiences’ attentions and even captured the imaginations of some of them. And 30 years on, Tron is still fun.

8 of 10
A

NOTES:
1983 Academy Awards: 2 nominations: “Best Costume Design” (Eloise Jensson and Rosanna Norton) and “Best Sound” (Michael Minkler, Bob Minkler, Lee Minkler, and James LaRue)

1983 BAFTA Awards: 1 nomination: “Best Special Visual Effects” (Richard Taylor and Harrison Ellenshaw)

Tuesday, June 07, 2011

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Jeff Bridges Art Auctioned for Charity

Jeff Bridges Art Auction to Benefit Charity

LOS ANGELES, CA, April 13, 2011 - Academy Award® winning actor (2010’s Crazy Heart) and acclaimed artist, Jeff Bridges, will be auctioning off his painting inspired by TRON to benefit Share Our Strength’s No Kid Hungry Campaign, for which he is the national spoke person. In addition to the original painting, a limited number of signed prints will also be sold to raise funds for the charity.

The exclusively online auction will begin April 20 http://www.disneyfineart.com/share-our-strength/ and will run through April 29th.

As a dedicated artist across various mediums, Bridges has been praised for his eclectic work of fine art, photography and music in addition to hisacclaimed film career. In the recent release of TRON: LEGACY, Bridges reprised his role of “Kevin Flynn” from the original TRON released in 1982, inspiring this powerful piece painted on plexiglass. And with his strongdedication to the No Kid Hungry campaign, he has chosen to raise funds withit.

“As the national spokesperson for Share Our Strength’s No Kid Hungry campaign, Jeff Bridges’ commitment to others is exemplary,” said Bill Shore, founder and executive director of the hunger non-profit.” “This donation is another example of how important the work of ending childhood hunger is to Jeff and one of the many reasons we feel honored to be working with him.”


About Share Our Strength
Share Our Strength®, a national nonprofit, is ending childhood hunger in America by connecting children with the nutritious food they need to lead healthy, active lives. Through its No Kid Hungry® Campaign—a national effort to end childhood hunger in America by 2015—Share Our Strength ensures children in need are enrolled in federal nutrition programs, invests in community organizations fighting hunger, teaches families how tocook healthy, affordable meals, and builds public-private partnerships to end childhood hunger, at the state and city level. Visit NoKidHungry.org to getinvolved.

Jeff Bridges' TRON: Legacy Interview Part 3

This is part of an interview series provided by Walt Disney:

AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY

Hi Jeff! How would you describe the story of TRON: Legacy?

BRIDGES: TRON: Legacy is a father and son story set in a crazy computer world. It’s the sequel to a movie that was made 28 years ago!

How much fun did you have shooting TRON: Legacy?

BRIDGES: The movie was a lot of fun to film because every day was different. Some days, we’d be working on a sound stage with an amazing set. Other days, I’d be walking around a huge, empty warehouse wearing a leotard with little balls all over it.

That sounds a little crazy…

BRIDGES: It was very crazy and very bizarre, but it was a fun challenge because that’s how the special effects were shot. My face was covered with 100 tiny dots and I wore a helmet with two antennas sticking out of it. I am used to acting in costume, but this was very different. I soon learned to get used to it, though.

How has technology changed since you made the original movie?

BRIDGES: The first TRON movie was made nearly 30 years ago. Back then, there was no internet and there were no cell phones. There were no personal computers either. It was a completely different world.

How did you shoot the special effects for the original movie?

BRIDGES: It was all very basic back then. There was a lot of adhesive tape and tennis balls used on the set of the first film. TRON: Legacy benefits from advancements in technology since then. It’s a completely different world now.

When did you first hear about the sequel?

BRIDGES: There’s been a rumor of a TRON sequel going around Hollywood ever since the first movie was released. I kept waiting and waiting to get a script, but I never heard anything until a couple of years ago. I think Disney was very wise to wait for the right script and the right story, but it’s here now.

What went through your mind when you heard a script was on its way?

BRIDGES: I was overjoyed. To be honest, I was very excited when I heard about the original movie – and I had the same excitement when I found out that the sequel was going to be made. I couldn’t wait to read what was going to happen.

How was the original movie pitched to you?

BRIDGES: The original movie appealed to the kid in me. They said, “Do you want to play a guy who gets sucked inside a computer? We’ll be using lots of cutting edge technology to shoot the film and it’s going to be very different to anything else you’ve seen at the movies.” It was like being invited over to the house of the kid who’s got all the latest gadgets and games. I immediately said to them, “I’m in!”

How was the sequel pitched to you?

BRIDGES: The director told me it was going to be a father and son story, and he said we were going to be using cutting edge filming techniques again. It sounded great to me.

Did you hesitate before signing up for the sequel?

BRIDGES: Oh, sure. I hesitate before I sign up for anything, but I was extremely excited about the prospect of the sequel. I thought to myself, ‘I can’t wait to mess around with all that great, cutting edge technology. I can’t wait to see what the visual effects will be like now.’

What made you hesitate?

BRIDGES: I wanted to make sure the story of the sequel was strong. I knew there was going to be a lot of visual candy, but you need to care about the characters for a movie to work. As soon as I heard the story was going to be a father and son adventure, I knew it was going to work out.

Is it true that you kept your TRON helmet from the original movie?

BRIDGES: I kept the helmet and the leotard from the original film and I actually wore it for Halloween one year. I dressed up as my character, Kevin Flynn, and walked around! It got a lot of strange looks, but I didn’t care.

What science-fiction books and movies were you into when you were young?
BRIDGES: As a kid, I loved science fiction. When I was growing up, I read books by Ray Bradbury and Robert Heinlein – and I’ve always loved science fiction movies. I don’t think you can get a much better movie than 2001. However, I also like the movie Starman, which I appeared in. Science fiction is great.

Are you into video games?

BRIDGES: I was really into video games when we made the original TRON. The walls of the soundstage where we shot the original movie were lined with video games and they were all free. You didn’t have to put any money in them.

That sounds amazing…

BRIDGES: It was great! Everyone would be playing them all day long. The crew would come up to me and say, “Come on, Jeff… We need you on set.” And I’d reply, “I’m preparing, man. I’m getting into character.”

Do you play many video games now?

BRIDGES: I don’t play too many video games now. I feel like I’ve fallen away from technology. I have a love-hate relationship with the internet, although I have a website that I like to play around with.

We’ve heard a rumor that you’re interested in photography…

BRIDGES: I am! I usually take photos on the set of all my movies. In fact, you can see some of the shots on my website.

Did you take many pictures on the set of TRON: Legacy?

BRIDGES: I wanted to take lots of pictures, but the lighting was very dark on the set. I didn’t take as many pictures as I usually take, but there are a few out there.

What advice do you have for aspiring photographers?

BRIDGES: I don’t know if I have any advice! Just keep taking pictures of things you think are interesting. That’s how I started out.

And what advice would you give to aspiring actors?

BRIDGES: Train hard and practice your craft. Get involved in all aspects of drama, but keep on trying because it’s a tough industry to crack. Good luck!

TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!

Jeff Bridges' TRON: Legacy Interview Part 2

AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY

How did the film shoot for TRON: Legacy compare to the film shoot for the original movie?

BRIDGES: The first movie was shot in 70 mm, black and white. Our set was mostly made from a black material called Duvetyne that was hanging on the wall along with some white adhesive tape – and that was it. They sent the film overseas where people hand-tinted all of the glowing lines into each shot frame-by-frame. It was a mammoth undertaking and it was extremely cutting edge. However, the process for the second movie was completely different.

Can you take us through the filming process for the sequel?

BRIDGES: TRON: Legacy was the first movie that I’ve been involved in where many scenes were shot without cameras. We used a process called motion capture and we shot the movie in a space called The Volume. The Volume can be any size, but the walls are covered with optical sensors. They’re not cameras, but each sensor gives information to a computer. To begin each scene, we had to stand in the shape of the letter T. You stand with your hands out and the sensors grab you – and then you carry on. You’re wearing a suit with little sensors all over it, so all of the makeup, the costumes, the camera angles, the lighting… Everything is added in post production. It was very different to anything I’d worked on before.

Were there any similarities between the shooting of the two movies?

BRIDGES: The biggest similarity between the filming of the two movies was the way that you have to act a lot with your mind. We spent a lot of both film shoots in huge rooms with no sets, so you have to imagine where you are and you have to imagine what’s going on in the scene. It’s always a challenge, but it’s also a lot of fun.

What do you think of the new light cycles in TRON: Legacy?

BRIDGES: I think they’re great. They are much better, more sophisticated and more refined than the light cycles in the original movie. [Director] Joseph Kosinski was an architect, so he came at the project from a new angle and the film has a heightened design feel to it due to this. He hired a wonderful production designer called Darren Gilford who worked in car design, so that also added a different element to the project. I’m really impressed and happy with all of the vehicles in the movie. I think they all look great.

Did it take a lot of persuading to get you on board for the sequel?

BRIDGES: Not really. Joe Kosinski made a wonderful pitch to me about the story of the movie, so I knew where the film was heading and I was immediately intrigued. This is Joe’s first film and I have to give Disney credit for taking that risk in choosing him, but he pulled it off with ease. He has a background in commercials, so when he pitched the story to me, he showed me his commercial reel and I saw the technology that was available to use in the movie. I signed onto the original TRON because I was excited about using cutting edge technology, and that’s exactly the same reason why I signed on for the sequel.

What was it like to play two different characters in the movie: Kevin Flynn and Clu?

BRIDGES: It wasn’t too difficult. The director did his best to separate the days where I played Flynn and Clu, which made the work much easier. The makeup process was very different for each of the characters, so it was much better to separate the days and keep these two apart.

What was it like to see a younger version of yourself in Clu?

BRIDGES: It was a little bizarre, but it wasn’t too strange for me because I have movies that chart my different looks over the years. However, I was amazed that they could pull off this feat with such accuracy. What they did in TRON: Legacy was amazing. They modeled Clu on the period of my life when I worked on Against All Odds – and it all looks so real. The guys who worked on it are magicians.

Did you have any input into the look of Clu?

BRIDGES: I helped in any way I could, so I gave them a lot of family pictures to use as reference. The same guys who worked on Benjamin Button came in and worked on Clu. When they first arrived, they brought along Brad Pitt’s head in a glass box and they set it down on the table. It was uncanny. It wasn’t like a wax head that you might see in a museum. In fact, it looked like Brad Pitt’s head had been cut off and it was just sitting there. You were waiting for him to, “Hi.” It was so realistic.

What inspired your performance of Clu?

BRIDGES: My inspiration came from the script and the story. That’s always the place where I start my work on a character, but then I look at aspects of myself that might apply to each character. In this case, I’m playing a couple of guys, so I would magnify certain aspects of myself for one and maybe dampen those for the other.

Video games and arcade games are constantly featured in both TRON movies. Are you a gamer?

BRIDGES: I don’t play video games much now, although I remember playing one with my daughters. I believe it was called Myst. I hope they make a movie of that game because it was a wonderful world to visit. You weren’t killing anybody in the game, but it was very dramatic. That was the last video game I got into.

Were you interested in arcade games in your youth?

BRIDGES: I think I was a grown man when arcade games came into fashion. I can remember playing Pong, but that wasn’t in my youth. I played Pong on the movie set where I met my wife, which must have been 35 years ago. That would’ve been the 80s and I was working on a movie called Rancho Deluxe with Harry Dean Stanton. I distinctly remember playing Pong there.

Were there many arcade machines on the set of the first TRON movie?

BRIDGES: When we filmed the first movie, Steven Lisberger – the director – had video games all over the soundstage and I used to get locked into them. Have you heard of a game called Battle Zone? I used to love that. They had to tear me off of that thing to get to work.

We can’t let the interview end without mentioning your Academy Award win for Crazy Heart… Where do you keep your award?

BRIDGES: It’s sitting on the shelf by my kitchen.

How did it feel to win?

BRIDGES: It was truly wonderful. To get that acknowledgement from your peers is fantastic, but the really cool thing was that the movie was all about music and it’s caused my own music to bloom. I’m in my sixties and I’ve been working on music since I was a teenager, but I’ve had to put it in the back burner. However, I’ve now been able to go back into the studio and make an album. That’s amazing for me. I couldn’t be happier.

TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!

Jeff Bridges' TRON: Legacy Interview, Part 1

Walt Disney provided this interview for the general press:

AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY

What was your initial reaction when you heard that Disney was interested in making a sequel to TRON?

BRIDGES: There have been rumors of a TRON sequel circulating for many years. The first rumor probably started about 20 years ago, so I gave up on the idea because it never looked like it was going to happen. I guess Disney had the sequel on its back burners and they weren’t satisfied with any of the scripts that turned up over the years, so they waited and waited. I’m very happy they did because they held out to find the right guy to be at the helm: director Joseph Kosinski. I think they really found a terrific leader in Joe, and they also found a terrific script.

What makes Joseph Kosinski a great director?

BRIDGES: It’s always interesting to discover where a director comes from, whether he’s a writer, an actor or whatever. Joe was an architect and to have an architect at the helm of this movie was terrific. He was up to date with all of the modern techniques in special effects and he had a great visual style. He was also terrific with actors and he had great ideas. When this project was presented to me, I thought to myself, ‘This sounds like something I would love to do.’ The first movie tickled the kid in me – and the sequel did exactly the same. I get to play a guy who is sucked inside a computer and I get to play with all of the new toys that we have available to us with modern technology and filmmaking. To be involved with something so cutting edge was extremely exciting to me. I jumped at the chance to sign up.

What did you think of having Garrett Hedlund play Kevin Flynn’s son in the movie?

BRIDGES: Garrett is a great guy. I have three daughters and no sons, but when I look at Garrett, I can see that he could be my son. There’s something about him that reminds me of myself, which is why casting him as my son was perfect. He was a joy to work with and I think he did an amazing job in TRON: Legacy. He’s going to go far.

How does it feel to see people excited about the world of TRON again?

BRIDGES: It feels great. It’s very exciting. I have taken a number of trips to Comic-Con with TRON: Legacy over the last few years and you can really feel the energy of the fans at events like that. They have been really excited about the project. In fact, the fans have been an integral part in getting the TRON world back together. A few years ago, we went to Comic-Con to test a couple of minutes of film with audiences. The director, the production designer and our special effects supervisor joined forces to give audiences a two-minute taste of what the movie might be like if this project could fly and to see if people really wanted to see it. The audience really enjoyed that Disney felt they wanted to make this fantastic world come to life again. Comic-Con was very instrumental in getting this movie made.

What was the most challenging aspect of the film shoot?

BRIDGES: As an actor, I really enjoy costumes, sets and makeup. These elements inform your performance and you learn to count on them. However, a lot of TRON: Legacy was filmed without costumes, without makeup and without sets. When you don’t have these things around you, you’re thrown back to your childhood – to the time when you were a little kid playing in the garden. Back then, you didn’t have a castle and you didn’t have a sword. You had to use a stick as a sword and your castle was a box. It was all in your mind. That’s exactly what we had to do in this movie. We had to play ‘pretend’ because we didn’t have the costumes or the sets or the props. It was fascinating.

Do you ask a lot of questions when you work on a film set in an alternate universe with its own rules?

BRIDGES: Oh, sure. I ask a lot of questions with whatever film I’m working on – and the director is always the guy to go to.

What kind of questions did you ask about TRON: Legacy?

BRIDGES: Joe Kosinski was very inclusive because he allowed me into the writing process and the development of the story. I was interested in creating a modern myth, so I didn’t want the movie to just be about design and the battles. I wanted the movie to have something to say and I wanted the story to be enthralling and captivating.

What appealed to you the most in the movie’s script?

BRIDGES: One of the things that drew me to this movie was a chance to be part of creating a modern day myth. Myths are so important for us to help navigate the treacherous waters of being alive. Each age has its own challenges and I feel that technology is certainly one of ours.

Are you not happy with today’s technology?

BRIDGES: In some ways, technology is wonderful – but there is a darker side to it that we don’t examine as much as we should. We need to think about the ramifications of what we’re doing. We drink water from plastic bottles that we think are biodegradable, but then we discover that they last for hundreds of years. We bitch about oil spills, but every year we put 100 million tons of plastic into the ocean. That’s worse than the awful oil spill in 2010. I think it’s a matter of educating people and thinking about where we want to go with technology – and what we want to do with it. We could use it in beautiful ways, but I think it’s natural for us to want immediate gratification.

Are there any positive aspects to advances in technology?

BRIDGES: What are the good things about technology? Like most things in life, technology is a double-edged sword. When we made the first TRON movie, there was no internet. Now, it’s a huge part of our everyday lives. The internet gives us the chance to link up and be connected – and that’s a great thing.

Can you survive without the internet?

BRIDGES: Listen, I don’t Tweet. I don’t Facebook. I don’t do any of that stuff. It’s all too much. I have a website and I draw, but that’s about it. I went to the internet because I thought it would be a way to release an album that I created years ago. I can put it out there in the world and then I get messages from people in places like Russia saying, “I dig your thing, man.” That’s exciting. That’s a positive thing that technology can do. That’s a positive link. I’m very happy about that. Very happy indeed.


TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!

Colin Firth Wins Best Actor for "The King's Speech"

Actor in a Leading Role

Colin Firth in “The King's Speech” WINNER

Javier Bardem in “Biutiful”

Jeff Bridges in “True Grit”

Jesse Eisenberg in “The Social Network”

James Franco in “127 Hours”

TRON and TRON: Legacy on DVD and Blu-ray April 5th

THE ULTIMATE ACTION-PACKED, FUTURISTIC ADVENTURE COMES TO LIFE ON STUNNING BLU-RAY™ HI-DEF AND BLU-RAY 3D™

Disney's TRON: LEGACY Hits The Grid - Tuesday, April 5th

TRON: THE ORIGINAL CLASSIC SPECIAL EDITION TO ALSO DEBUT FOR THE FIRST TIME ON BLU-RAY

BURBANK, CA, February 11, 2011 – The Walt Disney Studios is proud to announce the release of its high-tech, action-packed adventure TRON: Legacy, available April 5th on multiple home entertainment platforms, including Blu-ray 3D™, Blu-ray™, DVD, Digital Copy, Movie Download and On-Demand. Also making its long-awaited Blu-ray debut on April 5th is TRON: The Original Classic Special Edition.

Sure to light-up fans this Spring, TRON: Legacy providesconsumers with the ultimate Hi-Def Blu-ray experience with breathtaking 1080p visuals and superior 7.1 surround sounds that bring to life the visually stunning world of TRON. Taking you further behind the grid, are also in-depth bonus features on the making of the film (i.e., creating the futuristic vehicles and world of TRON, storyline mythologies, actors/characters and more) and the all-new Disney Second Screen interactive experience.

Disney Second Screen transforms the movie watching experience by allowing viewers to explore the story behind the film perfectly synched on a second device, like an iPad™ or laptop, without interrupting their enjoyment of the movie. By simply accessing the Disney Second Screen companion application on their Internet-connected device, consumers are able to dive deeper into the film by engaging with elements including 360-degree vehicle turnarounds, interactive progression reels, and more. Disney Second Screen directions and access codes can be found inside the Blu-ray Disc packaging.Audio synching is powered by TVPLUS.

The original motion picture score for TRON: Legacy, released by Walt Disney Records on December 7, 2010, was composed and produced by the iconic and critically acclaimed Grammy® Award–winning French duo Daft Punk. The album peaked at No. 4 on The Billboard 200 and was the highest charting score soundtrack in over a decade. Walt Disney Records will be releasing TRON: Legacy RECONFIGURED, an album featuring 14 remixes of the original motion picture score on April 5th.

TRON: THE ORIGINAL CLASSIC SPECIAL EDITION FACT SHEET
Film Synopsis: Experience the original landmark motion picture that inspired a new generation of digital filmmakers and became a favorite of fans and critics across the world. Relive the electrifying thrills of TRON with an all-new, state-of-the-art digital restoration and enhanced high-definition sound.

When a brilliant video game maker named Flynn (Jeff Bridges) hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world and becomes part of the very game he is designing. Complete with never-before-seen bonus materials, it’s an epic adventure that everyone will enjoy!

U.S. Release Date: April 5, 2011
Release Format: Blu-ray™, DVD, Digital Download & On-Demand
Rating: US-PG
Canada-PG
Feature Run Time: Approximately 96-minutes
Talent/Cast: Jeff Bridges (TRON: Legacy, True Grit, The Big Lebowski), Bruce Boxleitner (TRON: Legacy, Transmorphers: Fall of Man), David Warner (Planet of the Apes, Titanic, The Omen), Cindy Morgan (Caddyshack, TV’s “Falcon Crest”)
Director: Steven Lisberger (TRON: Legacy, Hot Pursuit)
Producer: Donald Kushner (TRON: Legacy, Monster)


ABOUT THE WALT DISNEY STUDIOS
For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company (DIS: NYSE) was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under four banners: Walt Disney Pictures,which includes Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Touchstone Pictures; and Marvel. Through the Home Entertainment division, innovative distribution methods provide access to creative content across multiple platforms. Original music and motion-picture soundtracks are produced under Walt Disney Records and Hollywood Records, while Disney Theatrical Group produces and licenses live events, including Broadway theatrical productions, Disney on Ice and Disney LIVE! For more information, visit www.disney.com.

Colin Firth Wins Best Actor BAFTA for "The King's Speech"

LEADING ACTOR

COLIN FIRTH The King’s Speech WINNER

JAVIER BARDEM Biutiful

JEFF BRIDGES True Grit

JESSE EISENBERG The Social Network

JAMES FRANCO 127 Hours
 

Paramount Pictures Celebrates 2011 Academy Award Nominations

PARAMOUNT EARNS A RECORD 20 ACADEMY AWARD NOMINATIONS, INCLUDING TWO BEST PICTURE NOMINATIONS FOR “TRUE GRIT” AND “THE FIGHTER”

“True Grit” received a total 10 nominations, while “The Fighter” received 7

HOLLYWOOD, CA (January 25, 2011) - Paramount Pictures received a total of 20 Academy Award nominations this morning, following the Academy of Motion Pictures Arts and Sciences announcement of the best films of 2010.

“On behalf of everyone at Paramount, we are incredibly proud of the recognition our films received today from the Academy. The tremendous and continued success that each film has achieved is deeply gratifying and is a testament to the extraordinary work of all of the artists involved,” said Brad Grey, Paramount Pictures Chairman and CEO.

TRUE GRIT received a total of 10 Academy Award nominations, including for Picture, Directing for Joel Coen and Ethan Coen, Adapted Screenplay, Actor for Jeff Bridges, Best Supporting Actress for Hailee Steinfeld, Sound Mixing, Sound Editing, Costume Design, Cinematography and Art Direction.

The Fighter received a total of 7 Academy Award nominations, including for Picture, Directing for David O. Russell, Original Screenplay, Supporting Actress for Amy Adams and Melissa Leo, Supporting Actor for Christian Bale and Editing.

The hit movie from DreamWorks Animation HOW TO TRAIN YOUR DRAGON received 2 nominations, including for Best Animated Film of the Year and Original Score for composer John Powell.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.

2001 Oscar Nominee "The Contender" Contends Until the End

TRASH IN MY EYE No. 5 (of 2003) by Leroy Douresseaux

The Contender (2000)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – R for strong sexual content and language
WRITER/DIRECTOR: Rod Lurie
PRODUCERS: Willi Baer, Marc Frydman, James Spies, and Douglas Urbanski
CINEMATOGRAPHER: Denis Maloney
EDITOR: Michael Jablow
Academy Award nominee

DRAMA

Starring: Joan Allen, Gary Oldman, Jeff Bridges, Christian Slater, Sam Elliot, William L. Petersen, Saul Rubinek, Philip Baker Hall, Mike Binder, Robin Thomas, Kathryn Morris, and Mariel Hemingway

After the Vice President of the United States dies, President Jackson Evans (Jeff Bridges) selects Senator Laine Hanson (Joan Allen, Pleasantville), a Democrat who switched parties, as his nominee to replace the deceased VP. During the confirmation hearings before Congress, a combative rival, Rep. Sheldon “Shelly” Runyon (Gary Oldman) begins leaking lurid stories about Sen. Hanson’s wild past as a sexually promiscuous college student.

Runyon prefers a popular governor, Jack Hathaway (William L. Peterson, TV’s “C. S. I.: Crime Scene Investigation”), as the new VP instead of Sen. Hanson. With an eager young congressman, Rep. Reginald Webster (Christian Slater), at his beck and call, Runyon turns the hearings into his bully pulpit. As Sen. Hanson struggles with the decision to defend herself and answer the horrid charges, investigations into her past by rival interests unearth a mound of increasingly sensational stories.

The Contender could have been a boring Capitol Hill whodunit, but it saves the boring for the end. For most of its length, the film is actually a bracing thriller that gives a fly on the wall view of how nasty and petty our nation’s leaders can be. Writer/director Rod Lurie creates a fascinating, edge of your seat thriller that burns slowly and then explodes with each new shocking revelation. You can hardly take your eyes from the screen, but the film loses its bite, as it gets closer to the end.

It is as if all the air just blows out of the film. Luckily, the cast is game, and they save the film’s ending. When The Contender gets too preachy, it’s blessed to have good actors who can make even talking heads interesting. Joan Allen is what she always is – good. Her strange, subtle beauty gives her a look that makes you sympathetic to her; of course, she has much experience playing the put upon woman in such films as Nixon and The Crucible. Bridges is well liked and respected amongst his peers because he’s a craftsman and an artist. He pulls a trick on the viewer. For most of this film, you can think of President Jackson as a phony, but he sneaks in a broader view of the character that can have you shaking your head. Clearly, President Jackson is not what he seems to be and more than what he seems to be. Gary Oldman is good, even in this unsexy role for an actor who transformed many of the characters he played into sexy, charming rogues. He’s nothing but convincing as the low rent, thuggish nerd, Rep. Runyon.

If for nothing else, a political thriller with a cast of very good actors is worth watching, and The Contender is occasionally quite exciting, even if it limps to the ending.

5 of 10
B-

NOTES:
2001 Academy Awards: 2 nominations: “Best Actor in a Supporting Role” (Jeff Bridges) and “Best Actress in a Leading Role” (Joan Allen)

2001 Golden Globes: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Jeff Bridges) and “Best Performance by an Actress in a Motion Picture – Drama” (Joan Allen)

2011 Oscar Nominations: Lead Actor

Actor in a Leading Role

Javier Bardem in “Biutiful”

Jeff Bridges in “True Grit”

Jesse Eisenberg in “The Social Network”

Colin Firth in “The King's Speech”

James Franco in “127 Hours”

Review: Gritty "True Grit" Offers Great Characters and Superb Performances

TRASH IN MY EYE No. 6 (of 2011) by Leroy Douresseaux

True Grit (2010)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for some intense sequences of western violence including disturbing images
DIRECTORS: The Coen Brothers
WRITERS: Joel Coen and Ethan Coen (based upon the novel by Charles Portis)
PRODUCERS: Ethan Coen, Joel Coen, and Scott Rudin
CINEMATOGRAPHER: Roger Deakins (D.o.P.)
EDITORS: Roderick Jaynes (Ethan Coen and Joel Coen)
COMPOSER: Carter Burwell

WESTERN/ADVENTURE/DRAMA

Starring: Jeff Bridges, Hailee Steinfeld, Matt Damon, Josh Brolin, Barry Pepper, Candyce Hinkle, Roy Lee Jones, Orlando Smart, and Ed Corbin

The latest film from the Coen Bros. (Joel and Ethan) is the Western, True Grit. It is the second film adaptation of the 1968 Charles Portis novel, True Grit; the first was a 1969 film starring John Wayne. True Grit is the story of a stubborn young woman who convinces a tough U.S. Marshal to help her find her father’s murderer.

After her father is murdered by one of his hired hands, a man named Tom Chaney (Josh Brolin), 14-year-old Mattie Ross (Hailee Steinfeld) arrives in a small town to collect her father’s body and get his killer. She attempts to hire U.S. Marshal Reuben “Rooster” Cogburn (Jeff Bridges) to track Chaney into Indian country where he is hiding with a gang of criminals. Mattie tells Cogburn that she chose him because he has “true grit,” but that isn’t enough to convince Cogburn to take the job. When he does accept the offer, Cogburn decides to take a vain Texas Ranger, LaBoeuf (Matt Damon), with him instead of Mattie. But the young woman is about to show them both that she also has “true grit.”

As they do in all their movies, Joel and Ethan Coen get great performances from their actors. Jeff Bridges gives so many layers to Rooster Cogburn (the role John Wayne played in the 1969 film). The viewer will spend the entire movie peeling those layers back and still not have the whole story on this character that Bridges makes so real. Although LaBoeuf isn’t quite as interesting as Rooster, Matt Damon shows his true grit by making a vain chatterbox and (at best) semi-competent lawman/nincompoop a character that I wish was onscreen more.

Yes, the praise that newcomer Hailee Steinfeld, as Mattie, has received for her performance in this film is not mere hype. She’s a natural, and she makes this movie as much as anyone else does – including the Coen Bros.

The one glaring weakness that keeps True Grit from being a truly great film is how the filmmakers treat the villains. There is potential in Josh Brolin’s Tom Chaney and especially in Barry Pepper’s “Lucky” Ned Pepper, but both are hardly ever on screen. The film spends so much time showing us the tremendous work of Bridges, Steinfeld, and Damon and their characters that everyone else gets shorted.

There isn’t anything really profound about True Grit, except this tidbit at the end: time catches up with everyone. This film is really not about ideas. True Grit, even with the performances at its heart, is a Coen Brothers film. This is about how they do it – their style, their rhythms, their quirks, their directorial trademarks and flourishes. That’s not a bad thing simply because Joel and Ethan Coen do their thang so well.

8 of 10
A

Wednesday, January 19, 2011

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"The Social Network" Leads Chicago Film Critics Nominations

The Chicago Film Critics Association announced their nominations on Friday.  The winners will be named tomorrow (Dec. 20th).  As usual, The Social Network dominates, but the Coen Bros.' True Grit is right behind David Fincher's highly-acclaimed flick:

The nominees are:

BEST PICTURE

Black Swan
Inception
The King’s Speech
The Social Network
Winter’s Bone

BEST DIRECTOR
Darren Aronofsky, Black Swan
David Fincher, The Social Network
Debra Granik, Winter’s Bone
Tom Hooper, The King’s Speech
Christopher Nolan, Inception

BEST ACTOR
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine

BEST ACTRESS
Annette Bening, The Kids Are All Right
Jennifer Lawrence, Winter’s Bone
Lesley Manville, Another Year
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

BEST SUPPORTING ACTOR
Christian Bale, The Fighter
Andrew Garfield, The Social Network
John Hawkes, Winter’s Bone
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King’s Speech

BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King’s Speech
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit
Jacki Weaver, Animal Kingdom

BEST ORIGINAL SCREENPLAY
Black Swan, Mark Heyman, Andres Heinz & John McLaughlin
Four Lions, Jesse Armstrong, Sam Bain & Chris Morris
Inception, Christopher Nolan
The Kids Are All Right, Lisa Cholodenko & Stuart Blumberg
The King’s Speech, David Seidler

BEST ADAPTED SCREENPLAY
Rabbit Hole, David Lindsay Abaire
The Social Network, Aaron Sorkin
Toy Story 3, Michael Arndt
True Grit, Joel & Ethan Coen
Winter’s Bone, Debra Granik & Anne Rosellini

BEST CINEMATOGRAPHY
Black Swan, Matthew Libatique
Inception, Wally Pfister
Shutter Island, Robert Richardson
The Social Network, Jeff Cronenweth
True Grit, Roger Deakins

BEST ORIGINAL SCORE
Black Swan, Clint Mansell
I Am Love, John Adams
Inception, Hans Zimmer
The Social Network, Trent Reznor & Atticus Ross
True Grit, Carter Burwell

BEST DOCUMENTARY
Exit Through the Gift Shop
Inside Job
Restrepo
The Tillman Story
Waiting for Superman

BEST FOREIGN-LANGUAGE FILM
Biutiful
The Girl with the Dragon Tattoo
I Am Love
Mother
A Prophet

BEST ANIMATED FEATURE
Despicable Me
How to Train Your Dragon
The Illusionist
Tangled
Toy Story 3

MOST PROMISING PERFORMER
Armie Hammer, The Social Network
Katie Jarvis, Fish Tank
Jennifer Lawrence, Winter’s Bone
Tahar Rahim, A Prophet
Hailee Steinfeld, True Grit

MOST PROMISING FILMMAKER
Bansky, Exit Through the Gift Shop
Derek Cianfrance, Blue Valentine
David Michod, Animal Kingdom
Aaron Schneider, Get Low
John Wells, The Company Men

About this Movie: TRON: Legacy

Press release:

 

TRON: LEGACY (In Disney Digital 3D™ and IMAX® 3D)

 

WALT DISNEY PICTURES

Website: Disney.com/TRON
Like us on Facebook: facebook.com/TRON
Follow us on Twitter: twitter.com/TronLegacy
Genre: Action-Adventure
Rating: PG
U.S. Release Date: December 17, 2010

Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, James Frain, Beau Garrett and Michael Sheen

Director: Joseph Kosinski
Producers: Sean Bailey, Jeffrey Silver, Steven Lisberger
Executive Producer: Donald Kushner
Written by: Eddy Kitsis & Adam Horowitz (credit not final)
Based on characters created by: Steven Lisberger and Bonnie MacBird

“TRON: Legacy” is a 3D high-tech adventure set in a digital world that’s unlike anything ever captured on the big screen. Sam Flynn (Garrett Hedlund), a rebellious 27-year-old, is haunted by the mysterious disappearance of his father Kevin Flynn (Oscar®- and Golden Globe®-winner Jeff Bridges), a man once known as the world’s leading video-game developer. When Sam investigates a strange signal sent from the old Flynn’s Arcade—a signal that could only come from his father—he finds himself pulled into a digital world where Kevin has been trapped for 20 years. With the help of the fearless warrior Quorra (Olivia Wilde), father and son embark on a life-and-death journey across a visually-stunning cyber universe—a universe created by Kevin himself that has become far more advanced with never-before-imagined vehicles, weapons, landscapes and a ruthless villain who will stop at nothing to prevent their escape. Presented in Disney Digital 3D™ and scored by Grammy® Award-winning electronic music duo Daft Punk, “TRON: Legacy” hits U.S. theaters on Dec. 17, 2010, in Disney Digital 3D™ and IMAX® 3D.

Notes:
· Producer Steven Lisberger co-wrote and directed the original “TRON” (1982).

· Jeff Bridges, winner of both the Oscar® and Golden Globe® for his role in “Crazy Heart,” reprises the role of Kevin Flynn, which he originated in “TRON” (1982).

· Bruce Boxleitner reprises the roles of Alan Bradley and Tron, which he originated in “TRON” (1982).

· Grammy® Award-winning Daft Punk is composing the music for “TRON: Legacy.”

· “TRON: Legacy” forges a new frontier in filmmaking with its avant-garde, cutting-edge technology—set to blow away today’s audiences. Among the film’s firsts: it is the first 3D movie to integrate a fully digital head and body based upon an existing actor, creating the younger version of Jeff Bridges’ character; it’s the first movie to make extensive use of self-illuminated costumes; it’s the first movie to create molded costumes using digital sculpture exclusively, creating molds directly from computer files using CNC (Computer Numerical Cutting) technology; it’s the first 3D movie shot with 35mm lenses and full-35mm chip cameras; and it’s the first movie to record uncompressed HD Video to Hard Drive.

· The world of “TRON: Legacy” has an exciting, pulsing vibe that sets its lifestyle apart from any other on or off the planet. From electric light suits to state-of-the-art hair and makeup, elements of the trend-setting world of “TRON: Legacy” are showing up on fashion runways, and companies such as Hurley, adidas, Oakley and Burton are featuring “TRON”-inspired lines targeted for the young male consumer in collaboration with Disney Consumer Products.

“TRON: Legacy” is a 3D high-tech adventure about a father and son (Jeff Bridges, Garrett Hedlund) who embark on a life-and-death journey of escape across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous.

Review: "Seabiscuit" is an Uplifting Tale of a Horse and His Boys

TRASH IN MY EYE No. 21 (of 2004) by Leroy Douresseaux

Seabiscuit (2003)
Running time: 140 minutes (2 hours, 20 minutes)
MPAA – PG-13 for some sexual situations and violent sports-related images
DIRECTOR: Gary Ross
WRITER: Gary Ross (from the novel by Laura Hillenbrand)
PRODUCERS: Kathleen Kennedy, Frank Marshall, Gary Ross, and Jane Sindell
CINEMATOGRAPHER: John Schwartzman (D.o.P.)
EDITOR: William Goldenberg
COMPOSER: Randy Newman
Academy Award nominee

DRAMA

Starring: Tobey Maguire, Jeff Bridges, Chris Cooper, William H. Macy, Kingston DuCoeur, Elizabeth Banks, Gary Stevens, Eddie Jones, and David McCullough, and Michael Angarano

Seabiscuit is the story of three men who are broken by misfortune in their lives and how one unlikely horse becomes a champion and changes their lives. The film is based upon the true story of Seabiscuit, an undersized, Depression-era horse whose story lifted the spirits of a nation and the three-man team behind it.

Charles Howard (Jeff Bridges) was a bicycle salesman who made his fortune in automobiles, but saw his only son die in a tragic mishap. Tom Smith (Chris Cooper) was a horseman who ended up a drifter after the stock market crash that precipitated the Depression. Red Pollard (Michael Angarano) lived with his well-to-do middle, class family, residing in a lovely home. All the family members loved to read, but Red’s love of horses and his rapport with them was obvious to anyone who saw him with a horse. After the Depression causes the Pollards to lose their home, Red’s parents leave him with a track owner, thinking Red would be better off as a jockey. It is, however, a rough life, and the adult Red (Tobey Maguire) is a wreck of a man and an alcoholic. Gradually fate brings the three hurt men together around one horse, as they try to help Seabiscuit reach the glory many thought would be his destiny by right of his lineage.

Seabiscuit is a curious film. It looks like a period piece and feels like a mini-epic, but the film is ultimately an emotional masterpiece. That simply means that the film brings forth the viewers’ emotions. You can feel the thrill of victory in your heart when the horse wins. When tragedy strikes or something bad happens to a character, you might also feel the sadness. You thrill, cheer, and cry, because you can feel along with the characters.

Director Gary Ross has written some very good films including Big (1988) and Dave, and he also directed the very charming Pleasantville. His best attribute is creating characters that breath, characters that make you care about them, so that you root for them, are happy for them, and are sad with them. When the viewer cares for the characters, they’re likely to buy into the movie.

Ross writes and directs a picture in which he makes nearly every moment riveting, both the quiet moments and the scenes of stadiums crowded with people anxious to see a horse race. It’s worth following the line of action because the drama is so entrancing. It’s enough to make you forget the times when the film feels too staged and its theatrics too over-the-top and posed.

The acting is all first rate. What else should we expect from a cast that includes such great character actors as Jeff Bridges, Chris Cooper, and William H. Macy, especially when they’re given a script with rich characters to perform? And Tobey Maguire seems to have impeccable tastes when it comes to choosing films (The Ice Storm, The Cider House Rules), so it’s a safe bet to see anything with him in it. Plus, his charming, boyishly good looks also have a kind of weary everyman quality, like a guy who has lived a varied and interesting life. Maguire just looks like he belongs in the films in which he stars.

In large measure, Seabiscuit is about redemption and about lives made whole again. It’s about people who feel abandoned and suddenly find other people who care about them or about the lonely finding groups to which they can belong. The film is less about feeling good and more about being able to get on your feet again. The film says that a person can overcome any obstacle, and Seabiscuit proclaims it so winningly.

8 of 10
A

NOTES:
2004 Academy Awards: 7 nominations: “Best Picture” (Kathleen Kennedy, Frank Marshall, and Gary Ross), “Best Art Direction-Set Decoration” (Jeannine Claudia Oppewall-art director and Leslie A. Pope-set decorator), “Best Cinematography” (John Schwartzman), “Best Costume Design” (Judianna Makovsky), “Best Editing” (William Goldenberg), “Best Sound Mixing” (Andy Nelson, Anna Behlmer, and Tod A. Maitland), and “Best Writing, Adapted Screenplay” (Gary Ross)

2004 Golden Globes: 2 nominations: “Best Motion Picture – Drama” and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (William H. Macy)

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Review: First "Iron Man" Film Was Good - Surprisingly Good

TRASH IN MY EYE No. 26 (of 2008) by Leroy Douresseaux

Iron Man (2008)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG-13 for some intense sequences of sci-fi action and violence and brief suggestive content
DIRECTOR: Jon Favreau
WRITERS: Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway (based upon characters created by Stan Lee, Don Heck, Larry Lieber, and Jack Kirby)
PRODUCERS: Avi Arad and Kevin Feige
CINEMATOGRAPHER: Matthew Libatique, ASC (D.o.P.)
EDITOR: Dan Lebental, A.C.E.
Academy Award nominee

SUPERHERO/FANTASY/SCI-FI/ACTION

Starring: Robert Downey, Jr., Terrence Howard, Jeff Bridges, Gwyneth Paltrow, Leslie Bigg, Faran Tahir, Clark Gregg, Sayed Badreya, and Shaun Toub

After years of watching other movie studios make hundreds of millions bringing its comic book characters to the big screen (Spider-Man, X-Men), Marvel Studios makes its first foray into financing and making its own superhero movie. It’s called Iron Man, and this first Marvel Studios movie is as bold and as brash as Marvel’s attempt to bring the classic armored superhero to the silver screen on its own dime.

Tony Stark (Robert Downey, Jr.) is a billionaire industrialist and genius inventor, and his Stark Industries is the U.S. government’s top weapons contractor. He has celebrity status as the protector of American interests around the globe and lives a carefree lifestyle. While in Afghanistan, his military convoy/escort is attacked, Stark is gravely injured by life-threatening shrapnel embedded near his already weakened heart. Kidnapped and held hostage by a group of insurgents, Stark is forced to build a devastating weapon for Raza (Faran Tahir), the mysterious leader of the insurgents. Instead, Tony uses his intelligence and ingenuity to build a high-tech suit of armor and escapes captivity.

Returning to America, Stark is determined to come to terms with his past and vows to take Stark Industries in a new direction, but meets resistance from Obadiah Stane (Jeff Bridges), his right-hand man and top executive, who took the reigns of the company while Stark was gone. Spending his days and nights in his workshop, Tony develops and refines the suit of armor that gives him superhuman strength and physical protection. When he uncovers a nefarious plot with global implications, Stark once again dons his new, more powerful armor, and with the help of his longtime assistant, Pepper Potts (Gwyneth Paltrow), and his trusted military liaison, Jim “Rhodey” Rhodes (Terrence Howard), Tony Stark fights evil as his new alter ego “Iron Man.”

There are several reasons why this Iron Man film turns out to be such a joyous and entertaining film. The main reason is Robert Downey, Jr. as Tony Stark/Iron Man. Much has been made that Downey has used his experience as an addict to play Stark (a heavy-drinking playboy), who, in some of the Marvel comic books, was portrayed as an alcoholic. The truth is that Downey is simply a superb actor whose talent has been overshadowed by his public battle with his demons. Here, Downey offers a complicated view of both the man and superhero just as Tobey Maguire has done as Peter Parker/Spider-Man and Christian Bale as Batman (in Batman Begins).

Downey presents Tony Stark as a hard worker and hard player. He’s dedicated to creating the best weapons for the United States, but he focuses on his down time with equal zeal; he’s all work and all play. This is how Downey presents Stark as a man who is so self-centered and so focused only on what he wants to do that he essentially ignores everything and everyone else around him. Stark takes his friends for granted, and although he works hard to create the best inventions for his company, he actually ignores how Stane is running it. By presenting such a fully developed character, Downey uses that performance to drive both the narrative and its central conceit – in order to better the world, Tony Stark, with the help of Iron Man has to better himself.

Iron Man’s visual effects are another element that sells the film. The CGI and other special effects look slick, as would befit a futuristic hero who wears shiny, beyond state-of-the-art technology. Still, there is an earthy quality to it that becomes this tale of a knight in shining armor that saves both the world and the man inside the armor.

The third and fourth elements about Iron Man that really stand out are actor Jeff Bridges and director Jon Favreau (who also has a small acting role here). Bridges is a consummate actor, and I would be hard-pressed to find an instance in which he gave a poor performance. Stane, for the most part, is a small role, but Bridges so easily creates the duplicity, menace, and outright evil of Stane that the character’s dark presence and ominous machinations straddle the narrative just the way a villain and his wrongness should do in a superhero movie.

Finally, Jon Favreau already has a blockbuster to his directing resume, the heart-warming and wonderfully endearing Christmas flick, Elf. It was, however, his thoroughly underrated children’s sci-fi flick, Zathura (2005) that gave him the chance to show how much he understood handling a complicated technical production. In Elf and Zathura, Favreau also showed his knack for constantly offering surprises in his film narratives. It doesn’t matter if it is a quiet moment, a moment of intense drama, or a sequence of slam-bang action and SFX; Favreau always offers something visually appealing – the presentation of an event or a bit of dialogue that keeps the film fresh and moving. The viewer’s interest is usually stimulated and kept focused on the film. With Iron Man, Favreau wisely takes Downey’s witty and droll turn and makes a film that from beginning to end is absolutely fun to watch – with no time for a dull moment.

7 of 10
A-

Monday, May 19, 2008

NOTES:
2009 Academy Awards: 2 nominations: “Best Achievement in Sound Editing” (Frank E. Eulner and Christopher Boyes) and “Best Achievement in Visual Effects” (John Nelson, Ben Snow, Daniel Sudick, and Shane Mahan)

2009 BAFTA Awards: 1 nominations: “Best Special Visual Effects” (Hal T. Hickel, Shane Mahan, John Nelson, and Ben Snow)

2008 Black Reel Awards: 1 nomination: “Best Supporting Actor” (Terrence Howard)

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Jamie Foxx and T-Pain Join Slash and Doug E. Fresh for Grammy Performance

GRAMMY® Nominees Jamie Foxx and T-Pain to Perform with Slash and Doug E. Fresh

Nominees Drake, Eminem, and Lil Wayne in a Special Performance with Travis Barker

Special Les Paul Tribute to Feature Jeff Beck and Imelda May

Cast of "American Idiot" to Perform with Green Day

Roberta Flack, Elton John, and Jennifer Nettles Added to Stellar Lineup for 52nd Annual GRAMMY Awards

Simon Baker, Stephen Colbert, Alice Cooper, Sheryl Crow, Kaley Cuoco, Placido Domingo, Robert Downey Jr., Wyclef Jean, Juanes, Miranda Lambert, John Legend, Jennifer Lopez, Lea Michelle, Chris O'Donnell, Katy Perry, Lionel Richie, Ryan Seacrest, Seal, Quentin Tarantino, and Keith Urban Are Latest Presenters Announced for Music's Biggest Night® Jan. 31 Only on CBS

SANTA MONICA, Calif.--(BUSINESS WIRE)--Current GRAMMY® nominees Jamie Foxx and T-Pain with Slash and Doug E. Fresh; nominees Drake, Eminem, and Lil Wayne with Travis Barker; a special tribute to guitar virtuoso Les Paul featuring Jeff Beck and Imelda May; the cast of "American Idiot" appearing with Green Day; four-time GRAMMY® winner Roberta Flack; five-time GRAMMY winner Elton John; and three-time GRAMMY winner Jennifer Nettles of Sugarland all will perform on the 52nd Annual GRAMMY Awards. Actor Simon Baker ("The Mentalist"), comedian and TV host Stephen Colbert, rock legend Alice Cooper, nine-time GRAMMY winner Sheryl Crow, actress Kaley Cuoco ("The Big Bang Theory"), seven-time GRAMMY and three-time Latin GRAMMY® winner Placido Domingo, actor Robert Downey Jr., three-time GRAMMY winner Wyclef Jean, GRAMMY and 17-time Latin GRAMMY winner Juanes, country artist Miranda Lambert, six-time GRAMMY winner John Legend, actress/singer Jennifer Lopez, actress/singer Lea Michelle ("Glee"), actor Chris O'Donnell ("NCIS: Los Angeles"), pop singer Katy Perry, four-time GRAMMY winner Lionel Richie, TV and radio host Ryan Seacrest, four-time GRAMMY winner Seal, Academy Award®-winning writer/director Quentin Tarantino, and two-time GRAMMY winner Keith Urban are the latest presenters announced for Music's Biggest Night®.

The music industry's premier event will take place live on Sunday, Jan. 31, at STAPLES Center in Los Angeles and will be broadcast in HDTV and 5.1 Surround Sound on the CBS Television Network from 8 – 11:30 p.m. (ET/PT). The show also will be supported on radio via Westwood One worldwide, and covered online at GRAMMY.com and CBS.com, and on YouTube at www.youtube.com/thegrammys. For GRAMMY coverage, updates and breaking news, please visit The Recording Academy®'s social networks on Facebook, MySpace, and Twitter: www.facebook.com/thegrammys, www.myspace.com/thegrammys, and www.twitter.com/thegrammys.

Previously announced performers include Beyoncé; the Black Eyed Peas; Bon Jovi; the Dave Matthews Band; Green Day; Lady Antebellum; Lady Gaga; Maxwell; P!nk; Taylor Swift; the Zac Brown Band; Celine Dion, Jennifer Hudson, Smokey Robinson, Carrie Underwood, and Usher in a special 3-D GRAMMY tribute to Michael Jackson; and Mary J. Blige and Andrea Bocelli in a special fund-raising segment for Haitian relief. Previously announced presenters include actress Kristen Bell, pop/R&B singer Justin Bieber, actor Jeff Bridges, pop singer and actress Miley Cyrus, actor Josh Duhamel, pop sensation the Jonas Brothers, nine-time GRAMMY winner Norah Jones, pop singer/songwriter Ke$ha, two-time GRAMMY winner LL Cool J, GRAMMY winner and three-time Latin GRAMMY® winner Ricky Martin, 10-time GRAMMY and three-time Latin GRAMMY winner Carlos Santana, and nine-time GRAMMY winner Ringo Starr.

T-Pain and Keith Urban each have four nominations: T-Pain with Best R&B Performance By A Duo Or Group With Vocals for "Blame It" (with Jamie Foxx), Best R&B Song for "Blame It" (with James T. Brown, John Conte Jr., Jamie Foxx, Christopher Henderson, Brandon R. Melanchon, Breyon Prescott & Nathan L. Walker), Best Contemporary R&B Album for Thr33 Ringz, and Best Rap/Sung Collaboration for "I'm On A Boat" (with The Lonely Island); and Keith Urban with Best Male Country Vocal Performance for "Sweet Thing," Best Country Collaboration With Vocals for "Start A Band" (with Brad Paisley), Best Country Album for Defying Gravity, and Best Long Form Music Video for Love, Pain & The Whole Crazy World Tour Live.

Jamie Foxx and nine-time GRAMMY winner Eminem are each up for three awards: Foxx with Best R&B Performance By A Duo Or Group With Vocals for "Blame It" (with T-Pain), Best R&B Song for "Blame It" (with James T. Brown, John Conte Jr., Christopher Henderson, Brandon R. Melanchon, Breyon Prescott, T-Pain & Nathan L. Walker), and Best Contemporary R&B Album for Intuition; and Eminem with Best Rap Solo Performance for "Beautiful," Best Rap Performance By A Duo Or Group for "Crack A Bottle" (with Dr. Dre & 50 Cent), and Best Rap Album for Relapse.

Drake has two nods: Best Rap Solo Performance and Best Rap Song for "Best I Ever Had" (the latter nomination with D. Hamilton & M. Samuels).

Four-time GRAMMY winner Jeff Beck, Stephen Colbert, Katy Perry, and Seal are each nominated: Beck for Best Rock Instrumental Performance for "A Day In The Life," Colbert for Best Comedy Album for A Colbert Christmas: The Greatest Gift Of All!, Perry for Best Female Pop Vocal Performance for "Hot N Cold," and Seal for Best Male Pop Vocal Performance for "If You Don't Know Me By Now."

So that viewers at home can enjoy the unique 3-D tribute to Jackson, CBS and Target have partnered to provide millions of free 3-D GRAMMY Glasses. From Sunday, Jan. 24, through Sunday, Jan. 31, Target stores nationwide will exclusively offer these 3-D GRAMMY Glasses so that fans have the opportunity to see the film that was very personal to Jackson. Additionally, the audience at STAPLES Center will share the 3-D experience, wearing the same glasses as those being worn by viewers at home.

Blige's and Bocelli's once-in-a-lifetime performance (audio and video) of the Simon & Garfunkel classic "Bridge Over Troubled Water" will be made available for download at iTunes.com/Target following the telecast, and all proceeds will go to the American Red Cross, benefiting ongoing earthquake relief efforts in Haiti. This year marks the 40th anniversary of "Bridge Over Troubled Water" receiving GRAMMY Awards for Record Of The Year, Album Of The Year, and Song Of The Year, and the song will provide a moving tribute to the survivors of the tragic events in Haiti.

As part of Bon Jovi's performance on the 52nd Annual GRAMMY Awards, fans will have an opportunity to decide which Bon Jovi hit the band will perform. For this "You Pick It, They Play It!" special segment, viewers can log on to www.cbs.com/grammys now and vote in the final round for one out of three of their favorite hit Bon Jovi songs: "Always," "It's My Life," and "Livin' On A Prayer." There is no registration to vote, and fans may vote as often as they wish. Additionally, a 30-second clip of each song may be viewed. Voting will continue until Bon Jovi's performance on the 52nd Annual GRAMMY Awards on Jan. 31, when the song with the most votes is revealed live during their segment.

Additionally, the 52nd Annual GRAMMY Awards Pre-Telecast ceremony will take place from 1 – 4 p.m. PT at the Los Angeles Convention Center and will be streamed live internationally on www.grammy.com beginning at 1 p.m. PT. Well-attended by nominees and industry VIPs, current GRAMMY nominees Tia Carrere and Kurt Elling will host the star-studded ceremony, which will feature performances by nominees including Montreal-based duo Beast (vocalist Betty Bonifassi and drummer/composer Jean-Phi Goncalves); jazz vocalist Elling; contemporary R&B singer Lalah Hathaway; classical guitarist Sharon Isbin; and R&B singer Charlie Wilson as well as a special bluegrass performance by nine-time GRAMMY-winning singer Ray Benson, country instrumentalist Alison Brown, two-time GRAMMY winner Jim Lauderdale, singer/songwriter Michael Martin Murphey, three-time GRAMMY winner Bryan Sutton and singer/fiddle player Gabe Witcher. Presenting GRAMMY Awards in 99 categories will be current nominees Colbie Caillat, Mick Fleetwood, LMFAO, and Tonex as well as percussionist Sheila E., four-time GRAMMY winner Roberta Flack, and five-time GRAMMY-winning producer/songwriter and Recording Academy Chair Emeritus Jimmy Jam. The live stream of the Pre-Telecast will remain on GRAMMY.com as video on demand for 30 days following the event.

The 52nd Annual GRAMMY Awards are produced by John Cossette Productions and AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich and John Cossette are executive producers, Louis J. Horvitz is director.

Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, join the organization's social networks on Facebook (www.facebook.com/thegrammys), MySpace (www.myspace.com/thegrammys), Twitter (www.twitter.com/thegrammys), and YouTube (www.youtube.com/thegrammys). [END]