Phoenix Film Critics Shout Out "The King's Speech" and "Inception"

The Phoenix Film Critics Society, which I think has been around for 10 years, announced its winners for this year's best films.  This page at the society's website list both winners and nominees.  As you can see, Phoenix critics put a stop (at least temporarily) to The Social Network express and named The King's Speech as "Best Picture."  They also honored Inception with seven awards.

PHOENIX FILM CRITICS SOCIETY WINNERS:

Best Picture: "The King’s Speech"

Best Director: Christopher Nolan, "Inception"

Best Actor in a Leading Role: Colin Firth, "The King’s Speech"

Best Actress in a Leading Role: Natalie Portman, "Black Swan"

Best Actor in a Supporting Role: Christian Bale, "The Fighter"

Best Actress in a Supporting Role: Melissa Leo, "The Fighter"

Best Ensemble Acting: "The Social Network"

Best Screenplay – Original: Christopher Nolan, "Inception"

Best Screenplay – Adaptation: Aaron Sorkin,"The Social Network"

Best Live Action Family Film: "Alice in Wonderland"

The Overlooked Film of the Year: "Never Let Me Go"

Best Animated Film: "Toy Story 3"

Best Foreign Language Film: "Biutiful"

Best Documentary Film: "Restrepo"

Best Original Song: “You Haven’t See the Last of Me” from "Burlesque"

Best Original Score: Hans Zimmer, "Inception"

Best Cinematography: "True Grit"

Best Film Editing: "Inception"

Best Production Design: "Inception"

Best Costume Design: "Alice in Wonderland"

Best Visual Effects: "Inception"

Best Stunts: "Inception"

Breakthrough Performance on Camera: Chloe Moretz, "Kick-Ass"

Breakthrough Performance behind the Camera: Debra Granik, "Winter’s Bone"

Best Performance by a Youth in a Lead or Supporting Role – Male: Kodi Smit-McPhee, "Let Me In"

Best Performance by a Youth in a Lead or Supporting Role – Female: Hailee Steinfeld, "True Grit"

Top Ten Films
"127 Hours"
"Inception"
"Never Let Me Go"
"Shutter Island"
"The Kids Are All Right"
"The King’s Speech"
"The Social Network"
"True Grit"
"Toy Story 3"
"Winter’s Bone"

Diary of a Wimpy Kid Movie is Surprisingly Strong

TRASH IN MY EYE No. 77 (of 2010) by Leroy Douresseaux


Diary of a Wimpy Kid (2010)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG for some rude humor and language
DIRECTOR: Thor Freudenthal
WRITERS: Jackie Filgo, Jeff Filgo, Gabe Sachs, and Jeff Judah (based upon the book by Jeff Kinney)
PRODUCERS: Nina Jacobson and Brad Simpson
CINEMATOGRAPHERS: Jack Green (director of photography)
EDITOR: Wendy Greene Bricmont

COMEDY/ANIMATION/FAMILY

Starring: Zachary Gordon, Robert Capron, Rachael Harris, Steve Zahn, Devon Bostick, Chloe Grace Moretz, Karan Brar, Grayson Russell, Laine MacNeil, Alfred E. Humphreys, and Connor and Owen Fielding

Diary of a Wimpy Kid is a film based on the first book in a bestselling, illustrated children’s book series of the same name by Jeff Kinney. The film follows the trials and tribulations of a wise-cracking, pre-teen as he lives through his first year in middle school.

Even as he enters, Greg Heffley (Zachary Gordon) thinks middle school is the dumbest idea ever invented, but he is confident that he will easily become the school’s most popular kid. Greg is worried that his chubby friend, Rowley Jefferson (Robert Capron), will not fit in, so he goes about trying to rid Rowley of anything that makes him look like a little kid, and therefore makes Greg look bad by association. Each of Greg’s attempts at becoming a “class favorite” fails or backfires, but when Greg lets Rowley take the blame for one of his own mistakes, Greg may not only lose his best friend, but he may also become the least popular kid in school. Luckily, Greg is getting it all down on paper in his diary, filling it with thoughts, opinions, stories and cartoon doodles – the Diary of a Wimpy Kid.

Diary of a Wimpy Kid is a lively movie – mixing social and family comedy (albeit from a kid’s perspective) with animated segments designed to mimic the stick figure art of the original books. Children will adore this bright and funny movie, but adults will also delight in this surprisingly momentous story, with its keen observations on human nature. Life lessons and redemption abound, but the movie never seems preachy.

The main reason this movie works is the performances, especially the young cast, and Zachary Gordon as Greg Heffley is by far the best. Gordon gives a performance that is surprisingly professional. Gordon doesn’t pretend to be a character like so many child actors, but actually becomes Greg Heffley, making the character seem like a real kid. Working within the parameters of the nimble filmmaking of director Thor Freudenthal, Gordon drives this movie, making Diary of Wimpy Kid not at all wimpy.

7 of 10
A-

Saturday, September 18, 2010

Review: "Kick Ass" Stumbles; Hit Girl Soars

TRASH IN MY EYE No. 61 (of 2010) by Leroy Douresseaux

Kick Ass (2010)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R for strong brutal violence throughout, pervasive language, sexual content, nudity and some drug use - some involving children
DIRECTOR: Matthew Vaughn
WRITERS: Jane Goldman and Matthew Vaughn (based upon the comic book by Mark Millar and John Romita Jr.)
PRODUCERS: Adam Bohling, Tarquin Pack, Brad Pitt, David Reid, Kris Thykier, and Matthew Vaughn
CINEMATOGRAPHER: Ben Davis (director of photography)
EDITORS: Eddie Hamilton, Jon Harris, and Pietro Scalia

SUPERHERO/FANTASY/CRIME/COMEDY

Starring: Aaron Johnson, Nicolas Strong, Chloë Grace Moretz, Mark Strong, Christopher Mintz-Plasse, Lyndsy Fonseca, Clark Duke, Evan Peters, Stu “Large” Riley, Xander Berkeley, and Garrett M. Brown

The film, Kick Ass, is based upon Kick-Ass, an eight-issue comic book series from writer Mark Millar (the creator of Wanted) and John Romita, Jr. The comic book, filled with violent imagery, profanity, racism, and misogyny (among many controversial elements) is utterly deranged, but hugely entertaining. Kick Ass the movie isn’t as deranged as it thinks it is, nor is it as entertaining as its source material.

The film follows Dave Lizewski (Aaron Johnson), a high school student/geek and comic-book fanboy. Dave has been thinking about taking his obsession with comic books and making it real by become a real-life superhero. He chooses “Kick-Ass” as his superhero name and transforms a green wetsuit with yellow stripes into his costume. Dave has absolutely no superpowers, however, and the first time he tries to fight crime turns into a disaster.

Dave’s continued activities bring him into contact with another pair of real-life superheroes, a father-daughter team who are more costumed vigilantes than superheroes. Eleven-year-old Hit Girl (Chloë Grace Moretz), who seems inhumanely good with bladed weapons, and her father, the Batman-like Big Daddy (Nicolas Cage), are waging war on Frank D’Amico (Mark Strong), a local drug kingpin. And Kick-Ass gets dragged into the blood and mayhem.

Directed by Matthew Vaughn and co-written by Vaughn and Jane Goldman, Kick Ass makes some nice changes to the original comic book (such as the reasons for Big Daddy’s campaign). Still, the movie is awkward, mainly because the narrative oscillates between two storylines: (1) Dave Lizewski’s adventures as Kick-Ass and (2) Big Daddy and Hit Girl’s war against Frank D’Amico. The action focusing on Big Daddy and Hit Girl is far more interesting than the adventures of Kick-Ass.

In fact, Dave and his friends just aren’t that interesting. They’re all stock characters, and Vaughn and Goldman aren’t able to inject anything into them that would make them worthy following. The only time Dave’s story is interesting is when he is with a new superhero calling himself Red Mist (Christopher Mintz-Plasse) or with Big Daddy and Hit Girl. Big Daddy and Hit Girl, especially the latter, are such fun that I wish they were the title characters. They even have the best adversaries in Frank D’Amico, a crime boss with great screen presence, and his gleefully malevolent underlings.

Kick Ass isn’t bad; the story just pretends to love Kick-Ass, while making Big Daddy and Hit Girl so alluring. The comic book made the most of its loveable loser Dave Lizewski, but the movie makes him nondescript in a story that is ostensibly about him. For all its wanton violence, foul language, and sexual content, Kick Ass is comical when it wants to be subversive. It is worth watching if only to wish we could see more Hit Girl in action.

5 of 10
B-

Thursday, August 05, 2010

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The Daze of Love in (500) Days of Summer

TRASH IN MY EYE No. 59 (of 2010) by Leroy Douresseaux


(500) Days of Summer (2009)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – PG-13 for sexual material and dialogue
DIRECTOR: Marc Webb
WRITERS: Scott Neustadter and Michael H. Weber
PRODUCERS: Mason Novick, Jessica Tuchinsky, Mark Waters, and Steven J. Wolfe
CINEMATOGRAHER: Eric Steelberg (D.o.P.)
EDITOR: Alan Edward Bell
Golden Globe nominee

ROMANCE/DRAMA/COMEDY

Starring: Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloe Moretz, Matthew Gray Gubler, Clark Gregg, Patricia Belcher, Rachel Boston, Minka Kelly, Yvette Nicole Brown, and Richard McGonagle (narrator)

(500) Days of Summer is an uncommon romance. It is certainly sweet, whimsical, and charming, but not in a syrupy way. (500) Days of Summer isn’t a “chick flick.” It’s the kind of unique love story that crosses age and gender lines0 to capture imaginations and maybe even hearts.

The film focuses on Tom Hansen (Joseph Gordon-Levitt), a trained architect who works as a writer at a Los Angeles greeting card company. He is also a young man who believes in that one-of-a-kind love – the soul mate – that person destined to be his one and only. So when this hopeless romantic meets his boss’ new assistant, Summer Finn (Zooey Deschanel), the fuse is lit and it’s Day 1 of Summer. Tom is so certain that he has found the woman with whom he will spend the rest of his life.

Problem is, Summer doesn’t believe in destiny – not at all, which doesn’t stop Tom from going after this lovely, witty, intelligent woman. Still, Tom and Summer begin to date, although she tells him that she does not believe in true love and does not want a boyfriend. When Summer suddenly dumps him, around Day 290, Tom begins to sift through the days they spent together, looking for clues as to what went wrong as he heads towards Day 500 and a revelation.

(500) Days of Summer uses a nonlinear narrative to tell the story, jumping backward and forward over the 500-day span of Tom and Summer’s relationship. I don’t know if that really does anything for the film. It feels more like a gimmick than a storytelling structure that would actually benefit the story. In fact, moving about in time so much causes the middle of this film to dry up to the point of being catastrophically dull.

What sets (500) Days of Summer apart from standard movie love stories is the role reversal. This time it is the male character, Tom, who is clingy and smitten and believes in true love, a role usually assigned to the female character. Summer is more like the guy character found in the typical romantic comedy (or rom-com). She’s doesn’t buy into destiny and the boyfriend-girlfriend dating game. Summer just wants to have fun with no strings attached and no commitment – a trait usually applied to shallow male characters.

I think that having the guy character be so lovelorn and infatuated is a novel idea, but having that character performed by a talented actor like Joseph Gordon-Levitt makes him more than just a novelty. Gordon-Levitt gives Tom richness and depth so that he is more than just charming and sweet. A love-struck fool, he is determined to grapple with the issues of love and romance in a way that will not always give him a satisfactory outcome.

Sadly, Summer is not as well developed as Tom, and the character is more of a supporting player. Luckily Zooey Deschanel is pitch perfect in her usual deadpan way, and her brooding turn as Summer makes the character more than the shallow creature that the screenplay seems to think Summer she should be. Deschanel has a way of surprising us in the way she makes Summer’s emotional displays, her smiles and frowns, seem unexpected and… well, delightfully surprising.

I cannot really call (500) Days of Summer a romantic comedy because, for one thing, it is even more a drama than it is a comedy. Secondly, because Tom’s relationship with Summer is also an arc in which Tom learns a lot, (500) Days of Summer is like a coming-of-age story. Its unique spin on love-at-first-sight is presented in a way that will appeal even to audiences who avoid romantic comedies and love stories. Any way you look at it, (500) Days of Summer may just leave a smile on your face.

7 of 10
B+

NOTES:
2010 Golden Globes: 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Joseph Gordon-Levitt)

Saturday, July 31, 2010