"The Descendants" Ascends to the Top

TRASH IN MY EYE No. 28 (of 2012) by Leroy Douresseaux


The Descendants (2011)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for language including some sexual references
DIRECTOR: Alexander Payne
WRITERS: Alexander Payne, Nat Faxon, and Jim Rash (based on the novel by Kaui Hart Hemmings)
PRODUCERS: Jim Burke, Alexander Payne, and Jim Taylor
CINEMATOGRAPHER: Phedon Papamichael
EDITOR: Kevin Tent
Academy Award winner

DRAMA

Starring: George Clooney, Shailene Woodley, Amara Miller, Nick Krause, Patricia Hastie, Beau Bridges, Matt Corboy, Robert Forster, Barbara L. Southern, Matthew Lillard, Judy Greer, and Scott Michael Morgan

The subject of this movie review is The Descendants, a 2011 family drama from director Alexander Payne. The film is set in Hawaii and is based upon the 2007 novel of the same name by Kaui Hart Hemmings. The film, which is set in Hawaii, focuses on a man who tries to reconnect with his two daughters after his wife is seriously injured in a boating accident. By the time you read this review, dear reader, you will have heard that The Descendants is one of the best films of 2011. That’s for damn true.

Matthew “Matt” King (George Clooney) is a man with a lot on his mind. The Honolulu-based lawyer is the sole trustee of a family trust that controls 25,000 acres of untouched land on the Hawaiian island of Kaua’i. At this time, King and his relatives must decide to whom they will sell the land, which has been in the family for 150 years and which they must sell because of a rule against perpetuities.

What else is on Matt’s mind? Recently, his wife, Elizabeth Thorson King (Patricia Hastie), was in a boating accident, and now she is in a coma. As he prepares to comply with his wife’s living will, Matt must deal with his taciturn father-in-law, Scott Thorson (Robert Forster). Most difficult is reconnecting with his two daughters, to whom he is not close. Alexandra “Alex” King (Shailene Woodley), at 17-years-old, seems to specialize in self-destructive behavior. Ten-year-old Scottie (Amara Miller) shocks everyone with her brazenly inappropriate behavior. If that weren’t enough, Elizabeth had a lover, local real estate stud, Brian Speer (Matthew Lillard).

Director Alexander Payne, and his co-writers, Nat Faxon and Jim Rash, won Oscar statuettes for The Descendants’ screenplay, but this film was certainly worthy of winning more Oscars back on February 26, 2012 during the 84th Academy Awards. It’s on my shortlist of films that can arguably be said to be the top one of 2011. I am not the biggest fan of Payne’s critically acclaimed films, Sideways (2004) and About Schmidt (2002), both of which featured dark humor, as they took a satirical view of Middle American life. Although I think both movies are good, I found significant things about them to be contrived, with characters that were more annoying (which I hate) than they were unlikable (which I can accept).

The Descendants is unfailingly human, especially compared to all the contrived dramas and fantastical special effects-laden films being released. Everything this film says about marriage, family discord, and friendship just feels so authentic, but Payne doesn’t turn this film dark and morbid. He handles this potent family drama with poignancy and splashes of humor that make the heartfelt substantive rather than manipulative.

The Descendants is a testament to the amazing things filmmakers and casts can do when they come together to tell a great story about characters with whom the audience members not only identify, but also recognize in the core of their souls. In fact, Payne gets great performances from his cast, and I can see why many thought Shailene Woodley as “Alex” should have received an Oscar nomination as best supporting actress. Truthfully, everyone in this cast deserves some kind of notice; each person makes his character seem real in the context of this larger circle of family and friends.

Yes, The Descendants is one of the year’s very best movies. It is the kind of drama that is hard to forget.

9 of 10
A+

NOTES:
2012 Academy Awards: 1 win: “Best Writing, Adapted Screenplay” (Alexander Payne, Nat Faxon, and Jim Rash); 4 nominations: “Best Motion Picture of the Year” (Jim Burke, Alexander Payne, and Jim Taylor), “Best Achievement in Directing” (Alexander Payne), “Best Achievement in Film Editing” (Kevin Tent), and “Best Performance by an Actor in a Leading Role” (George Clooney)

2012 BAFTA Awards: 3 nominations: “Best Film” (Alexander Payne, Jim Burke, and Jim Taylor), “Best Adapted Screenplay” (Jim Rash, Alexander Payne, and Nat Faxon), “Best Leading Actor” (George Clooney)

2012 Golden Globes: 2 wins: “Best Motion Picture – Drama” and “Best Performance by an Actor in a Motion Picture – Drama” (George Clooney); 3 nominations: “Best Director - Motion Picture” (Alexander Payne), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Shailene Woodley), and “Best Screenplay - Motion Picture” (Nat Faxon, Jim Rash, and Alexander Payne)

Saturday, April 14, 2012

"The Artist" Wins Best Picture Oscar

Best Motion Picture of the Year

WINNER - The Artist: Thomas Langmann

Nominees:
The Descendants: Jim Burke, Alexander Payne, Jim Taylor
Extremely Loud and Incredibly Close: Scott Rudin
The Help: Brunson Green, Chris Columbus, Michael Barnathan
Hugo: Graham King, Martin Scorsese
Midnight in Paris: Letty Aronson, Stephen Tenenbaum
Moneyball: Michael De Luca, Rachael Horovitz, Brad Pitt
The Tree of Life: Sarah Green, Dede Gardner, Grant Hill, and William Pohlad
War Horse: Steven Spielberg, Kathleen Kennedy

Michel Hazanavicius Wins Best Director Oscar for "The Artist"

Best Achievement in Directing

WINNER - Michel Hazanavicius for The Artist

Nominees:
Woody Allen for Midnight in Paris
Terrence Malick for The Tree of Life
Alexander Payne for The Descendants
Martin Scorsese for Hugo

"The Descendants" Wins Best Adapted Screenplay Oscar

Best Writing, Screenplay Based on Material Previously Produced or Published

WINNER - The Descendants: Alexander Payne, Nat Faxon, Jim Rash

Nominees:
Hugo: John Logan
The Ides of March: George Clooney, Grant Heslov, Beau Willimon
Moneyball: Steven Zaillian, Aaron Sorkin, Stan Chervin
Tinker Tailor Soldier Spy: Bridget O'Connor, Peter Straughan

"The Artist" Wins Best Film at 2012 Independent Spirit Awards

The Film Independent Spirit Awards is an annual celebration honoring artist-driven films made with an economy of means by filmmakers who embody independence and originality. The Spirit Awards recognizes the achievements of American independent filmmakers and promotes the finest independent films of the year to a wider audience. This is the 27th year of the Film Independent Spirit Awards.

The 27th Film Independent Spirit Awards were given out in a televised ceremony on Saturday, February 25, 2012.  The Artist won the best picture and best director awards and now seems like a runaway train on the way to tonight's 84th Academy Awards.

2012 FILM INDEPENDENT SPIRIT AWARD WINNERS:

BEST FEATURE (Award given to the Producer, Executive Producers are not listed)
The Artist - Producer: Thomas Langmann

BEST DIRECTOR
Michel Hazanavicius for The Artist

BEST SCREENPLAY
Alexander Payne, Nat Faxon, Jim Rash for The Descendants

BEST FIRST FEATURE (Award given to the director and producer)
Margin Call
Director: J.C. Chandor
Producers: Robert Ogden Barnum, Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto

BEST FIRST SCREENPLAY
Will Reiser for 50/50

JOHN CASSAVETES AWARD - Given to the best feature made for under $500,000. Award given to the writer, director, and producer. Executive Producers are not listed
PariahWriter/Director: Dee Rees
Producer: Nekisa Cooper

BEST FEMALE LEAD
Michelle Williams for My Week with Marilyn

BEST MALE LEAD
Jean Dujardin for The Artist

BEST SUPPORTING FEMALE
Shailene Woodley for The Descendants

BEST SUPPORTING MALE
Christopher Plummer for Beginners

BEST CINEMATOGRAPHY
Guillaume Schiffman for The Artist

BEST DOCUMENTARY (Award given to the director and producer)
The Interrupters
Director/Producer: Steve James
Producer: Alex Kotlowitz

BEST INTERNATIONAL FILM (Award given to the director)
A Separation (Iran)
Director: Asghar Farhadi

ROBERT ALTMAN AWARD
(Given to one film’s director, casting director, and its ensemble cast)
Margin Call
Director: J.C. Chandor
Casting Director: Tiffany Little Canfield, Bernard Telsey
Ensemble Cast: Penn Badgley, Simon Baker, Paul Bettany, Jeremy Irons, Mary McDonnell, Demi Moore, Zachary Quinto, Kevin Spacey, Stanley Tucci

FILMMAKER GRANT NOMINEES:

PIAGET PRODUCERS AWARD – The 15th annual Piaget Producers Award honors emerging producers who, despite highly limited resources demonstrate the creativity, tenacity, and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget.
WINNER: Sophia Lin for Take Shelter

SOMEONE TO WATCH AWARD – The 18th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant.
WINNER: Mark Jackson for Without

TRUER THAN FICTION AWARD – The 17th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant.
WINNER: Heather Courtney for Where Soldiers Come From

Jameson FIND Your Audience Award:
Alysa Nahmias and Benjamin Murray

http://www.spiritawards.com/

"The Descendants" Wins USC Libraries Scripter Award

The Descendants Ascend with Scripter Win

Authors and screenwriters of the family drama take the 2012 USC Libraries Scripter Award

LOS ANGELES--(BUSINESS WIRE)--Author Kaui Hart Hemmings and screenwriters Alexander Payne, Nat Faxon, and Jim Rash won the 24th-annual USC Libraries Scripter Award for their creative contributions to The Descendants. Selection committee co-chair Naomi Foner announced the winners at the black-tie ceremony on Saturday, Feb. 18.

“This is such a wonderful honor and to be part of something that celebrates and puts books on a pedestal and none of this would have been possible without Kaui’s wonderful book,” said Rash. “It was such a wonderful journey for us to fall in love with the book and have the opportunity to turn it into the film.”

Hemmings noted that the collaboration has been a positive experience for her.

“An adaptation can sometimes bring so many more readers that I never would have had and to have those readers say that they love both the book and the film and that they work so well together is such a blessing,” she said.

Payne—who was unable to attend—has been a Scripter finalist twice before for his work on the adaptations About Schmidt and Sideways. Payne also directed The Descendants. Faxon acknowledged Payne’s critical decision-making skills in his acceptance speech.

“I am thankful to Alexander Payne for directing such a beautiful film and I think he was right in the end—it was a good call casting George Clooney and not me,” Faxon joked. “That ended up being a benefit.”

The Descendants’ Scripter win adds to its many accolades. The film has been named the American Film Institute’s Movie of the Year and the best film of the year by the Los Angeles, Dallas, Florida, Kansas City, and Southeastern film critics associations, among others. It was named the best drama of the year at the Golden Globes and is nominated for five Academy Awards, including Best Adapted Screenplay.

The Scripter gala, presented by the Friends of the USC Libraries, honors each year’s best cinematic adaptation of the written word. Scripter is the only award of its kind that honors screenwriters as well as the author of the work upon which the adaptation is based.

With filmmaker and USC alumnus Taylor Hackford (‘67, International Relations) and Academy Award-winning actress Helen Mirren serving as honorary dinner chairs, USC Libraries Dean Catherine Quinlan welcomed the attendees to USC’s historic Edward L. Doheny Memorial Library.

“The authors and screenwriters of these books, plays, stories, and screenplays embody the stellar, transformative accomplishments our libraries inspire and make possible.” Quinlan added that by supporting the libraries, all who attended were “supporting the academic and artistic excellence of the entire university.”

The other finalists for the 2012 Scripter Award, in alphabetical order by film title, were: screenwriter Christopher Hampton for A Dangerous Method, adapted from the nonfiction book A Most Dangerous Method: The Story of Jung, Freud, and Sabina Spielrein by John Kerr and the 2002 stage play The Talking Cure by Hampton; screenwriter Moira Buffini for Jane Eyre, adapted from the 1847 book by Charlotte Brontë; screenwriters Steven Zaillian, Aaron Sorkin, and Stan Chervin for Moneyball, based on Michael Lewis’ book, Moneyball: The Art of Winning an Unfair Game; and screenwriters Bridget O’Connor and Peter Straughan and author John le Carré for the thriller Tinker, Tailor, Soldier, Spy.

Co-chaired by Golden Globe-winning screenwriter Naomi Foner and USC screenwriting professor and vice president of the Writers Guild of America, West, Howard Rodman, the Scripter selection committee chose The Descendants as the year’s best adaptation from a field of 109 eligible films.

The 32-member selection committee included film critics Kenneth Turan and Leonard Maltin; Fox Filmed Entertainment co-chairman and chief executive officer Tom Rothman; screenwriters Eric Roth, Geoffrey Fletcher, and Gale Anne Hurd; author Michael Chabon; and USC deans Catherine Quinlan, Elizabeth M. Daley and Madeline Puzo.

Academy Award-winning screenwriter Paul Haggis accepted the 5th-annual USC Libraries Scripter Literary Achievement Award. Haggis’ credits include the screenplays for films such as Crash, Million Dollar Baby, and the two James Bond films starring Daniel Craig, Casino Royale and Quantum of Solace.

During his acceptance speech, Haggis spoke about the influence his parents had on his writing career.

“They encouraged me from a young age largely because they saw I wasn’t good at much else,” Haggis joked. “You have to be a little emotionally unstable to be in this kind of profession—it’s a ridiculous profession, writing.”

“I’m very proud to be here with my daughters tonight—all three of whom grew up to choose ridiculous and difficult careers, in writing, in art, and in music,” Haggis explained. “I’m trying to learn the lesson my parents taught me—to encourage your children to be ridiculous to take on ridiculous challenges, choose ridiculous careers. Only by doing that do they really have a chance to be great.”

Haggis—along with author F. X. Toole—also captured a USC Libraries Scripter Award for Million Dollar Baby in 2005.

This year’s in-kind sponsors included Esquire Bar & Lounge (Pasadena, Calif.); the Wine of the Month Club; John and Dana Agamalian and Blue Ice Vodka; Barry Eggleston II of the Exotic Car Collection by Enterprise; Final Draft Inc., Movie Magic: Screenwriter; Paperblanks; and thinkThin.

For more details on Scripter—including additional images from the ceremony—visit http://scripter.usc.edu/.

"Midnight in Paris," "The Descendants" Win 2012 Writers Guild Awards

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) announced the winners of the 2012 Writers Guild Awards for outstanding achievement in writing for screen, television, radio, news, promotional, videogame, and new media writing at simultaneous ceremonies at Hollywood Palladium in Los Angeles and the B.B. King Blues Club in New York City.

There are several categories, but I’m listing only the film and television categories. Go here for a complete list of winners.

2012 Writers Guild Awards Winners Announced:

SCREEN WINNERS

ORIGINAL SCREENPLAY
Midnight in Paris, Written by Woody Allen; Sony Pictures Classics

ADAPTED SCREENPLAY
The Descendants, Screenplay by Alexander Payne and Nat Faxon & Jim Rash; Based on the novel by Kaui Hart Hemmings; Fox Searchlight

DOCUMENTARY SCREENPLAY
Better This World, Written by Katie Galloway & Kelly Duane de la Vega; Loteria Films

TELEVISION WINNERS

DRAMA SERIES
Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC

COMEDY SERIES
Modern Family, Written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Carol Leifer, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Brad Walsh, Ilana Wernick, Bill Wrubel, Danny Zuker; ABC

NEW SERIES
Homeland, Written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Gideon Raff, Meredith Stiehm; Showtime

EPISODIC DRAMA *TIE*
1. “Box Cutter” (Breaking Bad), Written by Vince Gilligan; AMC
2. “The Good Soldier” (Homeland), Written by Henry Bromell; Showtime

EPISODIC COMEDY
“Caught in the Act” (Modern Family), Written by Steven Levitan & Jeffrey Richman; ABC

LONG FORM – ORIGINAL
Cinema Verite, Written by David Seltzer; HBO

LONG FORM – ADAPTED
Too Big to Fail, Written by Peter Gould, Based on the book written by Andrew Ross Sorkin; HBO

ANIMATION
“Homer the Father” (The Simpsons), Written by Joel H. Cohen; Fox

COMEDY / VARIETY – (INCLUDING TALK) SERIES
The Colbert Report, Writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Jay Katsir, Barry Julien, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Central

COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
After the Academy Awards, Head Writers: Gary Greenberg, Molly McNearney; Writers: Tony Barbieri, Jonathan Bines, John N. Huss, Sal Iacono, Eric Immerman, Jimmy Kimmel, Jonathan Kimmel, Jacob Lentz, Danny Ricker, Richard G. Rosner; ABC

DAYTIME DRAMA
General Hospital, Written by Meg Bennett, Nathan Fissell, David Goldschmid, Robert Guza, Jr., Karen Harris, Elizabeth Korte, Mary Sue Price, Michele Val Jean, Susan Wald, Tracey Thomson; ABC

CHILDREN'S EPISODIC & SPECIALS
“Hero of the Shadows” (Supah Ninjas), Written by Leo Chu, Eric S. Garcia; Nickelodeon

DOCUMENTARY — CURRENT EVENTS
“Top Secret America” (Frontline), Written by Michael Kirk, Mike Wiser; PBS

DOCUMENTARY — OTHER THAN CURRENT EVENTS
“Wiki Secrets” (Frontline), Written by Marcela Gaviria & Martin Smith; PBS

NEWS — REGULARLY SCHEDULED, BULLETIN OR BREAKING REPORT
“Educating Sergeant Pantzke” (Frontline), Written by John Maggio, Martin Smith; PBS

NEWS — ANALYSIS, FEATURE, OR COMMENTARY
“Doctor Hot Spot” (Frontline), Written by Thomas Jennings; PBS

Review: "Sideways" is a Bit Too Pleased with Itself

TRASH IN MY EYE No. 25 (of 2005) by Leroy Douresseaux

Sideways (2004)
Running time: 123 minutes (2 hours, 3 minutes)
MPAA – R for language, some strong sexual content, and nudity
DIRECTOR: Alexander Payne
WRITERS: Jim Taylor and Alexander Payne (from the novel by Rex Pickett)
PRODUCER: Michael London
CINEMATOGRAPHER: Phedon Papamichael
EDITOR: Kevin Tent
Academy Award winner

COMEDY/DRAMA with elements of romance

Starring: Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh, Marylouise Burke, Jessica Hecht, Missy Doty, M.C. Gainey, Alysia Reiner, Shake Tukhmanyan, and Duke Moosekian

Miles Faymond (Paul Giamatti), a divorced middle school teacher and struggling/failed novelist, takes his friend Jack (Thomas Haden Church), who is to be married the following weekend, on a wine tasting tour of California. Both men are reaching middle age and feel they have nothing but disappointments to show for their life, especially Miles, who is a mean drunk and takes at least two prescription anti-depressants.

Miles has taken this trip several times, and he’s looking forward to entertaining his friend before his altar-bound day. Jack, however, wants to get laid before he gets married. In that fashion, he seduces (or is seduced) Stephanie (Sandra Oh), a bartender at a winery and Jack encourages Miles to make a move on Maya (Virginia Madsen), a waitress Miles actually knows from previous trips. The results of these two flings are wildly different for each man.

Sideways is the critical darling of 2004, with some critics apparently praising it as the film of their generation. It’s entertaining and has some wonderfully poignant and romantic moments, but road trips and traveling scenes in films are sometimes viewed as a sign that the storyteller is killing time before getting to the heart of the story, except there isn’t much heart to this story. Director Alexander Payne has certainly made a good film, but ain’t much meat on the bone. Sideways may be the glossy, short-on-substance version of an art movie. Miles, the lead character, is not having an existential crisis; he’s just joyless and often boring, while Jack is a colorless cad. I found myself glad that Jack was (only) a supporting player and wanting him to be on screen as little as possible, though his colorfully bawdy conversations do liven the film.

None of the performances stand out, especially Virginia Madsen’s, which has earned her an Oscar nomination. She plays the character so downtrodden that it’s almost difficult to accept that the girl does have college ambitions. Church’s performance, which also earned him a Oscar nod, is okay, but not worth wasting a lot of words on. Some feel Paul Giamatti was robbed as he didn’t get an Oscar nomination, but he basically played a better-dressed version of his Harvey Pekar character from American Splendor. I do give him credit for making a bore endearing, but Giamatti has a nice guy quality. I blame the character problems on the writing, that it needs Giamatti to make Miles intriguing even when the material is a little light and not well done. There are moments in Sideways when Giamatti lifts this film on his shoulders and makes the story compelling, even when his character is just being annoying. Giamatti isn’t the tall, dark, and handsome type, but he has something that works on the big screen. Maybe, that alone is enough of a reason for Oscar to come calling… eventually.

7 of 10
B+

NOTES:
2005 Academy Awards: 1 win: “Best Writing, Adapted Screenplay” (Alexander Payne and Jim Taylor); 4 nominations: “Best Motion Picture of the Year” (Michael London), “Best Achievement in Directing” (Alexander Payne), “Best Performance by an Actor in a Supporting Role” (Thomas Haden Church) and “Best Performance by an Actress in a Supporting Role” (Virginia Madsen)

2005 BAFTA Awards: 1 win: “Best Screenplay – Adapted” (Alexander Payne and Jim Taylor)

2005 Golden Globes: 2 wins: “Best Motion Picture - Musical or Comedy” and “Best Screenplay - Motion Picture” (Alexander Payne and Jim Taylor); 5 nominations: “Best Director - Motion Picture” (Alexander Payne), “Best Original Score - Motion Picture” (Rolfe Kent), “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Paul Giamatti), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Thomas Haden Church), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Virginia Madsen)

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2012 Academy Award Nominations: Best Motion Picture of the Year

Best Motion Picture of the Year Nominees:

(There are 9 best picture nominees this year.)

The Artist (2011): Thomas Langmann

The Descendants (2011): Jim Burke, Alexander Payne, Jim Taylor

Extremely Loud and Incredibly Close (2011): Scott Rudin

The Help (2011): Brunson Green, Chris Columbus, Michael Barnathan

Hugo (2011): Graham King, Martin Scorsese

Midnight in Paris (2011): Letty Aronson, Stephen Tenenbaum

Moneyball (2011): Michael De Luca, Rachael Horovitz, Brad Pitt

The Tree of Life (2011): Sarah Green, Bill Pohlad, Dede Gardner and Grant Hill

War Horse (2011): Steven Spielberg, Kathleen Kennedy

2012 Academy Award Nominations: Best Achievement in Directing

Best Achievement in Directing Nominees:

Woody Allen for Midnight in Paris (2011)

Michel Hazanavicius for The Artist (2011)

Terrence Malick for The Tree of Life (2011)

Alexander Payne for The Descendants (2011)

Martin Scorsese for Hugo (2011)

2012 Academy Award Nominations: Best Writing, Screenplay Based on Material Previously Produced or Published

Best Writing, Screenplay Based on Material Previously Produced or Published Nominees:

The Descendants (2011): Alexander Payne, Nat Faxon, Jim Rash

Hugo (2011): John Logan

The Ides of March (2011): George Clooney, Grant Heslov, Beau Willimon

Moneyball (2011): Steven Zaillian, Aaron Sorkin, Stan Chervin

Tinker Tailor Soldier Spy (2011): Bridget O'Connor, Peter Straughan

Directors Guild Announces 2011 Film Nominees

64th Annual DGA Awards Feature Film Nominees Announced

LOS ANGELES, CA: On January 9, 2012, DGA President Taylor Hackford announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2011.

"The directors nominated this year for the Outstanding Directorial Achievement in Feature Film Award have each demonstrated an inspired command of the medium. The fact that their prodigious talents have been recognized by their peers is the highest honor a director can achieve," said Hackford. "I offer my most sincere congratulations to each of the nominees."

The winner will be named at the 64th Annual DGA Awards Dinner on Saturday, January 28, 2012, at the Grand Ballroom at Hollywood and Highland.

The nominees are (in alphabetical order):

WOODY ALLEN
Midnight in Paris
(Sony Pictures Classics)

Mr. Allen’s Directorial Team:
Unit Production Managers: Matthieu Rubin, Helen Robin
First Assistant Director: Gil Kenny
Second Assistant Director: Delphine Bertrand

This is Mr. Allen’s fifth DGA Feature Film Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film for Annie Hall (1977), and was previously nominated in that category for Manhattan (1979), Hannah and Her Sisters (1986) and Crimes and Misdemeanors (1989). Mr. Allen was honored with the DGA Lifetime Achievement Award in 1996.

DAVID FINCHER
The Girl With the Dragon Tattoo
(Columbia Pictures, Metro-Goldwyn-Mayer Pictures)

Mr. Fincher’s Directorial Team:
Unit Production Manager: Daniel M. Stillman
First Assistant Director: Bob Wagner
Second Assistant Director: Allen Kupetsky
Production Manager (Sweden Unit): Karolina Heimburg
Second Assistant Directors (Sweden Unit): Hanna Nilsson, Pontus Klänge
2nd Second Assistant Director (Sweden Unit): Niklas Sjöström
2nd Second Assistant Director (U.S. Unit): Maileen Williams
Unit Production Manager (Zurich Unit): Christos Dervenis
Unit Production Manager (U.K. Unit): Lara Baldwin
Second Assistant Director (U.K. Unit): Paul Taylor

This is Mr. Fincher’s third DGA Feature Film Award nomination. He was previously nominated in this category last year for The Social Network and for The Curious Case of Benjamin Button in 2008. He previously won the DGA Commercial Award for Speed Chain (Nike), Gamebreakers (Nikegridiron.com), and Beauty for Sale (Xelibri Phones) in 2003 and was nominated in that category again in 2008.

MICHEL HAZANAVICIUS
The Artist
(The Weinstein Company)

Mr. Hazanavicius’ Directorial Team:
Unit Production Manager: Antoine De Cazotte
Production Manager (FR): Ségoléne Fleury
First Assistant Director (FR): James Canal
First Assistant Director (US): David Cluck
Second Assistant Director: Dave Paige
Second Second Assistant Directors: Karla Strum, Ricky Robinson

This is Mr. Hazanavicius’ first DGA Feature Film Award nomination.

ALEXANDER PAYNE
The Descendants
(Fox Searchlight Pictures)

Mr. Payne’s Directorial Team:
Unit Production Manager: George Parra
First Assistant Director: Richard L. Fox
Second Assistant Director: Scott August
Second Second Assistant Director: Amy Wilkins Bronson

This is Mr. Payne’s second DGA Feature Film Award nomination. He was previously nominated in that category for Sideways in 2004.

MARTIN SCORSESE
Hugo
(Paramount Pictures)

Mr. Scorsese’s Directorial Team:
Unit Production Managers: Charles Newirth, Georgia Kacandes, Angus More Gordon
First Assistant Director: Chris Surgent
Second Assistant Director: Richard Graysmark
Second Assistant Directors: Tom Brewster, Fraser Fennell-Ball
Production Managers (Paris Unit): Michael Sharp, Gilles Castera
First Assistant Director (Paris Unit): Ali Cherkaoui

This is Mr. Scorsese’s ninth DGA Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film in 2006 for The Departed, and was previously nominated in that category for Taxi Driver (1976), Raging Bull (1980), Goodfellas (1990), The Age of Innocence (1993), Gangs of New York (2002), and The Aviator (2004). Mr. Scorsese also won the DGA Award last year for Outstanding Directorial Achievement in Dramatic Television for Boardwalk Empire. In 1999, Mr. Scorsese was presented with the Filmmaker Award at the inaugural DGA Honors Gala, and he was honored with the DGA Lifetime Achievement Award in 2003.

2012 Writers Guild Award Nominations Announced

The Writers Guild of America is a labor union representing film, television, radio, and new media writers. The Writers Guild of America Award acknowledges outstanding achievements in film, television, and radio and has been presented annually by the Writers Guild of America, East and Writers Guild of America, West since 1949.

There are several categories, but I only focus on the film categories. However, I may list the winners from all categories when they are announced (Sunday, February 19, 2012).

2012 WRITERS GUILD OF AMERICA SCREENPLAY NOMINEES NOMINATIONS:

ORIGINAL SCREENPLAY

50/50, Written by Will Reiser; Summit Entertainment

Bridesmaids, Written by Annie Mumolo & Kristen Wiig; Universal Pictures

Midnight in Paris, Written by Woody Allen; Sony Pictures Classics

Win Win, Screenplay by Tom McCarthy; Story by Tom McCarthy & Joe Tiboni; Fox Searchlight

Young Adult, Written by Diablo Cody; Paramount Pictures

ADAPTED SCREENPLAY

The Descendants, Screenplay by Alexander Payne and Nat Faxon & Jim Rash; Based on the novel by Kaui Hart Hemming; Fox Searchlight

The Girl with the Dragon Tattoo, Screenplay by Steven Zaillian; Based on the novel by Stieg Larsson, originally published by Norstedts; Columbia Pictures

The Help, Screenplay by Tate Taylor; Based on the novel by Kathryn Stockett; DreamWorks Pictures

Hugo, Screenplay by John Logan; Based on the book The Invention of Hugo Cabret by Brian Selznick; Paramount Pictures

Moneyball, Screenplay by Steven Zaillian and Aaron Sorkin; Story by Stan Chervin; Based on the book by Michael Lewis; Columbia Pictures

DOCUMENTARY SCREENPLAY

Better This World, Written by Katie Galloway & Kelly Duane de la Vega; Loteria Films

If a Tree Falls: A Story of the Earth Liberation Front, Written by Marshall Curry and Matthew Hamachek; Oscilloscope Pictures

Nostalgia for the Light, Written by Patricio Guzmán; Icarus Films

Pina, Screenplay by Wim Wenders; Sundance Selects

Position Among the Stars, Script by Hetty Naaijkens-Retel Helmrich, Leonard Retel Helmrich; HBO Documentary Films

Senna, Written by Manish Pandey; Producers Distribution Agency

Florida Film Critics Name "The Descendants" The Best Pic of 2011

The Florida Film Critics Circle (FFCC) was founded in 1996 is comprised of 20 writers from state publications.

Complete list of 2011 winners:

Best Picture: The Descendants

Actor: Michael Fassbender, Shame

Actress: Michelle Williams, My Week with Marilyn

Supporting Actor: Albert Brooks, Drive

Supporting Actress: Shailene Woodley, The Descendants

Director: Martin Scorsese, Hugo

Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, The Descendants

Original Screenplay: Michael Hazanavicius, The Artist

Cinematography: Emmanuel Lubezki, The Tree of Life

Visual Effects: Rise of the Planet of the Apes

Art Direction/Production Design: Dante Ferretti, Hugo

Foreign Language: The Skin I Live In

Animated: The Adventures of Tintin

Documentary: Project Nim

Breakout: Elizabeth Olsen, Martha Marcy May Marlene

Note: The FFCC did not hand out the "Golden Orange" award this year.

Utah Film Critics Put it in "Drive"

Obviously, the Utah Film Critics Association is made of Utah-based film critics who ply their trade in print, television, and new media.  Apparently, 13 of them voted for these awards, according to a newspaper article I found.

2011 Winners:

Best Picture: Drive
(runner-up: The Artist)

Best Achievement in Directing: Michael Hazanavicius, The Artist
(runner-up: Nicholas Winding Refn, Drive)

Best Lead Performance by an Actor: Joseph Gordon-Levitt: 50/50
(runner-up: Jean Dujardin, The Artist)

Best Lead Performance by an Actress: Michelle Williams, My Week With Marilyn
(runner-up: Rooney Mara, The Girl With the Dragon Tattoo

Best Supporting Performance by an Actor: Albert Brooks, Drive
(runner-up: Christopher Plummer, Beginners)

Best Supporting Performance by an Actress: Amy Ryan, Win Win
(runner-up: Vanessa Redgrave, Coriolanus)

Best Original Screenplay: Will Reiser, 50/50
(runner-up: Mike Mills, Beginners)

Best Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, The Descendants
(runner-up: Jason Segel & Nicholas Stoller, The Muppets)

Best Cinematography: Newton Thomas Sigel, Drive
(runner-up: Emmanuel Lubezki, The Tree of Life)

Best Documentary Feature: Senna
(runner-up: Project Nim)

Best Non-English Language Feature: A Separation
(runner-up: 13 Assassins)

Best Animated Feature: Rango
(runners-up: The Adventures of Tintin and Kung Fu Panda 2)

St. Louis Film Critics Canonize "The Artist"

St. Louis Film Critics is an association of professional film critics operating in metropolitan St. Louis and adjoining areas of Missouri and Illinois.

2011 St. Louis Film Critics’ Awards winners:

Best Film: “The Artist “
(runner-up: “The Descendants”)

Best Director: Michel Hazanavicius ("The Artist")
(runner-up): Terrence Malick ("Tree of Life")

Best Actor: George Clooney ("The Descendants")
(runner-up): Ryan Gosling ("Drive")

Best Actress: Rooney Mara ("The Girl With The Dragon Tattoo")
(runners-up): Meryl Streep ("The Iron Lady") and Michelle Williams ("My Week With Marilyn")

Best Supporting Actor: Albert Brooks ("Drive")
(runner-up): Alan Rickman ("Harry Potter And The Deathly Hallows, Part 2")

Best Supporting Actress: Bérénice Bejo ("The Artist")
(runners-up): Octavia Spencer ("The Help") and Shailene Woodley ("The Descendants")

Best Original Screenplay: Michel Hazanavicius ("The Artist")
(runner-up): Will Reiser ("50/50")

Best Adapted Screenplay: Alexander Payne, Nat Faxon, Jim Rash and Kaui Hart Hemmings (novel) for "The Descendants"
(runner-up): Steven Zaillian, Aaron Sorkin, Stan Chervin and Michael Lewis (book) for "Moneyball"

Best Cinematography: Emmanuel Lubezki ("Tree Of Life")
(runners-up): Jeff Cronenweth ("The Girl With The Dragon Tattoo") and Janusz Kaminski ("War Horse")

Best Visual Effects: "Harry Potter And The Deathly Hallows, Part 2"
(runner-up): “Rise Of The Planet Of The Apes”

Best Music: “The Artist “
(runner-up): “Drive”

Best Foreign-Language Film: “13 Assassins”
(runner-up): “Winter in Wartime”

Best Documentary: “Being Elmo “
(runner-up): “Tabloid"

Best Comedy: “Bridesmaids”
(runner-up): “Midnight In Paris”

Best Animated Film: “The Adventures of Tintin “
(runner-up): “Rango”

Best Artistic/Creative Film (for excellence in art-house cinema): “We Need To Talk About Kevin”
(runner-up): “Win Win”

Special Merit (for best scene, cinematic technique or other memorable aspect or moment): “The Girl With The Dragon Tattoo" – the opening credits
(runner-up): “The Artist" – the dance scene finale

Dallas and North Texas Film Critics Raise "The Descendants"

The Dallas-Fort Worth Film Critics Association is also known as the DFW Film Critics Association. The group describes itself as a not-for-profit, unincorporated voluntary organization of print, broadcast and internet film critics based in the Dallas-Fort Worth metropolitan area and greater North Texas who meet its membership criteria. The DFW Film Critics Association currently consists of 29 broadcast, print, and online journalists from throughout North Texas.

The Dallas-Fort Worth Film Critics Association 18th Annual Critics’ Poll:

Best Film: THE DESCENDANTS

Runner-ups:
2. THE ARTIST
3. EXTREMELY LOUD AND INCREDIBLY CLOSE
4. MIDNIGHT IN PARIS
5. THE TREE OF LIFE
6. HUGO
7. 50/50
8. DRIVE
9. SHAME
10. MONEYBALL

Best Director: Alexander Payne for THE DESCENDANTS

Runner-ups:
Michel Hazanavicius for THE ARTIST
Terrence Malick for THE TREE OF LIFE
Martin Scorsese for HUGO
Woody Allen for MIDNIGHT IN PARIS

Best Actor: George Clooney for THE DESCENDANTS

Runner-ups:
Jean Dujardin for THE ARTIST
Michael Fassbender for SHAME
Brad Pitt for MONEYBALL
Michael Shannon for TAKE SHELTER (5).

Best Actress: Michelle Williams for MY WEEK WITH MARILYN.

Runner-ups:
Tilda Swinton for WE NEED TO TALK ABOUT KEVIN
Meryl Streep for THE IRON LADY
Charlize Theron for YOUNG ADULT
Kirsten Dunst for MELANCHOLIA

Best Supporting Actor: Christopher Plummer for BEGINNERS

Runner-ups:
Albert Brooks for DRIVE
Max von Sydow for EXTREMELY LOUD AND INCREDIBLY CLOSE
Armie Hammer for J. EDGAR
Kenneth Branagh for MY WEEK WITH MARILYN

Best Supporting Actress: Shailene Woodley for THE DESCENDANTS

Runners-up:
Berenice Bejo for THE ARTIST
Octavia Spencer for THE HELP
Melissa McCarthy for BRIDESMAIDS
Carey Mulligan for SHAME

Best Foreign-Language Film of the Year: A SEPARATION

Runners-up:
THE SKIN I LIVE IN
INCENDIES
13 ASSASSINS
Tie: OF GODS AND MEN and CERTIFIED COPY

Best Documentary: CAVE OF FORGOTTEN DREAMS

Runners-up:
PROJECT NIM
THE INTERRUPTERS
PAGE ONE: INSIDE THE NEW YORK TIMES
BUCK

Best Animated Film: RANGO

Runner-up:
THE ADVENTURES OF TINTIN

Best Screenplay: Alexander Payne, Nat Faxon and Jim Rash for THE DESCENDANTS

Runner-up:
Woody Allen for MIDNIGHT IN PARIS.

Best Cinematography: Emmanuel Lubezki for THE TREE OF LIFE

Runner-up:
Janusz Kaminski for WAR HORSE.

The association voted WE NEED TO TALK ABOUT KEVIN as the winner of the Russell Smith Award. Named for the late Dallas Morning News film critic, this honor is given annually to the best low-budget or cutting-edge independent film.

New York Film Critics Online Love "The Artist"

The New York Film Critics Online is a group of Internet film critics based in New York City that meets once a year, in December, for voting on its annual NYFCO Awards.

A complete list of the 2011 honorees:

FILM
The Artist

DIRECTOR
Michael Hazanavicius, The Artist

ACTOR
Michael Shannon, Take Shelter

ACTRESS
Meryl Streep, The Iron Lady

SUPPORTING ACTOR
Albert Brooks, Drive

SUPPORTING ACTRESS
Melissa McCarthy, Bridesmaids

CINEMATOGRAPHY
Emmanuel Lubezki, The Tree of Life

SCREENPLAY
Alexander Payne, Nat Faxon, Jim Rash, The Descendants

FOREIGN LANGUAGE PICTURE
A Separation

DOCUMENTARY
Cave of Forgotten Dreams

ANIMATED FEATURE
The Adventures of Tintin

USE OF MUSIC
Ludovic Bource, The Artist

BREAKOUT PERFORMER
Jessica Chastain, The Tree of Life, The Help, The Debt, Take Shelter

DEBUT AS DIRECTOR
Joe Cornish, Attack the Block

ENSEMBLE CAST
Bridesmaids

TOP PICTURES OF 2011 (alphabetical)
The Artist (The Weinstein Co.)
The Descendants (Fox Searchlight Pictures)
Drive (Film District)
The Help (DreamWorksPictures)
Hugo (Paramount Pictures)
Melancholia (Magnolia Pictures)
Midnight in Paris (Sony Pictures Classics)
Take Shelter (Sony Pictures Classics)
The Tree of Life (Fox Searchlight Pictures)
War Horse (Dreamworks Pictures)

2011 BFI London Film Festival Begins Wednesday, October 12th

SHORTLISTS AND JURIES ANNOUNCED FOR BFI LONDON FILM FESTIVAL AWARDS

DAVID CRONENBERG & RALPH FIENNES TO RECEIVE BFI FELLOWSHIPS

London – 4 October 2011: The 55th BFI London Film Festival is delighted to announce the shortlists and juries for the 2011 Festival Awards, supported by MontBlanc, which will take place at LSO St Luke’s on 26 October.

At this year’s ceremony, the BFI will bestow its highest honour, the BFI Fellowship, on David Cronenberg and Ralph Fiennes. The original and provocative Canadian filmmaker David Cronenberg is internationally renowned for films exploring the darker impulses and inner lives of his characters. His distinctive films have gone beyond the science-fiction genre and have had a powerful and enduring influence on contemporary filmmakers. His impressive list of credits includes The Fly, Videodrome, Scanners, Naked Lunch, Crash, Eastern Promises, The History of Violence and premiering at this year’s festival, A Dangerous Method. David Cronenberg said "This is a monumental, in fact overwhelming, honour, and my being the first Canadian to receive it makes it all the sweeter. British cinema has been a potent inspiration for me, and to be associated with this particular group of filmmakers is tremendously exhilarating."

Ralph Fiennes is one of Britain’s pre-eminent actors, who has achieved a singular career in which he manages to command equal respect among theatre-goers, lovers of art-house film and audiences for international blockbusters. With Coriolanus, featured in competition in the Berlin Film Festival 2011 and selected as a Gala screening in this year’s LFF, he has made a bold and critically well received transition to film directing. In addition to his portrayal of Lord Voldemort in the Harry Potter films, his extensive acting credits include The End of the Affair, The Reader, Strange Days, Spider, Quiz Show, The English Patient, The Constant Gardener and Schindler’s List. Ralph Fiennes said “I’m extremely honoured and delighted to be given this fellowship by the BFI”

The Best Film Award, presented in partnership with the festival’s headline sponsor American Express, celebrates original, inventive and distinctive filmmaking in the festival. The initial shortlist was drawn up by Artistic Director Sandra Hebron and the programming team, and will be judged by the Oscar-nominated director John Madden, Emmy and Golden Globe winner Gillian Anderson, the BAFTA-winning writer and director Asif Kapadia, Oscar-nominated and BAFTA-winning producer Tracey Seaward, writer Andrew O’Hagan and the Turner Prize-nominated YBA and film director Sam Taylor Wood OBE.

This year’s shortlist is:
360, Fernando Meirelles, UK/Austria/France/Brazil
THE ARTIST, Michel Hazanavicius, France
THE DEEP BLUE SEA, Terence Davies, UK
THE DESCENDANTS, Alexander Payne, USA
FAUST, Aleksandr Sukurov, Russia
THE KID WITH A BIKE, Luc & Jean-Pierre Dardenne, Belgium/France/Italy
SHAME, Steve McQueen, UK
TRISHNA, Michael Winterbottom, UK
WE NEED TO TALK ABOUT KEVIN, Lynne Ramsay, UK/USA

The award for Best British Newcomer is presented in partnership with Swarovski and honours new and emerging film talent, recognising the achievements of a new writer, producer, director, actor or actress. This year’s jury comprises the BAFTA-nominated actress Anne-Marie Duff, actor Tom Hollander, producer and director of the National Film and Television School Nik Powell, Oscar-nominated and BAFTA-winning producer Andy Harries, Radio 1 and Channel 4’s Vue Film Show presenter Edith Bowman and Oscar-nominated and BAFTA-winning producer Stephen Woolley. Jury chair Andy Harries said "Tomorrow's UK film business is all about the young and exciting talent that is emerging today. There's loads of it and the annual London Film Festival remains a brilliant showcase for really great new actors, directors and producers to shine.”

The shortlist for Best British Newcomer is:
Nick Murphy, Director, THE AWAKENING
Tinge Krishnan, Director, JUNKHEARTS
Candese Reid, Actress, JUNKHEARTS
Nirpal Bhogal, Writer/director, SKET
Aimee Kelly, Actress, SKET
Tom Cullen, Actor, WEEKEND
Chris New, Actor, WEEKEND
D.R. Hood, Writer/Director, WRECKERS

The Jury for the prestigious Sutherland Award, presented to the director of the most original and imaginative feature debut in the festival includes Turner Prize nominee Phil Collins, producer Andrew Eaton, director Joanna Hogg, BAFTA-winning director Peter Kosminsky, actress Saskia Reeves, Hugo Grumbar, managing director (International) Icon UK Group, and film journalist Tim Robey. Peter Kosminsky said “I'm absolutely thrilled to have been asked to join this year's Sutherland Jury by the BFI. The support of the BFI London Film Festival is a vital lifeline for new filmmakers struggling to achieve visibility in a crowded cinematic world. I am delighted to play a small part in assisting new talent to break through in this way”.

The previously announced Sutherland shortlist is:
CORPO CELESTE, Alice Rohrwacher, Italy/Switzerland/France
ETERNITY, Sivaroj Kongsakul, Thailand
HERE, Braden King, USA
THE HOUSE, Zuzana Liová, Czech Republic
LAS ACACIAS, Pablo Giorgelli, Argentina/Spain
LAST WINTER, John Shank, Belgium/France
MICHAEL, Markus Schleinzer, Austria
MOURNING, Morteza Farshbaf, Iran
SHE MONKEYS, Lisa Aschan, Sweden
SNOWTOWN, Justin Kurzel, Australia
THE SUN-BEATEN PATH, Sonthar Gyal, China
WITHOUT, Mark Jackson, USA

Joanna Hogg said “'I love the BFI London Film Festival. It's a thrill and a privilege to be judging The Sutherland Award.”

The Grierson Award for Best Documentary, a partnership between the Grierson Trust and the Festival, recognises outstanding feature-length documentaries of integrity, originality, technical excellence or cultural significance. The Award is presented in commemoration of John Grierson. Two-time BAFTA winner Adam Curtis will chair the jury, which also includes documentary filmmaker Kim Longinotto, Mandy Chang of the Grierson Trust, and Charlotte Moore, Head of Documentary Commissioning at the BBC.

This year’s shortlist is:
BERNADETTE: NOTES ON A POLITICAL JOURNEY, Lelia Doolan, Ireland
BETTER THIS WORLD, Katie Galloway, Kelly Duane de la Vega, USA
THE BLACK POWER MIXTAPE 1967-1975, Goran Hugo Olsson, Sweden/USA
DRAGONSLAYER, Tristan Patterson
DREAMS OF A LIFE, Carol Moley, UK/Ireland
INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, Werner Herzog
LAST DAYS HERE, Don Argott & Demian Fenton, USA
WHORES’ GLORY, Michael Glawogger, Austria/Germany

On chairing the Best Documentary category, Adam Curtis said “It is a great privilege and I am really looking forward to watching all the films and I am also hoping that somehow the films will help me make a bit more sense of what is happening in the world at the moment because frankly not much else on television or the cinema is doing that at present”.

About the BFI
The BFI is the lead body for film in the UK with the ambition to create a flourishing film environment in which innovation, opportunity and creativity can thrive by:

• Connecting audiences to the widest choice of British and World cinema
• Preserving and restoring the most significant film collection in the world for today and future generations
• Investing in creative, distinctive and entertaining work
• Promoting British film and talent to the world
• Growing the next generation of filmmakers and audiences

The BFI London Film Festival
The BFI London Film Festival champions creativity, originality, vision and imagination by annually showcasing the best of contemporary world cinema, documentaries, shorts, animation and experimental film. The BFI London Film Festival is a highly regarded and anticipated event in Europe's cultural calendar, attracting leading international filmmakers, industry professionals and the media together with large public audiences to London for a two week showcase of the best in contemporary world cinema.

Last year's Festival hosted 201 feature films and 112 short films from 68 countries including 34 world premieres. There were 629 filmmakers in attendance, drawing the highest ever audience attendance of over 132,000 filmgoers. The Festival opened with the European Premiere of NEVER LET ME GO and closed with the European Premiere of 127 HOURS.

http://www.bfi.org.uk/
www.bfi.org.uk/lff

Social Media

Keep in touch and share the Festival experience on Twitter and Facebook:
Facebook Event: Invite your friends and fans to the official Facebook event: http://on.fb.me/ouciUj
Facebook: Share your coverage on our official page: http://www.facebook.com/londonfilmfestival
Twitter: Tag your tweets with #LFF or drop us a line @BFI

Jurassic Park Ultimate Trilogy on Blu-ray October 2011

One of the Most Thrilling & Groundbreaking Motion-Picture Trilogies of All Time Roars onto Blu-ray™ with Breathtaking New High-Definition Picture & Perfect Sound

JURASSIC PARK

All Three Epic Adventures from Filmmaker Steven Spielberg Plus More Than Two Hours of All-New Bonus Features

Available on Blu-ray™ For the First Time Ever On October 25, 2011

“You won’t believe your eyes!”—Peter Travers, Rolling Stone

“A triumph of special effects artistry!”—Roger Ebert, Chicago Sun-Times

Universal City, California, June 27, 2011 – The wait is finally over to experience one of the most anticipated motion-picture trilogies of all time like never before when Jurassic Park, The Lost World: Jurassic Park and Jurassic Park III debut as a trilogy set on Blu-ray™ October 25, 2011 from Universal Studios Home Entertainment. Acclaimed filmmaker Steven Spielberg’s award-winning cinematic franchise, based on the best-selling book by Michael Crichton, generated nearly $2 billion combined at the worldwide box office and featured groundbreaking visual effects that changed the art of movie-making forever. Now, all three epic films have been digitally restored and remastered in flawless high definition for the ultimate viewing experience.

Additionally, the films’ visceral sound effects and the unforgettable music from legendary composer John Williams can now be heard in pristine 7.1 surround sound. Arriving in stores just in time for holiday gift giving, this collectible three-movie set also features hours of bonus features, including an all-new, six-part documentary and digital copies of all three films that can be viewed on an array of electronic and portable devices anytime, anywhere. The Jurassic Park Ultimate Trilogy is also available on DVD, as well as in a spectacular Limited Edition Blu-ray Trilogy Gift Set which includes a custom T-rex dinosaur statue.

“From the moment T-Rex first towered over worldwide movie audiences, the Jurassic Park Trilogy has electrified fans with its heart-pounding action and awe-inspiring technological innovations,” says Craig Kornblau, President of Universal Studios Home Entertainment. “With this newly remastered and digitally restored edition, we continue the franchise’s legacy by delivering to home viewers spectacular picture and sound that keeps the films as fresh and visceral now as they were when audiences first experienced them.”

The Jurassic Park Ultimate Trilogy features an all-star cast including Sam Neill, Laura Dern, Jeff Goldblum, Samuel L. Jackson, Richard Attenborough, Ariana Richards, Joseph Mozzello, Julianne Moore, Vince Vaughn, William H. Macy and Tea Leoni. In addition to the talented cast of actors, the Trilogy features stars of a different magnitude—from the huge Tyrannosaurus rex to the vicious Velociraptor, the Jurassic Park films showcase an extraordinary level of realism and technical innovation brought to life by a talented design team which include: Stan Winston, Live Action Dinosaurs; ILM's Dennis Muren, Full Motion Dinosaurs; Phil Tippett, Dinosaur Supervisor; Michael Lantieri, Special Dinosaur Effects and Special Visual Effects by Industrial Light & Magic.

ALL-NEW BONUS FEATURES ON BLU-RAY™ & DVD
“Return to Jurassic Park” – this six-part documentary features all-new interviews with the many of the cast members from all three films, the filmmakers and Steven Spielberg.
o Dawn of a New Era
o Making Pre-history
o The Next Step in Evolution
o Finding The Lost World
o Something Survived
o The Third Adventure

ADDITIONAL FEATURES EXCLUSIVE TO BLU-RAY™
· BD-LIVE™ - Access the BD-Live™ Center through your Internet-connected player to watch exclusive content, the latest trailers, and more!

MY SCENES: Bookmark your favorite scenes from the film.

pocket BLU™: The groundbreaking pocket BLU™ app uses iPad®, iPhone®, iPod® touch, Android™, PC and Mac® to work seamlessly with a network-connected Blu-ray™ player. Plus iPad® owners can enjoy a new, enhanced edition of pocket BLU™ made especially to take advantage of the tablet's larger screen and high resolution display. Consumers will be able to browse through a library of Blu-ray™ content and watch entertaining extras on-the-go in a way that’s bigger and better than ever before. pocket BLU™ offers advanced features such as:
o ADVANCED REMOTE CONTROL: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.
o VIDEO TIMELINE: Users can easily bring up the video timeline, allowing them to instantly access any point in the film.
o MOBILE-TO-GO: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.
o BROWSE TITLES: Users will have access to a complete list of pocket BLU™-enabled titles available and coming to Blu-ray™. They can view free previews and see what additional content is available to unlock on their device.
o KEYBOARD: Entering data is fast and easy with your device’s intuitive keyboard.

The following bonus features also appear on the both the Blu-ray™ and DVD:
The Making of Jurassic Park
The Making of The Lost World: Jurassic Park
The Making of Jurassic Park III
Steven Spielberg Directs Jurassic Park
Early Pre-Production Meetings
The World of Jurassic Park
The Magic of Industrial Light & Magic
Location Scouting
Phil Tippett Animatics: Raptors In The Kitchen
The Jurassic Park Phenomenon: A Discussion with Author Michael Crichton
Industrial Light & Magic and Jurassic Park: Before and After The Visual Effects
Industrial Light & Magic and The Lost World: Jurassic Park Before & After
The Industrial Light & Magic Press Reel
A Visit to Industrial Light & Magic
Hurricane in Kauai Featurette
Dinosaur Turntables
The Dinosaurs of Jurassic Park III
Montana: Finding New Dinosaurs
Animatics: T-Rex Attack
The Special Effects of Jurassic Park III
The Sounds of Jurassic Park III
The Art of Jurassic Park III
Tour of Stan Winston Studio
Feature Commentary with Special Effects Team
Production Archives: Storyboards, Models, Photographs, Design Sketches and Conceptual Drawings
Deleted Scenes
Theatrical Trailers
And MORE!

SYNOPSIS
From Academy Award-winning filmmaker Steven Spielberg, the Jurassic Park Ultimate Trilogy is one of the most successful film franchises in worldwide box-office history. On a remote tropical island, an amazing living theme park becomes a game of survival for humans foolhardy enough to set foot on it. Meticulously recreated dinosaurs spring to astonishing life as the film’s breathtaking special effects and thrilling action sequences keep audiences on the edge of their seats. Each chapter of the history-making saga delivers even more action and spectacular visual effects than its predecessor, as nature’s ultimate killing machines once again rule the earth. Almost 20 years after its inception, the Jurassic Park Trilogy remains an unmatched cinematic experience.

Jurassic Park
A multimillionaire (Richard Attenborough) unveils a new theme park where visitors can observe dinosaurs cloned using advanced DNA technology. But when an employee tampers with the security system, the dinosaurs escape, forcing the visitors to fight for their survival. Sam Neill, Jeff Goldblum and Laura Dern star in this thrilling, action-packed blockbuster from acclaimed director Steven Spielberg and based on the novel by Michael Crichton.

The Lost World: Jurassic Park
Four years after Jurassic Park's genetically bred dinosaurs ran amok, multimillionaire John Hammond (Richard Attenborough) shocks chaos theorist Ian Malcolm (Jeff Goldblum) by revealing that Hammond has been breeding more beasties at a secret location. Malcolm, his paleontologist ladylove (Julianne Moore) and a wildlife videographer (Vince Vaughn) join an expedition to document the lethal lizards' natural behavior in this action-packed thriller.

Jurassic Park III
In need of funds for research, Dr. Alan Grant (Sam Neill) accepts a large sum of money to accompany Paul and Amanda Kirby (William H. Macy and Tea Leoni) on an aerial tour of the infamous Isla Sorna. It isn't long before all hell breaks loose and the stranded wayfarers must fight for survival as a host of new -- and even more deadly -- dinosaurs try to make snacks of them. Laura Dern, Michael Jeter, Alessandro Nivola and Trevor Morgan co-star.

http://www.jurassicpark.com/

Join the conversation on Facebook: www.facebook.com/jurassicpark

TECHNICAL INFORMATION BLU-RAY™:
Street Date: October 25, 2011
Copyright: 2011 Universal Studios Home Entertainment

Selection Number: Layers: BD-50
Aspect Ratio: Widescreen, 1.85:1
Rating: PG-13
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English DTS-HD Master Audio 5.1, French 2.0, English SDH, Spanish Subtitles
Run Time: Jurassic Park – 2 hours, 7 minutes
The Lost World: Jurassic Park – 2 hours, 9 minutes
Jurassic Park III – 1 hour, 33 minutes

TECHNICAL INFORMATION DVD
Street Date: October 25, 2011
Copyright: 2011 Universal Studios Home Entertainment
Selection Number: 61114696
Layers: Dual
Aspect Ratio: Anamorphic Widescreen 1.85:1
Rating: PG-13
Languages/Subtitles: English SDH, French & Spanish
Sound: English, French & Spanish Dolby Digital 5.1
Run Time: Jurassic Park – 2 hours, 7 minutes
The Lost World: Jurassic Park – 2 hours, 9 minutes
Jurassic Park III – 1 hour, 33 minutes

Jurassic Park
Directed By: Steven Spielberg
Produced By: Kathleen Kennedy and Gerald R. Molen
Screenplay By: Michael Crichton and David Koepp
Based on the Novel By: Michael Crichton
Director of Photography: Dean Cundey
Production Designer: Rick Carter
Film Edited By: Michael Kahn, ACE
Music By: John Williams
Live Action Dinosaurs: Stan Winston
Full Motion Dinosaurs By: Dennis Muren, ASC
Special Dinosaur Effects: Michael Lantieri
Dinosaur Supervisor: Phil Tippett
Special Visual Effects: Industrial Light & Magic
Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Bob Peck, Martin Ferrero, B.D. Wong, Samuel L. Jackson, Wayne Knight, Joseph Mazzello, Ariana Richards

The Lost World: Jurassic Park
Directed By: Steven Spielberg
Produced By: Gerald R. Molen and Colin Wilson
Screenplay By: David Koepp
Based on the Novel “The Lost World” By: Michael Crichton
Executive Producer: Kathleen Kennedy
Director of Photography: Janusz Kaminski, ASC
Production Designer: Rick Carter
Film Editor: Michael Kahn, ACE
Music By: John Williams
Live Action Dinosaurs: Stan Winston
Full Motion Dinosaurs By: Dennis Muren, ASC
Special Dinosaur Effects: Michael Lantieri
Special Visual Effects: Industrial Light & Magic
Cast: Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard

Jurassic Park III
Directed By: Joe Johnston
Produced By: Kathleen Kennedy, Larry Franco
Written By: Peter Buchman and Alexander Payne & Jim Taylor
Based on Characters Created By: Michael Crichton
Executive Producer: Steven Spielberg
Director of Photography: Shelly Johnson, ASC
Production Designer: Ed Verreaux
Editor: Robert Dalva
New Music By: Don Davis
Original Themes By: John Williams
Live Action Dinosaurs: Stan Winston Studio
Animation and Special Visual Effects By: Industrial Light & Magic
Cast: Sam Neill, William H. Macy, Tea Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter


NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.