Showing posts with label Alexander Payne. Show all posts
Showing posts with label Alexander Payne. Show all posts

Monday, January 3, 2011

Review: "I Now Pronounce You Chuck and Larry" Dumb and Eloquent


TRASH IN MY EYE No. 144 (of 2007) by Leroy Douresseaux

I Now Pronounce You Chuck and Larry (2007)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for crude sexual content throughout, nudity, language, and drug references
DIRECTOR: Dennis Dugan
WRITERS: Barry Fanaro and Alexander Payne and Jim Taylor; from a treatment by Lew Gallo
PRODUCERS: Michael Bostick, James D. Brubaker, Jack Giarraputo, Adam Sandler, and Tom Shadyac
CINEMATOGRAPHER: Dean Semler
EDITOR: Jeff Gourson

COMEDY

Starring: Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd, Ving Rhames, Steve Buscemi, Nicholas Turturro, Nick Swardson, Blake Clark, Mary Pat Gleason, Cole Morgan, Shelby Adamowsky, and Robert Smigel; also Rob Schneider and David Spade

In I Now Pronounce You Chuck and Larry, two guys’ guys pose as gay lovers in order for one of the men to make sure his children get his insurance benefits.

New York City firemen Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are the pride of their fire station. Loyal to the core, they’ll do anything for each other, but after Larry saves Chuck’s life, Chuck is about to find out just how much owing his buddy will cost him. When widower Larry realizes that civil service red tape might keep his children, Eric (Cole Morgan) and Tori (Shelby Adamowsky), from getting his life insurance benefits, he knows that one of the ways to insure his children’s financial future is to get married.

Still deeply mourning his late wife, Larry hasn’t dated since her death or really moved on from that tragedy. A newspaper article gives him a crazy idea – domestic partnership benefits for same-sex couples, so he asks Chuck to pose as his live-in gay lover. Chuck, however, has a vigorous sex life as a heterosexual and often entertains several women at a time, and wants no part of Larry’s plan. But he owes Larry. After the friends start posing as love-struck newlyweds, nosey city bureaucrat, Clinton Fitzer (Steve Buscemi), starts to investigate the alleged relationship, so the buddies are forced to present a genuine picture of domestic bliss. After the boys hire a lawyer that specializes in their situation, Chuck falls hard for their sexy attorney, Alex McDonough (Jessica Biel), and his lust just might reveal his and Larry’s secret.

I Now Pronounce You Chuck and Larry is a somewhat badly made, broad comedy, but it sure is funny. The writers seem to have written a flimsy script that simply plays up to the numerous possibilities for comic misunderstanding this concept offers. It’s not lacking in cleverness so much as it is overly abundant in crassness and gross-out humor. That crudeness is actually personified more in Ving Rhames’ Fred G. Duncan, a sort of Mandingo as giant, threatening homo, than it is in Adam Sandler’s Chuck, who is a self-admitted “whore.” In fact, neither Sandler nor Kevin James is anywhere near doing his best work. As for Biel, her body is still a wonderland, and we get to see quite a bit of it.

Although this movie comes across as a rutting goat, where I Now Pronounce You Chuck and Larry actually beats the low expectations that many had for it is in the film’s not-too-preachy attitude about acceptance of gays and the gay lifestyle. The filmmakers and their stars, Sandler and Kevin, vigorously assault anti-gay sentiment, gay-bashing, and gay slurs wherever they find it. The film also offers generous samples of gay clubs, drag queens, and flashy dancing.

On the other hand, the film does offer several brief scenes that reveal the not-fun-side of being a gay couple. Quite frankly, it’s uncomfortable and embarrassing to watch Chuck and Larry’s friends and colleagues suddenly become quite skittish about their old friends once they discover that the duo is a gay couple. Even worse is to watch the people that Larry knows from his children’s school, sports leagues, and the Boy Scouts suddenly remove his name from participation lists. It’s almost as if he died.

How this mixture of raunch and gross can have positive messages about family and acceptance of others is a mystery. That the filmmakers made a bad movie so funny and entertaining is an even deeper mystery.

6 of 10
B

Friday, December 28, 2007

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Monday, February 22, 2010

Review: Oscar-Nominated "About Schmidt" a Dry Affair

TRASH IN MY EYE No. 37 (of 2006) by Leroy Douresseaux


About Schmidt (2002)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – R for some language and brief nudity
DIRECTOR: Alexander Payne
WRITERS: Jim Taylor and Alexander Payne (from the novel by Louis Begley)
PRODUCERS: Michael Besman and Harry Gittes
CINEMATOGRAPHER: James Glennon
EDITOR: Kevin Tent
Academy Award nominee

DRAMA with elements of comedy

Starring: Jack Nicholson, Kathy Bates, Hope Davis, Dermot Mulroney, June Squibb, and Howard Hesseman

Before they won an Oscar for the meandering road film/midlife crisis tale, Sideways, the team of director/co-writer Alexander Payne and co-writer Jim Taylor fashioned the meandering road movie/geriatric life crisis, About Schmidt.

In the film, Warren R. Schmidt (Jack Nicholson) has just retired from his job as an insurance actuary. He is dealing with the fact that he thinks that his life has been a waste. Warren is also preoccupied by the things about his wife, Helen (June Squibb), that have always bothered him; in retirement, those things are really starting to work on his nerves. After Helen dies suddenly, Warren heads to Denver where his daughter, Jeannie (Hope Davis), is nearing her wedding to a waterbed salesman, Randall Hertzel (Dermot Mulroney), whom Warren doesn’t like. Warren hopes to dissuade Jeannie from marrying Randall, but Warren also has to deal with Randall’s eccentric family, including his mother, the lusty Roberta (Kathy Bates). But will this trip give meaning to Warren’s life?

In spite of its Oscar-nominated pedigree, About Schmidt is mostly an average film. Jack Nicholson gives a fine performance as Warren Schmidt, but you feel sorry for the character more than you root for him. That’s not necessarily bad, but considering that this film’s tone is more pathetic than poignant, it’s difficult to not find this entire scenario and the characters a little annoying. Kathy Bates gives a nice performance, trying to make her Roberta Hertzel more than just a one-note oddity. James Glennon’s photography certainly captures the essence of a soul adrift that is the core of the lead character.

However, no Payne/Taylor film is without its moments that help an average film be a little more interesting. The better elements in Sideways made it a good film, overcoming stretches of dryness; About Schmidt gets a bump, but not as much as Sideways. The film’s opening scene, in which Warren watches the clock tick away the last minutes of his career, is art itself, and the closing of the film brings some heart and heat to this cold and dry affair.

5 of 10
B-

NOTES:
2003 Academy Awards: 2 nominations: “Best Actor in a Leading Role” (Jack Nicholson) and “Best Actress in a Supporting Role” (Kathy Bates)


2003 BAFTA Awards: 1 nomination: best actor (Nicholson)


2003 Golden Globes: 2 wins: best motion picture actor-drama (Nicholson) and best screenplay-motion picture; 3 nominations: best picture-drama, best director-motion picture, and best supporting actress-motion picture (Bates)

Sunday, February 19, 2006