The Hobbit 2 Surges Past $500 Million in Worldwide Box Office

“The Hobbit: The Desolation of Smaug” Tops $500 Million Worldwide

BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: The Desolation of Smaug” continues its climb up the worldwide box office, crossing $500 million globally. The film, a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), has thus far grossed an estimated $160.5 million domestically and $343.5 million internationally, for a worldwide estimated total of $504 million and growing.

The joint announcement was made today by Gary Barber, Chairman and Chief Executive Officer, Metro-Goldwyn-Mayer Studios; Toby Emmerich, President and Chief Operating Officer, New Line Cinema; Sue Kroll, President of Worldwide Marketing and International Distribution, Warner Bros. Pictures; Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures; and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

Moving into its third week in release, “The Hobbit: The Desolation of Smaug” continues to dominate the global box office, remaining the #1 film in U.S. and abroad. Internationally, the film has released in 61 territories, with key markets China and Japan set to open in the coming months.

“The Hobbit: The Desolation of Smaug” is the second film in Oscar®-winning filmmaker Peter Jackson’s epic “The Hobbit” Trilogy, based on the timeless novel by J.R.R. Tolkien. The first film, “The Hobbit: An Unexpected Journey,” was released on December 14, 2012, and went on to become a billion dollar success at the worldwide box office.

In making the announcement, Fellman said, “Peter Jackson has delivered the perfect holiday treat for moviegoers. We anticipate that the film will continue to have terrific playability well into the new year as more people join in the adventure or return to experience it again and again.”

Kwan Vandenberg added, “With fantastic box office numbers and word-of-mouth continuing to build internationally, ‘The Hobbit: The Desolation of Smaug’ is a global event. Warner Bros. joins our partners at New Line and MGM in congratulating Peter Jackson, his cast and crew, and everyone involved in this film on this milestone.”

From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.

Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Stephen Fry, Ken Stott, James Nesbitt, and Orlando Bloom as Legolas. The film also stars Mikael Persbrandt, Sylvester McCoy, Aidan Turner, Dean O’Gorman, Graham McTavish, Adam Brown, Peter Hambleton, John Callen, Mark Hadlow, Jed Brophy, William Kircher, Stephen Hunter, Ryan Gage, John Bell, Manu Bennett and Lawrence Makoare.

The screenplay for “The Hobbit: The Desolation of Smaug” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: The Desolation of Smaug.” The film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.

www.thehobbit.com

2014 London Critics' Circle Film Awards - Complete Nominations List

by Amos Semien

The London Film Critics’ Circle is part of a larger organization, The Critics’ Circle, which makes an annual award for Services to the Arts.  This circle is comprised of the five sections:  dance, drama, film, music, and visual arts.

On its website, The Circle says that its aims are “to promote the art of criticism, to uphold its integrity in practice, to foster and safeguard members’ professional interests, to provide opportunities to meet, and to support the advancement of the arts.”  Currently there are more than 400 members of the Circle, mostly from the UK, and the majority of them write regularly for national and regional newspapers and magazines.  Membership is by invitation.

The following is the press release announcing the 34th edition of the film awards:

London Critics’ Circle Announces 2014 Film Awards Nominations

Gary Oldman to accept the Dilys Powell Award For Excellence In Film, while Steve McQueen’s 12 Years a Slave leads the field with 9 nominations

The nominations for the 34th London Critics' Circle Film Awards were announced, with British director Steve McQueen’s 12 Years A Slave topping members’ ballots with 9 nominations.

Gary Oldman will be accepting the Circle’s most prestigious award, the Dilys Powell Award For Excellence In Film at the London Critics' Circle Film Awards on Sunday, February 2, 2014. He comments: “I am truly honoured, and humbled to be named for this prestigious award, especially when one considers both who is doing the awarding and also the inspirational list of past recipients. I can’t wait to be there.”

The London Critics' Circle Film Awards are voted for by the UK’s longest standing and most prestigious critical organisation, which boasts 140 members who between them see every one of the hundreds of films released in the UK each year. The Circle's Film Section Chair, Jason Solomons comments: "The London critics have yet again voted for a brilliant mix of films that reflects London's position as a hub of world cinema culture, both in production and appreciation.

"All the nominated films and performances have found champions and crucial support from London critics as they journey around the world, from their debuts at festivals including Cannes, Venice, Toronto, Berlin, Sundance, London and Edinburgh, where our critics show that their taste, knowledge, passion and influence remain vital and highly respected aspects of film culture. More than 200 different films were nominated on the ballots.

"I look forward to finding out our winners and send early congratulations to Gary Oldman, an icon of London cinema who has given us all pride and pleasure watching his outstanding, constantly surprising and thrilling screen career.”

12 Years A Slave leads the pack with nominations in the following categories: Film of the Year, Best Actor (Chiwetel Ejiofor), Best Director (Steve McQueen), Supporting Actor (Michael Fassbender), Supporting Actress (Lupita Nyong'o), Screenwriter (John Ridley), British Actor (Chiwetel Ejiofor and Michael Fassbender) and Technical Achievement (Sean Bobbitt, Cinematography). 12 Years A Slave will be released in the UK on 10 January 2014.

The next strongest showing at the nominations stage is for Stephen Frears’ Philomena, with nominations for British Film, Best Actress (Judi Dench), British Actor (Steve Coogan), British Actress (Judi Dench) and Screenwriter (Steve Coogan and Jeff Pope) bringing the picture’s total to five nominations.

Also receiving multiple nominations were Woody Allen’s BLUE JASMINE, Jon Baird's FILTH, Alfonso Cuarón’s GRAVITY and Martin Scorsese’s THE WOLF OF WALL STREET, with four nods each. Following hot on their heels, the following films all received three nominations each: David O. Russell’s American Hustle, Abdellatif Kechiche’s Blue Is the Warmest Colour, Paul Greengrass’ Captain Phillips, Noah Baumbach’s Frances Ha, Paolo Sorrentino’s The Great Beauty, the Coen Brother’s Inside Llewyn Davis, Alexander Payne’s Nebraska and Clio Barnard’s The Selfish Giant.

34th LONDON CRITICS' CIRCLE FILM AWARDS NOMINATIONS:

FILM OF THE YEAR
Blue Is the Warmest Colour
Blue Jasmine
Frances Ha
Gravity
The Great Beauty
Her
Inside Llewyn Davis
Nebraska
12 Years a Slave
The Wolf of Wall Street

FOREIGN-LANGUAGE FILM OF THE YEAR
Blue Is the Warmest Colour
Caesar Must Die
Gloria
The Great Beauty
A Hijacking


BRITISH FILM OF THE YEAR
A Field in England
Filth
Philomena
Rush
The Selfish Giant

DOCUMENTARY OF THE YEAR
The Act of Killing
Beware of Mr Baker
Leviathan
Stories We Tell
We Steal Secrets: The Story of WikiLeaks

ACTOR OF THE YEAR
Bruce Dern - Nebraska
Leonardo DiCaprio - The Wolf of Wall Street
Michael Douglas - Behind the Candelabra
Chiwetel Ejiofor - 12 Years a Slave
Tom Hanks - Captain Phillips

ACTRESS OF THE YEAR
Cate Blanchett - Blue Jasmine
Sandra Bullock - Gravity
Judi Dench - Philomena
Adèle Exarchopoulos - Blue Is the Warmest Colour
Greta Gerwig - Frances Ha

SUPPORTING ACTOR OF THE YEAR
Barkhad Abdi - Captain Phillips
Michael Fassbender - 12 Years a Slave
James Gandolfini - Enough Said
Tom Hanks - Saving Mr Banks
Jared Leto - Dallas Buyers Club

SUPPORTING ACTRESS OF THE YEAR
Naomie Harris - Mandela: Long Walk to Freedom
Sally Hawkins - Blue Jasmine
Jennifer Lawrence - American Hustle
Lupita Nyong'o - 12 Years a Slave
June Squibb - Nebraska

BRITISH ACTOR OF THE YEAR
Christian Bale - American Hustle / Out of the Furnace
Steve Coogan - Alan Partridge: Alpha Papa / The Look of Love / Philomena / What Maisie Knew
Chiwetel Ejiofor - 12 Years a Slave
Michael Fassbender - The Counsellor / 12 Years a Slave
James McAvoy - Filth / Trance / Welcome to the Punch

BRITISH ACTRESS OF THE YEAR
Judi Dench - Philomena
Lindsay Duncan - About Time / Last Passenger / Le Week-end
Naomie Harris - Mandela: Long Walk to Freedom
Sally Hawkins - Blue Jasmine
Emma Thompson - Beautiful Creatures / Saving Mr Banks

YOUNG BRITISH PERFORMER OF THE YEAR
Conner Chapman - The Selfish Giant
Saoirse Ronan - Byzantium / The Host / How I Live Now
Eloise Laurence - Broken
George MacKay - Breakfast With Jonny Wilkinson / For Those in Peril / How I Live Now / Sunshine on Leith
Shaun Thomas - The Selfish Giant

DIRECTOR OF THE YEAR
Alfonso Cuarón - Gravity
Paul Greengrass - Captain Phillips
Steve McQueen - 12 Years a Slave
Paolo Sorrentino - The Great Beauty
Martin Scorsese - The Wolf of Wall Street

SCREENWRITER OF THE YEAR
Ethan Coen & Joel Coen - Inside Llewyn Davis
Spike Jonze - Her
Steve Coogan & Jeff Pope - Philomena
John Ridley - 12 Years a Slave
Terence Winter - The Wolf of Wall Street

BREAKTHROUGH BRITISH FILMMAKER
Jon S Baird - Filth
Scott Graham - Shell
Marcus Markou - Papadopoulos & Sons
Rufus Norris - Broken
Paul Wright - For Those in Peril

TECHNICAL ACHIEVEMENT AWARD
American Hustle - Judy Becker, production design
Behind the Candelabra - Howard Cummings, production design
Filth - Mark Eckersley, editing
Frances Ha - Sam Levy, cinematography
Gravity - Tim Webber, visual effects
The Hunger Games: Catching Fire - Trish Summerville, costumes
Inside Llewyn Davis - T Bone Burnett, music
Stoker - Kurt Swanson & Bart Mueller, costumes
12 Years a Slave - Sean Bobbitt, cinematography
Upstream Colour - Johnny Marshall, sound design

DILYS POWELL AWARD FOR EXCELLENCE IN FILM: Gary Oldman

END

Review: Jack Benny is Eternally Cool in "To Be or Not to Be" (Remembering Jack Benny)

TRASH IN MY EYE No. 161 (of 2006) by Leroy Douresseaux

To Be or Not to Be (1942) – Black & White
Running time:  99 minutes (1 hour, 39 minutes)
PRODUCER/DIRECTOR:  Ernst Lubitsch
WRITERS:  Edwin Justus Mayer; from a story by Melchior Lengyel
CINEMATOGRAPHER:  Rudolph Maté
EDITOR:  Dorothy Spencer
COMPOSER: Werner R. Heymann
Academy Award nominee

COMEDY/DRAMA/WAR

Starring:  Carole Lombard, Jack Benny, Robert Stack, Felix Bressart, Lionel Atwill, Stanley Ridges, Sig Ruman, Tom Dugan, Charles Halton, George Lynn, Henry Victor, Maude Eburne, Halliwell Hobbes, and Miles Mander

The subject of this movie review is To Be or Not to Be, a 1942 film starring Carole Lombard and Jack Benny.  The film was produced and directed by Ernst Lubitsch, who also wrote the film’s original story with Melchior Lengyel, although Lubitsch did not receive a screen credit.  Set during the Nazi occupation of Poland, the film focuses on an acting troupe involved in a Polish soldier’s efforts to track down a German spy.

If you’ve ever seen the 1983 Mel Brooks’ film, To Be or Not to Be and wondered how anyone could eke laughs out of the Nazi’s invading Poland, part of that most contentious time in recent history, World War II, then imagine how shocked many moviegoers must have been when they the original To Be or Not to Be, a 1942 directed by Ernst Lubitsch.

In occupied Poland, ham actor Joseph Tura (Jack Benny) leads a troupe of actors in a game of subterfuge against the Nazi’s.  It begins with the Nazi’s invasion of Poland.  At the same time, Tura’s wife, Maria (Carole Lombard, who was killed in a plane crash before this film was release), is returning the affections a young military pilot, Lt. Stanislav Sobinski (Robert Stack), who often visits the Turas’ theatre, the Polski, to woo Maria.  After the invasion, Sobinski escapes to England where he continues the fight against the Nazis.  However, he must sneak back into Poland to stop Prof. Alexander Siletsky (Stanley Ridges), a Nazi spy who has information on the efforts of the Resistance in Poland.  Upon discovering Maria and Sobinski’s playful “affair,” Tura is reluctant to help the young pilot, but his patriotism wins the day.  Tura and his ragtag troupe of actors don Nazi uniforms and march right into the heart of the Gestapo headquarters in Warsaw to take on Nazi Col. Ehrhardt (Sig Ruman), but his is a game not only to save the Resistance, but also save their own necks.

Ernst Lubitsch is perhaps one of Hollywood’s best directors of satire and subtle comedy, and his phrase, “The Lubitsch Touch,” became famous because his films reflected his sophisticated wit and style.  Taking nothing away from a novel concept and unconventional comic script or even denying the talents of the cast, a film like To Be or Not to Be could be a disaster without a master helmsman.  Lubitsch (who directed Ninotchka, The Shop Around the Corner, and Heaven Can Wait among other) gracefully mixes menace and comic in an erudite manner that manages to poke fun at the Nazi’s (essentially this movie is the filmmakers’ way of thumbing their noses at Nazi Germany), while satirizing the Nazis’ insatiable need to conquer and their arrogance in believing that they had all the right answers.  While Mel Brooks remake was broad slapstick presented as if it were a stage show (vaudeville?), Lubitsch film is a clever farce that treads broad comedy with highly understated sexual innuendo, cunning wordplay, and sly mischief.

Although they’re good, most of the cast comes across as either workman-like character actors and glorified extras, which is not an insult to them.  There are some standout performances.  Sig Ruman as Col. Ehrhardt personifies this film’s monsters/clowns approach to the Nazis, and Henry Victor is menacing as the machine-like Capt. Schulz, so much so that he is the victim of some of the film’s best humor.  Carole Lombard pretty much owns the first half of the film, and while the second half relegates her to a supporting player, it allows her breezy sexiness and comedic talents to shine through.  Whenever she dresses in an evening gown, the audience can see why she was one of those special actresses who personified the glamour of old Hollywood.

The second half of the film belongs to Jack Benny.  His gentle sarcasm, mock self-deprecating humor, and his clueless belief that he was more talented than he was – all part of his act – solidifies this film’s unusual mixture of farce, slapstick, patriotism, and idealism.  Benny is a sly fox and his Joseph Tura knows he’s smarter than the Nazi’s, even when he’s in mortal danger.  His performance mixes leading man as comic hero and comic hero as overconfident ringmaster.  The joke was supposed to be on Benny’s Joseph Tura, and it is for a long time.  Still, Tura will get the last laugh no matter how many times the joke’s on him.  It is that uncommon nature that makes To Be or Not to Be an inimitable comedy and drama.

8 of 10
A

NOTES:
1943 Academy Awards:  1 nomination: Best Music, Scoring of a Dramatic or Comedy Picture (Werner R. Heymann)

1996 National Film Preservation Board, USA:  National Film Registry

Friday, July 28, 2006

Updated:  Thursday, December 26, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: 1983 Version of "To Be or Not to Be" Still a Favorite

TRASH IN MY EYE No. 119 (of 2006) by Leroy Douresseaux

To Be or Not to Be (1983)
Running time:  107 minutes (1 hour, 47 minutes)
MPAA – PG
DIRECTOR:  Alan Johnson
WRITERS:  Ronny Graham and Thomas Meehan (based upon the 1942 screenplay by Edwin Justus Mayer; from a story by Ernst Lubitsch and Melchior Lengyel)
PRODUCER:  Mel Brooks
CINEMATOGRAPHER:  Gerald Hirschfeld
EDITOR:  Alan Balsam
COMPOSER:  John Morris
Academy Award nominee

COMEDY/DRAMA with elements of music and war

Starring:  Mel Brooks, Anne Bancroft, Tim Matheson, Charles Durning, Christopher Lloyd, José Ferrer, Ronny Graham, Estelle Reiner, Zale Kessler, Jack Riley, Lewis J. Stradlen, George Gaynes, George Wyner, and James Haake

The subject of this movie review is To Be or Not to Be, a 1983 comedy-drama starring Anne Bancroft and Mel Brooks, who also produced the film.  Directed by Alan Johnson, To Be or Not to Be is a remake of the 1942 film, To Be or Not to Be, which starred Carole Lombard and Jack Benny.  In the 1983 film, a bad Polish actor is depressed that World War II has complicated his professional life and that his wife has a habit of entertaining young Polish officers.  One of her young officers, however, is about to get the actor and his acting troupe involved in a complicated plot against the Nazis.

Frederick Bronski (Mel Brooks) and his wife, Anna (Anne Bancroft), are impresarios of a Polish acting troupe in Warsaw, Poland circa 1939.  Their Bronski Follies, performed of course in the Bronski Theatre, is the toast of the city.  However, Germany invades Poland, and, arriving in Warsaw, the Nazis take the Bronskis’ stately home as their headquarters and also close the theatre.

Later, the Bronskis and their acting ensemble get involved with Lt. Andre Sobinski (Tim Matheson), a young Polish fighter pilot (who is smitten with Anna), in a complex subterfuge to prevent the Germans from getting their hands on a list of Polish underground fighters.  Things get more complicated when Nazi Colonel Erhardt (Charles Durning, in a performance that earned him an Oscar nod) orders the Bronski Theatre open again to perform for the Furher himself when Adolf Hitler visits Warsaw.

Real-life husband and wife Mel Brooks and Anne Bancroft made a great comic team in To Be or Not to Be, a zesty remake of Ernst Lubitsch’s 1942 film classic starring Carole Lombard and Jack Benny.  This film is, of course, filled with delightful musical numbers and a splendid array of costumes, clothes, and uniforms.  But what would a Mel Brooks film be without comedy?

Although Brooks did not direct To Be or Not to Be (the honor went to Alan Johnson), this is clearly a “Mel Brooks movie.”  It isn’t a parody or send-up of anything (as Brooks films are want to be).  It is, however, a witty and often dark farce marked by suave comedy and droll dialogue.  The Nazis are played for fun (Christopher Lloyd and Charles Durning make a comical duo), but their awful menace is always present.  The filmmakers managed to be both respectful and funny with history.  While To Be or Not to Be isn’t as funny as Blazing Saddles or Young Frankenstein, it isn’t far behind those two comic classics, and it is a fine comedy-historical in the vein of Brooks’ History of the World, Part I.

8 of 10
A

NOTES:
1984 Academy Awards:  1 nomination: “Best Actor in a Supporting Role” (Charles Durning)

1984 Golden Globes:  2 nominations: “Best Performance by an Actress in a Motion Picture - Comedy/Musical” (Anne Bancroft) and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Charles Durning)

Updated:  Thursday, December 26, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Christmas Greetings from Negromancer

To everyone:  Merry Christmas, Happy Holidays, and Seasons Greetings.

Review: "A Christmas Story" is Truly Timeless

TRASH IN MY EYE No. 4 (of 2007) by Leroy Douresseaux

A Christmas Story (1983)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – PG
DIRECTOR:  Bob Clark
WRITERS:  Jean Sheperd, Leigh Brown, and Bob Clark (based upon the book In God We Trust, All Others Pay Cash)
PRODUCERS:  Bob Clark and René Dupont
CINEMATOGRAPHER:  Reginald H. Morris (D.o.P.)
EDITOR:  Stan Cole
COMPOSERS:  Paul Zaza and Carl Zittrer

COMEDY/FAMILY

Starring:  Melinda Dillon, Darren McGavin, Peter Billingsley, Ian Petrella, Scott Schwartz, R.D. Robb, Tedde Moore, Yano Anaya, Zack Ward, Jeff Gillen, and Jean Shepherd (also narrator)

The subject of this movie review is A Christmas Story, a 1983 Christmas movie from director Bob Clark.  Although it was produced by an American film studio, MGM, some of the movie was shot in Canada.  A Christmas Story won two Genie Awards (then, Canada’s equivalent of the Oscars) for its direction and screenplay and was nominated in seven other categories, including “Best Motion Picture.”  In the film, a nine-year-old boy tries to convince his parents, his teacher, and Santa that a Red Ryder B.B. gun really is an appropriate gift for him.

Writer/director Bob Clark turned humorist Jean Shepard’s nostalgic view of the Christmas season in 1940’s Indiana into a classic holiday movie, A Christmas Story.  All nine-year old Ralphie Parker (Peter Billingsley) really wants for Christmas is a Red Ryder 200-shot range model air rifle – a BB gun.

The adults in his life, even Ralphie’s parents, Mrs. Parker (Melinda Dillon) and The Old Man aka Mr. Parker (Darren McGavin), think that the Red Ryder BB Gun is not a safe toy, or as they keep telling him, “You’ll shoot your eye out!”  While waging an all-out campaign for his BB gun, Ralphie dodges bullies and deals with his little brother, Randy’s (Ian Petrella) food issues.  Even Mr. Parker has his struggles as he fights a series of never-ending battles with his neighbor’s large pack of dogs, his home’s troublesome furnace, and an endless number of blown fuses.

I’m not sure why this delightful little Christmas movie works, but it does.  The narration isn’t always good; sometimes it sounds unprofessional.  The directing is exceedingly ordinary, but that adds a certain realism to movie.  Perhaps, A Christmas Story’s success is based on how real and authentic it seems.  Although set in the early 1940’s, A Christmas Story feels timeless.  Set in a town based upon Hammond, Indiana, where co-screenwriter Jean Shepherd grew up (but filmed largely in Cleveland, Ohio), the movie looks like it could take place in “Anytown, U.S.A.”

Wonderful performances help create the ambience.  Darren McGavin, who plays The Old Man, is always a welcomed sight, and Melinda Dillon is pitch perfect as the ideal middle-American mom.  What is really surprising is how good the child actors are, especially the leads Peter Billingsley and Ian Petrella.  Maybe, it’s because the child actors in this movie are real kids who act like real kids, while child actors often seem to struggle with portraying what they actually are – children.  As Ralphie Parker, Billingsley personifies the kid who just wants one thing for Christmas so badly, knowing that he might not get it.

In the end, maybe Billingsley’s performance is what makes A Christmas Story an indispensable Christmas movie, but there’s also much more in this gem of a yuletide flick to love.

7 of 10
A-

Saturday, January 6, 2007

NOTES:
2012 National Film Preservation Board, USA:  National Film Registry

Updated:  Monday, December 23, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

"12 Years a Slave" Captures Las Vegas Film Critics Society

by Amos Semien

The Las Vegas Film Critics Society (LVFCS) awarded director Steve McQueen's 12 Years a Slave as the "Best Picture" of 2013.  McQueen also earned the "Best Director" prize.  John Goodman received the William Holden Lifetime Achievement Award.

The LVFCS is a non-profit organization that describes itself as “progressive” and “dedicated to the advancement and preservation of film.”  The LVFCS membership is comprised of “select” print, television and internet film critics in the Las Vegas area. The LVFCS presents its "Sierra" awards each year for the best in film, including The William Holden Lifetime Achievement Award, which is named for the late Academy Award winning actor.

2013 Sierra Award winners:

Best Picture
“12 Years a Slave”

Best Actor
Matthew McConaughey, “Dallas Buyers Club”

Best Actress
Emma Thompson, “Saving Mr. Banks”

Best Supporting Actor
Jared Leto, “Dallas Buyers Club”

Best Supporting Actress
Lupita Nyong’o, “12 Years a Slave”

Best Director
Steve McQueen, “12 Years a Slave”

Best Screenplay
Spike Jonze, “Her”

Best Cinematography
Emmanuel Lubezki, “Gravity”

Best Film Editing
Alfonso Cuaron & Mark Sanger, “Gravity”

Best Costume Design
Patricia Norris, “12 Years a Slave”

Best Art Direction
Andy Nicholson, “Gravity”

Best Visual Effects
“Gravity”

Best Foreign Film
“Blue is the Warmest Color”

Best Documentary
“Blackfish”

Best Animated Film
“Frozen”

Best Family Film
“Saving Mr. Banks”

Best Horror/Sci-Fi Film
“Pacific Rim”

Best Comedy Film
“This is the End”

Best Action Film
“Lone Survivor”

Best Score
Hans Zimmer, “12 Years a Slave”

Best Song
“Please Mr. Kennedy,” – “Inside Llewyn Davis”

Youth in Film
Tye Sheridan, “Mud”

Best DVD (Packaging, Design and Content):
“Breaking Bad – The Complete Series” (Blu-Ray)

LVFCS Top 10 Films of 2013
1.     12 Years a Slave
2.     Dallas Buyers Club
3.     Gravity
4.     The Wolf of Wall Street
5.     American Hustle
6.     Inside Llewyn Davis
7.     Saving Mr. Banks
8.     Nebraska
9.     Her
10.   Lone Survivor


William Holden Lifetime Achievement Award:  John Goodman

http://www.lvfcs.org/lvfcs/Home.html

END