Review: "Star Trek: First Contact" is a Franchise Highpoint

TRASH IN MY EYE No. 215 (of 2006) by Leroy Douresseaux

Star Trek: First Contact (1996)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – PG-13 for some sci-fi adventure violence
DIRECTOR: Jonathan Frakes
WRITERS: Ronald D. Moore and Brannon Braga; from a story by Ronald D. Moore, Brannon Braga, and Rick Berman (based on the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER: Rick Berman
CINEMATOGRAPHER: Matthew F. Leonetti (D.o.P.)
EDITORS: John W. Wheeler with Anastasia Emmons
COMPOSER: Jerry Goldsmith
Academy Award nominee

SCI-FI/FANTASY/ACTION/ADVENTURE/DRAMA

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Alfre Woodard, James Cromwell, Alice Krige, Neal McDonough, Robert Picardo, and Dwight Schultz

The subject of this movie review is Star Trek: First Contact, a 1996 science fiction drama and thriller from director Jonathan Frakes, who is also a Star Trek cast member. First Contact is the eighth movie in the Star Trek film franchise.

The cast of the syndicated series, “Star Trek: The Next Generation” returns in their second Star Trek feature film, Star Trek: First Contact. This time, Captain Jean Luc-Picard (Patrick Stewart) leads the crew of the newly commissioned U.S.S. Enterprise-E in a battle against one of the most feared villains of the TV series, the Borg, a sinister alien race of half-machine, half-organic beings.

Once upon a time, the Borg captured Picard and assimilated him into the Borg collective, re-naming him Locutus. Although Picard escaped (which is rare), he never forgot or forgave the Borg for the experience. As First Contact begins, the Enterprise-E is on a routine patrol when Picard gets a message from Starfleet Headquarters that the Borg have entered Federation space and are on a direct course for Earth. Although his orders are to stand down, Picard has the Enterprise enter the fray, and he leads the attack that destroys the Borg ship. Before their ship is destroyed, the Borg jettison an escape pod, which the Enterprise follows. Scanning the pod, the Enterprise discovers that it is entering a time vortex, so Picard has the Enterprise follow it through the vortex.

The Borg have gone back in time to attack Earth when it is vulnerable, a dark age just after World War III. Picard and crew learn that they have come back precisely on the day of April 4, 2063, which is 24 hours before the most momentous day in human history – April 5, 2063 – First Contact. Commander William Riker (Jonathan Frakes) and Lt. Commander Geordi La Forge (LeVar Burton) land on this Earth of the past to help a shabby scientist, Dr. Zefram Cochrane (James Cromwell), keep his date with destiny. Meanwhile, Picard, Lt. Commander Worf (Michael Dorn), the remaining Enterprise crew, and a guest from the Earth below, Lily Sloane (Alfre Woodard), fight to keep the Borg and their Borg Queen (Alice Krige) from using the ship to destroy the future, as they know it.

Star Trek: First Contact is the best of the four films spun from “The Next Generation,” and it’s an old fashioned romantic adventure (with “romance” in this instance not meaning “love”). ST:FC blends pulp sci-fi with the optimism of the original Star Trek. The central line of conflict – Picard and Worf’s attempts to save the Enterprise-E crew from being turned into Borg drones – is riveting. Towards that end, Patrick Stewart, Michael Dorn, and Alfre Woodard shine in showy roles.

The rest of the story that takes place on mid-21st Earth – Riker and La Forge’s quest to help Zefram Cochrane make history – is a pleasant diversion from the heady action on the Enterprise. It is here that the writers reveal the ingenuity of the plot – that of man both in his past self and his future self fighting all manner of obstacles to reach the stars. Humanity literally has to be ready for anything, and has to be ready to create out of chaos. If you choose only to watch one Star Trek film, First Contact would be a fine choice.

8 of 10
A

NOTES:
1997 Academy Awards: 1 nomination for “Best Makeup” (Michael Westmore, Scott Wheeler, and Jake Garber)

1997 Image Awards: 1 nomination for “Outstanding Supporting Actress in a Motion Picture” (Alfre Woodard)

Thursday, October 19, 2006

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Brave's "Merida" Now a Disney Princess

Gymnastics gold medalist Gabby Douglas and her mother Natalie Hawkins look on as the heroine from the Disney-Pixar animated film "Brave" is crowned a Disney Princess by her mother Queen Elinor on May 11, 2013 in conjunction with Mother's Day festivities at Walt Disney World Resort in Lake Buena Vista, Fla. (Photo: Business Wire)

Disney Welcomes the Brave and Passionate Merida into the Disney Princess Royal Court

Gymnastics Gold Medalist, Gabby Douglas Hosts Royal Celebration With Her Mom At Walt Disney World On Mother’s Day Weekend

ORLANDO, Fla.--(BUSINESS WIRE)--In celebration of mothers and daughters everywhere, Disney today proudly welcomed Merida from Disney∙Pixar’s Academy Award® winning film, “Brave,” into the Disney Princess royal court. With her mother Queen Elinor proudly by her side, the ceremony took place at the Magic Kingdom in front of Cinderella’s Castle at Walt Disney World® Resort in conjunction with Mother’s Day festivities. Gymnastics Gold Medalist and All-Around champion, Gabby Douglas, hosted the celebration accompanied by her mother, and shared her personal story of strength, perseverance and courage - the true meaning of being a Disney princess.

Watched by hundreds of park guests, Merida’s procession through the Magic Kingdom to Cinderella’s Castle was led by a troop of Scottish dancers and an authentic pipe and drum band. In true Merida fashion, she forged her own path, foregoing the traditional horse-and-carriage arrival and instead wowing the audience as she rode in on her trusty horse Angus. She was welcomed on stage by the entire Disney Princess court, and was crowned by her mother Queen Elinor in a touching moment of love and respect that highlighted the unbreakable bond between mother and daughter. Over the last few years, the Disney Princess royal court has expanded to welcome new princess characters whose stories, personalities and inner qualities serve as role models inspiring girls around the world.

“I admire Merida for being determined and courageous as these are qualities that have had a big impact on my own life and helped me achieve my goals as an athlete,” said Gabby Douglas, gymnastics gold medalist. “And like Merida, I have a strong relationship with my mom, whose support and belief in me has helped me recognize my own inner princess qualities. It’s really special for us to be here and share in Merida’s celebration, especially on Mother’s Day weekend.”

“As a Disney Princess, Merida sets an admirable example for all, being brave, strong, passionate, determined and confident,” said Katherine Sarafian, “Brave’s” producer. “When Queen Elinor placed the crown on Merida’s head, it signified a moment of deep connection, as a mother recognized the spirit, heart and true personality of her daughter. It's moments like these that encapsulate what is special about being a princess, but also resonate with mothers across the world.”

On hand to join in on the festivities were 10-year-old and six-year-old British singers and TV personalities of “The Ellen DeGeneres Show,” Sophia Grace Brownlee and Rosie McClelland, who celebrated their inner princess by performing an original song on stage. Also in attendance were young girls and their families from Give Kids The World, a 70-acre nonprofit “storybook” resort where children with life-threatening illnesses and their families are treated to weeklong cost-free family vacations.

As part of Merida’s celebration, a group of 200 mom bloggers and their families attending the Walt Disney World Social Media Moms conference were treated to a first look at the latest video from the “I Am A Princess” campaign, which features Merida and a real-life young archer. The campaign’s message encourages girls to believe in themselves and their inner strength.

Highlights from Merida’s Royal Celebration ceremony will be available on May 15 at DisneyPrincess.com.


About Disney Consumer Products
Disney Consumer Products (DCP) is the business segment of The Walt Disney Company (NYSE:DIS) that delivers innovative and engaging product experiences across thousands of categories from toys and apparel to books and fine art. As the world’s largest licensor, DCP inspires the imaginations of people around the world by bringing the magic of Disney into consumers' homes with products they can enjoy year-round. DCP is comprised of three business units: Licensing, Publishing and Disney Store. The Licensing business is aligned around seven strategic brand priorities: Disney Baby & Classic Characters, Disney Media Networks & Games, Disney & Pixar Animation Studios, Disney Princess & Disney Fairies, Disney Live Action Film, Marvel, and Lucasfilm. Disney Publishing Worldwide (DPW) is the world's largest publisher of children's books, magazines, and digital products and also includes an English language learning business, consisting of over 40 Disney English learning centers across China and a supplemental learning book program. DPW's growing library of digital products includes best-selling eBook titles and original apps that leverage Disney content in innovative ways. The Disney Store retail chain operates across North America, Europe and Japan with more than 350 stores worldwide and is known for providing consumers with high-quality, unique products. Disney's official shopping portals online are www.DisneyStore.com and www.DisneyStore.co.uk. For more information, please visit Disney Consumer Products www.DisneyConsumerProducts.com or follow us at www.YouTube.com/DisneyLiving, www.Facebook.com/DisneyLiving and www.Twitter.com/DisneyLiving.

Review: Characters Grow in "Star Trek: Insurrection"

TRASH IN MY EYE No. 218 (of 2006) by Leroy Douresseaux

Star Trek: Insurrection (1998)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – PG for sci-fi action violence, mild language, and sensuality
DIRECTOR: Jonathan Frakes
WRITERS: Michael Piller; from a story by Michael Piller and Rick Berman (based upon the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER: Rick Berman
CINEMATOGRAPHER: Matthew F. Leonetti (director of photography)
EDITOR: Peter E. Berger
COMPOSER: Jerry Goldsmith

SCI-FI/ACTION/DRAMA with elements of mystery

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, F. Murray Abraham, Donna Murphy, Anthony Zerbe, Gregg Henry, Daniel Hugh Kelly, and Michael Welch

The subject of this movie review is Star Trek: Insurrection, a 1998 science fiction-action movie from director Jonathan Frakes, who is also a Star Trek cast member. Insurrection is the ninth film in the Star Trek film franchise.

The television cast of “Star Trek: The Next Generation” (1987-94) blast into its third Trek feature film, Star Trek: Insurrection. Captain Jean-Luc Picard (Patrick Stewart) leads his crew of the U.S.S. Enterprise-E to a mysterious world where metaphasic radiation has altered the aging process of its 600 inhabitants. The Federation (of which the Enterprise is a representative) has been secretly studying the inhabitants of the planet, humanoids known as the Ba’ku.

Data (Brent Spiner) was part of the research team on the planet, but he inexplicably rebels against them and attempts to destroy the secret research station. As Picard and company try to unravel why Data went berserk, they slowly unravel a conspiracy involving Vice-Admiral Dougherty (Anthony Zerbe), a shady Federation high official, and Ad-har Ru’afo (F. Murray Abraham), an alien leader determined to harness the planet’s power – even if it means the destruction of the Ba’ku.

Star Trek: Insurrection is an entertaining Star Trek flick, not great, but entertaining, still. As Capt. Picard, Patrick Stewart once again soars with the character, giving him more dramatic punch than in the TV series. Jonathan Frakes also improves on Commander William T. Riker, making him an affable fellow and a stout warrior (too bad we won’t get a Trek series with him as the lead). This film is notable for Oscar winner (and multiple nominee) F. Murray Abraham playing a Trek villain. Abraham is a great all-around actor who infuses his roles with drama, and his presence always enriches those films in which he appears – as he does with Star Trek: Insurrection.

6 of 10
B

Sunday, October 22, 2006

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New Tom Cruise and "300" Sequel Change Release Dates

Warner Bros. Pictures Announces Date Changes for Two Much-Anticipated Event Films

“All You Need is Kill” Moves to the Coveted Summer Frame -- the Sci-Fi Actioner Will Open on June 6, 2014

“300: Rise of an Empire” Shifts to March 7, 2014, Following the Same Release Pattern of the Original Blockbuster, “300”

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures has announced a change of release dates for two of its most-anticipated event films: “All You Need is Kill,” from Warner Bros. Pictures and Village Roadshow Pictures, and “300: Rise of an Empire,” from Warner Bros. Pictures and Legendary Pictures. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

“All You Need is Kill” has been moved to the Summer release corridor, opening on June 6, 2014, with select international markets predating the domestic release, starting the weekend of May 30, 2014. The earlier international release date was specifically chosen to put the opening two weeks ahead of the start of the World Cup. The move reflects the studio’s already strong belief in the huge science fiction actioner, which marks the first collaboration between two proven hit-makers, Tom Cruise and director Doug Liman.

The release date of “300: Rise of an Empire,” a new chapter in the epic “300” saga, has moved to March 7, 2014, with international territories opening day-and-date, reflecting the global popularity of the franchise. The first “300,” which was released in March 2007, went on to earn more than $456 million worldwide.

Fellman stated, “We have tremendous confidence in ‘All You Need is Kill’ and view it as a perfect tent pole for the Summer frame, with its combination of great cast, compelling story and tremendous action.”

Fellman also noted, “Moving ‘300: Rise of an Empire’ to March 7 continues in the tradition of the first ‘300,’ and kicks off the Spring movie-going season in epic style. The film is on track to become all that audiences have come to expect from the franchise.”

Kwan Vandenberg said, “We are thrilled about ‘All You Need is Kill’ heating up our Summer `14 slate. It is an action-packed adventure, told by an extraordinary cast, which is sure to have global appeal.

“We are also excited about the continuation of the ‘300’ saga,” Kwan Vandenberg added. “The first ‘300’ movie was a huge success internationally, and the day-and-date release of the new film is a great opportunity to turn its opening into a worldwide event.”


About “300: Rise of an Empire”:
Told in the breathtaking visual style of the blockbuster “300,” this new chapter of the epic saga takes the action to a fresh battlefield—on the sea—as Greek general Themistokles attempts to unite all of Greece by leading the charge that will change the course of the war. “300: Rise of an Empire” pits Themistokles against the massive invading Persian forces led by mortal-turned-god Xerxes, and Artemisia, vengeful commander of the Persian navy.

Warner Bros. Pictures and Legendary Pictures present, a Cruel and Unusual Films/Mark Canton/Gianni Nunnari Production, “300: Rise of an Empire.” The action adventure stars Sullivan Stapleton as Themistokles and Eva Green as Artemisia. Lena Headey reprises her starring role from “300” as the Spartan Queen, Gorgo; Hans Matheson stars as Aeskylos; David Wenham returns as Dilios; and Rodrigo Santoro stars again as the Persian King, Xerxes.

The film is directed by Noam Murro, from a screenplay by Zack Snyder & Kurt Johnstad, based on the graphic novel Xerxes, by Frank Miller. It is produced by Gianni Nunnari, Mark Canton, Zack Snyder, Deborah Snyder and Bernie Goldmann. Thomas Tull, Frank Miller, Stephen Jones and Jon Jashni serve as executive producers.

Opening in 3D and 2D in select theatres and IMAX on March 7, 2014, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

About “All You Need is Kill”:
Tom Cruise and Emily Blunt star in “All You Need is Kill,” directed by Doug Liman.

The story unfolds in a near future in which a hive-like alien race, called Mimics, have hit the Earth in an unrelenting assault, shredding great cities to rubble and leaving millions of human casualties in their wake. No army in the world can match the speed, brutality or seeming prescience of the weaponized Mimic fighters or their telepathic Alpha commanders. But now the world’s armies have joined forces for a last stand offensive against the alien horde, with no second chances.

The international cast also includes Bill Paxton, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong and Franz Drameh.

Liman directed the film from a screenplay by Dante W. Harper and Jez Butterworth & John-Henry Butterworth and Christopher McQuarrie, based on the acclaimed novel All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff, Tom Lassally, Jason Hoffs, Gregory S. Jacobs and Jeffrey Silver are the producers. The executive producers are Doug Liman, Dave Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Kim Winther and Tim Lewis serving as co-producers.

“All You Need is Kill” is a presentation of Warner Bros. Pictures, in association with Village Roadshow Pictures. Opening domestically on June 6, 2014, the film will be distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow.

Review: "Star Trek: Nemesis" Something of a Misstep

TRASH IN MY EYE No. 221 (of 2006) by Leroy Douresseaux

Star Trek: Nemesis (2002)
Running time: 117 minutes (1 hours, 57 minutes)
MPAA – PG-13 for sci-fi action violence and peril and a scene of sexual content
DIRECTOR: Stuart Baird
WRITERS: John Logan; from a story by Rick Berman, Brent Spiner, and John Logan
PRODUCER: Rick Berman
CINEMATOGRAPHER: Jeffrey L. Kimball
EDITOR: Dallas Puett
COMPOSER: Jerry Goldsmith

SCI-FI/FANTASY/ACTION/DRAMA

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Tom Hardy, Ron Perlman, Dina Meyer, Kate Mulgrew, and Wil Wheaton with Whoopi Goldberg

The subject of this movie review is Star Trek: Nemesis, a 2002 science fiction-action film from director Stuart Baird. Nemesis is the tenth entry in the Star Trek film franchise and was the last film in the franchise until the reboot, entitled Star Trek, in 2009.

The cast of the TV series, “Star Trek: The Next Generation” returns for its fourth (and final) feature film, Star Trek: Nemesis. Captain Jean-Luc Picard (Patrick Stewart) and the crew are celebrating the marriage of long-time lovers, Commander William T. Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis) when the Federation sends the Enterprise-E into the territory of the Federation’s old enemy, the Romulans. Picard is shocked to learn that the Romulan government is now run by a citizen of Remas, the sister of planet of Romulus.

The new Praetor Shinzon (Tom Hardy) requests that Picard beam down to the capitol city so that he may negotiate a truce with the Federation. Upon meeting Shinzon for the first time, Picard discovers that the Praetor has a shocking connection to him, and that Shinzon’s negotiations are merely a ruse for his planned attack on Earth.

The most dour and least successful Star Trek film at the box office, Star Trek: Nemesis will probably only find deep love from Trek devotees. The dramatic conflict between Picard and Shinzon is riveting, but at times this personal conflict drags on the rest of the film. Everyone and everything else is pushed far into the background, and when another character does come forward, it seems like an underdeveloped subplot. Entertaining, Star Trek: Nemesis is also clunky and listless, and it really seems like an episode of a TV show gussied up and also stretched past the point where it should have ended. It is, however, sad to see this part of the Star Trek franchise end, and this movie is not worthy of being that closing chapter.

5 of 10
C+

Thursday, October 26, 2006

Happy Mother's Day 2013

Negromancer wants to wish a "Happy Mother's Day" to all mothers, grandmothers, aunts, sisters, and everyone who assumes a "motherly" role for others.

Review: "The Hitchhiker’s Guide to the Galaxy" is Inventive, Odd, and Relaxed (Remembering Douglas Adams)

TRASH IN MY EYE No. 146 (of 2005) by Leroy Douresseaux

The Hitchhiker’s Guide to the Galaxy (2005)
COUNTRY OF ORIGIN: USA/UK
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – PG for thematic elements, action, and mild language
DIRECTOR: Garth Jennings
WRITERS: Douglas Adams and Karey Kirkpatrick (based upon the novel by Douglas Adams)
PRODUCERS: Gary Barber, Roger Birnbaum, Nick Goldsmith, Jay Roach, and Jonathan Glickman
CINEMATOGRAPHER: Igor Jadue-Lillo
EDITOR: Niven Howie
COMPOSER: Joby Talbot

SCI-FI/COMEDY/ACTION/ADVENTURE

Starring: Sam Rockwell, Mos Def, Zooey Deschanel, Martin Freeman, Bill Nighy, Warwick Davis, Anna Chancellor and John Malkovich, with the voices of Alan Rickman, Helen Mirren, Stephen Fry, Richard Griffiths, and Thomas Lennon

The subject of this movie review is The Hitchhiker’s Guide to the Galaxy, a 2005 British-American comic science fiction and adventure film. It is based on the 1979 novel, The Hitchhiker’s Guide to the Galaxy, which was written by the late author, Douglas Adams. The film follows the adventures of a man from Earth and his alien companion who is writing a new edition of “The Hitchhiker’s Guide to the Galaxy.”

Arthur Dent (Sam Rockwell) is an ordinary guy having what looks like another bad day, when he discovers that his house is scheduled for demolition to make way for an expressway. Then, his best friend, Ford Prefect (Mos Def), shows up and tells him that Earth is also scheduled for demolition by aliens to make way for a hyperspace expressway. Ford later whisks Arthur into space where they eventually end up on the super space ship, the Heart of Gold, captained by the dim-witted President of the Galaxy, Zaphod Beeblebrox (Sam Rockwell).

Arthur actually encountered Zaphod on Earth before, when the President stole the girl with whom Arthur had just fallen in love, Tricia (Zooey Deschanel). Tricia, now known as Trillian, is also on board, as is a chronically depressed android named Marvin (Warwick Davis with the voice by Alan Rickman). The unusual quintet search for the answers (and the questions) to the mystery of Life, the Universe, and Everything – with The Hitchhiker’s Guide to the Galaxy (voiced by Stephen Fry) as their… well, guide.

First published in 1979, Douglas Adams’ (1952-2001) novel, The Hitchhiker’s Guide to the Galaxy, is one of the all-time best selling science fiction novels every published, and perhaps the most popular sci-fi humor book ever. The book became a cycle first known as “The Hitchhiker’s Trilogy,” after the publication of The Restaurant at the End of the Universe (1980) and Life, the Universe and Everything (1982); two more books followed, So Long, and Thanks for All the Fish (1984) and Mostly Harmless (1992).

The Hitchhiker’s Guide to the Galaxy began as a radio sci-fi comedy series, and the book series is a non-literal adaptation of the radio series. Hitchhiker’s has also been a British TV mini-series, a stage play, a comic book/graphic novel, record albums, and a computer game. A major motion picture had long been in the planning stages at various times over 20 years with such names as actors Jim Carrey and Bill Murray and directors Jay Roach and Spike Jonze attached to the project.

Finally, in mid-spring of 2005, The Hitchhiker’s Guide to the Galaxy debuted in theatres with director Garth Jennings and co-producer Nick Goldsmith as its filmmaking creative center. Jennings and Goldsmith are the music video directing team known as “Hammer and Tongs.” They directed videos for such musical acts as R.E.M. (“Imitation of Life,” one of my personal favorites as an all-time great music video), Fatboy Slim (“Right Here, Right Now”), and Blur (“Coffee and T.V.”).

Before he died, Douglas Adams wrote the script (a non-literal translation of the books as the books were also not literal translations the original radio show) and added new characters (Humma Kavula played by John Malkovich). Co-writer Karey Kirkpatrick (James and the Giant Peach and Chicken Run) came on to improve the script’s structure and make it more coherent. Not having seen any of Adams’ original script drafts, I can’t say how much or if Kirkpatrick improved on Adams’ work. The film does seem to lack organization and focus, and its plot seems rather inconsequential, but The Hitchhiker’s Guide to the Galaxy is about eccentric characters in odd settings and situations, not so much about plot. A viewer doesn’t have to have read the books, but being familiar with the various source materials may make him and her more open to the film. Hitchhiker’s is basically a film about a great big sci-fi/fantasy misadventure set in a universe of oddities and abnormal beings (except Arthur Dent).

The cast and crew so obviously love what they’re doing and really buy into the little world that they created, and that passes on to the audience. Martin Freeman makes a great Arthur Dent, playing him as a flustered man frustrated with his world being destroyed and not having the girl who is “the one” loving him back. Sam Rockwell and Mos Def make a great alien combo, with the former as a cocky and kooky, gun-slinging lothario and the latter as the best-dressed straight man/wise man in the galaxy. I enjoyed watching them and the rest of the cast, and while the voice actors don’t seem to be straining themselves to perform, they are oddly appealing.

Part Monty Python, part Jim Henson, part Mel Brooks’ Space Balls (with a much bigger budget), and part David Lynch, The Hitchhiker’s Guide to the Galaxy is not an interstellar homerun, but it’s the most visually and conceptually daring sci-fi comedy – probably ever. And I really enjoy how unpredictable this film remains, even through repeated viewings.

6 of 10
B

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