Showing posts with label Spyglass. Show all posts
Showing posts with label Spyglass. Show all posts

Friday, January 14, 2022

Review: New "SCREAM" Will Entertain Scream Fans

[Fans will want to see the entertaining new “Scream” film in movie theaters – right now.  But for everyone else, there is nothing here worth a trip to the local theater.]

TRASH IN MY EYE No. 2 of 2022 (No. 1814) by Leroy Douresseaux

Scream (2022)
Running time:  114 minutes (1 hour, 54 minutes)
MPA – R for strong bloody violence, language throughout and some sexual references
DIRECTORS:  Matt Bettinelli-Olpin and Tyler Gillett
WRITERS:  James Vanderbilt and Guy Busick (based on characters created by Kevin Williamson)
PRODUCERS:  Paul Neinstein, William Sherak, and James Vanderbilt
CINEMATOGRAPHER:  Brett Jutkiewicz (D.o.P.)
EDITOR:  Michel Aller
COMPOSER:  Rich Delia

HORROR/MYSTERY/THRILLER

Starring:  Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera, Jenna Ortega, Jack Quaid, Mikey Madison, Marley Shelton, Dylan Minnette, Jasmin Savoy Brown, Mason Gooding, Sonia Ammar, Kyle Gallner, Chester Tam, Skeet Ulrich, and Roger L. Jackson (voice)

Scream is a 2022 slasher horror film directed by Matt Bettinelli-Olpin and Tyler Gillett.  It is the fifth film in the Scream film series, which began with the 1996 film, Scream.  In Scream 2022, a new series of murders forces familiar faces to return to Woodsboro, where they will confront a horrible legacy.

Scream opens twenty-five years after high school pals and serial killers, Billy Loomis (Skeet Ulrich) and Stu Macher, terrorized the town of Woodsboro as the killer known as “Ghostface.”  Now, Ghostface (voice of Roger L. Jackson) has returned and high school student, Tara Carpenter (Jenna Ortega), is the first victim.  

Informed of the attack on Tara, her estranged sister, Samantha “Sam” Carpenter (Melissa Barrera), returns to Woodsboro with her boyfriend, Richie Kirsch (Jack Quaid), reluctantly along.  Sam is not only troubled by the attack on Tara, but she is also dealing with her shocking connection to one of the original Woodsboro murderers.  With this new Ghostface adding to the body count, Sam turns to an original Woodsboro survivor for help, the reclusive, Dwight “Dewey” Riley (David Arquette).

Although he is initially reluctant to get involved, he contacts two other survivors, Sidney Prescott (Neve Campbell), and his ex-wife, television host, Gail Weathers (Courteney Cox), to inform them that the killings have started again.  Although she is the center of the new killing spree, is Sam Carpenter willing to stay and fight the killer, or will she simply run away from her past, again?

I'll start of my critique of the new Scream by repeating what I said of 2011's Scream 4.  As a slasher film, Scream 2022 is entertaining.  Ghostface remains a terrific and terrifying horror movie villain, although in the new Scream, he does lots of slashing and stabbing, whereas Scream 4's Ghostface slaughtered his victims to the point that they seemed like butchered meat and offal.  Neve Campbell, Courteney Cox, and David Arquette are still the “old reliables,” of this franchise, no matter how old they look or how much plastic surgery they may have had done.  Scream's new cast is, for the most part, pretty good.  As Sam Carpenter, Melissa Barrera seems like she could carry this franchise going forward – at least for two more films.  When the new Scream plays it straight, it is a better-than-average slasher horror film.

Scream 4 was the work of the franchise's original writer, Kevin Williamson, and original director, the late Wes Craven (to whom the new film is dedicated).  Scream 4 was a sequel and essentially a remake of the original 1996 film, but it was critical of two huge cultural changes that had occurred since the first film – Internet celebrity and social media culture.  [Williamson is only an executive producer on the new film.]

The writers and directors have offered in Scream 2022 a film that is a sequel and also a reboot.  This film is intimately connected to the original film, but it essentially reboots Scream with a new cast of both victims and survivors.  The original Scream was self-referential and was also steeped in pop culture, especially concerning horror films.  The new Scream essentially mocks both the idea of film sequels and the fan culture that is obsessed with sequels, prequels, reboots, and every detail concerning their making.

I thought Scream 4's rant against social media and celebrity seemed like the creation of two guys whose aging was putting an every widening gap between them and the core audience for the kind of films they made.  The new Scream seems like the work of dudes who don't appreciate the kind of fans they attract with the kind of the films they make.  In a way, if they can't stand the fan heat, they should get out the slasher film kitchen.

Anyway, I think the motivation behind the Ghostface of the new Scream would have worked better for the Ghostface of Scream 4.  So, I'll say about the new Scream what I said about Scream 4: it is best when it focuses on its great villain (Ghostface) stalking his victims.  For the most part, hardcore fans of this franchise will want to see Scream 2022 in movie theaters.  Anyone else who is interested can wait for on-demand and streaming.

6 of 10
B

Friday, January 14, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, January 31, 2021

Negromancer News Bits and Bites from January 24th to 31st, 2021 - Update #28

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

BOX OFFICE - From Variety:   The winner of the 1/29 to 1/31/2021 weekend box office is "The Little Things" (starring Oscar winners Denzel Washington, Rami Malek, and Jared Leto), with an estimated take of 4.8 million dollars.

From Deadline:   Are Warner Bros.' film that are are released in both movie theaters and on HBO Max making money?

POLITICS - From Jacobin:   Everything You Always Wanted to Know about QAnon But Were Too Weirded Out to Ask

BLM - From YahooNews:   Black Lives Matter movement nominated for 2021 Nobel Peace Prize

TELEVISION - From Deadline:  ABC has ordered a production pilot that will reboot its former Emmy-winning series, "The Wonder Years" (1988-93).  The reboot will be set in the same time period, late 1960s, but this time will focus on a middle class African-American family in Montgomery, Alabama.

CICELY TYSON - From Variety:  LeVar Burton pays tribute to his "Roots" co-star, Cicely Tyson, who died on Thursday.

MOVIES - From Variety:   "Variety" has made the screenplay for "Ma Rainey's Black Bottom" available for reading.

TELEVISION - From YahooFinance:  Media mogul Byron Allen launches TheGrio.TV: "Communicate how you see the world unapologetically."

MOVIES - From YahooEntertainment:   Is Denzel Washington acting in movies like the new film, "The Little Things," to make up for turning down the Brad Pitt role in classic serial killer film, "Seven?"  This review of "The Little Things" speculates.

STREAMING - From Deadline:   Paramount+ (CBS All Access) teases a revival of Nickelodeon's "iCarly" with a set photo.

OSCARS - From Deadline:   The Academy of Motion Picture Arts and Sciences on Thursday released its official entries for 2021 Oscars in the categories of Documentary Feature, Animated Feature and International Films. As expected, the eligible Documentary Feature lineup shatters the record for the most ever.

FESTIVALS - From Deadline:   The 2021 Cannes Film Festival is delaying from its May dates. The fest will now run July 6-17, pushing back from the originally planned May 11-22 slot.

MOVIES - From IndieWire: Neon has released a first look at actress Kristen Stewart ("Twilight") as Princess Diana in director Pablo Larrain's upcoming film, "Spencer."

MOVIES - From Deadline:   Skydance Media has optioned the rights to re-imagine the "Spy Kids" film franchise Spyglass Media Group and series creator Robert Rodriguez.

MOVIES - From Deadline: Newcomer Alton Mason will play rock 'n' roll icon, Little Richard, in director Baz Luhrmann's film, "Elvis."

BLM - From BET:   UCLA Gymnastics showed off some Black Girl Magic over the weekend, thanks to a flawless floor routine from star athlete Nia Dennis.

AWARDS - From Deadline:   The nominees fro the 2020-21 Film Independent Spirit Awards have been announced.  "Never Rarely Sometimes Always" leads with seven nominations, include "Best Feature."

BIDEN! - From CNN:   White House recommits to getting Harriet Tubman on the $20 bill after delays by the defunct President Donald clown administration.

POLITICS-AWARDS - From YahooEntertainment:   Spike Lee says Donald Trump "will go down in history with the likes of Hitler" in New York Film Critics speech

HARRY POTTER - From THR:   A live-action "Harry Potter" TV series is in development at HBO Max. HBO and Warner Bros. are denying this, however.

TELEVISION - From THR:  Former Secretary of State and Senator Hillary Clinton and her daughter, Chelsea, are developing a female Kurdish militia drama for TV.

BOX OFFICE - From Deadline:  The winner of the 1/22 to 1/24/20 weekend box office is "The Marksman" with an estimated take of 2.03 million dollars.

From Deadline: "Our Friend" is among the film leading at the specialty box office.

TELEVISION - From Variety:   Actor Kenneth Branagh will play British Prime Minister Boris Johnson in a new television series from writer-director Michael Winterbottom.  Entitled "The Spectred Isle," the series will focus on Britain's muddled response to the COVID-19 crisis.

OBITS:

From Deadline:  The pioneering African-American actress, Cicely Tyson, has died at the age of 96, Thursday, January 28, 2021.  Her most famous works are the 1974 television movie, "The Autobiography of Miss Jane Pittman" (for which she won two of her three Primetime Emmy Awards) and the 1972 film, "Sounder" (for which she received her lone Academy Award nomination).  Tyson won a Tony Award for her performance in the 2013 revival of "A Trip to Bountiful."  In 2018, she received the "Honorary Academy Award."  Tyson continued to work until her passing, appearing in six films for Tyler Perry.

From Variety:  Longtime film and television actress, Cloris Leachman, has died at the age of 94, Tuesday, January 26, 2021.  Many will remember her as the character, "Phyllis Lindstrom" on CBS' "The Mary Tyler Moore Show" and on her spinoff, "Phyllis" (1975-77). Leachman also appeared in three Mel Brooks movies, including her memorable turn as "Frau Blucher" in "Young Frankenstein" (1974).  Leachman was nominated 22 times for the Primetime Emmy Awards and won eight, and she won a Daytime Emmy Award.  Leachman won the "Best Supporting Actress" Oscar and British Academy Film Award for her performance in "The Last Picture Show" (1971).

From CNN:   Veteran NBA reporter and analyst, Sekou Smith, has died at the age of 48, Tuesday, January 26, 2021 from complications of COVID-19.  Smith wrote for NBA.com and worked for NBA TV since 2009.

From Deadline:   The veteran character actor, Bruce Kirby, has died at the age of Sunday, January 24, 2021.  Kirby long career began in the mid-1950s.  He appeared in recurring roles on several series, including "Car 54, Where Are You?," "Columbo," and "L.A. Law" to name a few.  He also had a memorable role in the Oscar-winning "Best Picture," "Crash."  Kirby was also the father of the late actor, Bruno Kirby (1949-2006).

From Deadline:   Television and film writer, Walter Bernstein, has died at the age of 101, Friday, January 22, 2021.  Bernstein was one of the writers blacklisted in Hollywood in the 1950s.  His credits include "Fail-Safe" (1964) and "The Front" (1976), which starred Woody Allen as a man who acts as a "front" for blacklisted writers.

From Deadline:   The actor, Gregory Sierra, has died at the age of 83, Monday, January 4, 2021.  Sierra is best known for playing "Julio Fuentes" in 12 episodes of the NBC sitcom, "Sanford and Son" (1972-77), and for playing "Sgt. Miguel 'Chano' Amenguale" during the first two seasons of the ABC sitcom, "Barney Miller" (1975-85).  He had guest roles on numerous TV series and appeared in at least 30 films.  Sierra's death was only recently made public.


Thursday, May 22, 2014

Review: "Balls of Fury" is Funnier Than it Looks (Happy B'day, Maggie Q)

TRASH IN MY EYE No. 1 (of 2008) by Leroy Douresseaux

Balls of Fury (2007)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG-13 for crude and sex-related humor, and for language
DIRECTOR:  Robert Ben Garant
WRITERS:  Thomas Lennon and Robert Ben Garant
PRODUCERS:  Gary Barber, Roger Birnbaum, Jonathan Glickman, and Thomas Lennon
CINEMATOGRAPHER:  Thomas E. Ackerman (D.o.P.)
EDITOR:  John Refoua
COMPOSER:  Randy Edelman

COMEDY/SPORT

Starring:  Dan Folger, Christopher Walken, George Lopez, James Hong, Maggie Q, Thomas Lennon, Aisha Tyler, Jason Scott Lee, Diedrich Bader, Terry Crews, Patton Oswalt, David Koechner, and Robert Patrick

The subject of this movie review is Balls of Fury, a 2007 sports comedy film from the team of co-writer/director Robert Ben Garant and co-writer Thomas Lennon.  The film follows a down-and-out former professional ping-pong phenom recruited by an FBI agent for a secret mission that may also lead the former child star to his father’s killer.

Balls of Fury takes place in the unsanctioned, underground, and unhinged world of extreme ping pong where the competition is brutal and the stakes are deadly – sort of like the way Dodgeball portrayed the mean world of professional dodge ball.  But we get the joke!

A ping pong professional as a child, Randy Daytona (Dan Fogler), spiraled downwards after an embarrassing loss at the 1988 Seoul Olympics.  Cut to the present.  Randy is down on his luck and on his game, and he’s performing at a nightclub when FBI Agent Ernie Rodriguez (George Lopez) recruits him for a mission to spy on one of the FBI’s most wanted men, the faux-Asian crime lord Feng (Christopher Walken).  Randy has some incentive to do take the assignment because Feng was responsible for the death of Randy’s father.

Operation Ping Pong” requires Randy to get an invite to Feng’s underground ping pong championship tournament.  To do that, Randy will have to get his game back into shape.  With the help of a blind ping pong sage, Master Wong (James Hong), and his niece, Maggie Wong (Maggie Q), an expert ping pong trainer, Randy gets in winning form and gets an invite to Feng’s jungle compound where the tournament is being held.  Now, Randy will have to face a raft of formidable players en route to the prize, including his arch-nemesis, German Olympic ping pong god, Karl Wolfschtagg (Thomas Lennon), and still take down Feng.

Balls of Fury is a parody/remake of the 1973 Bruce Lee film, Enter the Dragon, by way of Dodgeball and Comedy Central’s television series, “Reno 911.”  In fact, Balls of Fury co-writer/director Robert Ben Garant and co-writer/actor Thomas Lennon are part of the brain trust behind “Reno 911,” and the kind of sheer absurdity that marks that hit comedy series is much in evidence in Balls of Fury.

This film is sometimes shamefully in poor taste, and its lack of political correctness often borders on bad taste.  Still, it’s fun; Balls of Fury takes a look at sports and competition and pokes numerous holes in the gas bags that are elite athletes, secretive trainers, and arcane rules.  Then, the movie skewers so many sports movie stereotypes, from the sage-philosopher mentors to the sad sack underdogs.  Balls of Fury may look like a bad movie (and sometimes it truly is), but it is a comedy that delivers laughter.

5 of 10
B-

Thursday, January 03, 2008

Updated:  Thursday, May 22, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.


Monday, November 4, 2013

Review: "Reign of Fire" is a Hot Popcorn Thriller (Happy B'day, Matthew McConaughey)

TRASH IN MY EYE No. 125 (of 2003) by Leroy Douresseaux

Reign of Fire (2002)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – PG-13 for intense action violence
DIRECTOR:  Rob Bowman
WRITERS:  Gregg Chabot, Kevin Peterka, and Matt Greenberg from a story by Gregg Chabot and Kevin Peterka
PRODUCERS:  Gary Barber, Roger Birnbaum, Lili Fini Zanuck, and Richard D. Zanuck
CINEMATOGRAPHER:  Adrian Biddle (D.o.P.)
EDITORS:  Declan McGrath and Thom Noble
COMPOSERS:  Ed Shearmur and Brad Wagner

SCI-FI/FANTASY/ACTION/THRILLER

Starring:  Christian Bale, Matthew McConaughey, Izabella Scorupco, Gerard Butler, Scott James Moutter, Ben Thorton, and Alice Krige

The subject of this movie review is Reign of Fire, a 2002 post-apocalyptic, science fiction and fantasy-action film from director Rob Bowman.  The film takes place in a time after fire-breathing dragons emerged from beneath Earth’s surface and began setting fire to everything, on their way to establishing their dominance over the planet.

Director Rob Bowman’s Reign of Fire is a beautiful, amped-up B-movie with the gloss and sheen of serious A-list action movie.  Bowman is known for his work on the television series, “The X-Files”.

Set a few decades into the 21st Century, it’s the tale of band of humans led by two rivals Quinn Abercromby (the sexy Christian Bale) and Denton Van Zan (the sexy Matthew McConaughey) who fight a brood of dragons that have destroyed civilization and hunt what’s left of mankind.  After the dragons deliver to huge setbacks to the humans, Quinn, Abercrombie, and the beautiful Alex (Izabella Scorupco), the action movie girl de rigueur, travel to London for a last stand against the mightiest of the dragons.

Bowman, who directed many episodes of “The X-Files” television series, as well as the feature film based upon the series, is very good at putting his cast and crew through the paces to create this fantastic and fun film.  It doesn’t have to make much sense (and it doesn’t) to be entertaining, but Bowman takes the B-movie to new cinematic heights.  Yes, I will wonder why everyone is filthy and grimy in this burnt-out world while Alex manages to look freshly washed every scene – a little thing compared to some others.  However, I enjoyed Reign of Fire’s intense portrayal of humans barely holding on, yet fighting for their lives in this post-apocalyptic thriller.  If you like fantasy and action, I’m sure you’ll have a good time with this tasty popcorn thriller.

7 of 10
B+

Updated:  Monday, November 04, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Saturday, May 11, 2013

Review: "The Hitchhiker’s Guide to the Galaxy" is Inventive, Odd, and Relaxed (Remembering Douglas Adams)

TRASH IN MY EYE No. 146 (of 2005) by Leroy Douresseaux

The Hitchhiker’s Guide to the Galaxy (2005)
COUNTRY OF ORIGIN: USA/UK
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – PG for thematic elements, action, and mild language
DIRECTOR: Garth Jennings
WRITERS: Douglas Adams and Karey Kirkpatrick (based upon the novel by Douglas Adams)
PRODUCERS: Gary Barber, Roger Birnbaum, Nick Goldsmith, Jay Roach, and Jonathan Glickman
CINEMATOGRAPHER: Igor Jadue-Lillo
EDITOR: Niven Howie
COMPOSER: Joby Talbot

SCI-FI/COMEDY/ACTION/ADVENTURE

Starring: Sam Rockwell, Mos Def, Zooey Deschanel, Martin Freeman, Bill Nighy, Warwick Davis, Anna Chancellor and John Malkovich, with the voices of Alan Rickman, Helen Mirren, Stephen Fry, Richard Griffiths, and Thomas Lennon

The subject of this movie review is The Hitchhiker’s Guide to the Galaxy, a 2005 British-American comic science fiction and adventure film. It is based on the 1979 novel, The Hitchhiker’s Guide to the Galaxy, which was written by the late author, Douglas Adams. The film follows the adventures of a man from Earth and his alien companion who is writing a new edition of “The Hitchhiker’s Guide to the Galaxy.”

Arthur Dent (Sam Rockwell) is an ordinary guy having what looks like another bad day, when he discovers that his house is scheduled for demolition to make way for an expressway. Then, his best friend, Ford Prefect (Mos Def), shows up and tells him that Earth is also scheduled for demolition by aliens to make way for a hyperspace expressway. Ford later whisks Arthur into space where they eventually end up on the super space ship, the Heart of Gold, captained by the dim-witted President of the Galaxy, Zaphod Beeblebrox (Sam Rockwell).

Arthur actually encountered Zaphod on Earth before, when the President stole the girl with whom Arthur had just fallen in love, Tricia (Zooey Deschanel). Tricia, now known as Trillian, is also on board, as is a chronically depressed android named Marvin (Warwick Davis with the voice by Alan Rickman). The unusual quintet search for the answers (and the questions) to the mystery of Life, the Universe, and Everything – with The Hitchhiker’s Guide to the Galaxy (voiced by Stephen Fry) as their… well, guide.

First published in 1979, Douglas Adams’ (1952-2001) novel, The Hitchhiker’s Guide to the Galaxy, is one of the all-time best selling science fiction novels every published, and perhaps the most popular sci-fi humor book ever. The book became a cycle first known as “The Hitchhiker’s Trilogy,” after the publication of The Restaurant at the End of the Universe (1980) and Life, the Universe and Everything (1982); two more books followed, So Long, and Thanks for All the Fish (1984) and Mostly Harmless (1992).

The Hitchhiker’s Guide to the Galaxy began as a radio sci-fi comedy series, and the book series is a non-literal adaptation of the radio series. Hitchhiker’s has also been a British TV mini-series, a stage play, a comic book/graphic novel, record albums, and a computer game. A major motion picture had long been in the planning stages at various times over 20 years with such names as actors Jim Carrey and Bill Murray and directors Jay Roach and Spike Jonze attached to the project.

Finally, in mid-spring of 2005, The Hitchhiker’s Guide to the Galaxy debuted in theatres with director Garth Jennings and co-producer Nick Goldsmith as its filmmaking creative center. Jennings and Goldsmith are the music video directing team known as “Hammer and Tongs.” They directed videos for such musical acts as R.E.M. (“Imitation of Life,” one of my personal favorites as an all-time great music video), Fatboy Slim (“Right Here, Right Now”), and Blur (“Coffee and T.V.”).

Before he died, Douglas Adams wrote the script (a non-literal translation of the books as the books were also not literal translations the original radio show) and added new characters (Humma Kavula played by John Malkovich). Co-writer Karey Kirkpatrick (James and the Giant Peach and Chicken Run) came on to improve the script’s structure and make it more coherent. Not having seen any of Adams’ original script drafts, I can’t say how much or if Kirkpatrick improved on Adams’ work. The film does seem to lack organization and focus, and its plot seems rather inconsequential, but The Hitchhiker’s Guide to the Galaxy is about eccentric characters in odd settings and situations, not so much about plot. A viewer doesn’t have to have read the books, but being familiar with the various source materials may make him and her more open to the film. Hitchhiker’s is basically a film about a great big sci-fi/fantasy misadventure set in a universe of oddities and abnormal beings (except Arthur Dent).

The cast and crew so obviously love what they’re doing and really buy into the little world that they created, and that passes on to the audience. Martin Freeman makes a great Arthur Dent, playing him as a flustered man frustrated with his world being destroyed and not having the girl who is “the one” loving him back. Sam Rockwell and Mos Def make a great alien combo, with the former as a cocky and kooky, gun-slinging lothario and the latter as the best-dressed straight man/wise man in the galaxy. I enjoyed watching them and the rest of the cast, and while the voice actors don’t seem to be straining themselves to perform, they are oddly appealing.

Part Monty Python, part Jim Henson, part Mel Brooks’ Space Balls (with a much bigger budget), and part David Lynch, The Hitchhiker’s Guide to the Galaxy is not an interstellar homerun, but it’s the most visually and conceptually daring sci-fi comedy – probably ever. And I really enjoy how unpredictable this film remains, even through repeated viewings.

6 of 10
B

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Wednesday, February 17, 2010

Review: "Four Christmases" Kicks that Holiday Spirit in the Butt

TRASH IN MY EYE No. 6 (of 2010) by Leroy Douresseaux

Four Christmases (2008)
Running time: 88 minutes (1 hour 28 minutes)
MPAA – PG-13 for sexual humor and language
DIRECTOR: Seth Gordon
WRITERS: Matt Allen & Caleb Wilson and Jon Lucas & Scott Moore; from a story by Matt Allen and Caleb Wilson
PRODUCERS: Gary Barber, Roger Birnbaum, Jonathan Glickman, Vince Vaughn, and Reese Witherspoon
CINEMATOGRAPHER: Jeffrey L. Kimball
EDITORS: Mark Helfrich and Melissa Kent

COMEDY

Starring: Vince Vaughn, Reese Witherspoon, Robert Duvall, Sissy Spacek, Jon Voight, Jon Favreau, Mary Steenburgen, Dwight Yoakam, Tim McGraw, Cedric Yarbrough, Brian Baumgartner, and Kristen Chenoweth

Once upon a time, I hated Christmas movies, but now I enjoy the good feelings they bring. Four Christmases brings along lots of good feelings, simply because it is so funny. Packed with lowbrow, vulgar, and slob humor, Four Christmases works because it connects crude laughs with the rudest joke of all – Christmas with relatives.

Brad McVie (Vince Vaughn) and his girlfriend Kate (Reese Witherspoon) are an upscale, happily unmarried San Francisco couple. Because both their parents divorced, they aren’t thinking about marriage, even after three great years of dating, nor have they visited their parents since getting together. After their Christmas vacation in Fiji gets sidetracked by fog, they become obligated to finally visit their parents. That means not two, but four stops, where childhood, adolescent, and family wounds are reopened and resentment thrives. Somewhere along the way, Brad and Kate reexamine their relationship and future.

There are five Oscar winners in Four Christmases: Reese Witherspoon, Robert Duvall, Sissy Spacek, Jon Voight, and Mary Steenburgen. Usually this might mean a poignant Christmas drama full of family and healing. Four Christmases is full of family and healing, but it’s damn funny. It’s also damn honest. Getting together with family over the holidays, especially Christmas, is worse than nightmare on Elm Street or any street. We tolerate the toad relatives because they come with some beloved family that we’re genuinely happy to see.

Vince Vaughn and Reese Witherspoon must be really good actors or their screen chemistry is the real deal. They are so good together that they should always be together, like a great screen couple. Vaughn performs his shtick to maximum effect, and Witherspoon is, as always, solid. Together, they make even this film’s turn towards serious relationship drama late in the story not seem phony.

Four Christmases captures the joys and the miseries of the holiday so well and with so many laughs that it is bound to be an impolite (but not boorish) Christmas classic. Also, watch for the always good Kristen Chenoweth doing some enjoyable scene stealing.

7 of 10
B+

Wednesday, February 17, 2010

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