Review: "FRIDAY THE 13TH: A New Beginning" Fumbles a Chance to Be New and Good

TRASH IN MY EYE No. 27 of 2025 (No. 2033) by Leroy Douresseaux

Friday the 13th: A New Beginning (1985)

Running time:  92 minutes

MPAA – R

DIRECTOR:  Danny Steinmann

WRITERS:  Martin Kitrosser & David Cohen and Danny Steinmann; based on story by Martin Kitrosser & David Cohen

PRODUCER: Timothy Silver

CINEMATOGRAPHER:  Stephen L. Posey

EDITOR:  Bruce Green

COMPOSER:  Harry Manfredini

HORROR

Starring: Melanie Kinnaman, John Shepherd, Shavar Ross, Richard Young, Marco St. John, Carol Locatell, Ron Sloan, Tiffany Helm, Jerry Pavlon, Jere Fields, John Robert Dixon, Miguel A. Nunez, Jr., Debisue Voorhees, Dick Wieand, Dominick Brascia, Bob De Simone, Vernon Washington, and Corey Feldman

Friday the 13th: A New Beginning is a 1985 slasher horror film from director Danny Steinmann.  It is a direct sequel to the 1984 film, Friday the 13th: The Final Chapter, and is the fifth movie in the Friday the 13th movie franchise.  A New Beginning focuses on a young man who has a connection to Jason Voorhees and who is now living in an area beset by a series of brutal murders that resemble the work of Voorhees.

Friday the 13th: A New Beginning begins with 12-year-old Tommy (Corey Feldman) facing the monster, Jason Voorhees, again.  Now, in the present day, teenage Tommy Jarvis (John Shepherd), still haunted by his past, has departed the “Unger Institute for Mental Health.”  He is being transported to “Pinehurst Youth Development Center,” where he will receive treatment.

Managed by its director, Dr. Matthew Letter (Richard Young), and assistant director, Pam Roberts (Melanie Kinnaman), the center works on the “honor system” and gives its patients more freedom in their mental health journey.  Tommy learns just how different Pinehurst is when he encounters a kid, Reggie the Reckless (Shavar Ross), who hangs around because his grandfather, George (Vernon Washington), is the center's cook.

Not long after Tommy arrives, however, a shocking and savage killing occurs at Pinehurst.  That seems to kick off a brutal series of murders in the area.  As the bodies pile-up, the area's top law enforcement official, Sheriff Tucker (Marco St. John), believes that Jason Voorhees is the killer.  But Tommy Jarvis, as a 12-year-old boy, killed Jason (as seen in Friday the 13th: The Final Chapter), didn't he?

Friday the 13th: A New Beginning was apparently going to be the first in a new trilogy of Friday the 13th films featuring a different villain.  Disappointing box office returns, however, meant that Jason returned as the villain in the series' sixth film, Friday the 13th Part VI: Jason Lives (1986).  Thus, A New Beginning remains only the second film in the series in which Jason Voorhees is not the main villain.  The original film, Friday the 13th (1980), features (spoiler alert) Jason's mother, Mrs. (Pamela) Voorhees, as the killer.

Like the fourth film, Friday the 13th: The Final Chapter, A New Beginning has a high body count.  I counted at least 15 people murdered.  Like many of the films in the series, A New Beginning has an interesting menagerie of eccentric characters, many worth exploring, but all of them exist in the story in order to be murder victims or almost-murder victims.

This film's plot and narrative bounces around so that various characters can be killed.  For me, the most interesting thing about this film is that it features some character actors whom I encounter in film and television from time to time.  They are Shavar Ross, Marco St. John, and Miguel A. Nunez, Jr.

Friday the 13th: A New Beginning has an interesting plot, characters, and setting, and the film's prologue or opening scene is surprisingly eerie and weird.  This film in not really suspenseful, and it wants to be vulgar and raunchy as much as it is brutal and crude.  Of course, it certainly is brutal and crude.  Friday the 13th: A New Beginning is a beginning that deserved to end after one film... but it could have been something better.

4 of 10

C

★★ out of 4 stars

Wednesday, June 11, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Comics Review: "STAR WARS #2" - Luke Skywalker Raises His Pimp Hand

STAR WARS #2 (2025)

MARVEL COMICS

STORY: Alex Segura

ART: Phil Noto

COLORS: Phil Noto

LETTERS: VC's Clayton Cowles

EDITOR: Mark Paniccia

EDITOR-IN-CHIEF: C.B. Cebulski

COVER: Phil Noto

VARIANT COVER ARTISTS: Chris Sprouse and Karl Story with Neeraj Menon; John Tyler Christopher; Leinil Francis Yu with Romulo Fajardo, Jr.; Josemaria Casanovas; Luciano Vecchio

28pp, Color, $4.99 U.S. (June 11, 2025)

Rated T

“Smoke”

In 2015, Marvel Comics began publishing Star Wars comic books again.  Marvel's new Star Wars #1 opened in the time immediately after the events depicted in the original film, Star Wars (1977).  After 75 issues, that series ended.  In late 2019, the next new Star Wars ongoing series (cover date: 2020) debuted and focused on the aftermath of the events depicted in the second original Star Wars film, The Empire Strikes Back.  It ended in 2024 after 50 issues.

Now, ten years after returning to the publication of Star Wars comic book series, Marvel has another Star Wars #1.  Its stories will be set after the events depicted in the third film in the original Star Wars trilogy, Return of the Jedi (1983).  This new Star Wars comic book is written by Alex Segura; drawn and colored by Phil Noto; and lettered by Clayton Cowles.

Star Wars finds Luke Skywalker leading a mission near “Fenril Sector” in order to stop a band of pirates from looting New Republic supply shops.  On Chandrila – the provisional capital of New Republic, Princess Leia and Mon Mothma unsuccessfully attempt to negotiate an alliance with the planets of the Fenril Sector.  On the Outer Rim planet of Guat'a, Han Solo and the bounty hunter, Beilert Valance, battle the “Zantarrk Gang.”

Star Wars #2 (“Smoke”) opens on an unnamed planet near the Fenril Sector.  There, Luke and fellow pilot, Rynn Senat, have just had a strange experience with what was supposed to be a pirate.  For Luke, however, the pirate pilot and the experience are even stranger.  His words send Luke on a mission to the planet, Gadrilam, where the pilots says Luke must find, Ibo Truddispal, a hoarder of artifacts, including Jedi artifacts.

What tragedy awaits Luke on Gadrilam?  And who are the victims and who are the bad guys on this strange planet?

THE LOWDOWN:  I do not receive PDF or physical review copies of any titles published by Marvel.  I bought this new Star Wars comic book via Amazon Kindle slash comiXology, and it is not the first Star Wars comic book that I have read or reviewed.

Writer Alex Segura continues to weave a new narrative spin on the post-Return of the Jedi Star Wars universe.  If the recent Star Wars #1 was about hope, this second issue is about the new perils that our heroes face now and the dangers that are bound to come for them.  Segura continues to bury his cast in deep sh*t, but he makes it all seem like a wonderful world of adventure.  His characters, settings, and plot lines are genuine, as if they stepped right out of the original film trilogy.

Phil Noto's storytelling deftly depicts this most dangerous game that Luke is playing, and I'm here for it.  Noto presents page-turning thrills and chills that sent me careening to the last page.  Segura and Noto make a good creative team for Star Wars because they are willing to make it as dark and dangerous, but seem unwilling to make Star Wars a repeat of everything that came before this new iteration.  Also, Clayton Cowles' lettering is an exercise in low key graphics, telling the story with a sense of classic comics cool.

I continue to be pleasantly surprised by this new Star Wars comic book.  It feels like classic Star Wars that has found a new pathway to a galaxy of adventure.

I READS YOU RECOMMENDS:  Fans of Star Wars comic books will want to read the 2025 Star Wars comic book series.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The STAR WARS #2 KINDLE EDITION is available at Amazon.

https://www.marvel.com/

https://x.com/Marvel

https://x.com/starwars

https://www.starwars.com/

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Capcom Sets "Resident Evil Requiem" for February 2026 Release

Capcom’s Resident Evil Requiem, the Latest Title in the Series, Set to Release on February 27, 2026

The highly anticipated new installment to launch during the series' 30th anniversary

OSAKA, Japan--(BUSINESS WIRE)--Capcom Co., Ltd. (TOKYO:9697) today announced that Resident Evil Requiem, the latest title in the Resident Evil series, is scheduled for release on February 27, 2026.

Resident Evil Requiem is a survival horror game that serves as the ninth main installment in the series. The title is being developed using RE ENGINE, Capcom’s proprietary game engine, and leverages Capcom’s extensive development expertise cultivated through numerous hit titles. The graphical fidelity has undergone a significant evolution in particular, delivering visuals with cinematic realism that vividly convey characters’ emotions and offer an unprecedented level of immersion. The company is developing the title steadily to meet the high expectations of both long-time series’ fans and the global gaming audience. Further details regarding the title will be announced in the future.

Capcom remains firmly committed to satisfying the expectations of all users by leveraging its industry leading game development capabilities in order to create highly entertaining gameplay experiences.

About the Resident Evil series:

The Resident Evil franchise features survival horror games in which players utilize a variety of weapons and other items to survive terrifying situations. Supported by a passionate global fanbase, cumulative game sales since the first title in this flagship series debuted in 1996 exceed 170 million* units.

*As of March 31, 2025

ABOUT CAPCOM:

Capcom is a leading worldwide developer, publisher and distributor of interactive entertainment for game consoles, PCs, handheld and wireless devices. Founded in 1983, the company has created hundreds of games, including groundbreaking franchises Resident Evil™, Monster Hunter™, Street Fighter™, Mega Man™, Devil May Cry™ and Ace Attorney™. Capcom maintains operations in the U.S., U.K., Germany, France, Hong Kong, Taiwan, Singapore and Tokyo, with corporate headquarters located in Osaka, Japan. More information about Capcom can be found at https://www.capcom.co.jp/ir/english/.

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Review: In "THE ALTO KNIGHTS," De Niro is Twice as Nice

TRASH IN MY EYE No. 26 of 2025 (No. 2032) by Leroy Douresseaux

The Alto Knights (2025)

Running time:  123 minutes (2 hours, three minutes)

MPA – R for violence and pervasive language

DIRECTOR:  Barry Levinson

WRITER:  Nicholas Pileggi

PRODUCERS:  Barry Levinson, Jason Sosnoff, Irwin Winkler, Charles Winkler, and David Winkler

CINEMATOGRAPHER:  Dante Spinotti (D.o.P.)

EDITOR: Douglas Crise

COMPOSER:  David Fleming

DRAMA/CRIME/HISTORICAL

Starring:  Robert De Niro, Debra Messing, Kathrine Narducci, Cosmo Jarvis, Michael Rispoli, Robert Uricola, Frank Piccirillo, Matt Servitto, Louis Mustillo, Joe Bacino, Anthony J. Gallo, James Ciccone, Wallace Langham, and Amadeo Fusca

SUMMARY OF REVIEW:

-- Robert De Nero's standout performance in the dual roles as infamous mobsters Frank Costello and Vito Genovese is work of a artist who is aging very well

-- The Alto Knights does have a slow pace, but it is a beautiful that recounts a pivotal moment in the history of the American Mafia. So this is a film for mob movie fans

The Alto Knights is a 2025 American historical drama, biopic, and mafia movie from director Barry Levinson and writer Nicholas Pileggi.  The film stars Robert De Niro in a dual role as real-life 1950s mob bosses, Vito Genovese and Frank Costello.  The Alto Knights focuses on two of New York City's most notorious organized crime bosses as these once best friends' distrust of one another leads to a silent and deadly mob war.

The Alto Knights introduces Frank Costello (Robert De Niro) and Vito Genovese (Robert De Niro), two New York City mob bosses.  They were childhood best friends and partners in crime.  Eventually, Vito found himself atop the Luciano crime family, but when he was forced to leave the U.S. in 1937 for fear of criminal prosecution, Vito put Frank in his place.  When he returned a decade later, Vito was unable to reclaim his old position from Frank.

Now, the story opens in New York City, 1957.  Frank returns to the apartment complex where he lives in the penthouse suite with his wife, Bobbie Costello (Debra Messing).  Vincent Gigante (Cosmo Jarvis), a rising solider in Vito's crew, shoots Frank in the head near the elevator.  However, the bullet does not penetrate and only seriously wounds Frank, but that attempt on his life does leaves him at a crossroads.

Sensing Vito's ambition to be the “boss of bosses,” Frank decides to retire, but Vito, who is both exceedingly ambitious and extremely paranoid, does not believe Frank's intentions.  The distrust between them spills over into murderous violence.  Soon, Frank realizes that his life and the safety of his wife are hanging by a thread.  To be rid of the empire he painstakingly built, he may have to tear it all down.

If you watch such cable networks as “The History Channel” and “National Geographic,” dear readers, some of the real-life events depicted in The Alto Knights will be familiar to you.  The Alto Knights' screenwriter Nicholas Pileggi has authored two nonfiction books about the American Mafia that were adapted into film.  He wrote the screenplay adaptation of his 1995 nonfiction book, Wiseguy, which became director Martin Scorsese's 1990 film, Goodfellas.  Scorsese and Pileggi brought the latter's 1995 nonfiction book, Casino: Love and Honor in Las Vegas, to life as the 1995 film, Casino.  With his original screenplay for The Alto Knights, Pileggi takes some liberties with the relationships, both professional and personal, regarding and surrounding Frank Costello and Vito Genovese.  However, the event that ends this film is a real-life turning point in the history of the American Mafia.  Also, this film's title, The Alto Knights, takes its nae from “The Alto Knights Social Club,” a once prominent Mafia hangout in New York City's “Little Italy” neighborhood.

That aside, while some critics have derided this film as being full of tired mob movie tropes and of having a meandering pace, I think The Alto Knights is fantastic.  Pileggi essentially distills the decades-long and complicated relationship between Frank Costello and Vito Genovese into a streamlined film that delves into history, biography, and character drama.  Where some would say meandering, I would say that director Barry Levinson ruminates and dissects.

Levinson has always been a patient storyteller, perhaps a bit too much.  [I found his Oscar-winning triumph, Rain Man (1988), to be painful to watch the one time I saw it.]  Through the eyes of Frank and via his relation with Vito, Levinson recounts the time in which Americans really began to understand just how deeply the roots of the American Mafia were buried inside American politics and business.

The Alto Knights has visually impressive production values.  The art direction and set decoration is like a “best of” edition of Architectural Digest Magazine.  The costumes – from everyday work clothing to elegant evening attire – is sumptuous.  The make-up and hair department, lead by Lori Hicks and Ruth G. Carsch, does the damn thing.  The make-up and hair-styling in The Alto Knights deserves an art gallery show and probably its own “art of” coffee table book.  This crew does as much as the actors in establishing who and what the characters are.

Speaking of acting, there are some good performances in the film, including a wry turn by Debra Messing as Bobbie Costello.  However, the star here is Robert De Niro, and it should not be a surprise that De Niro convincingly fashions two distance personalities in Frank Costello and Vito Genovese.  Subtly and quietly, De Niro reveals why these two men would ultimately clash; everything about each was the opposite of the other.

I seriously love The Alto Knights.  It is one of the year's best dramas, thus far.  I plan on watching The Alto Knights again, and I heartily recommend it to fans of historical films about the mafia.

8 of 10

A

★★★★ out of 4 stars

Tuesday, June 10, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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BOOM! Studios Shipping from Lunar and Diamond Distributors for June 11, 2025

BOOM! STUDIOS

DIAMOND:

FEB250035 BLACK BADGE TP COMP COLL (MR) (C: 0-1-2) $19.99

LUNAR:

Black Badge Complete Collection TP, $19.99

Hello Darkness #11 (Cover A Miguel Mercado), $5.99

Hello Darkness #11 (Cover B Jenny Frison), $5.99

Hello Darkness #11 (Cover C Christian Ward), $5.99

Hello Darkness #11 (Cover D Jae Lee & June Chung BOOM! 20th Anniversary Variant), $5.99

Hello Darkness #11 (Cover E Jae Lee & June Chung BOOM! 20th Anniversary Full Art Variant), AR

Something Is Killing The Children #42 (Cover A Werther Dell'Edera), $4.99

Something Is Killing The Children #42 (Cover B Tyler Boss Glow In The Dark Variant), $6.99

Something Is Killing The Children #42 (Cover C Jae Lee & June Chung BOOM! 20th Anniversary Variant), $4.99

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DC Comics Shipping from Lunar Distributors for June 11, 2025

DC COMICS:

Absolute Batman #4 (3rd Printing Cover A Nick Dragotta), $4.99

Absolute Batman #9 (Cover A Nick Dragotta), $4.99

Absolute Batman #9 (Cover B Gerardo Zaffino Card Stock Variant), $5.99

Absolute Batman #9 (Cover C Tirso Cons Card Stock Variant), $5.99

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Absolute Batman #9 (Cover E Dan Hipp Card Stock Variant), AR

Absolute Batman #9 (Cover F Brian Bolland Card Stock Variant), $5.99

Action Comics #1087 (Cover A Ryan Sook), $4.99

Action Comics #1087 (Cover B David Talaski Card Stock Variant), $5.99

Action Comics #1087 (Cover C Lesley Leirix Li Card Stock Variant), $5.99

Action Comics #1087 (Cover D Dan Jurgens Superman Movie Card Stock Variant), $5.99

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Aquaman #6 (Cover A John Timms), $3.99

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Batman #9 (Facsimile Edition)(Cover A Fred Ray), $6.99

Batman #9 (Facsimile Edition)(Cover B Fred Ray Foil Variant), $9.99

Batman #9 (Facsimile Edition)(Cover C Blank Card Stock Variant), $7.99

Batman And Robin #22 (Cover A Javier Fernandez), $4.99

Batman And Robin #22 (Cover B Juan Ferreyra Card Stock Variant), $5.99

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Batman And Scooby-Doo Mysteries Volume 6 TP, $12.99

Batman Dark Patterns #7 (Of 12)(Cover A Hayden Sherman), $4.99

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Batman Madness A Legends Of The Dark Knight Halloween Special #1 (Facsimile Edition)(Cover A Tim Sale), $6.99

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DC Finest Catwoman Vengeance And Vindication TP, $39.99

DC Universe By Steve Ditko Omnibus HC, $125.00

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Fire And Ice When Hell Freezes Over #3 (Of 6)(Cover A Terry Dodson & Rachel Dodson), $3.99

Fire And Ice When Hell Freezes Over #3 (Of 6)(Cover B W. Scott Forbes Card Stock Variant), $4.99

Green Lantern Corps #5 (Cover A Fernando Pasarin & Oclair Albert), $3.99

Green Lantern Corps #5 (Cover B V. Ken Marion Card Stock Variant), $4.99

Green Lantern Corps #5 (Cover C Lucas Meyer Card Stock Variant), $4.99

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Looney Tunes Catch That Wascally Wabbit TP, $14.99

MAD Magazine #44, $5.99

Nice House By The Sea Volume 1 TP, $19.99

Red Lanterns The New 52 Omnibus HC, $125.00

Robin And Batman Jason Todd #1 (Of 3)(Cover A Dustin Nguyen), $4.99

Robin And Batman Jason Todd #1 (Of 3)(Cover B Jeff Lemire), $4.99

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Supergirl #2 (Cover A Sophie Campbell), $3.99

Supergirl #2 (Cover B Stanley Artgerm Lau Card Stock Variant), $4.99

Supergirl #2 (Cover C Pablo Villalobos Card Stock Variant), $4.99

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Trinity Daughter Of Wonder Woman #1 (Of 6)(Cover A Belen Ortega), $3.99

Trinity Daughter Of Wonder Woman #1 (Of 6)(Cover B David Talaski Card Stock Variant), $4.99

Trinity Daughter Of Wonder Woman #1 (Of 6)(Cover C Dan Mora Card Stock Variant), $4.99

Trinity Daughter Of Wonder Woman #1 (Of 6)(Cover D Lucas Meyer Card Stock Variant), $4.99

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Dynamite Entertainment Shipping from Diamond Distributors for June 11, 2025

DYNAMITE

AUG240168 LAST OF THE GLADIATORS HC (C: 0-1-2) $24.99

MAR250106 RED SONJA ATTACKS MARS #3 CVR A LINSNER $4.99

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