Tuesday, November 5, 2013

Review: "Free Angela and All Political Prisoners" Reveals Angela Davis

TRASH IN MY EYE No. 74 (of 2013) by Leroy Douresseaux

Free Angela and All Political Prisoners (2012)
Running time:  102 minutes (1 hour, 42 minutes)
WRITER/DIRECTOR:  Shola Lynch
PRODUCERS:  Carole Lambert, Shola Lynch, Carine Ruszniewski, and Sidra Smith
CINEMATOGRAPHERS:  Sandi Sissel and Bradford Young
EDITORS:  Lewis Erskine and Marion Monnier with Sheila Shirazi
COMPOSER:  Vernon Reid

DOCUMENTARY – History, Politics, Crime

Starring:  Angela Davis, Leo Branton, Deacon Alexander, Bettina Apthecker, Judge Richard E. Arnason, Lowell Berman, Margaret Burnham, Earl Caldwell, Elisabeth Coleman, Fania Davis, Robert McCartin, Stephen Shames, and Doris Walker

Free Angela and All Political Prisoners is a 2012 documentary film from writer-director Shola Lynch.  The film focuses on a young college professor named Angela Davis and how her social activism led to her being implicated in a botched kidnapping and being placed on the FBI’s 10 most wanted list.

The film opened at the 2012 Toronto International Film Festival, and made its theatrical debut in the United States in April 2013.  Free Angela and All Political Prisoners gained some notice because director Shola Lynch received financial backing to make the movie from actress Jada Pinkett Smith, who later brought in her husband, actor Will Smith, and recording artist and businessman, Jay-Z, as additional backers.  Oscar-winning filmmaker, Paul Haggis, was also a supporter of the film.

Born January 26, 1944, Angela Yvonne Davis, best known as simply “Angela Davis,” is an American political activist, scholar, and author.  During the 1960s, Davis returned to the United States after spending time in Germany.  She became a nationally known activist and radical; she was also a leader in the Communist Party USA.  It was her close relations with the Black Panther Party (although she was never an official member of the party) and her work for prisoner rights that brought her to prominence and earned her notoriety in establishment circles.

On August 7, 1970, at the Marin County court house, a botched kidnapping attempt ended with a shootout that left four people, including a judge, dead.  Davis was a close associate of one of the dead kidnappers, so the state of California brought conspiracy, kidnapping, and murder charges against her – all of which were punishable by the death penalty.  Davis became a fugitive and, at the time, the third woman to have her name appear on the FBI’s Ten Most Wanted Fugitive List.

Free Angela and All Political Prisoners gives an account of the kidnapping, Davis’ flight from arrest, the FBI manhunt for her, her arrest and imprisonment, and the subsequent trial.  The film also chronicles Angela Davis’ life as a youth, a young scholar, and as a controversial young college professor at the University of California, Los Angeles (UCLA).

The pivotal events of Free Angela and All Political Prisoners begin with events that took place in 1969, when Davis was hired by UCLA.  Her time as a professor is not the film’s central narrative, although this is not to say that the film is dry and boring for a time.  However, this documentary does not really come to life, in a way that reflects the fiery young radical that Angela Davis was, until it starts to recount the various events related to Davis that occurred in 1972.

In early 1972, Caruthers, California dairy farmer, Rodger McAfee (or Roger McAfee), with the help of a wealthy businessman, paid just over $100,000 in bail money to get Davis released from the county jail, while she awaited trial for the Marin County courthouse incident.  For me, this is when Free Angela and All Political Prisoners becomes energized as a narrative.

The elements of which director Shola Lynch makes best use in her film are the interviews, both new and archival.  As by chance or by destiny, the subjects of the new interviews are either good storytellers or are exceptionally good at conveying information.  I could listen to many of these interviewees for hours.

Archival interviews and news footage are also illuminating.  Then California governor (and future President), Ronald Reagan, does not come out looking like a good guy in this film.  He comes across as a pro-segregation-pro apartheid type who believes that Black people are second class citizens who don’t have full citizenship, and that outspoken people of color deserve imprisonment or even death.  As for President Richard Nixon, the side of him that is an authoritarian, paranoid psycho is fully in evidence.

Simply because of the story it tells and the incidents it recounts, Free Angela and All Political Prisoners should be treated like an important book – available in every public library in the United States.  All African-American parents should make sure that their children see this film.  Even conservative Black people whose Uncle Tom tendencies might make them act as if what happened to Angela Davis never happens to black people should show this film to their children.

7 of 10
A-

Tuesday, November 05, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Monday, November 4, 2013

Review: "Reign of Fire" is a Hot Popcorn Thriller (Happy B'day, Matthew McConaughey)

TRASH IN MY EYE No. 125 (of 2003) by Leroy Douresseaux

Reign of Fire (2002)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – PG-13 for intense action violence
DIRECTOR:  Rob Bowman
WRITERS:  Gregg Chabot, Kevin Peterka, and Matt Greenberg from a story by Gregg Chabot and Kevin Peterka
PRODUCERS:  Gary Barber, Roger Birnbaum, Lili Fini Zanuck, and Richard D. Zanuck
CINEMATOGRAPHER:  Adrian Biddle (D.o.P.)
EDITORS:  Declan McGrath and Thom Noble
COMPOSERS:  Ed Shearmur and Brad Wagner

SCI-FI/FANTASY/ACTION/THRILLER

Starring:  Christian Bale, Matthew McConaughey, Izabella Scorupco, Gerard Butler, Scott James Moutter, Ben Thorton, and Alice Krige

The subject of this movie review is Reign of Fire, a 2002 post-apocalyptic, science fiction and fantasy-action film from director Rob Bowman.  The film takes place in a time after fire-breathing dragons emerged from beneath Earth’s surface and began setting fire to everything, on their way to establishing their dominance over the planet.

Director Rob Bowman’s Reign of Fire is a beautiful, amped-up B-movie with the gloss and sheen of serious A-list action movie.  Bowman is known for his work on the television series, “The X-Files”.

Set a few decades into the 21st Century, it’s the tale of band of humans led by two rivals Quinn Abercromby (the sexy Christian Bale) and Denton Van Zan (the sexy Matthew McConaughey) who fight a brood of dragons that have destroyed civilization and hunt what’s left of mankind.  After the dragons deliver to huge setbacks to the humans, Quinn, Abercrombie, and the beautiful Alex (Izabella Scorupco), the action movie girl de rigueur, travel to London for a last stand against the mightiest of the dragons.

Bowman, who directed many episodes of “The X-Files” television series, as well as the feature film based upon the series, is very good at putting his cast and crew through the paces to create this fantastic and fun film.  It doesn’t have to make much sense (and it doesn’t) to be entertaining, but Bowman takes the B-movie to new cinematic heights.  Yes, I will wonder why everyone is filthy and grimy in this burnt-out world while Alex manages to look freshly washed every scene – a little thing compared to some others.  However, I enjoyed Reign of Fire’s intense portrayal of humans barely holding on, yet fighting for their lives in this post-apocalyptic thriller.  If you like fantasy and action, I’m sure you’ll have a good time with this tasty popcorn thriller.

7 of 10
B+

Updated:  Monday, November 04, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Sunday, November 3, 2013

"Zetman: The Complete Series" Now Uncut on DVD and Blu-ray

VIZ MEDIA RELEASES SUPERHERO ANIME ACTION SERIES ZETMAN IN UNCUT BLU-RAY AND DVD EDITIONS

A Super-Powered Killer Turns A Boy Into An Unlikely Hero In A Visceral Sci-Fi Anime Adventure Inspired By The Manga Series By Acclaimed Creator Masakazu Katsura

VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, expands its substantial anime catalog with the addition of the dark sci-fi action series ZETMAN on November 5th. The 13-episode series is rated ‘TV-MA’ for Mature Audiences and will be offered Uncut in DVD and Blu-ray editions. The DVD MSRP is $44.82 U.S. / $43.24 CAN and Blu-ray MSRP is $54.97 U.S. / $66.15 CAN.

ZETMAN is based on a popular manga (graphic novel) series by Masakazu Katsura, who also created VIDEO GIRL AI and I”S (both published in North America by VIZ Media) and was the character designer for the hit anime series, TIGER & BUNNY (also available on Blu-ray and DVD at North American retailers).

Features for the Blu-ray and DVD editions include English dubbed or original Japanese audio selections (with English Subtitles), clean opening and ending segments, the original Japanese broadcast trailer, marathon play option, and an exclusive interview with ZETMAN manga series creator Masakazu Katsura taken during his recent appearance at New York Comic Con.

Jin and Kouga may come from very different walks of life, but both boys are searching for the real meaning of justice and what it means to be a hero! Jin may be poor, but he lives a happy life with his grandfather, until the day tragedy strikes and changes his life forever. Kouga, born into a wealthy family, is in line to inherit his family’s power and fortune. But what is true strength? What does it really mean to be human? Jin and Kouga’s fates intertwine in their struggle to harness the power that lies within each of them!

“ZETMAN delivers unique perspectives on being human and a hero and combines expressive characters and a thought-provoking story with plenty of uncut visceral action to make for a fast-paced and thrilling highlight of our winter anime release schedule,” says Charlene Ingram, Senior Marketing Manager, Animation. “With the start of the holiday season, the ZETMAN anime series also makes a cool gift for gritty action anime fans, and we look forward to fans catching all of the action with this new home video DVD and Blu-ray release.”

For more information on ZETMAN and other animated titles from VIZ Media please visit www.VIZAnime.com/zetman.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.



Saturday, November 2, 2013

Review: "Firewall" is Not Memorable Harrison Ford Flick

TRASH IN MY EYE No. 145 (of 2006) by Leroy Douresseaux

Firewall (2006)
Running time:  105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for some intense sequences of violence
DIRECTOR:  Robert Loncraine
WRITER:  Joe Forte
PRODUCERS:  Armyan Bernstein, Basil Iwanyk, and Jonathan Shestack
CINEMATOGRAPHER:  Marco Pontecorvo
EDITOR:  Jim Page
COMPOSER:  Alexandre Desplat

CRIME/THRILLER/ACTION

Starring:  Harrison Ford, Paul Bettany, Virginia Madsen, Mary Lynn Rajskub, Robert Patrick, Robert Forster, Alan Arkin, Carly Schroeder, Jimmy Bennett, Kett Turton, Nikolaj Coster-Waldau, Vince Vieluf, and Vincent Gale

The subject of this movie review is Firewall, a 2006 British-American crime thriller starring Harrison Ford.  The film focuses on a security specialist who is forced into robbing the bank that he protects in order to pay a ransom for his family.

From 1990’s Presumed Innocent to 2000’s What Lies Beneath, Harrison Ford literally ruled the box office charts with a series of hit thriller flicks.  It didn’t matter if the film was set in a courtroom (like Presumed Innocent), in foreign countries (the Jack Ryan movies), a jet (Air Force One), or a haunted marriage (What Lies Beneath); Ford films were hits – some even blockbusters.  However, the new century has found Ford’s box office success largely diminished.  His 2006 film, Firewall, is a return to his 90’s form, but the film has only about a third of the scope and action thrills of his glory days.

Jack Stanfield (Harrison Ford) is the creator of Seattle-area Landrock Pacific Bank’s state-of-the-art-security system.  He has a reputation as being the man who’s thought of everything when it comes to protecting the bank from electronic theft, but Jack doesn’t know that he’s being watched.  A wily and vicious thief who says his name is Bill Cox (Paul Bettany) has hacked his way into Jack’s personal life and knows everything about Jack and his family:  wife, Beth (Virginia Madsen), his 14-year old daughter, Sarah (Carly Schroeder), and 8-year old son, Andy (Jimmy Bennett).

Now, Cox is holding Beth and the children hostage to force Jack to be their unwilling accomplice in a scheme to steal $100 million dollars from Landrock and the larger bank system with which Landrock recently merged.  Under constant surveillance, Jack must breach the very security system he created and siphon funds to several offshore accounts Cox and his accomplices own.  Jack, however, is sure that Cox will kill him and his family once Cox gets what he wants.  With only hours to accomplish his task, Jack must find, within Cox’s labyrinth of false identities, subterfuge, and plots Cox, an escape hatch through which he and his family can escape with their lives.

Firewall is an entertaining thriller, although it seems as if Ford is on automatic for this role.  Sure, he’s done this before.  He can turn on the grim intensity and growl on cue at the bad guys about what will happen if they hurt his family.  In fact, the script really plays up the hurt my family, protect the family, and family is all-important angles, as if the filmmakers were trying to hit some key red state demographic.  This family protection angle, like Ford’s performance, lacks spontaneity.

A thriller doesn’t have to be plausible to be thrilling, but Firewall stretches the limits of belief.  For every moment that I spent being thrilled, I spent two counting the times in this tale when some bank official, co-worker, or policeman would (or realistically should) have become so suspicious that he or she would have stepped in to stop this insane plot to rob a bank with the oh-so-formidable security system that the hero himself designed.  What?  Is there no oversight at this bank?

Other than Ford’s Jack Stanfield and Paul Bettany’s mechanical villain, Bill Cox, the script and the director ignore the rest of the characters, including several bank employees and officials.  The reason is simple:  the more you bring other people at the bank into this story, the more likely both the film’s plot and the villains’ plot would fall apart.  Still, Firewall is passable entertainment, especially for fans of Harrison Ford.  They won’t remember Firewall the way they do 1993’s The Fugitive, but it’s still something.

5 of 10
C+

Saturday, July 08, 2006

Updated:  Saturday, November 02, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.


Friday, November 1, 2013

8 Documentary Short Films Vie for 2014 Oscar Nominations

8 Doc Shorts On Oscar's 2013 Shortlist

BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that the field of Documentary Short Subject contenders for the 86th Academy Awards® has been narrowed to eight films, of which three to five will earn Oscar® nominations.

Voters from the Academy’s Documentary Branch viewed this year’s 40 eligible entries and submitted their ballots to PricewaterhouseCoopers for tabulation.

The eight films are listed below in alphabetical order by title, with their production companies:

“CaveDigger,” Karoffilms
“Facing Fear,” Jason Cohen Productions, LLC
“Jujitsu-ing Reality,” Sobini Films
“Karama Has No Walls,” Hot Spot Films
“The Lady in Number 6: Music Saved My Life,” Reed Entertainment
“Prison Terminal: The Last Days of Private Jack Hall,” Prison Terminal LLC
“Recollections,” notrac productions
“SLOMO,” Big Young Films and Runaway Films

Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network.  The presentation also will be televised live in more than 225 countries and territories worldwide.

11 Months a Negromancer

It's November 2013.  Welcome to the website, Negromancer, a side publication of the ComicBookBin (www.comicbookbin.com).  This is the rebirth of the former movie review website as a new movie review and movie news website.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.


Thursday, October 31, 2013

DreamWorks Acquires Film Rights to Another Doris Kearns Goodwin Book

DreamWorks Studios Acquires the Film Rights to Pulitzer-Prize Winning Author Doris Kearns Goodwin’s Highly Anticipated Book, "The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism"

LOS ANGELES--(BUSINESS WIRE)--DreamWorks Studios has closed a preemptive deal to acquire the film rights to Pulitzer Prize-winning author Doris Kearns Goodwin’s soon-to-be-released book, The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism, it was announced today by Stacey Snider, Partner and Co-Chair at DreamWorks Studios. Goodwin previously collaborated with the studio on the critically acclaimed and award-winning Lincoln, based in part on Goodwin’s #1 New York Times bestselling Team of Rivals: The Political Genius of Abraham Lincoln.

Goodwin’s The Bully Pulpit will be released November 5, 2013 by Simon & Schuster. The book, seven years in the making, tells the riveting story of two longtime friends who become bitter political opponents. Roosevelt’s fighting spirit and impulsive temperament stood in counterpoint to Taft’s deliberative, conciliatory disposition. Yet, their opposing qualities proved complementary, allowing them to create a rare camaraderie and productive collaboration until their brutal fight for the presidential nomination in 1912 divided them, their families, their colleagues, and their friends. It split the Republican Party in two, and altered the course of American history.

“Doris has once again given us the best seats in the house where we can watch two dynamic American personalities in a battle for power and friendship,” said Steven Spielberg.

Spielberg and Goodwin previously worked together on Lincoln, based in part on Goodwin’s Team of Rivals: The Political Genius of Abraham Lincoln, with a script by Academy Award®-nominated writer Tony Kushner. This new project expands upon that winning combination. Lincoln earned 12 Academy Award® nominations, including an Academy Award for actor Daniel Day-Lewis for his portrayal of President Abraham Lincoln, and box office grosses of over $270 million.

“Working with Steven Spielberg and DreamWorks on Lincoln seemed a once-in-a-lifetime opportunity,” said Doris Kearns Goodwin. “I cannot imagine anything better than the prospect of working with them again, this time to bring Theodore Roosevelt and William Howard Taft to life.”

Goodwin, who was awarded the Pulitzer Prize in history for No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II, is also the author of the bestsellers Wait Till Next Year, Lyndon Johnson and the American Dream and The Fitzgeralds and the Kennedys, which was adapted into an award-winning five-part TV miniseries.

Doris Kearns Goodwin was represented in the deal by ICM.

About DreamWorks Studios
DreamWorks Studios is a motion picture company formed in 2009 and led by Steven Spielberg and Stacey Snider in partnership with The Reliance Anil Dhirubhai Ambani Group. The company’s recent releases include Spielberg's Lincoln, starring Daniel Day-Lewis, Sally Field and Tommy Lee Jones. The film has grossed over $180 million at the U.S. box office and was nominated for twelve Academy Awards® with Daniel Day-Lewis winning for Best Actor. Other releases include Real Steel, starring Hugh Jackman and directed by Shawn Levy, Steven Spielberg’s War Horse, based on Michael Morpurgo’s award-winning book and nominated for six Academy Awards® including Best Picture, and The Help, which resonated with audiences around the country and earned over $200 million at the box office and received four Academy Award® nominations with Octavia Spencer winning for Best Supporting Actress. Upcoming films include the comedy Delivery Man, starring Vince Vaughn, car racing actioner Need for Speed, starring Aaron Paul, and the drama The Hundred-Foot Journey, starring Helen Mirren.

DreamWorks Studios can be found on Facebook at http://www.facebook.com/DreamWorksStudios and on Twitter at http://twitter.com/dw_studios.