Friday, July 13, 2012

Review: "Ice Age: The Meltdown" is Good, Too


TRASH IN MY EYE No. 240 (of 2006) by Leroy Douresseaux

Ice Age: The Meltdown (2006)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – PG for some mild language and innuendo
DIRECTOR: Carlos Saldanha
WRITERS: Gerry Swallow and Peter Gaulke and Jim Hecht; from a story by Gerry Swallow and Peter Gaulke
PRODUCER: Lori Forte

ANIMATION/COMEDY/ADVENTURE/FAMILY/FANTASY

Starring: (voices) Ray Romano, John Leguizamo, Denis Leary, Seann William Scott, Josh Peck, and Queen Latifah, Will Arnett, Jay Leno, and Chris Wedge

The three-member herd from the hit 2002 film, Ice Age: Diego the saber-toothed tiger (Denis Leary), Manny the mammoth (Ray Romano), and Sid the Sloth (John Leguizamo) returns in the hit sequel, Ice Age: The Meltdown, and an impending natural disaster inadvertently adds members to this small family.

The deep freeze of the Ice Age is over, and the ice-covered earth is starting to melt, especially the gigantic glaciers that enclose the cherished valley where Diego, Manny, and Sid live. Reluctantly, the trio accepts the fact that the valley will be flooded, so they’re forced to leave. They begin a journey to the other side of the valley where supposedly awaits a boat that will save them from the flood. Along the way, the trio meets Ellie (Queen Latifah), a mammoth who thinks she is a possum, and her two possum brothers, Crash (Seann William Scott) and Eddie (Josh Peck), a rambunctious, prank playing duo. Manny, who thought he was the last mammoth, is anxious, but also reluctant to make a friend (or maybe more) of Ellie, who is standoffish with Manny. The trio turned sextet will have to stick together if they’re going to survive the impending flood and two deadly new enemies that are silently stalking them. The prehistoric squirrel/rat, Scrat (Chris Wedge), is also back and still fighting to retrieve that one special acorn.

Ice Age: The Meltdown is one of those sequels that improves on the original, and the filmmakers did that by adding characters that aren’t just new and novel. The new trio, Ellie and the possum brothers Crash and Eddie, is also actually highly entertaining. Both Ellie and the actress who gives the character her voice, Queen Latifah, have endearing personalities and no-nonsense streaks. Queen Latifah’s Ellie and Ray Romano’s Manny actually make a good couple, as Ellie’s sassiness and Manny’s cutting attitude mesh.

Denis Leary’s Diego is still a good sidekick, and John Leguizamo’s Sid is ever entertaining comic relief. However, Crash and Eddie steal their thunder. The animators and writers created supporting characters that would be great as stars in their own cartoons (think the penguins from Madagascar). It is, however, Seann William Scott and Josh Peck who make them truly winning characters, as they breathe life and personality, turning potential into triumph.

On one hand, Ice Age: The Meltdown could have been a pedestrian sequel, but this movie is a good example of how animators and voice actors can take any kind of material and turn it into a winner just by mining their talents to make the right choices. It’s a heady mixture of storytelling, art, and entertainment, and that means Ice Age: The Meltdown will always be more than just an obligatory sequel to a very popular movie. I really didn’t want this fun and heartwarming tale of a patchwork family to end.

7 of 10
A-

Thursday, November 23, 2006

Review: Original "Ice Age" is Still Cool


TRASH IN MY EYE No. 70 (of 2006) by Leroy Douresseaux

Ice Age (2002) – computer animated
Running time: 81 minutes (1 hour, 21 minutes)
MPAA – PG for mild peril
DIRECTOR: Chris Wedge with Carlos Saldanha
WRITERS: Michael Berg, Michael J. Wilson, and Peter Ackerman; from a story by Michael J. Wilson
PRODUCER: Lori Forte
EDITOR: John Carnochan
Academy Award nominee

ANIMATION/COMEDY/ADVENTURE/FAMILY with elements of drama

Starring: (voices) Ray Romano, John Leguizamo, Denis Leary, Goran Visnjic, Jack Black, Cedric the Entertainer, and Stephen Root

The subject of this movie review is Ice Age, a 2002 computer-animated film from Blue Sky Studios and 20th Century Fox. This adventure comedy and talking-animal story follows a woolly mammoth, giant ground sloth, and smilodon (a saber-toothed cat) who go on a journey to return a human baby to its parents.

As the ice age encroaches upon the land, a mismatched trio of prehistoric critters: Manfred “Manny” the mammoth (Ray Romano, who gives a low key but commanding voice performance), Sid the giant sloth (John Leguizamo, a show stealer as usual), and Diego the saber-toothed tiger (Denis Leary) become reluctant guardians of a human infant. They embark on an epic, but perilous and sometimes hilarious journey to return the infant to its tribe. Diego, however, has mixed loyalties, as his pack lies in wait to spring a trap for Manny and the baby.

Ice Age, produced by computer animation studio Blue Sky Animation for 20th Century Fox, was the first blockbuster computer animated feature not produced by Pixar (Disney) or PDI (DreamWorks). The film also earned a 2003 Oscar nomination for “Best Animated Feature” (which went to director Chris Wedge). If the film has a secret to its success, it’s actually two things: high quality computer animation and story. Creating computer animation that doesn’t look clunky, but instead looks like eye candy apparently isn’t easy. Pixar remains the gold standard, but after a rough start DreamWorks Animation (formerly PDI) is producing some colorful and unique looking works. Ice Age looks like the work of a studio that has been at computer animated features for a long time, although Blue Sky at the time had been making computer animated shorts and computer-generated characters for films like Alien: Resurrection and Joe’s Apartment. Other than the chunky looking adult humans, the animation in Ice Age is smooth and pleasant to look at, but most of all, the characters have character.

Cute looking characters mean nothing if they leave the audience cold. Manny the mammoth and Sid the sloth especially are lively and engaging. The animation allows both Manny and Sid’s faces to exploit the performances by the respective voice actors. Sid has a physicality that reminds of a really good physical comedian, and Sid is as animated as John Leguizamo’s hilarious and inventive voice performance of him. The saber-toothed tigers seem a bit stiff for the kind of animal they likely were. Their faces aren’t quite menacing, and they pose more than they move.

However, animated films are all sound and fury without a good story. It’s not enough that an animated feature is funny, and Ice Age does have much wry and witty humor (with some clever nods to pop culture and nice comic relief in the form of a character called Scrat). Ice Age is an engaging tale about lost souls coming together and working together to do something that is more important than their individual failures and yearnings. United they are far mightier than they were alone, and the cause (returning the human infant to his father) isn’t so much noble as it simply is the right thing to do. Anyone who believes in family and friendship can identify that, and such a goal moves beyond group alliances.

This is an all-inclusive message that embraces both traditional and non-traditional families (whatever those are). It’s a good message and a heartwarming story that makes Ice Age more than just empty, family entertainment product. Add the fact that it is often quite funny and witty, and Ice Age is a winning picture.

7 of 10
B+

Sunday, April 09, 2006

NOTES:
2003 Academy Awards: 1 nomination: “Best Animated Feature” (Chris Wedge)

Thursday, July 12, 2012

Darren Aronofsky Tweets from the Set of "Noah"


Academy Award-nominated director Darren Aronofsky (Black Swan) is working on his next feature film.  Entitled, "Noah," it is set to be released in 2014.  The film is a relling of the Biblical story of "Noah's Ark."  Aronofsky tweeted a photo from the set with the following text, "I dreamt about this since I was 13. And now it's a reality. Genesis 6:14."

"The Dark Knight Rises" at Music Retailers on July 17th

The Dark Knight Rises Soundtrack Due July 17

Composer Hans Zimmer Teams With Christopher Nolan For The Conclusion Of The Dark Knight Trilogy

Album Available For Pre-Order On Amazon And iTunes

LOS ANGELES--(BUSINESS WIRE)--On July 17, 2012, WaterTower Music will release The Dark Knight Rises : Original Motion Picture Soundtrack at all physical and digital retailers. Academy-Award® winning composer Hans Zimmer teams for the fourth time with writer/director Christopher Nolan to create the music for the final installment of his Dark Knight Trilogy. The CD version of the soundtrack will contain an exclusive link to unlock three bonus tracks, while a deluxe version of the soundtrack, with three additional tracks, will be available digitally. A limited edition vinyl configuration is set for release on September 4. Following the success of his experiential app for Inception, which boasted 5 million downloads, Zimmer is preparing to unveil a new iPhone app for The Dark Knight Rises that will provide fans with a more immersive musical and sonic experience into the world of Gotham City. Details for the new Hans Zimmer app will be announced soon.

“I thought after we finished the last one [The Dark Knight], that was it,” said Zimmer. “There was nothing else we could possibly do. At the same time, when I started reading this script, I instantly knew that there was a whole world out there that I hadn’t even touched yet.”

“I have never worked with someone so dedicated to the idea that the real risk is in playing it safe,” said Nolan. “Hans taught me that you sometimes have to go in what appears to be the wrong direction to discover all the possibilities, and that without exploring those possibilities you can never do anything truly exceptional. He sets creative goals for every film that are higher than you ever thought practical…or even reachable.”

Zimmer added, “We’re comrades in arms, the way we try to cheer each other on and try to really do the best work we possibly can. And part of that is you have to be prepared to not hold back. You have to put everything into the movie.”

Hans Zimmer has scored over 100 films, grossing more than 19.6 billion dollars at the box office worldwide. He has been honored with the Academy Award®, 2 Golden Globes, 3 Grammys, an American Music Award, and a Tony Award. In 2003, ASCAP gave him the prestigious Henry Mancini award for Lifetime Achievement for his impressive and influential body of work. He also received his Star on the Hollywood Walk of Fame in December 2010. Some of his most recent works include Madagascar 3: Europe’s Most Wanted, Guy Ritchie’s Sherlock Holmes: A Game of Shadows, and Rob Marshall’s Pirates of the Caribbean: On Stranger Tides.

Warner Bros. Pictures’ and Legendary Pictures’ The Dark Knight Rises is the epic conclusion to filmmaker Christopher Nolan’s Dark Knight trilogy.

The film stars Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, and Morgan Freeman. Christopher Nolan directed the film from a screenplay by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. Emma Thomas, Christopher Nolan and Charles Roven produced the film, with Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull serving as executive producers, and Jordan Goldberg co-producing. “The Dark Knight Rises” is based upon Batman characters created by Bob Kane and published by DC Comics.

Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a Film by Christopher Nolan. Opening in theatres and IMAX on July 20, 2012, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The Dark Knight Rises has been rated PG-13 for intense sequences of violence and action, some sensuality and language.

The Dark Knight Rises -- Original Motion Picture Soundtrack and The Dark Knight Rises – Original Motion Picture Soundtrack Deluxe Version on WaterTower Music will be available digitally and in stores on July 17, 2012.

http://www.thedarkknightrises.com/


Wednesday, July 11, 2012

Review: "Safe House" is Full of Thrill Rides

TRASH IN MY EYE No. 56 (of 2012) by Leroy Douresseaux

Safe House (2012)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for strong violence throughout and some language
DIRECTOR: Daniel Espinosa
WRITER: David Guggenheim
PRODUCER: Scott Stuber
CINEMATOGRAPHER: Oliver Wood (D.o.P.)
EDITOR: Richard Pearson
COMPOSER: Ramin Djawadi

ACTION/THRILLER

Starring: Denzel Washington, Ryan Reynolds, Vera Farmiga, Brendan Gleeson, Sam Shepard, Rubén Blades, Nora Arnezeder, Robert Patrick, and Liam Cunningham

Safe House is a 2012 action thriller and espionage film from Dutch director Daniel Espinosa. Starring Denzel Washington and Ryan Reynolds, the film follows a young CIA agent and a former CIA agent turned criminal on the run after their safe house is attacked. Safe House is an excellent action thriller, but that’s all it is.

Safe House is set in South Africa, where Matthew James “Matt” Weston (Ryan Reynolds) is a low-level CIA agent. He is the “housekeeper” (essentially the manager) of a CIA safe house in Cape Town, South Africa. Matt is about to have his biggest guest, Tobin Frost (Denzel Washington), an ex-CIA agent turned international criminal. Not long after Frost is brought to Matt’s safe house by a CIA special operations unit, mercenaries attack the house. Matt manages to escape with Frost in his custody, but things only get worse. Matt suspects that there is a security leak at the CIA from someone who wants something that Frost apparently has. Now, Matt has to keep one eye on Frost and the other on the people trying to kill them both.

Safe House is an expertly directed action thriller. Every chase scene is riveting; each one will hold onto your attention with a steely grip. But that’s it. You don’t really get to know the characters, although many have interesting back stories. Characters are either good guys or bad guys, and many are also corpses-to-be. Denzel doesn’t do anything that you haven’t seen him do before, but Ryan Reynolds really sells the idea that he is a young man dealing with something way beyond his pay grade. He shows fear, desperation, and desperate determination in his eyes. He does this with enough intensity to make you believe that he is a serious actor and not just the latest lucky young white guy in Hollywood.

I really enjoyed Safe House. It’s like the Jason Bourne movies, but more meat-and-potatoes action than smart (which the Bourne movies are). I think Safe House should also be noticed for a small role by Rubén Blades, the fine actor, singer/songwriter, and Latin jazz musician. He should be in more movies. In spite of a thin script, that’s what Safe House does: offer surprises and thrills that make you glad you watched it. If you are looking for more, you will need to watch another movie.

7 of 10
B+

Monday, July 09, 2012

Review: "Crossfire" is a Timeless Social Film (Remembering Robert Ryan)

TRASH IN MY EYE No. 123 (of 2004) by Leroy Douresseaux

Crossfire (1947)
Running time: 86 minutes (1 hour, 26 minutes)
DIRECTOR: Edward Dmytryk
WRITER: John Paxton (based upon the novel The Brick Foxhole by Richard Brooks)
PRODUCER: Adrian Scott
CINEMATOGRAPHER: J. Roy Hunt (D.o.P.)
EDITOR: Harry Gerstad
COMPOSER: Roy Webb
Academy Award nominee

CRIME/DRAMA/FILM-NOIR

Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly, Sam Levene, Jacqueline White, Steve Brodie, George Cooper, George Cooper, William Phipps, Tome Keene (as Richard Powers), Lex Barker, and Marlo Dwyer

The subject of this movie review is Crossfire, the 1947 Film-Noir drama and murder mystery from director, Edward Dmytryk. The film earned a best picture Oscar nomination, the first B-movie to receive that honor. Crossfire is based upon Richard Brooks’ 1945, The Brick Foxhole, which dealt with the murder of a homosexual victim. The victim in the film is Jewish.

Edward Dmytryk’s film Crossfire is an excellent crime drama about murder that resulted from unchecked bigotry. The filmed earned five Oscar® nominations including nods for “Best Picture,” and “Best Director.” In the film, police Captain Finlay (Robert Young) is trying to solve the murder of Joseph Samuels (Sam Levene), a man who befriended a group of soldiers at a bar. At first glance, the perpetrator would seem to be the drunk and depressed Cpl. Arthur Mitchell or “Mitch” (George Cooper), as his friends call him. However, Finlay and an Army Sgt. Peter Keeley (Robert Mitchum) believe Samuels was murdered because he was Jewish, so they set about trying to sniff out the anti-Semite who really committed the crime.

The film is very entertaining, and is also a quite-effective mystery. The characters, even the bit players, are excellent, engaging, and intriguing. Robert Ryan earned an Academy Award nomination for his supporting performance as the slyly genial, yet menacing Montgomery. Quite a bit of the credit for this film’s success must be given to the John Paxton’s adaptation of Richard Brooks’ novel. Paxton’s script (which changed the novel’s murder victim from a gay man to a Jewish man) is filled with witty and effective dialogue, most of it brief, yet efficient enough to color and to establish even the smallest character parts.

Dmytryk, a master film craftsman, gives the entire work a finish and polish that makes the film’s defects charming rather than distracting. Crossfire is a movie that has stayed with me, and I often find myself, for a few moments, remembering it.

8 of 10
A

NOTES:
1948 Academy Awards: 5 nominations: “Best Actor in a Supporting Role” (Robert Ryan), “Best Actress in a Supporting Role” (Gloria Grahame), “Best Director” (Edward Dmytryk), “Best Picture” ((RKO Radio), and “Best Writing, Screenplay” (John Paxton)

1949 BAFTA Awards: 1 nomination: “Best Film from any Source” (USA)

1947 Cannes Film Festival: 1 win: “Best Social Film” (Edward Dmytryk)

--------------------


Tuesday, July 10, 2012

Review: "Dirty Pretty Things" is a Pretty Movie Thing (Happy B'day, Chiwetel Ejiofor)

TRASH IN MY EYE No. 140 (of 2004) by Leroy Douresseaux


Dirty Pretty Things (2002)
- U.S. release in 2003
COUNTRY OF ORIGIN: United Kingdom
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for sexual content, disturbing images and language
DIRECTOR: Stephen Frears
WRITER: Steven Knight
PRODUCERS: Robert Jones and Tracey Seaward
CINEMATOGRAPHER: Chris Menges
EDITOR: Mick Audsley
COMPOSER: Nathan Larson
Academy Award nominee

DRAMA/MYSTERY/THRILLER with elements of romance

Starring: Chiwetel Ejiofor, Audrey Tautou, Sergo López, Sophie Okonedo, Benedict Wong, and Zlatko Buric

The subject of this movie review is Dirty Pretty Things, a 2002 British thriller from director Stephen Frears. This drama about two illegal immigrants in London was released in the United States in 2003 and went on to earn an Oscar nomination.

In Stephen Frears’ wonderful Dirty Pretty Things, Okwe (Chiwetel Ejiofor), an illegal Nigerian immigrant, discovers the unsavory side of London life. He works at a posh London hotel that is especially popular with men who frequent prostitutes. Okwe stumbles across evidence of a bizarre murder committed in one of the hotel rooms – a human heart clogging up the commode. Okwe is also involved in an awkward relationship with his roommate, Senay (Audrey Tautou), a Turkish chambermaid who is also on shaky footing with immigration. Okwe’s discovery in the hotel room and his connection with Senay eventually collide, and the manner in which he resolves both problems is this film’s centerpiece.

Stephen Frears’ filmography is a wonderful collection of eccentric and quirky films that are more than surface peculiarity. Most are very good films, and a few a truly great, including this one. Frears’ weaves a picture show of palatable drama that is also a convincing romance (although a sad one), a riveting, gritty, urban drama and a mesmerizing tale of mystery and intrigue. He is however blessed with Steven Knight’s Academy Award-nominated script (“Best Original Screenplay”). Knight gives the film a solid plot that, instead of overwhelming the film, allows the story to expand beyond genre intrigue. His writing also gives the characters (another element that is strong in his script) the chance to play at being more just chess pieces in a thriller.

The cast gives outstanding performances, especially Chiwetel Ejiofor. Although Miramax’s marketing for the film’s U.S. release emphasized the ethereal, haunting beauty of Audrey Tautou and her melancholy character, Senay, this is Okwe’s story. Chiwetel is the foundation of this movie’s success, guiding and holding the film with his hypnotic and penetrating gaze and steady strength. He strides this production like a cowboy in a western epic, holding the dark forces at bay and saving the damsel in distress. All in all, Ejiofor highlights a fine film presentation in which all hands did top notch work. I heartily recommend Dirty Pretty Things.

9 of 10
A+

NOTES:
2004 Academy Awards: 1 nomination: “Best Writing, Original Screenplay” (Steven Knight)

2003 BAFTA Awards: 2 nominations: “Alexander Korda Award for Best British Film” (Tracey Seaward, Robert Jones, and Stephen Frears) and “Best Screenplay – Original” (Steven Knight)

2004 Black Reel Awards: 1 win: “Film: Best Actor” (Chiwetel Ejiofor)