Saturday, May 28, 2011

Warner Bros. Trumpets The Hangover Part II's Success

Records Get Smashed on Opening Day of Todd Phillips’ “The Hangover Part II”

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Legendary Pictures’ “The Hangover Part II” has already broken multiple records on only its first day in release, it was announced today by Dan Fellman, Warner Bros. Pictures President of Domestic Distribution.

Box offices around the country got a midnight wake-up call when the Todd Phillips-directed comedy took in $10.4 million, shattering the previous midnight-opening record for an R-rated film. The sum also more than doubled the record for a midnight opening of any 2011 film to date. With the widest opening of any R-rated film, “The Hangover Part II” went on to earn a total of $31.7 million on its opening day, setting a new opening day record for a comedy.

In making the announcement, Fellman stated, “From the tracking, we knew audiences couldn’t wait for another ‘Hangover,’ but these numbers are through the roof. Leave it to Todd Phillips to create a new must-see comedy that has people lining up at the box office and rolling in the aisles. Congratulations to him, the cast and all the other talents behind the film on making another unforgettable comedy.”

In “The Hangover Part II” Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu’s wedding. With the memory of Doug’s nearly disastrous bachelor party in Las Vegas still fresh—or at least well-documented—Stu is taking no chances. He has opted for a safe, subdued, pre-wedding trip brunch, with pancakes, coffee…and no alcohol. However, things don’t always go as planned. Two nights before the big day, at a fabulous resort in Thailand, Stu relents. One beer each. In sealed bottles. What could go wrong?

What happens in Vegas may stay in Vegas, but what happens in Bangkok can’t even be imagined.

“The Hangover Part II” is director Todd Phillips’ follow-up to his 2009 smash hit “The Hangover,” which became the highest-grossing R-rated comedy of all time and also won the Golden Globe for Best Film – Comedy or Musical.

Reprising their roles, Bradley Cooper, Ed Helms, Zach Galifianakis, and Justin Bartha star in the film. The main cast also includes Ken Jeong and Jeffrey Tambor, who also return from the first film, and Mason Lee, Jamie Chung and Paul Giamatti, who join the ensemble.

The screenplay is by Craig Mazin & Scot Armstrong & Todd Phillips. Phillips also produced the film under his Green Hat Films banner, together with Dan Goldberg. Thomas Tull, Scott Budnick, Chris Bender and J.C. Spink are the executive producers, with David A. Siegel and Jeffrey Wetzel serving as co-producers.

“The Hangover Part II” is a presentation of Warner Bros. Pictures, in association with Legendary Pictures, and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated R for pervasive language, strong sexual content including graphic nudity, drug use and brief violent images.

Friday, May 27, 2011

Linkin Park and Transformers to Rock Moscow

TRANSFORMERS: DARK OF THE MOON PRESENTS LINKIN PARK – LIVE IN MOSCOW on JUNE 23rd IN SUPPORT OF MOVIE’s WORLD PREMIERE IN RUSSIA

HOLLYWOOD, CA (May 23, 2011) – In celebration of Paramount Pictures’ TRANSFORMERS: DARK OF THE MOON, Linkin Park will perform a special outdoor concert at Vasilyevsky Spusk of the Red Square in Moscow – with the Kremlin and St. Basil’s Basilica as the backdrop – on June 23rd at 9PM. The 3D Michael Bay film will open the Moscow International Film Festival on the same night.

Linkin Park will perform several of their hit songs including the single, “Iridescent,” which is the end title song in the upcoming third Transformers film. The movie opens worldwide beginning June 29th. Stars from the film are scheduled to attend, along with director Michael Bay.

Tickets for this free concert will be available beginning June 1st through June 21st, to learn more about obtaining ticket information go to http://www.energyfm.ru/ or http://www.linkinpark.com/ beginning June 1st.

One of the most successful collaborations between music and film, the previous Linkin Park singles to appear in the first two Transformers films, “What I’ve Done” from the first Transformers film, has sold over 4 million downloads worldwide, and “New Divide” from 2009’s Transformers: Revenge of the Fallen, crossed the 3 million mark. Both songs were top selling singles for the band, and went to #1 on the modern rock radio charts (with “New Divide” spending 14 weeks there).

The special show in Moscow is produced by Live Nation and will occur during Linkin Park’s upcoming European tour, which begins June 11th in Austria with stadium, festival or arena shows in the UK, Germany, Sweden, Norway, Finland, France, Switzerland, Italy & Belgium.

Linkin Park European Tour Dates:
June 11 Nickelsdorf, Austria @ Nova Rock Festival
June 12 Donington, UK @ Download Festival
June 14 Stockholm, Sweden @ Ericsson Global Arena
June 16 Helsinki, Finland @ Kaisaniemi Park
June 18 Leipzig, Germany @ Festweise
June 19 Oberursel, Germany @ Hessentag
June 21 Hamburg, Germany @02 World Arena
June 25 Munich, Germany @ Messegelaende Riem Stadium
June 26 Imola, Italy @ Sonisphere Festival
June 28 Arendal, Norway @ Hove Festival
June 30 Werchter, Belgium @ Rock Wercher Festival
July 1 Arras, France @ Arras Main Square Festival
July 2 St. Gallen, Switzerland @ OpenAir Festival
July 4 London, UK @ iTunes Festival

TRANSFORMERS: DARK OF THE MOON is the third film in the Transformers franchise and the first shot in 3D. It is directed by Michael Bay, written by Ehren Kruger and produced by Don Murphy & Tom DeSanto, Lorenzo di Bonaventura and Ian Bryce. The executive producers are Steven Spielberg, Michael Bay, Brian Goldner and Mark Vahradian. The movie opens in the United States on June 29, 2011. ©2011 Paramount Pictures Corporation. All rights reserved.

HASBRO, TRANSFORMERS and all related characters are trademarks of Hasbro. ©2011 Hasbro. All Rights Reserved.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.


Terrence Malick's "The New World" Poetic and Spiritual

TRASH IN MY EYE No. 121 (of 2006) by Leroy Douresseaux


The New World (2005)
Running time: 135 minutes (2 hour, 15 minutes)
MPAA – PG-13 for some intense battle sequences
WRITER/DIRECTOR: Terrence Malick
PRODUCER: Sarah Green
CINEMATOGRAPHER: Emmanuel Lubezki
EDITORS: Richard Chew, A.C.E., Hank Corwin, A.C.E., Saar Klein, and Mark Yoshikawa
Academy Award nominee

DRAMA/HISTORICAL/ROMANCE

Starring: Colin Farrell, Q’orianka Kilcher, Christopher Plummer, Christian Bale, August Schellenberg, Wes Studi, David Thewlis, Yorick van Wageningen, Raoul Trujillo, Michael Greyeyes, Kalani Queypo, Ben Mendelsohn, Noah Taylor, Ben Chaplin, John Savage, Janine Duvitski, Irene Bedard, Eddie Marsan, Roger Rees, Myrton Running Wolf, Jonathan Pryce, and Jesse Borrego

Director Terrence Malick’s (The Thin Red Line) shot over 1 million feet of film for his most recent movie, The New World. Originally released on Christmas Day 2005 with a run time of 150 minutes, Malick pulled the film and edited it down to 135 minutes for re-release. This is the definitive version – reportedly the version Malick prefers.

The story begins in North America in the early years of the 17th century. The continent is as it has been for the previous five thousand years – a vast land of seemingly endless primeval wilderness with the only inhabitants being an intricate network of tribal cultures (Native American who speak Algonquin). In April of 1607, three small seagoing vessels from England sail into this Eden. On board one of the ships is John Smith (Colin Farrell), a once-promising young officer and soldier of fortune, now chained below decks and destined to be hanged for insubordination. Captain Christopher Newport (Christopher Plummer), however, pardons Smith because he realizes that he will need every able-bodied man he has in this new world, and Smith, in particular.

Newport and his men have landed (in what is now Virginia) in the midst of a sophisticated Native American empire ruled by the powerful chieftain, Powhatan (August Schellenberg). While this is the new world to the Englishmen, North America is an ancient world to Powhatan, and he and his people are wary of the Englishmen, believing they intend to stay. The Englishmen struggle to survive in their new home, so John Smith seeks assistance from the local tribes. During this trip, he encounters a young native woman who at first seems like a woodland sprite or perhaps something not real. However, this willful and impetuous creature is real, and she is Powhatan’s daughter (Q’orianka Kilcher), known as Pocahontas (although she is never called that in the film). Smith and the young woman form a bond that transcends ordinary love, and it tests the strength of their bonds with their respective people. However, their love story would become one of the best-known American legends.

The New World is really two stories. One is a character driven narrative about the relationship between John Smith and Pocahontas, and the other is an entirely visually conveyed story about North America as it was just as the English settlers were arriving. The former is internally driven. Smith and Pocahontas speak mostly in voiceovers, and the film leaves the audience to guess at what thoughts and images run through their minds as the two bond. It’s a poetic courtship based on shared feelings, in which the audience might understand the spiritual connection, but is often left yearning to share the obviously intense physical connection. Malick takes an odd approach to filming romance and love in this movie; it is impressionistic – at least from the point of the view of the audience. However, it can intrigue, can make the viewer interested in understanding why these two people from vastly different worlds are so in love with one another.

The latter tale is visually driven. Malick and his cinematographer, Emmanuel Lubezki (who earned an Oscar nod for his work), present the new world as an expansive verdant forest of fertile, intensely green plant life; wide-open, deep blue skies; and dreamlike waterways. Shot almost entirely with available (natural) light, the film has an ethereal quality like something trying and almost succeeding at being real, although it isn’t. Malick stages the battles between natives and newcomers with a sense of poetry that could pass for a kind of violent ballet or interpretive dance in the right light. In the end, Malick presents these confrontations as a sort of pastoral, historical recreation, and it has a natural feel to it – verisimilitude, perhaps.

The performances are excellent. Colin Farrell and Q’orianka Kilcher have magical screen chemistry, and Kilcher is quite a find, giving one of the best performances by an actress in 2005. Farrell takes his bad boy attitude and quality and transforms himself into a thoughtful man who has lived a life of adventure and enormous responsibility – a rebel who also understands consequence and responsibility. Christian Bale also makes a nice turn with a small role in the last third of the film. Malick, one of the few American directors not only totally dedicated to the idea that film is art, but also dedicated to making film that is actually high art, does make a few missteps (too many voiceovers, a few abrupt jumps in narrative, some dry spots, etc.). However, he brings his talented cast and crew together and creates in The New World an outstanding poetic, visual feast that speaks softly to our souls.

8 of 10
A

Friday, June 02, 2006

NOTES:
2006 Academy Awards: 1 nomination: “Best Achievement in Cinematography” (Emmanuel Lubezki)

Thursday, May 26, 2011

"The Hangover Part II" Soundtrack Now on the Streets

"THE HANGOVER PART II" SOUNDTRACK SET FOR A MAY 24th RELEASE

FEATURING MUSIC FROM THE FILM, INCLUDING NEW SONGS FROM ED HELMS, DANZIG AND MORE

MAY 4, 2011 — BURBANK, CA - WaterTower Music is excited to announce the release of The Hangover Part II: The Original Motion Picture Soundtrack on May 24, 2011. The Soundtrack contains twelve songs from the film along with eight hilarious dialogue clips fans will be quoting for years to come. The much-anticipated feature "The Hangover Part II" opens nationwide on May 26, 2011.

Among the songs included on the album are Ed Helms' "Allentown," a new song in the spirit of his incredibly popular "Stu's Song" from the soundtrack of 2009's smash hit "The Hangover." Additional new music includes a song from Danzig, along with music from the Ska Rangers, who are featured in the film, Kanye West, Mark Lanegan, Deadmau5, Wolfmother, and more.

TRACK LISTING:
Danzig - "Black Hell"
DIALOGUE CLIP Bradley Cooper, Ed Helms - "You can't just skip out of the bachelor party"
Kanye West - "Stronger"
DIALOGUE CLIP Zach Galifianakis, Bradley Cooper - "Stew's first marriage"
Billy Joel - "The Downeaster 'Alexa'"
DIALOGUE CLIP Ken Jeong, Bradley Cooper - "Holla, city of squaller"
Mark Lanegan - "The Beast In Me"
DIALOGUE CLIP Ed Helms - "What the f*** is going on!"
deadmau5 - "Sofi Needs A Ladder"
Ed Helms - "Allentown"
Curtis Mayfield - "Pusher Man"
DIALOGUE CLIP Sasha Barrese - "Seriously what is wrong with you three?"
Wolfmother - "Love Train"
DIALOGUE CLIP Aroon Seeboonruang, Bradley Cooper, Ed Helms, Zach Galifianakis - "Farting medication"
Ska Rangers - "I Ran"
DIALOGUE CLIP Zach Galifianakis - "When a monkey nibbles"
Mike Tyson - "One Night In Bangkok"
DIALOGUE CLIP Ken Jeong - "Hold on gay boys"
Ska Rangers - "Just The Way You Are"
Jenny Lewis - "Bad Man's World"

In "The Hangover Part II," Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu's wedding. With the memory of Doug's nearly disastrous bachelor party in Las Vegas still fresh—or at least well-documented—Stu is taking no chances. He has opted for a safe, subdued, pre-wedding trip brunch, with pancakes, coffee...and no alcohol. However, things don't always go as planned.

Two nights before the big day, at a fabulous resort in Thailand, Stu relents. One beer each. In sealed bottles. What could go wrong?

What happens in Vegas may stay in Vegas, but what happens in Bangkok can't even be imagined.

"The Hangover Part II" was directed by Todd Phillips from a screenplay he co-wrote with Craig Mazin & Scot Armstrong. Phillips also produced the film under his Green Hat Films banner, together with Dan Goldberg. Thomas Tull, Scott Budnick, Chris Bender and J.C. Spink are the executive producers, with David A. Siegel and Jeffrey Wetzel serving as co-producers. The film stars Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong, Mason Lee, Jamie Chung, Jeffrey Tambor and Paul Giamatti.

"The Hangover Part II" is a presentation of Warner Bros. Pictures, in association with Legendary Pictures, and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated R by the MPAA for pervasive language, strong sexual content including graphic nudity, drug use and brief violent images.

http://www.hangoverpart2.com/

The Hangover, Part II: Original Motion Picture Soundtrack


Warner Bros. Releases Statement on "The Hangover" II Lawsuit

Some of you who follow movie news and gossip closely have probably heard about The Hangover II lawsuit. Victor Whitmill, the man responsible for giving boxing champion Mike Tyson his tribal-inspired facial tattoo, brought a lawsuit against the producers of The Hangover Part II. Whitmill was suing because Ed Helms character in the film, Dr. Stuart “Stu” Price, gets a tattoo identical to the one Whitmill designed for Tyson, who appeared in the original film and also appears in the sequel.

Whitmill claimed he had a copyright for the design and wanted the tattoo’s image removed from the film and its movie posters, which would have effectively halted the film’s release. Whitmill is also seeking $30 million.

Judge Catherine D. Perry dismissed the case on Tuesday, May 24th, allowing the film to be released today, Thursday, May 26, 2011. She ruled that it was “in the public interest” to let Warner Bros. release the film as scheduled.

Whitmill is apparently not dropping his case against the studio. While the judge denied the motion to halt The Hangover II’s release, she did find a “strong likelihood of prevailing on the merits for copyright infringement.”

Here is a press release from Warner Bros. Pictures regarding the decision rendered Tuesday afternoon:

Warner Bros. Statement

BURBANK, Calif.--(BUSINESS WIRE)--In response to today’s court decision, Warner Bros. released the following statement:

“We are very gratified by the Court's decision which will allow the highly anticipated film ‘The Hangover Part II’ to be released on schedule this week around the world. Plaintiff's failed attempt to enjoin the film in order to try and extract a massive settlement payment from Warner Bros. was highly inappropriate and unwarranted.”

Review: "Red River" is a Classic Western (Happy B'day, Duke)

TRASH IN MY EYE No. 36 (of 2003) by Leroy Douresseaux

Red River (1948)
Running time: 133 minutes (2 hours, 13 minutes)
DIRECTORS: Howard Hawks with Arthur Rosson
WRITERS: Charles Schnee and Borden Chase (from a story by Borden Chase)
PRODUCER: Howard Hawks
CINEMATOGRAPHER: Russell Harlan
EDITOR: Christian Nyby
Academy Award nominee

WESTERN with elements of action, adventure, romance

Starring: John Wayne, Montgomery Clift, Joanne Dru, Walter Brennan, Coleen Gray, Harry Carey, Sr., John Ireland, Noah Beery, Jr., and Harry Carey, Jr.

Thomas Dunson (John Wayne) is a powerful cattle baron who is on the precipice of bankruptcy, when he decided to take his nearly 10,000 head of cattle to Missouri for sale. However, Dunson chooses a trail to Missouri that is fraught with peril, and along the journey he begins to take out his frustrations on his men. Midway through the trip, Dunson’s foster son Matthew “Matt” Garth (Montgomery Clift) overthrows Dunson and takes the cattle along the Chisholm Trail to Kansas. As Garth and the men approach their destination, Dunson is hot on their trail and hungry for revenge.

Many film historians, critics, and fans consider Red River to be one of the greatest western films of all time, and it is indeed a rousing adventure filled with wonderful characters and engaging drama. I found a lot of the interplay between the characters quite exciting, and some of their disputes were stimulating. I felt like I was in the film, right in the middle of one of many fights.

In addition to the strong story and script, viewers will love the characters. The story is intense and certainly holds the attention, but the characters really sell it. The John Wayne of Red River is the classic American icon – a stoic, no-nonsense, Alpha male who gives commands and demands no questions. However, he is not without a sentimental side; his pride may be overwhelming, but his decency does show through his stubbornness.

Montgomery Clift was only supposed to be the film’s looker and matinee idol that gets the girl, but he also gives a performance that gives more depth to the character than even the story allowed. Perennial movie sidekick Walter Brennan is not only the film’s comic relief, but his Nadine Groot is essentially a moral compass. A frustrating fault of the film is John Ireland who plays the intriguing character Cherry Valance; Valance is a very good character that Ford chose to under-utilized. All said, fans of westerns should not miss this film, a great western and one of the best John Wayne movies.

8 of 10
A

NOTES:
1949 Academy Awards: 2 nominations: “Best Film Editing” (Christian Nyby) and “Best Writing, Motion Picture Story” (Borden Chase)

1990 National Film Preservation Board, USA – National Film Registry

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Wednesday, May 25, 2011

James Cameron's "Titanic" to Sail Again in 2012 in 3D

PARAMOUNT PICTURES, TWENTIETH CENTURY FOX AND LIGHTSTORM ENTERTAINMENT TO SET SAIL AGAIN WITH JAMES CAMERON’S OSCARÃ’-WINNING “TITANIC” WITH A WORLDWIDE 3D RE-RELEASE ON APRIL 6, 2012

Movie’s Re-Release to Coincide With the Centennial of the Ship’s Sailing

HOLLYWOOD, CA (May 19, 2011) - Paramount Pictures, Twentieth Century Fox and Lightstorm Entertainment jointly announced today that James Cameron’s “TITANIC” will be re-released worldwide on April 6, 2012.

The release, which marks the 100th anniversary of the Titanic setting sail (April 10th), will present the film in 3D for the first time ever.

Written, directed and produced by Cameron, “TITANIC” is the second highest grossing movie of all time. It is one of only three films to have received a record 11 Academy Awards, including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.

Called “A spectacular demonstration of what modern technology can contribute to dramatic storytelling” by Variety upon its release in 1997, the long in the works 3D conversion is being overseen by Cameron and his Lightstorm producing partner Jon Landau who produced the hit movie.

Said Cameron, "There's a whole generation that's never seen ‘TITANIC’ as it was meant to be seen, on the big screen. And this will be ‘TITANIC’ as you've never seen it before, digitally re-mastered at 4K and painstakingly converted to 3D. With the emotional power intact and the images more powerful than ever, this will be an epic experience for fans and newcomers alike."

“This new presentation of Paramount’s top-grossing film is particularly special because 2012 is the 100th anniversary of our studio. Paramount has had the pleasure of introducing audiences to some of the all-time classics of cinema during that century of moviemaking and we cannot think of a better way to mark the occasion than with this re-release of ‘Titanic’,” said Brad Grey, Chairman and CEO of Paramount Pictures.

Commented Fox Filmed Entertainment Chairmen and CEOs, Jim Gianopulos and Tom Rothman: “Our 30-plus year relationship with Jim Cameron and Lightstorm has been enormously rewarding, from ‘Aliens’ to ‘Avatar’, and the global phenomenon of ‘Titanic’ remains one of the greatest sources of pride in our history. We are pleased to allow a new generation of audiences to experience the film in its brilliant digital restoration in 3D.”


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.

About Twentieth Century Fox
One of the world’s largest producers and distributors of motion pictures, Fox Filmed Entertainment produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of FFE: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Twentieth Century Fox Animation and Fox International Productions.

About Lightstorm Entertainment
Lightstorm Entertainment is a film production company founded by Academy Award-winning filmmakers James Cameron and film producer Jon Landau. The company has produced blockbuster hits including “Terminator 2: Judgment Day,” “True Lies,” as well the Academy Award-winning “Titanic” and most recently “Avatar,” which stands at the biggest grossing movie of all time.