Saddam Hussein Novel Inspires Upcoming Sacha Baron Cohen Film

SACHA BARON COHEN’S NEXT COMEDY “THE DICTATOR” TO OPEN WORLDWIDE ON MAY 11, 2012

Larry Charles Comes Aboard To Direct, And Scott Rudin To Produce

HOLLYWOOD, CA (January 20, 2011) - Paramount Pictures announced today that Sacha Baron Cohen’s new comedy The Dictator will be released worldwide on May 11, 2012. The studio also announced that Larry Charles (“Borat”, “Bruno”) has come aboard to direct.

The film tells the heroic story of a dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed. It is inspired by the best selling novel "Zabibah and The King" by Saddam Hussein.

Producing alongside Baron Cohen are Scott Rudin, Alec Berg, Jeff Schaffer, and David Mandel. The project marks the first collaboration for Rudin (“The Social Network,” “True Grit”) and Baron Cohen, while Berg, Schaffer and Mandel (Seinfeld, Curb Your Enthusiasm) join him as screenwriters on the movie. The movie is the latest collaboration between Baron Cohen and Charles, who previously worked together on “Borat” as well as “Bruno”. Dan Mazer (“Borat” “Bruno”), Ant Hines ("Borat" "Bruno") and Peter Baynham (“Borat”) will serve as executive producers, reuniting the rest of the Academy Award®-nominated and Golden Globe winning “Borat” team. Todd Schulman ("Borat" “Bruno”) is co-producing under Baron Cohen’s Four By Two Films banner.

Larry Charles, Sacha Baron Cohen and David Mandel are repped by WME. Dan Mazer, Alec Berg and Jeff Schaffer are repped by UTA.

About Paramount Pictures CorporationParamount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.

Review: "Religulous" is Brilliant and Funny

TRASH IN MY EYE No. 31 (of 2010) by Leroy Douresseaux


Religulous (2008)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for some language and sexual material
DIRECTOR: Larry Charles
WRITER: Bill Maher
PRODUCERS: Bill Maher, Jonah Smith, and Palmer West
CINEMATOGRAPHER: Anthony Hardwick (director of photography)
EDITOR: Jeff Groth, Christian Kinnard, and Jeffrey M. Werner

DOCUMENTARY – Religion/COMMENTARY/COMEDY

Starring: Bill Maher, Julie Maher, Kathy Maher, Senator Mark Pryor, Pastor John Westcott, Ken Ham, Reginald Foster, Tal Bachman, Bill Gardiner, Aki Nawaz, Ray Suarez, and Jeremiah Cummings

Comedian and politically provocative talk show host Bill Maher took on religion and faith in the hot-button documentary, Religulous, a title derived by blending the words “religion” and “ridiculous.” Maher examines the presence of religion in many of the big news stories of recent years, from Muslim rioting over cartoon depictions of Mohammed in European newspapers to a born-again Christian being President of the United Sates (George W. Bush).

Maher, currently the host of HBO’s "Real Time with Bill Maher," also skewers the current state of organized religion, while visiting Jerusalem, Salt Lake City, the Vatican, and other holy destinations. Of the many questions Maher asks on his journey, the main questions are why are believers of many faiths so sure that their religion is right, and why they’re so certain others are wrong?

One thing I wish that Bill Maher had done in Religulous was to offer more commentary from cultural, historical, political experts on religion and faith. Often this movie seems like Maher vs. the crazy religious people, which makes Maher come across as a prankster (a la Borat) snarking on the loons. Still, what Maher and director Larry Charles do present is fantastic and also funny on so many levels.

Some of Religulous is laugh-out-loud funny, but some of it made me cringe as much as I laughed behind my hands. I don’t think Maher is able to get an answer to the question of why believers from a variety of faiths are so sure their religion is right, and why they’re so certain others are wrong? Many of the people Maher meets are quite sensitive to someone not only questioning their faith, but also questioning why they are religious.

In fact, the attitude from many people is that they don’t want outsiders questioning their faiths, although many of these same people seem to have large, answered questions of their own about their religions. Maher often interrupts his subjects, and many times, he should have let them rant, even if their ranting made them look bad, scary, or crazy. The best line in Religulous came from self-avowed Evangelical Christian and U.S. Senator Mark Pryor, D-Arkansas, when he said, “You don't need to pass an IQ test to become a senator.” Pryor seemed eager to be interviewed, and while he certainly comes across as a nice guy (maybe even a smart fellow), his willingness to declare his allegiance to superstition is both sad and frightening.

By the end of the Religulous, I got the idea that this film was less about the faithful’s embrace of irrationality, superstition, and blind faith, and more about Maher giving rational people a wake-up call. He thinks that the rational, non-religious are actually in the majority, and one can hope he is right.

That said, Religulous is a great documentary because it takes a blunt, unflinching look at organized religion and faith, not through the eyes of religious scholars and clerics, but by taking on the foot soldiers and rank and file believers who give voice to their faith, warts and all. Only Maher, brilliant as both a social observer/critic and provocateur, could deliver a documentary about blind faith that is almost as powerful as blind faith.

9 of 10
A+

Sunday, May 09, 2010

Review: "Borat" is a National Treasure from Another Nation

TRASH IN MY EYE No. 48 (of 2007) by Leroy Douresseaux

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – R for pervasive strong crude and sexual content including graphic nudity, and language
DIRECTOR: Larry Charles
WRITERS: Sacha Baron Cohen & Anthony Hines & Peter Baynham, and Dan Mazer; from a story by Sacha Baron Cohen & Peter Baynham & Anthony Hines, and Todd Phillips (based upon a character created by Sacha Baron Cohen)
PRODUCERS: Sacha Baron Cohen and Jay Roach
CINEMATOGRAPHERS: Luke Geissbuhler (director of photography) and Anthony Hardwick (director of photography)
EDITORS: Craig Alpert, Peter Teschner, and James Thomas
2007 Academy Awards nominee

COMEDY

Starring: Sacha Baron Cohen, Ken Davitian, and Luenell

In the film: Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, writer/actor/comedian Sacha Baron Cohen takes one his most popular characters from his HBO comedy series, “Da Ali G Show,” the Kazakhstani reporter Borat, and sends him on a road trip across America. Cohen-as-Borat then engages real Americans in this faux documentary prompting them with seemingly innocent questions and his outrageous (and sometimes boorish) behavior into revealing their worst prejudices and attitudes. Along the way, Borat even runs naked through a hotel.

Borat Sagdiyev (played by Cohen in a role that won him a 2007 Golden Globe) is Kazakhstan’s sixth most famous man and a leading journalist for the State run TV network. Borat wants to travel to the U.S., what he calls “greatest country in the world,” and learn things that might benefit Kazakhstan. Camera and film crew in tow and joined by his cameraman/sidekick, Azamat Bagatov (Ken Davitian), Borat lands in New York City and heads south encountering the fruit of American citizenry. However, another quest subsumes Borat’s original purpose for coming to America. He is determined to travel to California where he will find and marry Pamela Anderson.

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan lives partially in that esteemed sub-genre of film comedies, the mock documentary or “mockumentary,” the most famous example being This is…Spinal Tap. This is, however, firmly a fake documentary in which the documentary filmmakers mean to fool the subjects of the documentary. As Borat, Cohen is relentless and doesn’t give a sucker an even break when dealing with his clueless American subjects. These people apparently have no shame in displaying their petty bigotries and silly prejudices on camera. Were these people not ashamed to show their ugly sides because they assumed Borat was a just a dumb foreigner and his film would only be seen in another country?

Cohen shrewdly picks his targets, discerning the ones who would make great theatre – an example being the rich, Southern white suburbanites who lived in a neighborhood where one street was named “Succession Lane.” The fraternity boys who appear towards the end of the film are a hoot, and they’re carbon copies of the ones I knew when I attended a major, formerly segregated, Southern state flagship university.

Borat is certainly a lout, and his loutish behavior occasionally grates on the nerves, but the vast majority of the time, his encounters with people lead to double-side-splitting comedy. With Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, Sacha Baron Cohen proves once again that he is a genius when it comes to revealing the just plain awful, ugly, vain, and intolerant side of people – a side they’re all too willing to display for the camera. Lovers of movie comedy shouldn’t miss this comic social commentary that is worth watching at least twice.

8 of 10
A

NOTES:
2007 Academy Awards: 1 nomination for “Best Writing, Adapted Screenplay” (Sacha Baron Cohen, Anthony Hines, Peter Baynham, and Dan Mazer; from a story by Sacha Baron Cohen, Peter Baynham, Anthony Hines, and Todd Phillips)


2007 Golden Globes: 1 win: “Best Actor in a Motion Picture-Musical or Comedy (Sacha Baron Cohen) and 1 nomination: “Best Motion Picture-Musical or Comedy

Wednesday, March 07, 2007