Two Classic Supernatural Comedies Like You’ve Never Seen Them Before

Ghostbusters & Ghostbusters II Debut on 4K Ultra HD™ June 7

Ultimate Home Theater Experience Features High Dynamic Range and All-New Dolby Atmos Soundtracks

CULVER CITY, Calif. -- Fans will now be able to experience particle beams and ectoplasm like never before when Ghostbusters and Ghostbusters II debut June 7, 2016 on next generation 4K Ultra HD disc with High Dynamic Range (HDR) from Sony Pictures Home Entertainment (SPHE). Perfect for Father’s Day gifting, each 4K Ultra HD release will also include the recent anniversary Blu-rays, bursting with all the bonus materials, including previously released legacy content, commentary and the interactive Slimer Mode.

As two of the first Sony 4K Ultra HD disc releases, both films were fully restored from the 35mm original camera negatives, thereby utilizing in 4K the full resolution, detail and color depth inherent in the film. 4K Ultra HD is the perfect way to finally experience these comprehensive restorations at full 4K resolution in the home – it features four times the resolution of high definition, along with High Dynamic Range (HDR), which produces brilliant highlights, vibrant colors and greater contrast on compatible displays. Additionally, both films have been remixed specifically for the home theater environment with Dolby Atmos® audio, delivering captivating sound that places and moves audio anywhere in the room, including overhead.

These new 4K Ultra HD releases precede the July 15, 2016 U.S. premiere of Sony Pictures’ highly anticipated new motion picture, Ghostbusters, from director Paul Feig, starring Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth.

Also, as part of the excitement surrounding the arrival of the new film, SPHE will release over 50 episodes of the iconic 1980s animated series, The Real Ghostbusters, on DVD July 7 and on Digital, from Ivan Reitman, DiC and Sony Pictures Television.

Both Ghostbusters and Ghostbusters II are directed and produced by Ivan Reitman (Meatballs, Stripes), and written by Dan Aykroyd (My Girl) and Harold Ramis (Knocked Up). Bill Murray (St. Vincent), Dan Aykroyd (Blues Brothers), and Sigourney Weaver (Aliens) star, along with Harold Ramis (Groundhog Day) and Rick Moranis (Honey I Shrunk the Kids). Ernie Hudson (TV’s “Oz”) and Annie Potts (TV’s “Designing Women”) also star. Ghostbusters is ranked No. 28 on the AFI’s List of America’s Funniest Movies.

SYNOPSES:
Ghostbusters: University parapsychologists Dr. Peter Venkman (Murray), Dr. Raymond Stanz (Aykroyd) and Dr. Egon Spengler (Ramis) lose a research grant when their experiment methodology is proven to be bogus. The team decides to go into business for themselves and open ‘Ghostbusters,’ a ghost removal service. After struggling to get on their feet, they are summoned to investigate the strange happenings in Dana Barrett’s (Weaver) Central Park West apartment. What they discover is that all Manhattan is being besieged by ghosts and other-worldly demons through a portal in her building.

Ghostbusters II: Supernatural superstars Peter Venkman (Murray), Dr. Raymond Stanz (Aykroyd) and Dr. Egon Spengler (Ramis) spring back into action when the infant son of Dana Barrett (Weaver) becomes the target of a powerful demonic force. Reunited with their industrious secretary Janine (Potts) and the nerdy, near-sighted Louis (Moranis), the ‘heroes of the hereafter’ must put a stop to an enormous underground river ready to rot the roots of the entire Big Apple.

GHOSTBUSTERS & GHOSTBUSTERS II 4K Ultra HD Releases Include:
§  Feature films in 4K resolution with High Dynamic Range (HDR)
§  Dolby Atmos soundtracks (Dolby TrueHD 7.1 compatible)*
§  Includes high-def Blu-rays featuring the films and special features

*To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar; however, Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

GHOSTBUSTERS Blu-ray Special Features:
§  Who You Gonna Call: A Ghostbusters Retrospective - Roundtable Discussion with Director Ivan Reitman and Dan Aykroyd (Part 1)
§  Poster Art Gallery – Gallery of 1988 artwork
§  Ghostbusters Music Video – Ray Parker, Jr.
§  Slimer Mode – Picture in Picture and Trivia Track
§  Commentary with Ivan Reitman, Harold Ramis & Joe Medjuck
§  10 Deleted Scenes
§  1984 Featurette
§  Cast and Crew Featurette
§  SFX Team Featurette
§  Multi-Angles
§  Ecto-1: Resurrecting the Classic Car
§  Ghostbusters Garage: Ecto-1 Gallery Storyboard Comparisons

GHOSTBUSTERS II Blu-ray Special Features:
§  Time Is But A Window: Ghostbusters II and Beyond - Roundtable Discussion with Director Ivan Reitman and Dan Aykroyd (Part 2)
§  Deleted Scenes
§  “On Our Own” Music Video – Bobby Brown
§  Theatrical Trailers

GHOSTBUSTERS has a run time of approximately 105 minutes and is rated PG.

GHOSTBUSTERS II has a run time of approximately 108 minutes and is rated PG.


ABOUT SONY PICTURES HOME ENTERTAINMENT
Sony Pictures Home Entertainment (SPHE) is a Sony Pictures Entertainment (SPE) company. Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com.

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"Baywatch" Movie Begins Shooting

PARAMOUNT PICTURES ANNOUNCES START OF PRINCIPAL PHOTOGRAPHY ON “BAYWATCH”

HOLLYWOOD, CA – Paramount Pictures today announced that principal photography has commenced on “BAYWATCH,” starring Dwayne Johnson (“Central Intelligence,” “Fast & Furious” franchise) and Zac Efron (“Mike and Dave Need Wedding Dates”). Production will take place in Miami and Savannah.

The film will be released on May 19, 2017.

Seth Gordon (“Horrible Bosses,” “Identity Thief”) is directing the film from a screenplay most recently written by Damian Shannon & Mark Swift and Barry Schwartz. Beau Flynn (“HERCULES”), Ivan Reitman (“GHOSTBUSTERS,”), and Michael Berk, Doug Schwartz & Greg Bonann, creators of the iconic “Baywatch” television series, are producing. The executive producers are Michele Berk, Louise Rosner ("THE BIG SHORT"), Tom Pollock, and Ali Bell. Eli Roth is a co-producer.

“BAYWATCH” follows devoted lifeguard Mitch Buchannon (Johnson) as he butts heads with a brash new recruit (Efron). Together, they uncover a local criminal plot that threatens the future of the Bay.

Joining Johnson and Efron are Alexandra Daddario (“True Detective”), Priyanka Chopra (“Quantico”), Jon Bass, Kelly Rohrbach (“UNTITLED WOODY ALLEN PROJECT”), Ilfenesh Hadera (“CHI-RAQ”), and Hannibal Buress (“DADDY’S HOME”).


About Paramount Pictures Corporation:
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

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Review: Special Effects Keeps "Evolution" Going (Happy B'day, Orlando Jones)

TRASH IN MY EYE No. 118 (of 2003) by Leroy Douresseaux

Evolution (2001)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – PG-13 for crude and sexual humor, and for sci-fi action
DIRECTOR:  Ivan Reitman
WRITERS:  David Diamond and David Weissman, and Don Jakoby; story by Don Jakoby
PRODUCERS:  Daniel Goldberg, Joe Medjuck, and Ivan Reitman
CINEMATOGRAPHER:  Michael Chapman (D.o.P.)
EDITORS:  Wendy Greene Bricmont and Sheldon Kahn
COMPOSER:  John Powell

SCI-FI/COMEDY

Starring:  David Duchovny, Julianne Moore, Orlando Jones, Seann William Scott, Ted Levine, Dan Aykroyd, Ethan Suplee, Ty Burrell, Sarah Silverman, and John Cho

The subject of this movie review is Evolution, a 2001 science fiction comedy from director Ivan Reitman.  The film follows four people who are fighting an alien organism that has been rapidly evolving into outlandish creatures ever since its arrival on Earth inside a meteor.

Evolution makes me think of Ghostbusters (the former was released 17 years to the date of the latter’s release).  Maybe, that’s because both films share the same director, Ivan Reitman, and maybe because both films seem to have the same ebb and flow.  While the latter pretty much realized its promise of being a very funny and popular film, the former pretty much failed on both counts.

Dr. Ira Kane (David Duchovny), a biology teacher (and disgraced government employee), and his colleague Harry Block (Orlando Jones) see fame and fortune when firefighter cadet Wayne Grey (Seann William Scott) alerts them to a meteorite that recently crashed into a local cave.  The meteorite emits a bluish fluid, and Dr Kane and Prof. Block are shocked to discover that the fluid contains many single-cell organisms that are evolving before their very eyes.  The alien life forms evolve and adapt at such an incredible rate (into countless wonderful animal-like forms) that they threaten to prove Charles Darwin right – the strongest will survive and they will take over the world.  When the military suddenly arrives, they only make matters worse.  Of course, it’s up to Kane, Block, Grey, and sexy government scientist Dr. Allison Reed (Julianne Moore) to save the world from the fate of this alien evolution.

This film has two things going for it, the comedic performances of the actors and the special effects.  Reitman, a veteran of many excellent funny movies, leans on the latter for his new film.  Whereas Ghostbusters used SFX in service of a great cast of funnymen, Evolution seems enthralled by the CGI technology that didn’t exist at the time of Ghostbusters.  Weird animal aliens fun amok in this film, some resembling dinosaurs and wild animals, others resembling slugs and worms.  I was impressed by the visual finesse of the special effects, but I’d hoped that the movie would be funnier, but it only managed to be lukewarm.

The cast only manages to be really on their game for about half of the film’s running time.  Seann William Scott and Orlando Jones are seemingly inspired, but Reitman doesn’t really let them reach the heights of which they are capable.  Duchovny plays it a bit too cool, but at times he is bursting at the seams to really let his funny side loose.  Ms. Moore is almost reduced to being the pretty female attachment, which is an utter waste when one considers are tremendous acting talent.  Maybe, she isn’t a comedic actress, but she can do more than just be the female costar.

Occasionally intriguing, sometimes pleasant, and infrequently exciting, Evolution is sadly another mediocre film that only lazily aimed at being special.  The filmmakers either didn’t put in the work required to make this film really good, or despite their best efforts, they assembled enough defective parts to ruin what could have been a good film.

5 of 10
B-

Updated:  Thursday, April 10, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Ghostbusters" Still in High Spirits

TRASH IN MY EYE No. 160 (of 2004) by Leroy Douresseaux

Ghost Busters (1984)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – PG
PRODUCER/DIRECTOR: Ivan Reitman
WRITERS: Dan Aykroyd and Harold Ramis
CINEMATOGRAPHER: Laszlo Kovacs (D.o.P.)
EDITOR: David Blewitt and Sheldon Kahn
COMPOSER: Elmer Bernstein
Academy Award nominee

COMEDY/SCI-FI/FANTASY/HORROR

Starring: Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Annie Potts, William Atherton, Ernie Hudson, Reggie Vel Johnson and Frances E. Nealy with (cameos) Larry King, Joe Franklin, Casey Kasem

The subject of this review is Ghostbusters (originally titles Ghost Busters), 1984 supernatural comedy film produced and directed by Ivan Reitman. The film starred Bill Murray, Dan Aykroyd, Sigourney Weaver, and Harold Ramis and was written by Aykroyd and Ramis, apparently with some contributions from costar, Rick Moranis.

Doctors Peter Venkman (Bill Murray), Raymond Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis) are three unemployed parapsychology professors who set up a ghost, spirit, and spectre removal service called Ghost Busters. They successfully chase haunts and poltergeists, and they eventually earn so much cash and business that they have to hire a man off the street, Winston Zeddemore (Ernie Hudson), to become the fourth Ghost Buster agent. Things are going well, until Venkman has his eye on Dana Barrett (Sigourney Weaver), a musician who comes to the Ghost Busters with a problem. Her refrigerator has a demon in it, and that’s the first sign of the apocalyptic arrival of a Sumerian god bent on destroying the world.

Months after it was released in 1984, Ghost Busters became the highest-grossing comedy film ever made. It was and is a well written comedy with well-developed elements of fantasy, but most of all the fine cast of comic actors served Ghost Busters quite well. The best of the lot is Bill Murray, whose dry wit and sarcasm, as well as his deadpan delivery, made audiences willing to suspend their disbelief for this film. Somehow, Ghost Busters comic tone blended very well with the film’s low rent sci-fi and horror elements. The comedy worked, and the ghosts were so light and airy that it was hard to take them seriously, but at the same time not quite possible to dismiss them.

Actually, all the filmmakers were pretty sharp in their efforts. Ghost Busters was merely another example of director Ivan Reitman’s deft touch as a director of comic films, and the film’s writers, Ramis, Aykroyd, and Moranis (not given screen credit) are all funny guys who came up with a novel story. Together their film has stood the test of time, and there’s very little to criticize about it, though the film is a tad bit long and the final showdown is kind of loopy. This is a great screen comedy that I’d heartily recommend.

8 of 10
A

NOTES:
1985 Academy Awards: 2 nominations: “Best Effects, Visual Effects” (Richard Edlund, John Bruno, Mark Vargo, and Chuck Gaspar) and “Best Music, Original Song” (Ray Parker Jr. for the song "Ghostbusters")

1985 BAFTA Awards: 1 win: “Best Original Song” (Ray Parker Jr. for the song "Ghostbusters"); 1 nomination: “Best Special Visual Effects” (Richard Edlund)

1985 Golden Globes, USA: 3 nominations: “Best Motion Picture - Comedy/Musical,” “Best Original Song - Motion Picture” (Ray Parker Jr. for the song "Ghostbusters"), and “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Bill Murray)

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"Ghostbusters II" Shows Less Spirit Than Original

TRASH IN MY EYE No. 161 of (2004) by Leroy Douresseaux


Ghostbusters II (1989)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG
PRODUCER/DIRECTOR: Ivan Reitman
WRITERS: Harold Ramis and Dan Aykroyd
CINEMATOGRAPHER: Michael Chapman
EDITORS: Donn Cambern and Sheldon Kahn
COMPOSER: Randy Edelman

COMEDY with elements of sci-fi and horror

Starring: Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Ernie Hudson, Annie Potts, Peter MacNicol, David Margulies, Kurt Fuller, Wilhelm von Homburg, and Will Deutschendorf & Hank Deutschendorf

The subject of this movie review is Ghostbusters II, a 1989 supernatural comedy film produced and directed by Ivan Reitman. It is a squeal to the 1984 film, Ghostbusters.

Five years after the events of the original film, Ghostbusters II finds the Ghostbusters out of business and reviled by the New York City municipal government even after the Busters saved the city from Sumerian Armageddon in the first film. However, a resurgence in spectral (ghostly) activity allows the four Ghostbusters: Dr. Peter Vinkman (Bill Murray), Dr. Raymond Stantz (Dan Aykroyd), Dr. Egon Spengler (Harold Ramis), and Winston Zeddemore (Ernie Hudson) to revive the business.

Vinkman also attempts to rekindle his romance with Dana Barrett (Sigourney Weaver), which fizzled between films. Barrett has a son, Oscar (infant twins Will & Hank Deutschendorf), and though she’s wary of Vinkman’s peculiar ways, she comes to rely on him when evil spirits start trying to abduct Oscar. When the team discovers a massive river of ectoplasm beneath NYC, they know something big and evil is on the way.

Ghostbusters II is really a domestic comedy about reuniting with old friends and strengthen bonds, whereas the first film was a big, funny summer genre picture. Ghost Busters featured well-known and popular comedic actors and what was at the time spectacular special effects; the talent and an off-kilter sci-fi/comedy/horror-lite tale mixed into a popular family friendly comedy with mass appeal.

The sequel is funny, but it appeared five years after the first film, and it seemed, at the time, as if the film’s window of opportunity had closed long before it was released. Years later, it still seems like something tacked on to the original film. Still, there is something appealing about it; maybe it is the sense of camaraderie and easy humor. It’s like a Ghost Busters for old people – a funny, light-hearted film that lacks the zing of high octane SFX films aimed at the young ‘uns. Besides, Bill Murray, who seems to be phoning it in, is still as sharp as ever. It’s amazing that he can be so laid back, so cool, so disinterested and make his sardonic and sarcastic humor twice as sharp as someone else trying three times as hard.

6 of 10
B

Review: "Heavy Metal" Still a Fantastic Movie (30 Years Later - 1981)

TRASH IN MY EYE No. 30 (of 2011) by Leroy Douresseaux

Heavy Metal (1981)
COUNTRY OF ORIGIN: Canada
Running time: 86 minutes (1 hour 26 minutes)
Rating:  MPAA – R
DIRECTOR: Gerald Potterton
WRITERS: Daniel Goldberg and Len Blum, from stories by Dan O’Bannon, Richard Corben, Juan Gimenez, Angus McKie, Thomas Warkentin, and Berni Wrightson
PRODUCER: Ivan Reitman
EDITORS: Janice Brown, Ian Llande, Mick Manning, and Gerald Tripp
COMPOSER: Elmer Bernstein

ANIMATION/SCI-FI with elements of action and horror

Starring: (voices) John Candy, Eugene Levy, Harold Ramis, Richard Romanus, August Schellenberg, John Vernon, and Percy Rodrigues

Originally released in 1981, Heavy Metal is an animated science fiction film named after a magazine of the same title. It is an anthology film made of several animated short films, with each short film connected to the others by an overall storyline. That storyline involves the quest for a mysterious, powerful object.

Some of the animated short films in Heavy Metal were adapted from science fiction, fantasy, and horror comics that appeared in Heavy Metal magazine in the 1970s. A few of the other animated short films appearing in this movie were original stories done in the spirit of the kind of comics found in Heavy Metal (which is still published today).

Heavy Metal the movie begins with an astronaut returning home to his young daughter. He shows her something he brought back, a glowing, green crystalline ball, which kills him as soon as he removes it from a carry case. Calling itself “the sum of all evils,” the green orb begins to tell the terrified daughter a series of stories about how it has influenced people and societies throughout time and space.

The audience learns that the green orb is called the Loc-Nar and also watches as people try to control it or as it controls people. A sweeping story of the battle of good against evil is told through this anthology that follows several characters over 8 short films. These include Harry Canyon, a cabbie in futuristic New York City. There is Dan, a nerdy teenager. The Loc-Nar transforms Dan into Den, a muscular barbarian (with a huge “dork”), and transports him to the world of Neverwhere. The final short film focuses on Taarna, a beautiful warrior woman who takes on a band of vicious, murderous men and monsters created by the Loc-Nar.

As an animated film, Heavy Metal is a wonder. Sure, the character animation in a few of the short films is awkward, but it is quite good in others, like the Taarna story. Heavy Metal’s designers and animators grabbed the art and graphics from Heavy Metal magazine and brought them to motion picture life with vivid, stirring animation. I cannot call Heavy Metal great, but this visually striking animated film is one-of-a-kind and an absolute delight to watch – especially if you are a comic book or science fiction fan.

7 of 10
A-

Friday, April 08, 2011

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