DC Comics Shipping from Lunar Distributors for July 27, 2021

DC COMICS:

Action Comics #1033 (Cover A Daniel Sampere), $4.99
Action Comics #1033 (Cover B Julian Totino Tedesco Card Stock Variant), $5.99
Action Comics #1033 (Cover C Jen Bartel Headshot Card Stock Variant), AR
Batman Reptilian #2 (Of 6) (Cover A Liam Sharp), $4.99
Batman Reptilian #2 (Of 6) (Cover B Cully Hamner), $4.99
Batman Reptilian #2 (Of 6) (Cover C Riccardo Federici), AR
Batman Secret Files Huntress #1 (One Shot) (Cover A Irvin Rodriguez), $4.99
Batman Secret Files Huntress #1 (One Shot) (Cover B Riccardo Federici Card Stock Variant), $5.99
Batman Secret Files Huntress #1 (One Shot) (Cover C TK TK Card Stock Variant), AR
Batman Superman #20 (Cover A Ivan Reis & Danny Miki), $3.99
Batman Superman #20 (Cover B Jenny Frison Card Stock Variant), $4.99
Bizarro Comics The Deluxe Edition HC, $49.99
Checkmate #2 (Of 6) (Cover A Alex Maleev), $3.99
Checkmate #2 (Of 6) (Cover B Matt Taylor Card Stock Variant), $4.99
Dark Nights Death Metal Soundtrack (Lunar Distribution Exclusive Edition), AR
DC Connect #15, AR
DC Poster Portfolio Joelle Jones TP, $24.99
Detective Comics #1040 (Cover A Dan Mora), $4.99
Detective Comics #1040 (Cover B Lee Bermejo Card Stock Variant), $5.99
Flash #772 (Cover B Brett Booth Card Stock Variant), $4.99
Harley Quinn #5 (Cover A Riley Rossmo), $3.99
Harley Quinn #5 (Cover B Derrick Chew Card Stock Variant), $4.99
I Am Not Starfire TP, $16.99
Icon And Rocket Season One #1 (Of 6) (Cover A Taurin Clarke), $3.99
Icon And Rocket Season One #1 (Of 6) (Cover B Darryl Banks Old School Card Stock Variant), $4.99
Icon And Rocket Season One #1 (Of 6) (Cover C Doug Braithwaite New School Card Stock Variant), $4.99
Icon And Rocket Season One #1 (Of 6) (Cover D Reina Koyano Card Stock Variant), AR
Infinite Frontier #3 (Of 6) (Cover A Mitch Gerads), $4.99
Infinite Frontier #3 (Of 6) (Cover B Bryan Hitch Card Stock Variant), $5.99
Justice League #65 (Cover B David Talaski Card Stock Variant), $5.99
Legends Of The Dark Knight #2 (Darick Robertson & Diego Rodriguez 2nd Printing Variant Cover), $3.99
Looney Tunes #261 (Cover A Walter Carzon), $2.99
Mister Miracle The Source Of Freedom #3 (Of 6)(Cover A Yanick Paquette), $3.99
Mister Miracle The Source Of Freedom #3 (Of 6)(Cover B Taurin Clarke Card Stock Variant), $4.99
Nightwing #78 (Bruno Redondo 3rd Printing Variant Cover), $3.99
Other History Of The DC Universe #5 (Of 5) (Cover A Giuseppe Camuncoli & Marco Mastrazzo), $6.99
Other History Of The DC Universe #5 (Of 5) (Cover B Jamal Campbell), $6.99
Robin #4 (Cover A Gleb Melnikov), $3.99
Robin #4 (Cover B Francis Manapul Card Stock Variant), $4.99
RWBY Justice League #4 (Of 7) (Cover A Mirka Andolfo), $3.99
RWBY Justice League #4 (Of 7) (Cover B Simone Di Meo Card Stock Variant), $4.99
Shazam #1 (Of 4) (Cover C Steve Lieber Card Stock Variant), AR
Static Season One #2 (Of 6) (Cover A Khary Randolph), $3.99
Static Season One #2 (Of 6) (Cover B Nikolas Draper-Ivey Card Stock Variant), $4.99
Strange Adventures #11 (Of 12) (Cover A Mitch Gerads), $4.99
Strange Adventures #11 (Of 12) (Cover B Evan Doc Shaner), $4.99
Suicide Squad Case Files Volume 2 TP, $19.99
Suicide Squad Trial By Fire TP (Photo Cover Edition), $19.99
Superman Son Of Kal-El #1 (Cover A John Timms), $3.99
Superman Son Of Kal-El #1 (Cover B InHyuk Lee Card Stock Variant), $4.99
Superman Son Of Kal-El #1 (Cover C Stephen Byrne Card Stock Variant), $4.99
Superman Son Of Kal-El #1 (Cover D Jen Bartel Headshot Card Stock Variant), AR
Superman Son Of Kal-El #1 (Cover E John Timms Virgin Card Stock Variant), AR
Teen Titans Academy #5 (Cover A Rafa Sandoval), $3.99
Teen Titans Academy #5 (Cover B Philip Tan Card Stock Variant), $4.99
Wonder Woman #776 (Cover A Travis Moore), $4.99
Wonder Woman #776 (Cover B Becky Cloonan Card Stock Variant), $5.99
Wonder Woman Black And Gold #2 (Of 6) (Cover A Terry Dodson), $5.99
Wonder Woman Black And Gold #2 (Of 6) (Cover B Joshua Middleton), $5.99
Wonder Woman Black And Gold #2 (Of 6) (Cover C David Mack Foil Variant), AR

LeBron James' The SpringHill Company Preps "Fantasy Football" for Paramount+

The SpringHill Company and Genius Entertainment Partner with Nickelodeon and Awesomeness Films to Produce New Live-Action Movie, Fantasy Football

First-Ever Film Adaption of Hush Hush, Based on New York Times Best-Selling Young Adult Novel, Also Enters Production

Fantasy Football and Hush Hush to Lead Slate of a Dozen New Films from Nickelodeon and Awesomeness Studios Set for 2022 and Beyond

Fantasy Football and Hush Hush Will Debut Exclusively on Paramount+, In addition to Nickelodeon and Awesomeness Films’ The J Team, Starring JoJo Siwa, Which Will Premiere on Paramount+ on Friday, Sept. 3, As Previously Announced

HOLLYWOOD--(BUSINESS WIRE)--Nickelodeon and Awesomeness Films today announced the production of new original live-action movie Fantasy Football, executive produced by The SpringHill Company (Space Jam: A New Legacy), the empowerment-led media conglomerate spearheaded by LeBron James and Maverick Carter and in partnership with wunderkind and creative mastermind Marsai Martin and Joshua Martin of Genius Entertainment (Little). In Fantasy Football, 15-year-old Carmen Coleman (Marsai Martin, Black-ish) discovers she can control her professional football player dad’s prowess on the field through her video game. Zoe Marshall (Charmed) is writing the Fantasy Football screenplay, based on an original screenplay by Richard T. Jones & Jeremy Loethen and Tim Ogletree. Marshall is represented by JR McGinnis at Felker Toczek Suddleson Abramson, Ashley Holland at WME and Adesuwa McCalla at MetaMorphic Entertainment. Spencer Beighley and Jamal Henderson of The SpringHill Company are executive producing along with Carol Martin for Genius Entertainment. Jamila Jordan-Theus will produce for Genius Entertainment as well. Production is set to begin in early 2022.

Additionally, Nickelodeon and Awesomeness Films announced production on Hush Hush, a film adaptation of the New York Times best-selling young adult (YA) novels by Becca Fitzpatrick. Hush Hush follows 16-year-old high school student Nora Grey, who befriends new student, Patch, and finds herself drawn to his brooding charm against her better judgment. As Nora starts seeking answers about who Patch really is, she unwittingly gets caught in the crosshairs of an ancient battle between fallen angels and the immortal -- a struggle that comes to threaten her life and reveals a shocking secret about her own identity. The Hush Hush screenplay is being written by Monet Clayton (Every Note Played), with production slated for late 2021 in partnership with BCDF Pictures and Entertainment 360. Clayton is represented by ICM, Fourth Wall and attorney Sean Marks.

Both films, led by Nickelodeon and Awesomeness Films Studio head Syrinthia Studer, are scheduled to bow in 2022.

Fantasy Football and Hush Hush will debut on Paramount+, the streaming service for ViacomCBS, and follow the upcoming launch of The J Team, which premieres on Paramount+ on Sept. 3. The J Team marked the first production under the Nickelodeon and Awesomeness Live-Action Film Studio.

Following on Awesomeness’s live-action movie successes including the smash-hit To All The Boys I’ve Loved Before film franchise, The Perfect Date, and Before I Fall, the combined studio is diving into the family and YA film market with a dozen titles lined up for 2022 and beyond.

“We are excited to team up with SpringHill and Awesomeness, two creative powerhouses aligned in the mission to celebrate dynamic stories and invoke inspiration within our audiences. Collectively, we are companies that hold the family brand and themes at its core, so this felt like an incredible trifecta to bring Fantasy Football to life. This film is a true reflection of our growing slate: championing new heroes, challenging social ‘norms’, and showcasing the power of following your dreams,” stated Jamila Jordan-Theus, Head of Motion Picture for Genius Entertainment.

Added Studer, “With the continuing growth of Nickelodeon and Awesomeness’s live-action film studio business, we are curating a slate of aspirational, heartfelt films for everyone. From the fantasy and romance themes found in Hush Hush, to the love of sport and family captured in Fantasy Football, we can’t wait to entertain audiences everywhere with new YA and family stories about what they already love.”


About SpringHill Company:
The SpringHill Company is a global consumer and entertainment brand created to empower greatness in every individual by uniting three companies built by LeBron James and Maverick Carter: UNINTERRUPTED, the Sports Emmy-winning athlete empowerment media and consumer product company, SpringHill Entertainment, the premium scripted and unscripted film and television production company, and The Robot Company, the brand and culture consultancy. With a dynamic and diverse team committed to creating the most culturally inspired brands, entertainment, and products. The SpringHill Company is built to be the defining brand for a new generation. On the feature front, they are releasing ‘Space Jam: A New Legacy’ later this month, and are currently in production on ‘House Party’ for New Line, as well as the Adam Sandler-led ‘Hustle’ for Netflix. The SpringHill Company is represented by WME and Ziffren Brittenham.

About Genius Entertainment:
Genius Entertainment, founded by Actress/Executive Producer Marsai Martin alongside Joshua and Carol Martin, creates stories meant to inspire, illuminate, and celebrate the diverse experiences of girls and people of color.

About Awesomeness:
Awesomeness, a subsidiary of ViacomCBS, is a media company focused on serving the global Gen Z audience through its digital publishing, film and television studio divisions. Approaching its 10th year anniversary, Awesomeness has become the destination for youth culture, cultivating a loyal audience with hit programming on the world’s biggest streaming services including Netflix (smash-hit film series “To All The Boys I’ve Loved Before,” Emmy® winner “Trinkets”) and Hulu (Emmy® winner “Zac & Mia”, Emmy® nominee “Pen15”), along with the company’s immensely popular short-form programs on YouTube (“Twin My Heart,” “Noah Beck Tries Things,” “AwesomenessTV’s Next Influencer,” “Brent Rivera’s Dream Vacation,” “My Dream Quinceañera,”), that garner hundreds of millions of views. As a leading media brand, Awesomeness’ worldwide distribution footprint spans owned, social and premium SVOD platforms. Founded in 2012, Awesomeness is headquartered in Los Angeles, with additional offices in New York.

About Nickelodeon:
Nickelodeon, now in its 42nd year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location based experiences, publishing and feature films. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of ViacomCBS Inc. (Nasdaq: VIACA, VIAC).

About Paramount+:
Paramount+, a direct-to-consumer digital subscription video on-demand and live streaming service from ViacomCBS, combines live sports, breaking news, and a mountain of entertainment. The premium streaming service features an expansive library of original series, hit shows and popular movies across every genre from world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel. The service is also the streaming home to unmatched sports programming, including every CBS Sports event, from golf to football to basketball and more, plus exclusive streaming rights for major sports properties, including some of the world’s biggest and most popular soccer leagues. Paramount+ also enables subscribers to stream local CBS stations live across the U.S. in addition to the ability to stream ViacomCBS Streaming’s other live channels: CBSN for 24/7 news, CBS Sports HQ for sports news and analysis, and ET Live for entertainment coverage.

For more information about Paramount+, please visit www.paramountplus.com and follow @ParamountPlus on social platforms.

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Comics Review: "RADIANT BLACK #5" Ends First Story Arc with Many BANGS!

RADIANT BLACK #5
IMAGE COMICS

STORY: Kyle Higgins
ART: Eduardo Ferigato (pp. 1-23); Marcelo Costa (pp. 24-28)
COLORS: Natalia  Marques (1-23); Marcelo Costa )24-28)
LETTERS: Becca Carey
EDITOR/DESIGNER: Michael Busuttil
COVER: Doaly
VARIANT COVER ARTISTS: Diego Greco; Serg Acuna
28pp, Colors, 3.99 U.S. (June 2021)

Rated “T+/Teen Plus”

“Aftermath”

Radiant Black is a superhero comic book series from writer Kyle Higgins and artist Marcelo Costa.  The series focuses on a failed writer who discovers a cosmic force that changes his life.  Letterer Becca Carey and designer Michael Busuttil complete the series' creative team.

Radiant Black introduces Nathan Burnett, who just turned thirty-years-old, and things are not going great.  A failed writer (thus far), Nathan leaves Los Angeles and returns home to Lockport, Illinois to live with his parents.  A night on the town with his old pal, Marshall, leads to Nathan unlocking an alien artifact, “Radiant Black,” that changes his life.  This new thing seems totally unique, but there is more to it than Nathan can imagine, so very much more.

As Radiant Black #5 (“Aftermath”) opens, Nathan lies near death, and Lockport is reeling.  Marshall has reluctantly assumed the mantle/suit of Radiant Black.  So now, he want revenge on Radiant Red for dropping a building on Nathan.  But Black and Red are about to discover how bigger than the both of them this all is.

THE LOWDOWN:  I was initially interested in Radiant Black because I read (on the Internet) that it might be the first entry in a new “shared universe” of superhero titles from Image Comics.  Since reading Radiant Black #1 and the subsequent issues I have come to enjoy reading it for its own sake.  And the fourth issue was such a doozy … and you, dear readers, want more Radiant Black reviews.

The guest art team of Eduardo Ferigato and colorist Natália Marques give the story a super-duper twist with their … radiant and vibrant storytelling, which is fitting.  Radiant Black #5 is the end of the first story arc, and it offers plenty of surprises – some quite explosive.  It is a blast to read.  So let's keep reading, dear readers, and reviewing.

I READS YOU RECOMMENDS:  Fans looking for something new with a touch of classic in a superhero comic book will want to try Radiant Black.

A

[This issue includes an additional story, “The Unleashed: Echoes of Sorrow, Part 1” by Melissa Flores; Eleonora Carlini with Elisabetta D'Amica; Mattia Iacono; and LetterSquids.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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https://imagecomics.com/
https://radiant.black/
https://twitter.com/KyleDHiggins
https://twitter.com/CostaMarcelo77
https://www.instagram.com/marcelocosta1977/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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WWE to Welcome the New Year (2022) from State Farm Arena in Atlanta

WWE® Kicks off 2022 in Atlanta

STAMFORD, Conn.--(BUSINESS WIRE)--WWE® (NYSE: WWE) will kick off the new year at State Farm Arena in Atlanta on Saturday, January 1, 2022, marking the first time in history that a WWE pay-per-view event will be held on New Year’s Day. The event will stream live on the night of New Year’s Day at 8 pm ET exclusively on Peacock in the United States and on WWE Network everywhere else.

    “I don’t know about you but I think New Year’s Trae would be a great name for the event, and I can’t think of a better way to bring in 2022 than with the WWE Universe”

“I don’t know about you but I think New Year’s Trae would be a great name for the event, and I can’t think of a better way to bring in 2022 than with the WWE Universe,” said Atlanta Hawks All-Star Point Guard Trae Young, who exclusively announced the New Year’s Day event during tonight’s Friday Night SmackDown.

“State Farm Arena is a phenomenal venue with a long history of hosting world-class events,” said Scott Zanghellini, WWE Senior Vice President, Revenue Strategy & Development. “We’re excited to deliver this pay-per-view to the people of Atlanta and the many that travel to the city to celebrate New Year’s.”

Tickets for the New Year’s Day pay-per-view event go on sale Friday, August 27, 2021 at 10 AM ET via Ticketmaster.com. The event will feature Superstars from both SmackDown and Raw including WWE Universal Champion Roman Reigns, WWE Champion Bobby Lashley, SmackDown Women’s Champion Bianca Belair, Raw Women’s Champion Nikki A.S.H, WWE Intercontinental Champion Apollo Crews, Raw Tag Team Champions AJ Styles and Omos, SmackDown Tag Team Champions The Usos, United States Champion Sheamus, Women’s Tag Team Champions Natalya and Tamina, Drew McIntyre, Charlotte Flair, Randy Orton, Riddle, Sasha Banks, Seth Rollins, Alexa Bliss and many more.


About WWE:
WWE, a publicly traded company (NYSE: WWE), is an integrated media organization and recognized leader in global entertainment. The Company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family-friendly entertainment on its television programming, pay-per-view, digital media and publishing platforms. WWE’s TV-PG programming can be seen in more than 900 million homes worldwide in 28 languages through world-class distribution partners including NBCUniversal, FOX Sports, BT Sport, Sony India and Rogers. The award-winning WWE Network includes all live pay-per-views, scheduled programming and a massive video-on-demand library and is currently available in more than 180 countries. In the United States, NBCUniversal’s streaming service, Peacock, is the exclusive home to WWE Network. The Company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, Orlando, Dubai, London, Mexico City, Mumbai, Munich, Riyadh, Shanghai, Singapore and Tokyo.

Additional information on WWE (NYSE: WWE) can be found at wwe.com and corporate.wwe.com.

Trademarks: All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, logos and copyrights are the exclusive property of WWE and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners.

Forward-Looking Statements: This press release contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to: the impact of the COVID-19 outbreak on our business, results of operations and financial condition; entering, maintaining and renewing major distribution agreements; a rapidly evolving media landscape; WWE Network (including the risk that we are unable to attract, retain and renew subscribers); our need to continue to develop creative and entertaining programs and events; the possibility of a decline in the popularity of our brand of sports entertainment; the continued importance of key performers and the services of Vincent K. McMahon; possible adverse changes in the regulatory atmosphere and related private sector initiatives; the highly competitive, rapidly changing and increasingly fragmented nature of the markets in which we operate and greater financial resources or marketplace presence of many of our competitors; uncertainties associated with international markets including possible disruptions and reputational risks; our difficulty or inability to promote and conduct our live events and/or other businesses if we do not comply with applicable regulations; our dependence on our intellectual property rights, our need to protect those rights, and the risks of our infringement of others’ intellectual property rights; the complexity of our rights agreements across distribution mechanisms and geographical areas; potential substantial liability in the event of accidents or injuries occurring during our physically demanding events including without limitation, claims alleging traumatic brain injury; large public events as well as travel to and from such events; our feature film business; our expansion into new or complementary businesses and/or strategic investments; our computer systems and online operations; privacy norms and regulations; a possible decline in general economic conditions and disruption in financial markets; our accounts receivable; our indebtedness including our convertible notes; litigation; our potential failure to meet market expectations for our financial performance, which could adversely affect our stock; Vincent K. McMahon exercises control over our affairs, and his interests may conflict with the holders of our Class A common stock; a substantial number of shares are eligible for sale by the McMahons and the sale, or the perception of possible sales, of those shares could lower our stock price; and the volatility of our Class A common stock. In addition, our dividend is dependent on a number of factors, including, among other things, our liquidity and historical and projected cash flow, strategic plan (including alternative uses of capital), our financial results and condition, contractual and legal restrictions on the payment of dividends (including under our revolving credit facility), general economic and competitive conditions and such other factors as our Board of Directors may consider relevant. Forward-looking statements made by the Company speak only as of the date made and are subject to change without any obligation on the part of the Company to update or revise them. Undue reliance should not be placed on these statements. For more information about risks and uncertainties associated with the Company’s business, please refer to the “Management’s Discussion and Analysis of Financial Condition and Results of Operations” and “Risk Factors” sections of the Company’s SEC filings, including, but not limited to, our annual report on Form 10-K and quarterly reports on Form 10-Q.

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Negromancer News Bits and Bites from July 18th to 24th, 2021 - Update #17

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline:   CBS has revealed a first-look teaser trailer for "CSI: Vegas," the sequel to its long-running, "CSI: Crime Scene Investigation."

CULTURE - From Slate:  BY Dahlia Lithwick: "We Are All Our Own Militia Now": The new Texas abortion law, paired with rising vigilantism and the ideas that fuel “stand your ground,” points to a frightening future.

MUSIC - From YahooTheRoot:   The first Prince album to be released posthumously will be available for streaming beginning July 30th.  Prince died in April 2016, and the album, entitled "Welcome 2 America," was apparently recorded 11 years ago.

MOVIES - From RollingStone:   A year from now, July 22, 2022, Jordan Peele's next feature film will debut ... says Peele.  He releases a teaser poster for the film with a title, and the title is "Nope."

STAR TREK - From WeGotThisCovered:  While the streaming series, "Star Trek: Picard," is currently in production of its second season, rumors say that there could be as many as three more seasons.

MOVIES - From Variety:  Rob Zombie has provided a first look at the makeup and costume design for his big screen adaptation of "The Munsters."

TELEVISION/OLYMPICS - From Deadline:   The site offers the Tokyo Olympics full TV & streaming schedule: how to watch everything from gymnastics to track & field, basketball and soccer on NBC, Peacock and more.

SPORTS - From YahooSports:   The Milwaukee Bucks are the 2021 NBA World Champions.  They beat the Phoenix Suns 105-98 in Game 6 on Tues. July 20th to win the best-of-seven series, 4 games to 2.  Star player Giannis Antetokounmpo scored 50 points.  This is the Bucks first NBA title since 1971.

CELEBRITY - From APNews:   HarperOne will publish Oscar-winning actress Viola Davis' memoir, "Finding Me," April 19, 2022. Davis is currently working on the memoir.

SCANDAL - From ABCNews:   This morning (Tues., July 20th), New York State Dept. of Corrections officials handed over convicted rapist, Harvey Weinstein, for extradition to California to face sexual assault charges there.

COVID-19 - From THR:   Hollywood’s major studios and guilds have come to a tentative, short-term agreement on new on-set COVID-19 protocols, finally taking vaccines into account.

CELEBRITY - From YahooLife:   Grammy-winning recording artist, Megan Thee Stallion, is the cover stallion on the 2021 edition of the "Sports Illustrated's Swimsuit" issue.

MOVIES - From Deadline:  Lionsgate has acquired worldwide rights to Kevin Smith’s "Clerks III," which is in pre-production in New Jersey and will begin production next month.  The film will be a sequel to his 1994 cult hit classic, "Clerks," and to he first sequel, 2006's "Clerks II."

MOVIES - From Collider:   Warner Bros. releases a bunch of character posters for its upcoming blockbuster film, "Dune," which is due October 22nd in theaters and on HBO Max.

MOVIES - From Collider:   Actor Bill Skarsgard (Pennywise the Clown in "It") is joining "John Wick 4."

BOX OFFICE - From Variety:   The winner of the 7/16 to 7/18/21 weekend box office is "Space Jam: A New Legacy" with an estimated take of 31.6 million dollars.

BUSINESS - From Deadline:  There are rumors of a Comcast/ViacomCBS merger and NBCUniversal/Lionsgate merger, among others.

ANIMATION - From THR:   There will be at least two animated series based on "Game of Thrones." While a single animated project was previously reported to be in development in January, HBO Max is now working on at least two more potential shows.

Review: "SNAKE EYES" is for G.I. Joe Fans ... Only

TRASH IN MY EYE No. 46 of 2021 (No. 1784) by Leroy Douresseaux

Snake Eyes (2021)
Running time:  121 minutes (2 hours, 1 minute)
MPAA – PG-13 for sequences of strong violence and brief strong language
DIRECTOR:  Robert Schwentke
WRITERS:  Evan Spiliotopoulos, Joe Shrapnel, and Anna Waterhouse; from a story by Evan Spiliotopoulos (based on the characters from Habro's G.I. Joe)
PRODUCERS:  Lorenzo di Bonaventura, Brian Goldner, and Erik Howsam
CINEMATOGRAPHER:  Bojan Bazelli (D.o.P.)
EDITOR:  Stuart Levy
COMPOSER:  Martin Todsharow

ACTION/SUPERHERO/FANTASY

Starring:  Henry Golding, Andrew Koji, Haruka Abe, Takehiro Hira, Eri Ishida, Iko Uwais, Peter Mensah, Ursula Corbero, Samara Weaving, Samuel Finzi, Steven Allerick, and Max Archibald

Snake Eyes: G.I. Joe Origins is a 2021 action and superhero fantasy film directed by Robert Schwentke.  It is the third film based on characters from Hasbro's G.I. Joe media franchise.  Snake Eyes is an origin story for the title character and a G.I. Joe spin off film.

Snake Eyes: G.I. Joe Origins opens in the past.  We meet a boy (Max Archibald) who watches a group of men kill his father (Steve Allerick).  The leader of the men uses a pair of dice to decide the father's fate, and the dice come up “snake eyes.”

Years later, the boy has become a mysterious lone underground fighter known only as “Snake Eyes” (Henry Golding).  He falls in with Kenta (Takehiro Hira), a gang leader and gun smuggler who says he can help him.  Kenta claims to know how to find the man who killed Snake Eyes' father, and Snake Eyes has spent years seeking revenge.  After he falls out with Kenta, Snake Eyes befriends Thomas “Tommy” Arashikage (Andrew Koji), the presumptive heir of the Arashikage ninja clan.  Tommy takes Snake Eyes to Japan and offers him a chance to join the clan – if he can past the “three tests.”

However, Snake Eyes finds his loyalties constantly being tested and his motives questioned, especially by Akiko (Haruka Abe), who is in charge of security at the Arashikage compound.  Snake Eyes will soon find that his secrets and lies have him caught between two competing covert organizations, the counter-terrorist G.I. Joe and the terrorist Cobra.

I am not a big fan of the G.I. Joe media franchise although I have read a few of the comic books published by both Marvel Comics (1982-1994) and IDW Publishing (2008-present).  I watched a few episodes of the syndicated animation television series that ran from 1983 to 1986.  I have even watched the two live-action G.I. Joe films, G.I. Joe: The Rise of Cobra (2009) and G.I. Joe: Retaliation (2013).  However, I have always been curious about the rival characters Snake Eyes (G.I. Joe) and Storm Shadow (Cobra).

Snake Eyes: G.I. Joe Origins is an origin film, acting as the story of Snake Eyes.  It is also a reboot film, restarting the G.I. Joe film franchise, and it even includes the appearance of both the G.I. Joe and Cobra organization and the appearance of new versions of a few of the characters.

I can keep this simple.  Snake Eyes is for G.I. Joe fans.  I'm not sure that even people who were or are causal fans of the earlier G.I. Joe films will like this.  The fight scenes are good, with a few (the car chase fight) being quite spectacular.  The character drama is junk, and even the opening section about the murder of Snake Eyes' father fails to really resonate the way the killing of a protagonist's parent should.  None of the characters' motivations and few conflicts seem genuine; everything seems contrived or, at least, badly written.  It does not help the drama that most of the acting is … let's say “average” to be nice.

Like the previous G.I. Joe films, I think Snake Eyes: G.I. Joe Origins will have a long life on cable television or however long cable TV has left as a viable medium (which is another story).  In fact, I like the fight scenes and actions enough to kind of like this movie.  I think that there is a great story to be told of the origin of Snake Eyes, but that great story just isn't in this movie.

5 out of 10
C+

Friday, July 23, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: "DARK BLOOD #1" is Hot Blooded

DARK BLOOD #1 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Walt Barna
COLORS: A.H.G.
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Dan Mora; Valentine De Landro; Marcus Williams; Javan Jordan; Mico Suayan; Felix Icarus Morales with Robert Nugent; David Sanchez with Omi Remalante; Karen S. Darboe; Ingrid Gala; Marco Rudy
24pp, Colors, 3.99 U.S.(July 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s "The Walking Dead," "Into The Badlands").  Published by BOOM! Studios, the series is drawn by Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on an Black World War II veteran who discovers that he has strange new abilities.

Dark Blood #1 opens in Alabama, 1955.  It's night.  Avery Aldridge, also known as “Double A,” is leaving his job at the diner, “Hardy's Eats.”  In the alley, he has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful, grown-ass man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

THE LOWDOWN:  As I much as I love the original Star Wars movies and a number of classic Walt Disney animated features (Peter Pan), my all-time favorite movie moment occurs in 1967's In the Heat of the Night.  Involuntarily assigned to a homicide case in Sparta Mississippi, Philadelphia police detective Virgil Tibbs (played by Sidney Poitier) is interviewing a suspect, a local and powerful rich white man named Endicott (Larry Gates), when Endicott slaps him in the face.  Tibbs slaps him right back.  The first time I saw Tibbs slap Endicott, it took my breath away … and it still does.

Television writer-producer LaToya Morgan (AMC's "TURN: Washington's Spies") offers a sci-fi/horror spin on Tibbs' slap as the spine of the first issue of her new comic book, Dark Blood.  This time, the confrontation is longer, and Avery Aldridge's response is made a bit more complicated, partly because he seems unstuck in time.  Morgan does everything to tell her readers a lot by whetting their appetites for more, because they don't know the half of it, and she makes that “it” intriguing.

For all that I am intrigued by Dark Blood #1's story and concept, this first issue is also a showcase for the art team of illustrator Walt Barna and colorist A.H.G.  Barna's compositions are some of the most convincing period art that I have seen in a modern comic book in years.  Barna's Alabama, 1955 looks so “old-timey” that I could believe that it is something Barna drew at least half-a-century ago.  Barna's aerial sequences depicting Aldridge's time as a Red Tail reminds me of the comic book art one might find in EC Comics' legendary war comic book, Aces High (1955).

A.H.G.'s colors are gorgeous and also from a time machine.  If I didn't know better, I would say he hand-colored this comic book and manually separated those colors in a back office at a NYC-based comic book publisher – in days gone by.  Seriously, his colors shimmer, but are also earthy, and they make the storytelling's time periods look and feel authentic.

And I always enjoy Andworld Design's lettering, which is always stylish in a way that brings immediacy and power to the drama.  So LaToya Morgan, Walt Barna, A.H.G., and Andworld Design are off to a most excellent start, and Dark Blood #1 sparkles with promise.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
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https://twitter.com/andworlddesign

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