Final Film in Peter Jackson’s “The Hobbit” Trilogy to Be Titled “The Hobbit: The Battle of the Five Armies”
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures and New Line Cinema jointly announced today that the much-anticipated final film in Peter Jackson’s trilogy adaptation of the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, has now been titled “The Hobbit: The Battle of the Five Armies.” The film, previously titled “The Hobbit: There and Back Again,” will be released worldwide December 17, 2014, with select international territories releasing on December 10, 2014.
“The Hobbit: The Battle of the Five Armies.”
Peter Jackson stated, “Our journey to make ‘The Hobbit’ Trilogy has been in some ways like Bilbo’s own, with hidden paths revealing their secrets to us as we’ve gone along. ‘There and Back Again’ felt like the right name for the second of a two-film telling of the quest to reclaim Erebor, when Bilbo’s arrival there, and departure, were both contained within the second film. But with three movies, it suddenly felt misplaced — after all, Bilbo has already arrived ‘there’ in the ‘The Desolation of Smaug.’ When we did the premiere trip late last year, I had a quiet conversation with the studio about the idea of revisiting the title. We decided to keep an open mind until a cut of the film was ready to look at. We reached that point last week, and after viewing the movie, we all agreed there is now one title that feels completely appropriate. And so: ‘The Hobbit: The Battle of the Five Armies’ it is.”
“The Hobbit” Trilogy tells a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Academy Award®-winning filmmaker Peter Jackson and his team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Evangeline Lilly, Lee Pace, Luke Evans, Benedict Cumberbatch, Stephen Fry, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Ken Stott, James Nesbitt, and Orlando Bloom. The film also stars, in alphabetical order, John Bell, Manu Bennett, Jed Brophy, Adam Brown, John Callen, Billy Connolly, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Lawrence Makoare, Sylvester McCoy, Graham McTavish, Dean O’Gorman, Mikael Persbrandt, and Aidan Turner.
The screenplay for “The Hobbit: The Battle of the Five Armies” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.
The creative behind-the-scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and composer Howard Shore. The costumes are designed by Richard Taylor, Bob Buck and Ann Maskrey. Taylor is also overseeing the design and production of armour, weapons, creatures and special makeup, which are once again being made by the award-winning Weta Workshop. Oscar®-winning visual effects studio Weta Digital is again handling the visual effects for the film, led by senior visual effects supervisor Joe Letteri. The hair and makeup designer is Peter Swords King. The conceptual designers are John Howe and Alan Lee. Eric Saindon is the visual effects supervisor, with David Clayton serving as animation supervisor.
Under Jackson’s direction, “The Hobbit: The Battle of the Five Armies” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®. Production took place at Jackson’s own facilities in Miramar, Wellington, and on location around New Zealand. Post production took place at Park Road Post Production in Wellington.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a Wingnut Films Production, “The Hobbit: The Battle of the Five Armies.” As with the first two films in the Trilogy, “The Hobbit: An Unexpected Journey” and “The Hobbit: The Desolation of Smaug,” the final film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM. www.thehobbit.com
Friday, April 25, 2014
Review: "Ivanhoe" is a Family-Safe Adventure (Remembering George Sanders)
Ivanhoe (1952)
Running time: 106 minutes (1 hour, 46 minutes)
DIRECTOR: Richard Thorpe
WRITERS: Noel Langley and Marguerite Roberts, from an adaptation by Æneas McKenzie (based on the novel by Sir Walter Scott)
PRODUCER: Pandro S. Berman
CINEMATOGRAPHER: F.A. Young (D.o.P.)
EDITOR: Frank Clarke
COMPOSER: Miklos Rozsa
Academy Award nominee
ADVENTURE/DRAMA/ROMANCE
Starring: Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, Emlyn Williams, Robert Douglas, Finlay Currie, Felix Aylmer, Francis De Wolff, Norman Wooland, Basil Sydney, Harold Warrender, Sebastian Cabot, and Guy Rolfe
The subject of this movie review is Ivanhoe, a 1952 historical drama and romantic film from director Richard Thorpe. The film is an adaptation of the novel, Ivanhoe, written by Sir Walter Scott and first published in 1819 (or 1820). Ivanhoe the film is set in 12th century England and follows a knight who seeks to free the captive King Richard and to restore him to the English throne.
Three writers adapted the novel for the 1952 film, although one of them, Marguerite Roberts, originally did not receive screen credit for her contributions to the screenplay. After the House on Un-American Activities Committee blacklisted Roberts, MGM apparently received permission from the Screen Writers Guild not to give Robert’s a screen credit in the film, as was her due.
In the film Ivanhoe, medieval chivalry comes to life in wonderful Technicolor. Returning to England from the Crusades via Europe, Ivanhoe (Robert Taylor) discovers that Richard the Lionhearted (Norman Wooland) is a captive of an Austrian noble. He hurries back to England only to learn that Richard’s brother Prince John (Guy Rolfe) has assumed the throne as if his brother is dead, and Prince John has no intention of paying the huge ransom the Austrian demands for Richard release. Ivanhoe returns to his father Sir Cedric (Finlay Currie), a Saxon Lord, who disowned Ivanhoe for joining the Norman Richard in the Crusades.
Spurned again by his father, Ivanhoe seeks help from Isaac of York (Felix Aylmer), the leader of the Jewish people in England, who rallies his people to raise the ransom for Richard. Meanwhile, Isaac’s daughter Rebecca (Elizabeth Taylor) falls for Ivanhoe, but Rebecca also has a Norman suitor in John’s ally, Sir Brian de Bois-Guilbert (George Sanders). Eventually, John pits Ivanhoe against Sir Bois-Guilbert in a duel to save Rebecca from being burned at the stake as a witch.
Based upon Sir Walter’s Scott’s novel of the same title, Ivanhoe is a tale of courtly love and Saxon honor. If you liked The Adventures of Robin Hood with Errol Flynn, you’ll probably like this film, although it isn’t as good as Robin Hood. It’s an old fashioned romantic adventure with British accents, kooky swordplay, colorful and outlandish theatrical costumes, and an appearance by Locksley (Harold Warrender), otherwise known as Robin Hood. It’s fun, though too often stiff and dull, but there’s an audience for this. It received three Oscar® nominations, including one for “Best Picture” and one for its beautiful and soaring romantic score. People who like films set in “Merry Ole England” will very likely enjoy Ivanhoe, and truthfully, it’s a family safe adventure film for young boys.
5 of 10
B-
NOTES:
1953: Academy Awards, USA: 3 nominations: “Best Picture” (Pandro S. Berman), “Best Cinematography, Color” (Freddie Young), and “Best Music, Scoring of a Dramatic or Comedy Picture” (Miklós Rózsa)
1953 Golden Globes, USA: 2 nominations: “Best Motion Picture Score” (Miklós Rózsa) and “Best Film Promoting International Understanding”
Updates: Friday, April 25, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Key Oscar Dates for the 2014-15 Movie Awards Season Revealed
Academy Announces Key Dates For The Oscars®
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014
The Governors Awards
Wednesday, December 3, 2014
Official Screen Credits and music submissions due
Monday, December 29, 2014
Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015
Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015
Oscar nominations announced
Monday, February 2, 2015
Oscar Nominees Luncheon
Friday, February 6, 2015
Final voting begins 8 a.m. PT
Saturday, February 7, 2015
Scientific and Technical Awards
Tuesday, February 17, 2015
Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015
87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014
The Governors Awards
Wednesday, December 3, 2014
Official Screen Credits and music submissions due
Monday, December 29, 2014
Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015
Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015
Oscar nominations announced
Monday, February 2, 2015
Oscar Nominees Luncheon
Friday, February 6, 2015
Final voting begins 8 a.m. PT
Saturday, February 7, 2015
Scientific and Technical Awards
Tuesday, February 17, 2015
Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015
87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
Thursday, April 24, 2014
"Terminator" Reboot Begins Principal Photography - Opens July 1, 2015
PARAMOUNT PICTURES AND SKYDANCE PRODUCTIONS ANNOUNCE THE START OF PRINCIPAL PHOTOGRAPHY ON THE “TERMINATOR” REBOOT
HOLLYWOOD, CA (April 23, 2014) – Paramount Pictures and Skydance Productions announced today that principal photography is officially underway on the “TERMINATOR” reboot, directed by Alan Taylor (“THOR: THE DARK WORLD,” “Game of Thrones”). The film is shooting in New Orleans.
The new film is written by Laeta Kalogridis (“AVATAR,” “SHUTTER ISLAND”) and Patrick Lussier (“DRIVE ANGRY”). David Ellison and Dana Goldberg (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”) of Skydance Productions are producing. Executive producers are Skydance’s Paul Schwake (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”), Annapurna Pictures’ Megan Ellison (“AMERICAN HUSTLE,” “HER”), Kalogridis and Lussier.
“TERMINATOR” stars Arnold Schwarzenegger (“THE EXPENDABLES 1 & 2,” “TERMINATOR 1, 2 & 3”), Jason Clarke (“THE GREAT GATSBY,” “ZERO DARK THIRTY”), Emilia Clarke (“Game of Thrones”), Jai Courtney (“DIVERGENT,” “JACK REACHER”), J.K. Simmons (“MEN, WOMEN & CHILDREN,” “UP IN THE AIR”), Dayo Okeniyi (“THE HUNGER GAMES,” “THE SPECTACULAR NOW”), and Byung Hun Lee (“RED 2,” “G.I. JOE: RETALIATION”).
The “TERMINATOR” franchise launched in 1984 with Schwarzenegger as the title character and spanned three subsequent films, which have earned more than $1 billion at the worldwide box office.
Paramount will distribute the film worldwide on July 1, 2015.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About Skydance Productions
Skydance Productions creates and produces elevated event-level commercial entertainment. Skydance’s recent releases include JACK RYAN: SHADOW RECRUIT, from director Kenneth Branagh and starring Chris Pine, WORLD WAR Z, starring Brad Pitt and directed by Marc Forster; J.J. Abrams' STAR TREK: INTO DARKNESS, starring Chris Pine and Zachary Quinto, and G.I. JOE: RETALIATION, starring Bruce Willis, Channing Tatum and Dwayne Johnson. Skydance projects currently in development include the reboot of the TERMINATOR franchise, to be released on July 1, 2015, MISSION: IMPOSSIBLE 5 with Christopher McQuarrie directing and a disaster film on a global scale titled GEOSTORM written by Dean Devlin and Paul Guyot with Devlin also directing. Skydance’s previous projects include the award-winning Coen Brothers film TRUE GRIT, starring Jeff Bridges and Matt Damon; MISSION: IMPOSSIBLE – GHOST PROTOCOL, starring Tom Cruise and Jeremy Renner and Christopher McQuarrie’s JACK REACHER, starring Tom Cruise. Skydance’s new television division recently started production on its first series, Manhattan, to WGN America. From writer Sam Shaw and director Tommy Schlamme, this 13-episode drama is set against the backdrop of the clandestine mission to build the world’s first atomic bomb in Los Alamos, New Mexico and follows the brilliant but flawed scientists and their families as they attempt to co-exist in a world where secrets and lies infiltrate every aspect of their lives.
HOLLYWOOD, CA (April 23, 2014) – Paramount Pictures and Skydance Productions announced today that principal photography is officially underway on the “TERMINATOR” reboot, directed by Alan Taylor (“THOR: THE DARK WORLD,” “Game of Thrones”). The film is shooting in New Orleans.
The new film is written by Laeta Kalogridis (“AVATAR,” “SHUTTER ISLAND”) and Patrick Lussier (“DRIVE ANGRY”). David Ellison and Dana Goldberg (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”) of Skydance Productions are producing. Executive producers are Skydance’s Paul Schwake (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”), Annapurna Pictures’ Megan Ellison (“AMERICAN HUSTLE,” “HER”), Kalogridis and Lussier.
“TERMINATOR” stars Arnold Schwarzenegger (“THE EXPENDABLES 1 & 2,” “TERMINATOR 1, 2 & 3”), Jason Clarke (“THE GREAT GATSBY,” “ZERO DARK THIRTY”), Emilia Clarke (“Game of Thrones”), Jai Courtney (“DIVERGENT,” “JACK REACHER”), J.K. Simmons (“MEN, WOMEN & CHILDREN,” “UP IN THE AIR”), Dayo Okeniyi (“THE HUNGER GAMES,” “THE SPECTACULAR NOW”), and Byung Hun Lee (“RED 2,” “G.I. JOE: RETALIATION”).
The “TERMINATOR” franchise launched in 1984 with Schwarzenegger as the title character and spanned three subsequent films, which have earned more than $1 billion at the worldwide box office.
Paramount will distribute the film worldwide on July 1, 2015.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About Skydance Productions
Skydance Productions creates and produces elevated event-level commercial entertainment. Skydance’s recent releases include JACK RYAN: SHADOW RECRUIT, from director Kenneth Branagh and starring Chris Pine, WORLD WAR Z, starring Brad Pitt and directed by Marc Forster; J.J. Abrams' STAR TREK: INTO DARKNESS, starring Chris Pine and Zachary Quinto, and G.I. JOE: RETALIATION, starring Bruce Willis, Channing Tatum and Dwayne Johnson. Skydance projects currently in development include the reboot of the TERMINATOR franchise, to be released on July 1, 2015, MISSION: IMPOSSIBLE 5 with Christopher McQuarrie directing and a disaster film on a global scale titled GEOSTORM written by Dean Devlin and Paul Guyot with Devlin also directing. Skydance’s previous projects include the award-winning Coen Brothers film TRUE GRIT, starring Jeff Bridges and Matt Damon; MISSION: IMPOSSIBLE – GHOST PROTOCOL, starring Tom Cruise and Jeremy Renner and Christopher McQuarrie’s JACK REACHER, starring Tom Cruise. Skydance’s new television division recently started production on its first series, Manhattan, to WGN America. From writer Sam Shaw and director Tommy Schlamme, this 13-episode drama is set against the backdrop of the clandestine mission to build the world’s first atomic bomb in Los Alamos, New Mexico and follows the brilliant but flawed scientists and their families as they attempt to co-exist in a world where secrets and lies infiltrate every aspect of their lives.
Remembering Clyde Geronomi: "Lady and the Tramp"
Lady and the Tramp (1955) – animation
Running time: 76 minutes (1 hour 16 minutes)
DIRECTORS: Clyde Geronomi, Wilfred Jackson, and Hamilton Luske
WRITERS: Erdman Penner, Joe Rinaldi, Ralph Wright, and Don DaGradi (based upon the story Happy Dan, the Whistling Dog by Ward Greene)
PRODUCERS: Walt Disney with Erdman Penner
EDITOR: Don Halliday
COMPOSER: Oliver Wallace
BAFTA Award nominee
ANIMATION/COMEDY/MUSICAL/ROMANCE with elements of drama
Starring: (voices) Peggy Lee, Barbara Luddy, Larry Roberts, Bill Thompson, Bill Baucom, Stan Freberg, Verna Felton, and Lee Millar
Lady and the Tramp is a 1955 animated romantic film from Walt Disney Pictures. It was the 15th full-length animated feature film from Disney. The film is based in part on "Happy Dan, the Whistling Dog" by Ward Greene, a short story originally published in Cosmopolitan Magazine. The film centers on the growing romantic relationship between two dogs, a female American Cocker Spaniel, who is from an upper middle-class family, and a male mutt who is a stray.
Because of drama and turmoil in her owners’ home, Lady (Barbara Luddy), a pampered and sheltered cocker spaniel, wanders away from the safety of her neighborhood and meets Tramp (Larry Roberts), a jolly, freedom-loving, and streetwise mutt with a heart of gold. They share romantic adventures that occasionally imperil their safety while they move towards an inevitable union. Memorable songs (written by Sonny Burke and Peggy Lee) and memorable characters including the twin Pekingese cats, Si and Am (Peggy Lee), highlight this classic, Disney’s fifteenth animated feature.
Lady and the Tramp remains Walt Disney’s signature romantic animated film; although romance often plays a part in their full-length animated films; this is the Disney animated love story. It exemplifies two particular elements that really stand out in a Disney animated features – the art of beauty and technical skills. The character animation is beautifully drawn making even characters meant to be ugly or villainous quite gorgeous and handsome eye candy. The background art, backdrops, and sets are also elegant, even stunning. The technical virtuosity on display is simply dazzling; this is text book work on animating animals. Characters move with such grace and precision that the film looks, on one hand, like museum quality high art, and, on the other hand, has such striking realism in terms of movement and rhythm.
Lady and the Tramp is probably best known for its romantic heart. A melodic score, charming and adorable songs, and the star-crossed pair of Lady and the Tramp make this an animated film that captures the romantic in the hearts of young and old viewers. That’s why this film is so memorable and also well-remembered by adults who first saw it as a child – a true Disney classic.
9 of 10
A+
Sunday, April 2, 2006
NOTES:
1956 BAFTA Awards: 1 nomination: “Best Animated Film” (USA)
Updated: Thursday, April 24, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Wednesday, April 23, 2014
Review: Visually Splendid "The Merchant of Venice" is Soft on Story (Happy B'day, Shakespeare)
The Merchant of Venice (2004)
COUNTRY OF ORIGIN: U.K., Italy, Luxembourg
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – R for some nudity
DIRECTOR: Michael Radford
WRITER: Michael Radford (based upon the play by William Shakespeare)
PRODUCERS: Cary Brokaw, Michael Lionello Cowan, Barry Navidi, Jason Piette,
CINEMATOGRAPHER: Benoît Delhomme
EDITOR: Lucia Zucchetti
COMPOSER: Jocelyn Pook
BAFTA Awards nominee
DRAMA with elements of romance
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Lynn Collins, Zuleikha Robinson, Kris Marshall, Charlie Cox, Heather Goldenhersh, and David Harewood
The subject of this movie review is The Merchant of Venice, a 2004 romantic drama from writer-director Michael Radford. The film is based upon the comedy play, The Merchant of Venice, written by William Shakespeare around 1596. Radford’s film adaptation is apparently the first full-length, theatrical, sound film version of The Merchant of Venice. The Merchant of Venice the film is set in 16th century Venice and finds a merchant having to pay a gruesome price after he must default on a large loan he borrowed from a Jewish moneylender for a friend.
William Shakespeare is once again brought to the screen, this time in The Merchant of Venice, another film adaptation of his play about passion, justice, and anti-Semitism. Set in late 16th century Venice, the story finds Bassanio (Joseph Fiennes) lacking money to woo an heiress, Portia of Belmont (Lynn Collins), because his lavish lifestyle has left him deeply in debt. So he turns to his merchant friend, Antonio (Jeremy Irons), for the money. Antonio, however, has his cash tied up in ships and overseas trade, so he secures a loan of 3,000 ducats from Shylock (Al Pacino), a Jew.
In Venice, Jews cannot own property, and they are forced to live in a “geto” (a walled-off section of the city), having only limited access to the city. Antonio has publicly abused Shylock and other Jews for the practice of usury – money lending. Spiteful and bitter, Shylock is glad to have Antonio in his debt. In order to secure the money he wants to give Bassanio, Antonio promises that if he defaults on the loan, he’ll pay Shylock with a pound of flesh – literally.
Bassanio leaves with his friend Gratanio (Kris Marshall) to woo his love, but finds that Portia and her lady-in-waiting, Nerissa (Heather Goldenhersh), have been entertaining other suitors. Like them, Bassanio must engage in a game of chance (blindly choosing which of three caskets holds the prize that earns Portia’s hand). However, Jessica (Zuleikha Robinson), Shylock’s daughter, elopes with Bassanio’s friend, Lorenzo (Charlie Cox), and takes a large amount of her father’s personal wealth with her. Wounded to his very soul, Shylock focuses on Antonio’s debt to him, and when Antonio does default on the loan, Shylock demands his pound of flesh.
I’ve never seen a previous film version of Shakespeare’s The Merchant of Venice (such as the 1973 version starring Laurence Olivier), and I’m only familiar with the text in passing, having never read the entire work. Thus, I can only judge this film on its contents or merits. Michael Radford’s version is a somber narrative with occasional explosions of passionate arguments about prejudice, bigotry, and discriminations, and only a few moments of genuinely harmonious scenes of romantic love. Despite a diverse range of elegant and sumptuous costumes (for which costume designer Sammy Sheldon earned a 2005 BAFTA Award nomination), evocative sets, and stunning locales set on sunny isles (Venice, Italy), Radford’s film is marred by mumbled dialogue, dour characters, and an air of mean-spiritedness that permeates even the most pleasant moments.
The performances are adequate for transforming Shakespeare to the screen, but only Pacino gives a memorable performance as the righteous and wronged Shylock. If you, dear reader, need to cheat for an English lit class, Cliff Notes would be better than this. The film merits as a visual treat, but limps as a narrative.
5 of 10
C+
Saturday, May 06, 2006
NOTES:
2005 BAFTA Awards: 1 nomination: “Best Costume Design” (Sammy Sheldon)
Updated: Wednesday, April 23, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Tuesday, April 22, 2014
Subscribe to:
Posts (Atom)