"X-Men: Days of the Future Past" Teaser Poster #1 - Professor X Times 2

Crazy cool image of Professor Charles Xavier as a young mutant savior and as a venerable mutant survivor.

Review: "The Lake House" is a Good House (Happy B'day, Sandra Bullock)

TRASH IN MY EYE No. 208 (of 2006) by Leroy Douresseaux

The Lake House (2006)
Running time:  98 minutes (1 hour, 38 minutes)
MPAA – PG for some language and a disturbing image
DIRECTOR:  Alejandro Agresti
WRITER:  David Auburn (based upon the film Il Mare by Eun-Jeong Kim and Ji-na Yeo and produced by Sidus)
PRODUCERS:  Doug Davidson and Roy Lee
CINEMATOGRAPHER:  Alar Kivilo, A.S.C. C.S.C.
EDITORS:  Lynzee Klingman, A.C.E. and Alejandro Brodersohn
COMPOSER:  Rachel Portman (with contributions from Paul M. van Brugge)

FANTASY/ROMANCE

Starring:  Keanu Reeves, Sandra Bullock, Dylan Walsh, Shohreh Aghdashloo, Christopher Plummer, Ebon Moss-Bachrach, and Willeke van Ammelrooy

The subject of this movie review is The Lake House, a 2006 fantasy romance movie starring Keanu Reeves and Sandra Bullock.  In the film, a lonely doctor, who lives in 2006, begins a time-spanning romance with a frustrated architect, who lives in 2004, by exchanging letters through the mailbox at an unusual lakeside home.

Improbable and peculiar it may be, but The Lake House is the kind of romantic movie that deserves to have the adjective, “magical” describe it.  Having an enchanted mailbox bring the film’s lovers together is strange.  Never mind that the movie’s time travel hook is illogical, and ignore that the two leads communicate in a way that even the film admits is impossible.  This is about love.  Based upon the Korean film, Siworae (Il Mare is its international title.), The Lake House is an old-fashioned tale of star-crossed lovers who, like Romeo and Juliet, romance against all odds – even against the laws of science.

After moving away from her peaceful lakeside home – a glass house built on stilts over a lake north of Chicago, a lonely physician, Dr. Kate Forster (Sandra Bullock) mails a letter back to the lake house asking whoever will be the next tenant to forward any of her stray mail to her.  It is a winter morning in 2006.  That next tenant seems to be a frustrated architect, Alex Wyler (Keanu Reeves), who is confused that someone claims to have lived in the lake house before him since he is the first person to ever live in it.  After several more letters back and forth, Kate, on a lark, asks Alex, “What day is it there?”  Alex responds, April 14, 2004.

They discover that they occupy the lake house, but two years apart – Alex in the past and Kate in the present.  The mailbox at the lake house allows them to communicate across two years difference in time.  Now, they must unravel the mysteries of this wrinkle in time that allows their extraordinary romance to live before its too late, but if they meet and try to join their separate worlds, they may lose each other forever.

The acting isn’t great, and sometimes it’s, at best, lamely professional.  Reeves, best known for his stiff speaking style, spends much of the film looking pained, as if constantly on cue from director Alejandro Agresti (an Argentinean known for his film, Valentin).  Bullock’s contribution is to spend the film looking forlorn, lonely, or winsome.  Still, the two are movie stars, and they know how to work the camera, which loves them and makes them look good on the big screen.

Over a decade ago, Reeves and Bullock were a hot screen pair in the hit action film, Speed, an edge-of-your-seat thriller that appealed to the adrenaline junkie in moviegoers.  Back then, many of us ignored any of Speed’s flaws in logic because we had a good time watching it.  This time, with The Lake House, Reeves and Bullock try to get us to ignore logic again.  If the viewer responds favorably to that fundamental romantic impulse – our love affair with the love story, we’ll ignore how things about this film nag us and enjoy the romance.

7 of 10
B+

Saturday, October 07, 2006

Updated:  Friday, July 26, 2013

Naruto Movie, "The Lost Tower," to Premiere at Japan Film Festival

MOVIE: LOST TOWER U.S. THEATRICAL PREMIERE AT JAPAN FILM FESTIVAL OF SAN FRANCISCO

First-Ever Dedicated Japanese Live-Action And Anime Film Festival For The S.F. Bay Area Also Presents An Encore Screening Of BERSERK THE GOLDEN AGE ARC II – THE BATTLE FOR DOLDREY And TIGER & BUNNY: THE BEGINNING

VIZ Media has announced its participation in the upcoming Japan Film Festival of San Francisco (JFFSF), the first annual dedicated Japanese film festival for Northern California and the S.F. Bay Area. The Festival, which is presented by the NEW PEOPLE Japanese pop culture entertainment venue at its NEW PEOPLE Cinema in conjunction with the 2013 J-POP Summit, will host the exclusive U.S. theatrical premiere of NARUTO SHIPPUDEN THE MOVIE: THE LOST TOWER on Saturday, July 28th as well as a special encore screening of TIGER & BUNNY: THE BEGINNING, on Friday, August 2nd, and also BERSERK THE GOLDEN AGE ARC II – THE BATTLE FOR DOLDREY on Sunday, July 28th at 3:50pm.  Films will be presented with original Japanese dialogue and English subtitles.

The Japan Film Festival of San Francisco’s week-long series of film screenings includes more than 16 acclaimed live-action and anime titles and will take place at the NEW PEOPLE Cinema beginning Saturday July 27th and running through Sunday August 4th. Tickets are $13.00 per film unless otherwise indicated. NEW PEOPLE Cinema is located at 1746 Post St. (cross street is Webster St.) in the heart of San Francisco’s Japantown.

NARUTO advance tickets are available at: http://jffsf.org/2013/naruto-shippuden-the-lost-tower/

BERSERK THE GOLDEN AGE ARC II – THE BATTLE FOR DOLDREY advance tickets are available at: http://jffsf.org/2013/berserk2/

TIGER & BUNNY advance tickets are available at:  http://jffsf.org/2013/naruto-shippuden-the-lost-tower/

Complete film schedules and advance ticket information for other screenings are available on www.jffsf.org.

VIZ Media will also offer free manga samplers that highlight a bevy of its top graphic novel series to each ticketholder. Each ticketholder will receive a bag and of full-color promo posters.

NARUTO SHIPPUDEN THE MOVIE: THE LOST TOWER - U.S. Premiere!
Saturday, July 28th, 1:30pm (During 2013 J-POP Summit Festival!)

Monday, July 29th, 4:30PM

The Rogue Ninja Mukade is about to be caught by Naruto's team when he summons forth the power of the LeyLine - an ancient underground channel of chakra. Naruto gets caught up in the chakra and is sent back in time to the city of Loran, known for its thousand towers. There he encounters the future Fourth Hokage, Minato Namikaze, on a top-secret mission, and the Queen of Loran, Sarah, whose rule is threatened by Mukade. Will Naruto be able to return to his own time, and can a chance encounter in the past save the future? Additional information on NARUTO and NARUTO SHIPPUDEN is available at www.Naruto.com.

BERSERK THE GOLDEN AGE ARC II – Special Encore Presentation!
Sunday, July 28th, 3:50pm (During 2013 J-POP Summit Festival!)

Wednesday, July 31st, 4:30pm

The exciting second film in the BERSERK GOLDEN AGE ARC TRILOGY, based on the bestselling manga series. For three years, Guts believed his mission was to pursue Griffith’s dream together with him. But in order to become Griffith’s equal and truly be called his friend, Guts realizes he will have to leave the Band of the Hawk. At the same time, a bloody battle to capture the impenetrable Fortress of Doldrey from the Empire of Chuder is about to begin. The Band of the Hawk will face an army 30,000 strong!

TIGER & BUNNY: THE BEGINNING – Special Encore Presentation!!!
Friday, August 2nd, 4:00pm

The hero-inspired big screen action of the smash hit anime property – Tiger & Bunny – returns to the Bay Area for one-night-only! The city of Sternbild is protected by corporate superheroes known as NEXT, who fight crime while promoting their sponsors on the popular show “HERO TV.” Veteran hero Wild Tiger relies on his years of experience and instincts to fight crime, but his tendency to destroy public property for the sake of protecting the lives of the innocent has earned him the nickname “Crusher for Justice.” Now, under orders from his new employer, Wild Tiger finds himself forced to team up with Barnaby Brooks Jr., a rookie with an attitude. Will the two unlikely new partners find a way to work together? Please visit the official TIGER & BUNNY Facebook page for more information http://www.facebook.com/TigerAndBunny.

The Japan Film Festival of San Francisco is presented in conjunction with the 2013 J-POP Summit, taking place Saturday July 27th and Sunday July 28th across the city’s historic Japantown district to celebrate the phenomenon of Japanese pop culture with a colorful array of live bands and artists, panel discussions, film premieres, edgy fashion shows and DJ dance events, celebrity appearances and more. The J-POP Summit Festival is hosted and organized by NEW PEOPLE in cooperation with the Japantown Merchants Association. In 2012, the two-day event attracted nearly 65,000 attendees.

More information is available at www.J-POP.com.

NEW PEOPLE Cinema is a 143-seat cinema located in the underground floor of NEW PEOPLE in San Francisco. Equipped with a cutting-edge HD digital projection and THX®-certified sound system, NEW PEOPLE Cinema is home for local film festivals and entertaining events.

Review: "Melinda and Melinda," Good Cast, Average Movie

TRASH IN MY EYE No. 8 (of 2006) by Leroy Douresseaux

Melinda and Melinda (2004)
Running time:  99 minutes (1 hour, 39 minutes)
MPAA – PG-13 for adult situations involving sexuality, and some substance material
WRITER/DIRECTOR:  Woody Allen
PRODUCER:  Letty Aronson
CINEMATOGRAPHER:  Vilmos Zsigmond
EDITOR:  Alisa Lepselter

COMEDY/DRAMA

Starring:  Radha Mitchell, Chiwetel Ejiofor, Will Ferrell, Amanda Peet, Jonny Lee Miller, Chloë Sevigny, Steve Carell, Josh Brolin, Vinessa Shaw, Daniel Sunjata, Geoffrey Nauffts, Wallace Shawn, Larry Pine, Stephanie Roth Haberle, and Neil Pepe

The subject of this movie review is Melinda and Melinda, a 2004 comedy and drama from writer/director Woody Allen.  The film follows two alternating stories about a woman named Melinda’s attempts to straighten out her life.  Fox Searchlight Pictures gave the film a limited release in the United States in March of 2005.  Except for a cameo, Allen does not appear as a significant character in this film.

Over a meal at a restaurant, four friends, two of them playwrights, discuss the essence of life.  Is it comic or tragic?  One of them brings up a story he heard from friends about the unexpected arrival of young woman named Melinda (Radha Mitchell) at a dinner party.  The two playwrights, one who writes tragedies and the other who composes hit comedies, take the incident with Melinda and embellish it, each from his point of view.

Max the Tragedian (Larry Pine) tells a story of doomed love with Melinda as a disturbed young woman who returns to New York City after having several years of misfortune and heartbreak.  She was the bored housewife of a Midwestern doctor, and her affair with a photographer ended the marriage.  Her ex-husband also took the children from Melinda, and her subsequent suicidal depression landed her straight-jacketed in a mental ward.  She arrives at the home of her friend, Laurel (Chloë Sevigny), like Melinda a former Park Avenue princess, and Laurel’s husband, Lee (Jonny Lee Miller), a struggling actor and alcoholic.  Melinda’s arrival hastens the disintegration of Laurel and Lee’s marriage, but Melinda meets Ellis Moonsong (Chiwetel Ejiofor), a smooth talking, handsome, and debonair composer.  They strike up what looks like a promising romance until Ellis notices someone else…

Sy the Comedian (Wallace Shawn) looks at Melinda’s predicament as a romantic comedy.  She is the childless downstairs neighbor of the dinner hosts, an ambitious indie filmmaker named Susan (Amanda Peet) and her husband, Hobie (Will Ferrell) an under-employed actor.  Sy’s Melinda is also coming off a broken relationship, so Hobie befriends Melinda in an attempt to help her find a new love.  However, Hobie falls for Melinda, but he has to suffer in silence when she unexpectedly starts dating an amiable and handsome broker (Daniel Sunjata).  Thus, the film goes back and forth contrasting the fate of each Melinda.

Melinda and Melinda is a decent Woody Allen film, and it’s also a bit different from most of his pictures.  For one thing, he only makes a cameo appearance in the opening sequence that most viewers will probably miss.  However, Will Ferrell’s Hobie of the comedic half of Melinda and Melinda is the stand-in for the neurotic, smart-talking type Allen plays in his films.  The tragic half of the film is quite engaging, but not overly dark and tragic, perhaps because the cast plays it so smoothly and low key.  Mitchell gives a solid performance, and Chiwetel Ejiofor (Dirty Pretty Things) plays Ellis Moonsong as a romantic figure, which lightens up a segment that plays heavily on the notion of doomed relationships.

On the other hand, Ferrell’s performance overwhelms Radha Mitchell’s in the comedic half of the film, and that’s not a bad thing.  The romantic comic angle is mostly flat, and the romance isn’t engaging.  The more Ferrell is on screen the more his comic timing and acting come forward and livens a dull segment into something mildly amusing and somewhat engaging.

Though I’m sad to admit it, I found Melinda and Melinda to be about an average film, sometimes even a chore to watch, and it would be an average film even if someone other than Woody Allen’s name were on it.

5 of 10
C+

Friday, January 13, 2006

Updated:  Wednesday, July 24, 2013

New Digital Comic Book, Grumble #1, PDF a Free Download

by Leroy Douresseaux

I am in the early stages of producing a horror comic book/graphic novel, entitled Grumble, which I have been releasing as a digital comic.  It is the story of Ava Benson, a young woman who returns to her hometown, Beechwood, for her uncle, Avner Benson’s funeral.  In addition to reuniting with her dysfunctional family, Ava learns that an old enemy is terrorizing the town and murdering her family and friends.

Over the past few years, I have been posting pages from the comic book on this website.  Now, I am making a PDF of the first issue (or first chapter) available for download, viewing, and reading by going to the COMIC BOOK BIN.

The original art for pages 12 through 24 are up for sale with the proceeds going into the continued production of Grumble.  Pages range in price from $160.00 to $200.00 U.S., but discounts are available for purchases of multiple pages – so please ask.

You may contact me via this blog.  Posting questions and comments in the “comments section” is welcomed.

I am going to sell signed and numbered hard copies of Grumble #1.  I am exploring a new printer as comiXpress punked out… I mean closed up shop… suddenly… with no warning.  But kitchen – heat, y’all know what I’m talking ‘bout.

Anyway, I’ll keep you updated, dear readers.  So right now: art is available; books coming soon.  Everything can be paid through my PayPal account, which will provide the buyer with protection from any shenanigans.  Hee hee.  More later.

If you like the Grumble #1 PDF, you may donate, if you wish, via PayPal - whatever amount you wish:

Jay and Silent Bob to Appear at 2013 Baltimore Comic-Con

Jay and Silent Bob are Coming to Baltimore For a Special Three-Hour Event

BALTIMORE, MARYLAND - July 22, 2013 - That's right! Kevin Smith and Jason Mewes will both be appearing at this year's show to promote their new animated feature, Jay and Silent Bob's Super Groovy Cartoon Movie.

Best known for their roles as Jay and Silent Bob in the View Askewniverse films, which includes Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back, and Clerks 2, Smith and Mewes are fan-favorites among comic and movie enthusiasts alike. Their careers span appearances in film, television, and video games, as well as hosting a series of podcasts on their online network, SModcast.

In addition to his acting career, Smith is a well-known comic writer, having worked on such titles as Batman: Cacophony, Batman: The Widening Gyre, The Bionic Man, Daredevil, Green Arrow, Green Hornet, and Spider-Man/Black Cat: The Evil That Men Do. In 1998, he received a Harvey Award for Best New Talent.

View Askew and The Baltimore Comic-Con have arranged an amazing afternoon with Kevin Smith and Jason Mewes on the Saturday of the show. This special three-hour event will include:

A screening of the all-new animated film: Jay and Silent Bob's Super Groovy Cartoon Movie

A live podcast Q&A with Kevin and Jason

This three-hour special, private event will be available as a separate event ticket (separate from convention admission) and seating is limited.  As part of the Baltimore Comic-Con, admission to the show is also required.

Also available will be a SUPER GROOVY event ticket which will include early, priority seating at the event as well as an autographed exclusive print signed by BOTH Kevin Smith and Jason Mewes! (The prints will be signed ahead of the event - Jason and Kevin will not be available for additional autographs).

This will be Kevin and Jason's only appearance at the show, and the only opportunity for an autograph!

The 3-hour event will be held on Saturday, September 7th at 1:00 pm in the large upstairs programming room. The doors will open for seating at 12:30 pm with early, advanced seating to this private event starting at 12 noon.

"We can hardly believe that it actually came together!  We are thrilled that both Kevin and Jason will be here to screen their new film at the show," said Marc Nathan, show promoter of the Baltimore Comic-Con. "Their characters, Jay and Silent Bob, are pop-culture icons and we just know that fans are going to be clamoring to be a part of this special event!"

General Admission Tickets for the event will run $40, and the limited, Super-Groovy exclusive tickets (which include early, advanced movie seating and the signed movie poster print) are $75 and are sure to go fast. Tickets can be purchased by visiting baltimorecomiccon.com/tickets.

Smith and Mewes joins our previously announced guests, including: Guest of Honor Stan Lee (Marvel comics), Brian Bolland (Dial H); Mark Buckingham (Fables); Jimmy Cheung (Avengers vs. X-Men); Frank Cho (Savage Wolverine); Amanda Conner (Before Watchmen: Silk Spectre); J.M. DeMatteis (Phantom Stranger); David Finch (Justice League of America); Dave Gibbons (The Secret Service); Keith Giffen (Masters of the Universe); Adam Hughes (Before Watchmen: Dr. Manhattan); Barry Kitson (Empire); Roger Langridge (Popeye); Paul Levitz (World's Finest); Kevin Maguire (World's Finest); Mike Mignola (Hellboy In Hell); Jimmy Palmiotti (Batwing); George Perez (World's Finest); David Petersen (Mouse Guard); Joe Prado (Earth 2); Ivan Reis (Aquaman); Chris Samnee (Daredevil); Louise Simonson (X-Factor); Walt Simonson (The Mighty Thor); Allison Sohn (sketch card artist); Mark Waid (Indestructible Hulk), and Bill Willingham (Fables).

In the coming weeks, look for more announcements from the Baltimore Comic-Con. We are looking forward to highlighting our guests, the Harvey Awards, industry exclusives, and programming. The latest developments can always be found on our website, Twitter, and Facebook pages.

Contact Information
Please use the following e-mail addresses to contact the Baltimore Comic-Con:

press@baltimorecomiccon.com - for any general press inquiries or to be added to our PR distribution
promoter@baltimorecomiccon.com - for requesting exhibitor, publisher, and Artist Alley applications
registrar@baltimorecomiccon.com - for inquiries about submitted registrations
harveys@baltimorecomiccon.com - for the Harvey Awards ceremony and banquet
general@baltimorecomiccon.com - for general Baltimore Comic-Con inquiries


About The Baltimore Comic-Con
The Baltimore Comic-Con is celebrating its 14th year of bringing the comic book industry to the Baltimore and Washington D.C. area. For more information, please visit www.baltimorecomiccon.com.

About The Harvey Awards
The Harvey Awards are one of the comic book industry's oldest and most respected awards. With a history of over 20 years, the last 7 in conjunction with the Baltimore Comic-Con, the Harveys recognize outstanding achievements in over 20 categories. They are the only industry awards nominated and selected by the full body of comic book professionals. For more information, please visit www.harveyawards.org.

Review: "White Chicks" Has Outlasted it Critics (Happy B'day, Marlon Wayans)

TRASH IN MY EYE No. 107 (of 2004) by Leroy Douresseaux

White Chicks (2004)
Running time:  109 minutes (1 hours, 49 minutes)
MPAA – PG-13 for crude and sexual humor, language, and some content
DIRECTOR:  Keenen Ivory Wayans
WRITERS:  Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, Andrew McElfresh, Michael Anthony Snowden, and Xavier Cook; from a story by Keenen Ivory Wayans, Shawn Wayans, and Marlon Wayans
PRODUCERS:  Rick Alvarez, Lee R. Mayes, Keenen Wayans, Marlon Wayans, and Shawn Wayans
CINEMATOGRAPHER:  Steven Bernstein (D.o.P.)
EDITOR:  Jeffrey Stephen Gourson and Stuart Pappé
COMPOSER:  Teddy Castellucci

COMEDY

Starring:  Shawn Wayans, Marlon Wayans, Jaime King, Frankie Faison, Lochlyn Munro, John Heard, Busy Philipps, Terry Crews, Brittany Daniel, Eddie Velez, Jessica Cauffiel, Maitland Ward, Anne Dudek, Rochelle Aytes, Jennifer Carpenter

The subject of this movie review is White Chicks, a 2004 buddy cop and crime comedy from director Keenen Ivory Wayans.  The film stars brothers Shawn and Marlon Wayans as two African-American cops who don white-face and drag in order to disguise themselves as two wealthy, young White women.

Kevin (Shawn Wayans) and Marcus Copeland (Marlon Wayans) are two FBI agents with a penchant for doing things on their own that usually gets them into trouble.  After botching a drug bust, they need something to get them back in the good graces of their boss, Section Chief Elliott Gordon (Frankie Faison).  Assigned to pick up two hotel heiresses, the Wilson Sisters, from the airport, Kevin and Marcus also manage to screw that up.

However, an unknown party has threatened to kidnap the sisters during their weekend in the Hamptons.  Kevin and Marcus resolve to foil the plot by adopting the sisters’ identities.  Add state-of-the art makeup and Kevin and Marcus are suddenly white girls.  Before long, they’re undercover living it up as the Wilsons, but how long can they fool the girls’ friends and their fellow FBI agents?  And most importantly, can they fool the kidnappers?

White Chicks isn’t a great movie, but like director Keenen Ivory Wayans’ other directorial efforts, the film is so funny that it might make you howl.  The plot is not even thick enough to be paper thin, and its bare existence is strictly as a prop for the premise – two black men use state-of-the-art makeup to be white chicks.  The script, by the three Wayans and three other screenwriters, is a succession of silliness meant to be funny, and most of the time, it works.

Though the Internet might be filled with the cacophony of idiots crying that White Chicks is reverse racism – black people making fun of whites (as if African-American filmmakers could make up for nearly a century of horrific screen images of black folk), the film is respectful towards its subject matter; it’s more laughing with than at.  All the characters are foils and butts of jokes; no one is really treated as being better than anyone else.  Even the film’s villain is hardly menacing.  White Chicks is about laughs and having a good time at the movies.  It might fail at being film art, but it’s funny.

6 of 10
B

NOTES:
2005 Razzie Awards:  5 nominations:  “Worst Actress” (Shawn Wayans and Marlon Wayans - The Wayans Sisters), “Worst Director” (Keenen Ivory Wayans), “Worst Picture” (Columbia and Revolution), “Worst Screen Couple” (Shawn Wayans and Marlon Wayans - The Wayans Brothers: In or Out of Drag), and “Worst Screenplay” (Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, Andrew McElfresh, Michael Anthony Snowden, and Xavier Cook)

Update: Tuesday, July 23, 2013

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