2013 National Film Registry Selections - Complete List

by Amos Semien

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names 25 films to the National Film Registry that are "culturally, historically or aesthetically" significant.

Annual selections to the registry are finalized by the Librarian after reviewing hundreds of titles nominated by the public (this year 2,228 films were nominated) and conferring with Library film curators and the distinguished members of the National Film Preservation Board (NFPB). The public is urged to make nominations for the registry at NFPB’s website (www. loc.gov/film).

Films Selected for the 2013 National Film Registry:

Bless Their Little Hearts (1984)

Brandy in the Wilderness (1969)

Cicero March (1966)

Daughter of Dawn (1920)

Decasia (2002)

Ella Cinders (1926)

Forbidden Planet (1956)

Gilda (1946)

The Hole (1962)

Judgment at Nuremberg (1961)

King of Jazz (1930)

The Lunch Date (1989)

The Magnificent Seven (1960)

Martha Graham Early Dance film (1931-44)

Mary Poppins (1964)

Men & Dust (1940) 

Midnight (1939)

Notes on the Port of St. Francis (1951)

Pulp Fiction (1994)

The Quiet Man (1952)

The Right Stuff (1983)

Roger & Me (1989)

A Virtuous Vamp (1919)

Who’s Afraid of Virginia Woolf (1966)

Wild Boys of the Road (1933)

END

Happy Birthday, Debbie

A lady doesn't reveal her age, so I won't go there.  Happy Birthday and many, many more.

L

2014 Critics' Choice Movie Awards Nominations - Complete List

by Amos Semien

The Broadcast Film Critics Association (BFCA) is the largest film critics organization in the United States and Canada, representing 250 television, radio and online critics.  BFCA members are the primary source of information for today's film going public.  The very first opinion a moviegoer hears about new releases at the multiplex or the art house usually comes from one of its members.  The group presents the annual Critics’ Choice Movie Awards.

The Broadcast Film Critics Association announced the nominations the 19th annual Critics’ Choice Movie Awards on Monday, December 16, 2013.  Steve McQueen’s 12 Years a Slave and David O. Russell's American Hustle dominated the nominations with 13 mentions each.

The winners will be announced live at the Critics’ Choice Movie Awards ceremony on Thursday, January 16, 2014 from the Barker Hangar in Santa Monica, Calif. The show will be broadcast live on The CW Network at 8:00 PM ET/PT. Two hour pre-show coverage will also air in various local markets before the awards ceremony.

Aisha Tyler will host the Critics’ Choice Movie Awards ceremony. Tyler currently serves as the new host of the critically acclaimed improv show, “Whose Line Is It Anyway?,” on The CW Network and is also currently a co-host of Emmy-nominated show “The Talk.”

19th annual Critics’ Choice Movie Awards (2014) – Full list of nominations below:

BEST PICTURE
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Inside Llewyn Davis
Nebraska
Saving Mr. Banks
12 Years a Slave
The Wolf of Wall Street

BEST ACTOR
Christian Bale – American Hustle
Bruce Dern – Nebraska
Chiwetel Ejiofor – 12 Years a Slave
Tom Hanks – Captain Phillips
Matthew McConaughey – Dallas Buyers Club
Robert Redford – All Is Lost

BEST ACTRESS
Cate Blanchett – Blue Jasmine
Sandra Bullock – Gravity
Judi Dench – Philomena
Brie Larson – Short Term 12
Meryl Streep – August: Osage County
Emma Thompson – Saving Mr. Banks

BEST SUPPORTING ACTOR
Barkhad Abdi – Captain Phillips
Daniel Bruhl – Rush
Bradley Cooper – American Hustle
Michael Fassbender – 12 Years a Slave
James Gandolfini – Enough Said
Jared Leto – Dallas Buyers Club

BEST SUPPORTING ACTRESS
Scarlett Johansson – Her
Jennifer Lawrence – American Hustle
Lupita Nyong’o – 12 Years a Slave
Julia Roberts – August: Osage County
June Squibb – Nebraska
Oprah Winfrey – Lee Daniels’ The Butler

BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Ender’s Game
Adele Exarchopoulos – Blue Is the Warmest Color
Liam James – The Way Way Back
Sophie Nelisse – The Book Thief
Tye Sheridan – Mud

BEST ACTING ENSEMBLE
American Hustle
August: Osage County
Lee Daniels’ The Butler
Nebraska
12 Years a Slave
The Wolf of Wall Street

BEST DIRECTOR
Alfonso Cuaron – Gravity
Paul Greengrass – Captain Phillips
Spike Jonze – Her
Steve McQueen – 12 Years a Slave
David O. Russell – American Hustle
Martin Scorsese – The Wolf of Wall Street

BEST ORIGINAL SCREENPLAY
Eric Singer and David O. Russell – American Hustle
Woody Allen – Blue Jasmine
Spike Jonze – Her
Joel Coen & Ethan Coen – Inside Llewyn Davis
Bob Nelson – Nebraska

BEST ADAPTED SCREENPLAY
Tracy Letts – August: Osage County
Richard Linklater & Julie Delpy & Ethan Hawke – Before Midnight
Billy Ray – Captain Phillips
Steve Coogan and Jeff Pope – Philomena
John Ridley – 12 Years a Slave
Terence Winter – The Wolf of Wall Street

BEST CINEMATOGRAPHY
Emmanuel Lubezki – Gravity
Bruno Delbonnel – Inside Llewyn Davis
Phedon Papamichael – Nebraska
Roger Deakins – Prisoners
Sean Bobbitt – 12 Years a Slave

BEST ART DIRECTION
Andy Nicholson (Production Designer), Rosie Goodwin (Set Decorator) – Gravity
Catherine Martin (Production Designer), Beverley Dunn (Set Decorator) – The Great Gatsby
K.K. Barrett (Production Designer), Gene Serdena (Set Decorator) – Her
Dan Hennah (Production Designer), Ra Vincent (Set Decorator) – The Hobbit: The Desolation of Smaug
Adam Stockhausen (Production Designer), Alice Baker (Set Decorator) – 12 Years a Slave

BEST EDITING
Alan Baumgarten, Jay Cassidy, Crispin Struthers – American Hustle
Christopher Rouse – Captain Phillips
Alfonso Cuarón, Mark Sanger – Gravity
Daniel P. Hanley, Mike Hill – Rush
Joe Walker – 12 Years a Slave
Thelma Schoonmaker – The Wolf of Wall Street

BEST COSTUME DESIGN
Michael Wilkinson – American Hustle
Catherine Martin – The Great Gatsby
Bob Buck, Lesley Burkes-Harding, Ann Maskrey, Richard Taylor – The Hobbit: The Desolation of Smaug
Daniel Orlandi – Saving Mr. Banks
Patricia Norris – 12 Years a Slave

BEST MAKEUP
American Hustle
The Hobbit: The Desolation of Smaug
Lee Daniels’ The Butler
Rush
12 Years a Slave

BEST VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek into Darkness

BEST ANIMATED FEATURE
The Croods
Despicable Me 2
Frozen
Monsters University
The Wind Rises

BEST ACTION MOVIE
The Hunger Games: Catching Fire
Iron Man 3
Lone Survivor
Rush
Star Trek into Darkness

BEST ACTOR IN AN ACTION MOVIE
Henry Cavill – Man of Steel
Robert Downey Jr. – Iron Man 3
Brad Pitt – World War Z
Mark Wahlberg – Lone Survivor

BEST ACTRESS IN AN ACTION MOVIE
Sandra Bullock – Gravity
Jennifer Lawrence – The Hunger Games: Catching Fire
Evangeline Lilly – The Hobbit: The Desolation of Smaug
Gwyneth Paltrow – Iron Man 3

BEST COMEDY
American Hustle
Enough Said
The Heat
This Is the End
The Way Way Back
The World’s End

BEST ACTOR IN A COMEDY
Christian Bale – American Hustle
Leonardo DiCaprio – The Wolf of Wall Street
James Gandolfini – Enough Said
Simon Pegg – The World’s End
Sam Rockwell – The Way Way Back

BEST ACTRESS IN A COMEDY
Amy Adams – American Hustle
Sandra Bullock – The Heat
Greta Gerwig – Frances Ha
Julia Louis-Dreyfus – Enough Said
Melissa McCarthy – The Heat

BEST SCI-FI/HORROR MOVIE
The Conjuring
Gravity
Star Trek into Darkness
World War Z

BEST FOREIGN LANGUAGE FILM
Blue Is the Warmest Color
The Great Beauty
The Hunt
The Past
Wadjda

BEST DOCUMENTARY FEATURE
The Act of Killing
Blackfish
Stories We Tell
Tim’s Vermeer
20 Feet from Stardom

BEST SONG
Atlas – Coldplay – The Hunger Games: Catching Fire
Happy – Pharrell Williams – Despicable Me 2
Let It Go – Robert Lopez and Kristen Anderson-Lopez – Frozen
Ordinary Love – U2 – Mandela: Long Walk to Freedom
Please Mr. Kennedy – Justin Timberlake/Oscar Isaac/Adam Driver – Inside Llewyn Davis
Young and Beautiful – Lana Del Rey – The Great Gatsby

BEST SCORE
Steven Price – Gravity
Arcade Fire – Her
Thomas Newman – Saving Mr. Banks
Hans Zimmer – 12 Years a Slave


http://www.criticschoice.com/

END

The Hobbit 2 Surges Past $500 Million in Worldwide Box Office

“The Hobbit: The Desolation of Smaug” Tops $500 Million Worldwide

BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: The Desolation of Smaug” continues its climb up the worldwide box office, crossing $500 million globally. The film, a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), has thus far grossed an estimated $160.5 million domestically and $343.5 million internationally, for a worldwide estimated total of $504 million and growing.

The joint announcement was made today by Gary Barber, Chairman and Chief Executive Officer, Metro-Goldwyn-Mayer Studios; Toby Emmerich, President and Chief Operating Officer, New Line Cinema; Sue Kroll, President of Worldwide Marketing and International Distribution, Warner Bros. Pictures; Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures; and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

Moving into its third week in release, “The Hobbit: The Desolation of Smaug” continues to dominate the global box office, remaining the #1 film in U.S. and abroad. Internationally, the film has released in 61 territories, with key markets China and Japan set to open in the coming months.

“The Hobbit: The Desolation of Smaug” is the second film in Oscar®-winning filmmaker Peter Jackson’s epic “The Hobbit” Trilogy, based on the timeless novel by J.R.R. Tolkien. The first film, “The Hobbit: An Unexpected Journey,” was released on December 14, 2012, and went on to become a billion dollar success at the worldwide box office.

In making the announcement, Fellman said, “Peter Jackson has delivered the perfect holiday treat for moviegoers. We anticipate that the film will continue to have terrific playability well into the new year as more people join in the adventure or return to experience it again and again.”

Kwan Vandenberg added, “With fantastic box office numbers and word-of-mouth continuing to build internationally, ‘The Hobbit: The Desolation of Smaug’ is a global event. Warner Bros. joins our partners at New Line and MGM in congratulating Peter Jackson, his cast and crew, and everyone involved in this film on this milestone.”

From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.

Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Stephen Fry, Ken Stott, James Nesbitt, and Orlando Bloom as Legolas. The film also stars Mikael Persbrandt, Sylvester McCoy, Aidan Turner, Dean O’Gorman, Graham McTavish, Adam Brown, Peter Hambleton, John Callen, Mark Hadlow, Jed Brophy, William Kircher, Stephen Hunter, Ryan Gage, John Bell, Manu Bennett and Lawrence Makoare.

The screenplay for “The Hobbit: The Desolation of Smaug” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: The Desolation of Smaug.” The film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.

www.thehobbit.com

2014 London Critics' Circle Film Awards - Complete Nominations List

by Amos Semien

The London Film Critics’ Circle is part of a larger organization, The Critics’ Circle, which makes an annual award for Services to the Arts.  This circle is comprised of the five sections:  dance, drama, film, music, and visual arts.

On its website, The Circle says that its aims are “to promote the art of criticism, to uphold its integrity in practice, to foster and safeguard members’ professional interests, to provide opportunities to meet, and to support the advancement of the arts.”  Currently there are more than 400 members of the Circle, mostly from the UK, and the majority of them write regularly for national and regional newspapers and magazines.  Membership is by invitation.

The following is the press release announcing the 34th edition of the film awards:

London Critics’ Circle Announces 2014 Film Awards Nominations

Gary Oldman to accept the Dilys Powell Award For Excellence In Film, while Steve McQueen’s 12 Years a Slave leads the field with 9 nominations

The nominations for the 34th London Critics' Circle Film Awards were announced, with British director Steve McQueen’s 12 Years A Slave topping members’ ballots with 9 nominations.

Gary Oldman will be accepting the Circle’s most prestigious award, the Dilys Powell Award For Excellence In Film at the London Critics' Circle Film Awards on Sunday, February 2, 2014. He comments: “I am truly honoured, and humbled to be named for this prestigious award, especially when one considers both who is doing the awarding and also the inspirational list of past recipients. I can’t wait to be there.”

The London Critics' Circle Film Awards are voted for by the UK’s longest standing and most prestigious critical organisation, which boasts 140 members who between them see every one of the hundreds of films released in the UK each year. The Circle's Film Section Chair, Jason Solomons comments: "The London critics have yet again voted for a brilliant mix of films that reflects London's position as a hub of world cinema culture, both in production and appreciation.

"All the nominated films and performances have found champions and crucial support from London critics as they journey around the world, from their debuts at festivals including Cannes, Venice, Toronto, Berlin, Sundance, London and Edinburgh, where our critics show that their taste, knowledge, passion and influence remain vital and highly respected aspects of film culture. More than 200 different films were nominated on the ballots.

"I look forward to finding out our winners and send early congratulations to Gary Oldman, an icon of London cinema who has given us all pride and pleasure watching his outstanding, constantly surprising and thrilling screen career.”

12 Years A Slave leads the pack with nominations in the following categories: Film of the Year, Best Actor (Chiwetel Ejiofor), Best Director (Steve McQueen), Supporting Actor (Michael Fassbender), Supporting Actress (Lupita Nyong'o), Screenwriter (John Ridley), British Actor (Chiwetel Ejiofor and Michael Fassbender) and Technical Achievement (Sean Bobbitt, Cinematography). 12 Years A Slave will be released in the UK on 10 January 2014.

The next strongest showing at the nominations stage is for Stephen Frears’ Philomena, with nominations for British Film, Best Actress (Judi Dench), British Actor (Steve Coogan), British Actress (Judi Dench) and Screenwriter (Steve Coogan and Jeff Pope) bringing the picture’s total to five nominations.

Also receiving multiple nominations were Woody Allen’s BLUE JASMINE, Jon Baird's FILTH, Alfonso Cuarón’s GRAVITY and Martin Scorsese’s THE WOLF OF WALL STREET, with four nods each. Following hot on their heels, the following films all received three nominations each: David O. Russell’s American Hustle, Abdellatif Kechiche’s Blue Is the Warmest Colour, Paul Greengrass’ Captain Phillips, Noah Baumbach’s Frances Ha, Paolo Sorrentino’s The Great Beauty, the Coen Brother’s Inside Llewyn Davis, Alexander Payne’s Nebraska and Clio Barnard’s The Selfish Giant.

34th LONDON CRITICS' CIRCLE FILM AWARDS NOMINATIONS:

FILM OF THE YEAR
Blue Is the Warmest Colour
Blue Jasmine
Frances Ha
Gravity
The Great Beauty
Her
Inside Llewyn Davis
Nebraska
12 Years a Slave
The Wolf of Wall Street

FOREIGN-LANGUAGE FILM OF THE YEAR
Blue Is the Warmest Colour
Caesar Must Die
Gloria
The Great Beauty
A Hijacking


BRITISH FILM OF THE YEAR
A Field in England
Filth
Philomena
Rush
The Selfish Giant

DOCUMENTARY OF THE YEAR
The Act of Killing
Beware of Mr Baker
Leviathan
Stories We Tell
We Steal Secrets: The Story of WikiLeaks

ACTOR OF THE YEAR
Bruce Dern - Nebraska
Leonardo DiCaprio - The Wolf of Wall Street
Michael Douglas - Behind the Candelabra
Chiwetel Ejiofor - 12 Years a Slave
Tom Hanks - Captain Phillips

ACTRESS OF THE YEAR
Cate Blanchett - Blue Jasmine
Sandra Bullock - Gravity
Judi Dench - Philomena
Adèle Exarchopoulos - Blue Is the Warmest Colour
Greta Gerwig - Frances Ha

SUPPORTING ACTOR OF THE YEAR
Barkhad Abdi - Captain Phillips
Michael Fassbender - 12 Years a Slave
James Gandolfini - Enough Said
Tom Hanks - Saving Mr Banks
Jared Leto - Dallas Buyers Club

SUPPORTING ACTRESS OF THE YEAR
Naomie Harris - Mandela: Long Walk to Freedom
Sally Hawkins - Blue Jasmine
Jennifer Lawrence - American Hustle
Lupita Nyong'o - 12 Years a Slave
June Squibb - Nebraska

BRITISH ACTOR OF THE YEAR
Christian Bale - American Hustle / Out of the Furnace
Steve Coogan - Alan Partridge: Alpha Papa / The Look of Love / Philomena / What Maisie Knew
Chiwetel Ejiofor - 12 Years a Slave
Michael Fassbender - The Counsellor / 12 Years a Slave
James McAvoy - Filth / Trance / Welcome to the Punch

BRITISH ACTRESS OF THE YEAR
Judi Dench - Philomena
Lindsay Duncan - About Time / Last Passenger / Le Week-end
Naomie Harris - Mandela: Long Walk to Freedom
Sally Hawkins - Blue Jasmine
Emma Thompson - Beautiful Creatures / Saving Mr Banks

YOUNG BRITISH PERFORMER OF THE YEAR
Conner Chapman - The Selfish Giant
Saoirse Ronan - Byzantium / The Host / How I Live Now
Eloise Laurence - Broken
George MacKay - Breakfast With Jonny Wilkinson / For Those in Peril / How I Live Now / Sunshine on Leith
Shaun Thomas - The Selfish Giant

DIRECTOR OF THE YEAR
Alfonso Cuarón - Gravity
Paul Greengrass - Captain Phillips
Steve McQueen - 12 Years a Slave
Paolo Sorrentino - The Great Beauty
Martin Scorsese - The Wolf of Wall Street

SCREENWRITER OF THE YEAR
Ethan Coen & Joel Coen - Inside Llewyn Davis
Spike Jonze - Her
Steve Coogan & Jeff Pope - Philomena
John Ridley - 12 Years a Slave
Terence Winter - The Wolf of Wall Street

BREAKTHROUGH BRITISH FILMMAKER
Jon S Baird - Filth
Scott Graham - Shell
Marcus Markou - Papadopoulos & Sons
Rufus Norris - Broken
Paul Wright - For Those in Peril

TECHNICAL ACHIEVEMENT AWARD
American Hustle - Judy Becker, production design
Behind the Candelabra - Howard Cummings, production design
Filth - Mark Eckersley, editing
Frances Ha - Sam Levy, cinematography
Gravity - Tim Webber, visual effects
The Hunger Games: Catching Fire - Trish Summerville, costumes
Inside Llewyn Davis - T Bone Burnett, music
Stoker - Kurt Swanson & Bart Mueller, costumes
12 Years a Slave - Sean Bobbitt, cinematography
Upstream Colour - Johnny Marshall, sound design

DILYS POWELL AWARD FOR EXCELLENCE IN FILM: Gary Oldman

END

Review: Jack Benny is Eternally Cool in "To Be or Not to Be" (Remembering Jack Benny)

TRASH IN MY EYE No. 161 (of 2006) by Leroy Douresseaux

To Be or Not to Be (1942) – Black & White
Running time:  99 minutes (1 hour, 39 minutes)
PRODUCER/DIRECTOR:  Ernst Lubitsch
WRITERS:  Edwin Justus Mayer; from a story by Melchior Lengyel
CINEMATOGRAPHER:  Rudolph Maté
EDITOR:  Dorothy Spencer
COMPOSER: Werner R. Heymann
Academy Award nominee

COMEDY/DRAMA/WAR

Starring:  Carole Lombard, Jack Benny, Robert Stack, Felix Bressart, Lionel Atwill, Stanley Ridges, Sig Ruman, Tom Dugan, Charles Halton, George Lynn, Henry Victor, Maude Eburne, Halliwell Hobbes, and Miles Mander

The subject of this movie review is To Be or Not to Be, a 1942 film starring Carole Lombard and Jack Benny.  The film was produced and directed by Ernst Lubitsch, who also wrote the film’s original story with Melchior Lengyel, although Lubitsch did not receive a screen credit.  Set during the Nazi occupation of Poland, the film focuses on an acting troupe involved in a Polish soldier’s efforts to track down a German spy.

If you’ve ever seen the 1983 Mel Brooks’ film, To Be or Not to Be and wondered how anyone could eke laughs out of the Nazi’s invading Poland, part of that most contentious time in recent history, World War II, then imagine how shocked many moviegoers must have been when they the original To Be or Not to Be, a 1942 directed by Ernst Lubitsch.

In occupied Poland, ham actor Joseph Tura (Jack Benny) leads a troupe of actors in a game of subterfuge against the Nazi’s.  It begins with the Nazi’s invasion of Poland.  At the same time, Tura’s wife, Maria (Carole Lombard, who was killed in a plane crash before this film was release), is returning the affections a young military pilot, Lt. Stanislav Sobinski (Robert Stack), who often visits the Turas’ theatre, the Polski, to woo Maria.  After the invasion, Sobinski escapes to England where he continues the fight against the Nazis.  However, he must sneak back into Poland to stop Prof. Alexander Siletsky (Stanley Ridges), a Nazi spy who has information on the efforts of the Resistance in Poland.  Upon discovering Maria and Sobinski’s playful “affair,” Tura is reluctant to help the young pilot, but his patriotism wins the day.  Tura and his ragtag troupe of actors don Nazi uniforms and march right into the heart of the Gestapo headquarters in Warsaw to take on Nazi Col. Ehrhardt (Sig Ruman), but his is a game not only to save the Resistance, but also save their own necks.

Ernst Lubitsch is perhaps one of Hollywood’s best directors of satire and subtle comedy, and his phrase, “The Lubitsch Touch,” became famous because his films reflected his sophisticated wit and style.  Taking nothing away from a novel concept and unconventional comic script or even denying the talents of the cast, a film like To Be or Not to Be could be a disaster without a master helmsman.  Lubitsch (who directed Ninotchka, The Shop Around the Corner, and Heaven Can Wait among other) gracefully mixes menace and comic in an erudite manner that manages to poke fun at the Nazi’s (essentially this movie is the filmmakers’ way of thumbing their noses at Nazi Germany), while satirizing the Nazis’ insatiable need to conquer and their arrogance in believing that they had all the right answers.  While Mel Brooks remake was broad slapstick presented as if it were a stage show (vaudeville?), Lubitsch film is a clever farce that treads broad comedy with highly understated sexual innuendo, cunning wordplay, and sly mischief.

Although they’re good, most of the cast comes across as either workman-like character actors and glorified extras, which is not an insult to them.  There are some standout performances.  Sig Ruman as Col. Ehrhardt personifies this film’s monsters/clowns approach to the Nazis, and Henry Victor is menacing as the machine-like Capt. Schulz, so much so that he is the victim of some of the film’s best humor.  Carole Lombard pretty much owns the first half of the film, and while the second half relegates her to a supporting player, it allows her breezy sexiness and comedic talents to shine through.  Whenever she dresses in an evening gown, the audience can see why she was one of those special actresses who personified the glamour of old Hollywood.

The second half of the film belongs to Jack Benny.  His gentle sarcasm, mock self-deprecating humor, and his clueless belief that he was more talented than he was – all part of his act – solidifies this film’s unusual mixture of farce, slapstick, patriotism, and idealism.  Benny is a sly fox and his Joseph Tura knows he’s smarter than the Nazi’s, even when he’s in mortal danger.  His performance mixes leading man as comic hero and comic hero as overconfident ringmaster.  The joke was supposed to be on Benny’s Joseph Tura, and it is for a long time.  Still, Tura will get the last laugh no matter how many times the joke’s on him.  It is that uncommon nature that makes To Be or Not to Be an inimitable comedy and drama.

8 of 10
A

NOTES:
1943 Academy Awards:  1 nomination: Best Music, Scoring of a Dramatic or Comedy Picture (Werner R. Heymann)

1996 National Film Preservation Board, USA:  National Film Registry

Friday, July 28, 2006

Updated:  Thursday, December 26, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

--------------

Review: 1983 Version of "To Be or Not to Be" Still a Favorite

TRASH IN MY EYE No. 119 (of 2006) by Leroy Douresseaux

To Be or Not to Be (1983)
Running time:  107 minutes (1 hour, 47 minutes)
MPAA – PG
DIRECTOR:  Alan Johnson
WRITERS:  Ronny Graham and Thomas Meehan (based upon the 1942 screenplay by Edwin Justus Mayer; from a story by Ernst Lubitsch and Melchior Lengyel)
PRODUCER:  Mel Brooks
CINEMATOGRAPHER:  Gerald Hirschfeld
EDITOR:  Alan Balsam
COMPOSER:  John Morris
Academy Award nominee

COMEDY/DRAMA with elements of music and war

Starring:  Mel Brooks, Anne Bancroft, Tim Matheson, Charles Durning, Christopher Lloyd, José Ferrer, Ronny Graham, Estelle Reiner, Zale Kessler, Jack Riley, Lewis J. Stradlen, George Gaynes, George Wyner, and James Haake

The subject of this movie review is To Be or Not to Be, a 1983 comedy-drama starring Anne Bancroft and Mel Brooks, who also produced the film.  Directed by Alan Johnson, To Be or Not to Be is a remake of the 1942 film, To Be or Not to Be, which starred Carole Lombard and Jack Benny.  In the 1983 film, a bad Polish actor is depressed that World War II has complicated his professional life and that his wife has a habit of entertaining young Polish officers.  One of her young officers, however, is about to get the actor and his acting troupe involved in a complicated plot against the Nazis.

Frederick Bronski (Mel Brooks) and his wife, Anna (Anne Bancroft), are impresarios of a Polish acting troupe in Warsaw, Poland circa 1939.  Their Bronski Follies, performed of course in the Bronski Theatre, is the toast of the city.  However, Germany invades Poland, and, arriving in Warsaw, the Nazis take the Bronskis’ stately home as their headquarters and also close the theatre.

Later, the Bronskis and their acting ensemble get involved with Lt. Andre Sobinski (Tim Matheson), a young Polish fighter pilot (who is smitten with Anna), in a complex subterfuge to prevent the Germans from getting their hands on a list of Polish underground fighters.  Things get more complicated when Nazi Colonel Erhardt (Charles Durning, in a performance that earned him an Oscar nod) orders the Bronski Theatre open again to perform for the Furher himself when Adolf Hitler visits Warsaw.

Real-life husband and wife Mel Brooks and Anne Bancroft made a great comic team in To Be or Not to Be, a zesty remake of Ernst Lubitsch’s 1942 film classic starring Carole Lombard and Jack Benny.  This film is, of course, filled with delightful musical numbers and a splendid array of costumes, clothes, and uniforms.  But what would a Mel Brooks film be without comedy?

Although Brooks did not direct To Be or Not to Be (the honor went to Alan Johnson), this is clearly a “Mel Brooks movie.”  It isn’t a parody or send-up of anything (as Brooks films are want to be).  It is, however, a witty and often dark farce marked by suave comedy and droll dialogue.  The Nazis are played for fun (Christopher Lloyd and Charles Durning make a comical duo), but their awful menace is always present.  The filmmakers managed to be both respectful and funny with history.  While To Be or Not to Be isn’t as funny as Blazing Saddles or Young Frankenstein, it isn’t far behind those two comic classics, and it is a fine comedy-historical in the vein of Brooks’ History of the World, Part I.

8 of 10
A

NOTES:
1984 Academy Awards:  1 nomination: “Best Actor in a Supporting Role” (Charles Durning)

1984 Golden Globes:  2 nominations: “Best Performance by an Actress in a Motion Picture - Comedy/Musical” (Anne Bancroft) and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Charles Durning)

Updated:  Thursday, December 26, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

------------------