"Captain America: The First Avenger" a Fun Adventure Film

TRASH IN MY EYE No. 62 of 2011 by Leroy Douresseaux


Captain America: The First Avenger (2011)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action
DIRECTOR: Joe Johnston
WRITERS: Christopher Markus and Stephen McFeely (based upon the comic books by Joe Simon and Jack Kirby)
PRODUCERS: Kevin Feige and Amir Madani
CINEMATOGRAPHER: Shelly Johnson
EDITORS: Robert Dalva and Jeffrey Ford with Michael McCusker
COMPOSER: Alan Silvestri

SUPERHERO/SCI-FI/ACTION/WAR

Starring: Chris Evans, Hayley Atwell, Tommy Lee Jones, Hugo Weaving, Sebastian Stan, Dominic Cooper, Richard Armitage, Stanley Tucci, Samuel L. Jackson, Toby Jones, Neal McDonough, Derek Luke, Kenneth Choi, JJ Field, Bruno Ricci, Lex Shrapnel, Michael Brandon, and Martin T. Sherman

Captain America is a superhero character created by Joe Simon and Jack Kirby. The character first appeared in Captain America Comics #1 (cover dated March 1941), which was published by Timely Comics (the predecessor of Marvel Comics). Over the seven decades of his existence, Captain America has appeared in comic books, a 1944 movie serial, a 1990 film, and live action and animated television series.

Captain America returns to the big screen in Captain America: The First Avenger, the fifth film produced by Marvel Studios (a sister company of Marvel Comics). The film follows the adventures of a young man deemed unfit for military service during World War II who becomes a superhero dedicated to defending America’s ideals.

The story begins in March 1942, a time of momentous events, obviously with World War II being the main event. In Europe, Nazi officer, Johann Schmidt AKA the Red Skull (Hugo Weaving), has stolen a mysterious cube-like tesseract, which he believes will provide the power to make him and his terrorist organization, HYDRA, more powerful that Hitler and the Third Reich. Meanwhile, across the Atlantic in New York City, Brooklyn native, Steve Rogers (Chris Evans), a short, scrawny, sickly young man, is rejected for military service as 4F for the fifth time. Rogers’ best friend, Sgt. James “Bucky” Barnes (Sebastian Stan), tries to comfort him, but Rogers won’t be consoled and is desperate to serve his country.

Rogers’ convictions capture the attention of Dr. Abraham Erskine (Stanley Tucci), an immigrant scientist working for the U.S. government’s Strategic Science Reserve. Erskine’s secret project is a serum that he hopes will create super soldiers, and Erskine wants to test it on Rogers. With the help of military inventor, Howard Stark (Dominic Cooper), Erskine finds success and the serum turns Rogers into a tall, muscular marvel.

After a very public battle with enemy agents, Rogers dons a colorful costume and begins selling War Bonds, but he wants to do more for the good old U.S. of A. While touring Europe, fate gives Rogers a chance to be a hero again and Captain America (Chris Evan) is born. Now, only Captain America and a small band of soldiers can save the world from the Red Skull and HYDRA.

At times, Captain America: The First Avenger is intensely violent, thus its PG-13 rating. Besides that, the film is really a family action adventure that blends the superhero and war movie genres. It cleverly mixes light-hearted, golden nostalgia for Depression and World War II era America with good old two-fisted tales of American fighting men. For the most part, director Joe Johnston seamlessly blends the period film elements with the action set pieces featuring red-bloodied American men kicking evil, Euro-trash ass. In fact, Captain America: The First Avenger reminds me of Johnston’s underrated 1991 Depression-era flick, The Rocketeer (which was also adapted from a comic book).

Although the acting is mostly good, Chris Evans as Steve Rogers and Captain America is the clear standout. Evans is so good that you soon forget the special effects that transform this strapping young actor into the small, frail kid that Steve Rogers is before the super soldier serum turns him into beefcake.

The last third of the film lacks the punch and humor of the first two-thirds. By the end, Captain America’s square-jawed optimism and the film’s gentle humorous tone are replaced by a Captain America that is a fighting machine and by standard action stuff. Still, Captain America: The First Avenger is not really like most superhero movies. It’s a different-looking fantasy action adventure and a fun one, at that.

6 of 10
B

Saturday, July 23, 2011

Harry Potter Film Series Passes $7 Billion in Worldwide Box Office

Harry Potter Film Franchise Surpasses $7 Billion Milestone

The finale continues to break global box office records, as it further solidifies the series’ standing as the top-grossing franchise of all time.

BURBANK, Calif.--(BUSINESS WIRE)--With “Harry Potter and the Deathly Hallows – Part 2” still in the first week of its record-breaking run, the Harry Potter film franchise has now crossed the $7 billion mark worldwide, and counting. The announcement was made today by Jeff Robinov, President, Warner Bros. Pictures Group.

“Harry Potter and the Deathly Hallows – Part 2” has earned an astounding $640.2 million worldwide in its initial week, encompassing $214.9 million domestically and $425.3 million at the international box office.

In addition, the success of the movie has propelled Warner Bros. Pictures’ combined 2011 domestic box office past $1 billion for an eleventh consecutive year, which is an industry record.

Robinov stated, “It is an extraordinary privilege for everyone at Warner Bros. to share in this piece of cinema history. We are extremely grateful to the Harry Potter fans, who have remained loyal to the movies for more than a decade. We also want to congratulate the amazing roster of actors and filmmakers, whose artistry and talent is evident in every frame of every film. But special thanks must go to the woman whose incomparable imagination literally changed the world, Jo Rowling.”

Sue Kroll, Warner Bros. Pictures President of Worldwide Marketing, noted, “Each film has inspired us creatively and it has been exciting to watch the evolution through eight remarkable movies. It has truly been the movie event of a generation, as Harry Potter fans who were there from the beginning have been joined by new fans over the years, and their enthusiasm—as well as our own—has never waned.”

Dan Fellman, Warner Bros. Pictures President of Domestic Distribution, said, “Becoming a $7 billion-plus franchise is a stunning achievement, which is shared by everybody involved in any or all of the Harry Potter films. On the domestic side, the studio is also thrilled to have reached the billion-dollar benchmark for an unprecedented eleventh year in a row. We thank everyone at Warner Bros. whose hard work and dedication have contributed so much to our success.”

Veronika Kwan-Rubinek, Warner Bros. Pictures President of International Distribution, added, “It is a rare pleasure to have an opportunity to be a part of a global event of this magnitude. For ten years, the Harry Potter films have delighted audiences, bridging across countries and continents. We applaud all the actors and filmmakers who have given us the true definition of movie magic.”

The collective Harry Potter films are the highest-grossing franchise of all time, a global record it has held since the success of the sixth film, 2009’s “Harry Potter and the Half-Blood Prince.” Individually, the worldwide grosses for the previous films stand as: “Harry Potter and the Sorcerer’s Stone” at $974,755,371; “Harry Potter and the Chamber of Secrets” at $878,979,634; “Harry Potter and the Prisoner of Azkaban” at $796,688,549; “Harry Potter and the Goblet of Fire” at $896,911,078; “Harry Potter and the Order of the Phoenix” at $939,885,929; “Harry Potter and the Half-Blood Prince” at $934,416,487; and “Harry Potter and the Deathly Hallows – Part 1” at $955,417,476.

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opened nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Review: "Deathly Hallows - Part 2" is a Dark, Epic Harry Potter Finale

TRASH IN MY EYE No. 61 (of 2011) by Leroy Douresseaux

Harry Potter and the Deathly Hallows: Part 2 (2011)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for some sequences of intense action violence and frightening images
DIRECTOR: David Yates
WRITER: Steve Kloves (based upon the novel by J.K. Rowling)
PRODUCERS: David Barron and David Heyman and J.K. Rowling
CINEMATOGRAPHER: Eduardo Serra
EDITOR: Mark Day
COMPOSER: Alexandre Desplat

FANTASY/DRAMA/ACTION

Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters, George Harris, and Bonnie Wright

Harry Potter and the Deathly Hallows was the seventh (and final) novel in the Harry Potter book series. Warner Bros. Pictures is releasing the film adaptation of the book as two films. The first film, Harry Potter and the Deathly Hallows: Part 1, arrived in theatres in November 2010. Now, the final film, Harry Potter and the Deathly Hallows: Part 2, has hit theatres with a bang. It’s an excellent film, fun as usual, but sad because this is an ending.

Harry Potter (Daniel Radcliffe) and his closest friends, Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson), embarked on a quest to find and destroy the Horcruxes, which hold the secret of the immortality of Lord Voldemort (Ralph Fiennes). They’re down to the last few Horcruxes, and one of them is hidden at Hogwarts School of Witchcraft and Wizardry.

The trio must return to Hogwarts, where they are no longer welcomed and will need the help of friends to enter. Meanwhile, Voldemort and his army of followers march on the school, and a pitched battle between the defenders of the school and Voldemort’s forces ensues. Now, the Dark Lord and boy wizard prepare for their final showdown.

By turning Harry Potter and the Deathly Hallows the novel into two movies, Warner Bros. Pictures is able to make a more faithful adaptation of the book or, at least, an adaptation that has more of the book in it. Harry Potter and the Deathly Hallows: Part 1 and Part 2 can be viewed as one larger movie, but with each movie having its own distinctive tone and style. Deathly Hallows: Part 1 is contemplative, tense, and suspenseful like an espionage or psychological thriller. Deathly Hallows: Part 2 is darker in tone, but has the look and scope of a grand epic.

Harry Potter and the Deathly Hallows: Part 2 is an action movie, one filled with gritty conflict, soaring flights, hair-raising missions, and desperate bids for escape. Occasionally, the film does stumble; the pace becomes awkward, it’s rhythm out of step. At those times, Deathly Hallows: Part 2 seems more about tying up loose ends than about being the grand finale it should be, but those moments don’t dominate the film.

Deathly Hallows: Part 2 is as thrilling and as visually dazzling as the previous films, but this one has a dragon flight that, for me at least, surpasses any other scene of magically-powered flight in this film franchise. This scene looks natural, more plausible, seeming to capture how a dragon, if such a thing existed, would move. It’s a sequence that should earn Deathly Hallows: Part 2 a best visual effects Oscar nomination, at least.

The final Harry Potter film may also surpass the others in the actors’ performances because Deathly Hallows: Part 2 is powerfully acted. As the series went along, the characters’ became more complex, moving from familiar archetypes to complicated people with shifting motivations and personalities and also becoming darker. In Deathly Hallows: Part 2, the characters, from Harry and Voldemort on down, are either made vulnerable or become more vulnerable than they ever were. Ralph Fiennes’s turn as Voldemort is layered and textured; suddenly, the Dark Lord is made tragic… even sympathetic. Fiennes will make you love as well as love-to-hate this great villain.

In the end, Daniel Radcliffe, Rupert Grint, and Emma Watson, our beloved star trio, don’t disappoint. Their ability to perform together and their screen chemistry affirm that this story was never just about Harry Potter alone. I don’t need to spend too many more words on Harry Potter and the Deathly Hallows: Part 2. That last scene of Harry, Ron, and Hermione together embodies the magic that this series offered and why we are sad that the story is ending, for now…

8 of 10
A

Thursday, July 21, 2011

--------------------------

Captain Planet Now in the Hands of Transformers Movie Producer

Cartoon Network Signs with Angry Filmworks to Develop CAPTAIN PLANET Live-Action Feature Film

Producer of Transformers Film Trilogy Tapped to Create Movie Based on World’s First Eco-Hero

ATLANTA--(BUSINESS WIRE)--Cartoon Network has signed a development agreement with action-adventure producer Don Murphy and partner Susan Montford and their company Angry Filmworks to develop a live-action motion picture based on the groundbreaking, environment-saving animated hero, Captain Planet and the Planeteers, it was announced today by Stuart Snyder, president and COO of Turner Broadcasting System Inc.’s Animation, Young Adults and Kids Media division (AYAKM). The agreement gives Murphy and his company the exclusive rights to develop and package the property and advance it towards production.

Murphy and Angry Filmworks are most notably credited for the highly successful action-adventure franchise, Transformers (2007), Transformers: Revenge of the Fallen (2009) and Transformers: Dark of the Moon (2011). Murphy and Montford together produced the upcoming Hugh Jackman blockbuster Real Steel with Executive Producer Steven Spielberg. The company also is responsible for such action-oriented films as Shoot ‘Em Up (2007), The League of Extraordinary Gentlemen (2003), Apt Pupil (1998) and Natural Born Killers (1994). Angry Filmworks formed in 1998.

“The messages of Captain Planet are even more relevant today,” said Snyder. “We feel this team can bring the world’s first eco-hero to life in a powerful motion picture that is not only pertinent but entertaining.”

“We are extremely excited about bringing the good Captain back to life,” said Murphy. “His adventures are known worldwide and he is recognized across generations. We expect to make a spectacular series of films with the amazing team at Cartoon Network.”

“With the earthquakes, tornadoes, melting icebergs and all the other problems threatening the world right now, Earth really needs her greatest defender,” said Montford.

In an effort to inform younger viewers about serious environmental issues, legendary cable entrepreneur Ted Turner partnered with DIC Enterprises in 1990 to create the world’s first animated environmental series, Captain Planet and the Planeteers. The series was about a group of young people who combine their special powers (The Planeteers) to summon Captain Planet, an environmental superhero, to battle the world’s worst eco-villains.

Captain Planet and the Planeteers premiered in fall 1990, airing domestically and internationally in syndication and on cable networks TBS and TNT. Six full seasons of the series were produced in the original run of the series, featuring the voice talents of multiple guest celebrities, including Whoopi Goldberg (Gaia), Meg Ryan (Dr. Blight), Martin Sheen (Sly Sludge), Edward Asner (Hoggish Greedly), James Coburn (Looten Plunder), Dean Stockwell (Duke Nukem) and Sting (Zarm). Winning multiple Environmental Media Awards across its production, Captain Planet and the Planeteers also scored several Daytime Emmy nominations.

Cartoon Network (CartoonNetwork.com), currently seen in more than 99 million U.S. homes and 166 countries around the world, is Turner Broadcasting System, Inc.’s ad-supported cable service now available in HD offering the best in original, acquired and classic entertainment for youth and families. Nightly from 9 p.m. to 6 a.m. (ET, PT), Cartoon Network shares its channel space with Adult Swim, a late-night destination showcasing original and acquired animated and live-action comedy programming for young adults 18-34.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news; entertainment; animation and young adult; and sports media environments on television and other platforms for consumers around the world.

The Dark Knight Rises: Conspiracies and Tidbits

Over at the Comic Book Bin, the website where I also post goodies, writer Dan Horn is digging into The Dark Knight Rises, Chris Nolan's third Batman flick, which is due next year.  Horn is hunting conspiracies and mysteries and here are the links:

Teaser poster: http://www.comicbookbin.com/The_Dark_Knight_Rises_Teaser_Poster_is_Here_095.html

Trailer: http://www.comicbookbin.com/Official_The_Dark_Knight_Rises_Trailer_Released_001.html

The Trailer: https://www.facebook.com/video/video.php?v=2054374751994

Trailer conspiracy: http://www.comicbookbin.com/The_Dark_Knight_Rises_Trailer_Conspiracy_001.html

Plot thickens: http://www.comicbookbin.com/The_Dark_Knight_Rises_Trailer_The_Plot_Thickens_001.html

First Lady Michelle Obama Screens "Deathly Hallows - Part 2" U.S. Navy Families

Warner Bros. Pictures “Joining Forces” With First Lady Michelle Obama for a Special Screening of “Harry Potter and the Deathly Hallows – Part 2”

VIRGINIA BEACH, Va.--(BUSINESS WIRE)--In appreciation of their service, members of the United States Navy and their families will be treated to a special exclusive screening of Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2,” the finale of the blockbuster film franchise, which opened nationwide on July 15, 2011.

As part of the Joining Forces initiative, First Lady Michelle Obama will be in attendance to thank the members of the military and their families. While there, she will also introduce the film.

Location: Naval Air Station Oceana, Virginia Beach, VA
Date: Thursday, July 21, 2011
Time: 12:00 p.m. Screening

The screening is only open to members of the military and their families. Media representatives will have the opportunity to interview, photograph and film those attending the film.


About Joining Forces:
Joining Forces is a national initiative that mobilizes all sectors of society to give our service members and their families the opportunities and support they have earned. First Lady Michelle Obama and Dr. Jill Biden have met with military families, learned about their successes and challenges, and made it their priority to support them. Joining Forces provides ways for all Americans to step up and show their gratitude to our service members and their families. Through this effort, Mrs. Obama and Dr. Biden ask Americans to do more for those who have done so much for us. They are highlighting outstanding American citizens, communities, and businesses that are supporting our troops and making commitments to serve our nation’s military families. They are asking Americans to get involved in any way they can.

About the Film:
“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

“Harry Potter and the Deathly Hallows – Part 2” stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, who also helmed the blockbusters “Harry Potter and the Order of the Phoenix,” “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hallows – Part 1.” David Heyman, the producer of all of the Harry Potter films, produced the final film, together with David Barron and J.K. Rowling. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer.

Warner Bros. Pictures presents a Heyday Films Production, a David Yates Film, “Harry Potter and the Deathly Hallows – Part 2,” which marks the last installment in the most successful film franchise of all time. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images. http://www.harrypotter.com/

Review: Takashi Miike Does Epic in "13 Assassins"

TRASH IN MY EYE No. 60 (of 2011) by Leroy Douresseaux

13 Assassins (2010)
Jûsan-nin no shikaku (original title)
COUNTRY OF ORIGIN: Japan
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – R for sequences of bloody violence, some disturbing images and brief nudity
DIRECTOR: Takashi Miike
WRITER: Daisuke Tengan (based upon a screenplay by Kaneo Ikegami)
PRODUCER: Minami Ichikawa, Tôichirô Shiraishi, and Michihiko Yanagisawa
CINEMATOGRAPHER: Nobuyasu Kita (D.o.P.)
EDITOR: Kenji Yamashita
COMPOSER: Kôji Endô

DRAMA/HISTORICAL/MARTIAL ARTS/ACTION

Starring: Kôji Yakusho, Takayuki Yamada, Yûsuke Iseya, Gorô Inagaki, Masachika Ichimura, Mikijiro Hira, Hiroki Matsukata, Ikki Sawamura, Arata Furuta, Tsuyoshi Ihara, Masataka Kubota, Sôsuke Takaoka, Seiji Rokkaku, Yûma Ishigaki, Kôen Kondô, and Ikki Namioka

13 Assassins (Jûsan-nin no shikaku) is a 2010 Japanese period drama (a jidaigeki) from prolific director, Takashi Miike. This samurai epic is based on a true story and is also a remake of the 1963 Japanese film, Jûsan-nin no shikaku. The story is about a band of samurai warriors out to kill a tyrannical young lord. 13 Assassins is also one of the best films of 2010.

The film is set in the last decades of Feudal Japan, when the era of the samurai is waning. The sadistic young Lord Matsudaira Naritsugu (Gorô Inagaki) rapes and kills at will. He is seemingly untouchable because he is the former Shogun’s son and the current Shogun’s younger brother. After Naritsugu’s actions lead to the destruction of a prominent family, a senior political figure, Sir Doi (Mikijiro Hira), decides that Naritsugu must be killed. Doi hires Shinzaemon Shimada (Kôji Yakusho), an older samurai whom he can trust, to assassinate Naritsugu.

Shinzaemon, who was once a Shogun’s samurai, gathers 11 other samurai, including his nephew, Shinroukuro (Takayuki Yamada), and the 12 plan the assassination. Lord Naritsugu is traveling to his family’s territory, so Shinzaemon plots to steer him to the small village of Ochiai, in the province of Mino, where they will ambush him. Along the way, Shinzaemon adds a thirteenth member to his group, a mysterious woodsman who says his name is Koyata Kiga (Yûsuke Iseya). Meanwhile, the assassins learn that Naritsugu’s security detail is much larger than it was supposed to be.

13 Assassins is the first Takashi Miike film I’ve seen. Before this movie, I’d heard of him via the controversy around his work, such as Ichi the Killer (2001) and his episode, “Imprint,” of the “Masters of Horror” television anthology series. In 13 Assassins, Miike certainly doesn’t spare the audience of blood, dismemberment, and assorted wanton murder. Lord Naritsugu is one of the vilest characters I’ve ever seen depicted on screen, and he is the instigator of some of the most vicious murders portrayed in the 13 Assassins. Kudos to Gorô Inagaki for his brilliant performance as Naritsugu.

However, the depictions of violent death both in battle and in character drama shouldn’t be the only thing people take away from 13 Assassins. What audiences should recognize is Miike’s supreme skills as a helmsman, particularly as a director of this grand, historical epic. In 13 Assassins’ climatic battle, there are a little more than 200 combatants, but you might think there were 10 times more.

Miike and his collaborators and crew, in particularly director of photography, Nobuyasu Kita, and film editor, Kenji Yamashita, stage a fight that makes battles in films like the Lord of the Rings trilogy, Michael Bay’s Pearl Harbor, Cold Mountain, etc. look small. Such films use computers and digital technology to make their battles look super-sized, while Miike goes intimate – up close and personal – with the mayhem, desperation, and frantic pace of battle. That makes this battle look grand and glorious, but also sad, wasteful, and pathetic.

I find that with only a few exceptions, notably Shinzaemon Shimada and his nephew Shinroukuro, Miike misses the chance to really delve into the many wonderful characters fashioned by screenwriter Daisuke Tengan. That’s a shame because some of them have gripping back stories and engaging personalities. Still, that really isn’t much of a blemish, if it’s a blemish at all, on this superb film. 13 Assassins is one of the best samurai dramas I’ve ever seen, and it is one of the best historical films of the new century. Film lovers should not miss 13 Assassins.

9 of 10
A+

Tuesday, July 19, 2011

------------------