Showing posts with label Ryan Gosling. Show all posts
Showing posts with label Ryan Gosling. Show all posts

Saturday, September 10, 2011

Warner Bros. Begins "The Gangster Squad" with Sean Penn and Josh Brolin

“The Gangster Squad” Hits the Streets of Los Angeles

Shooting begins on the crime drama starring Sean Penn, Josh Brolin, Ryan Gosling and Emma Stone

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography began today on Warner Bros. Pictures’ and Village Roadshow Pictures’ “The Gangster Squad,” starring Oscar® nominees Josh Brolin (“Milk,” “True Grit”) and Ryan Gosling (“Half Nelson,” “Blue Valentine”), Emma Stone (“The Help”) and Academy Award® winner Sean Penn (“Milk,” “Mystic River”), under the direction of Ruben Fleischer (“Zombieland”).

Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen (Sean Penn) runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and—if he has his way—every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It’s enough to intimidate even the bravest, street-hardened cop…except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O’Mara (Josh Brolin) and Jerry Wooters (Ryan Gosling), who come together to try to tear Cohen’s world apart.

Shooting entirely in and around Los Angeles, including in many of the actual locations featured in the story, “The Gangster Squad” is a colorful retelling of events surrounding the LAPD’s efforts to take back their nascent city from one of the most dangerous mafia bosses of all time. The screenplay is by Will Beall (TV’s “Castle”), based on Paul Lieberman’s series of articles entitled “Tales From the Gangster Squad.” The film is being produced by Dan Lin (“Sherlock Holmes”), Kevin McCormick (upcoming “The Lucky One”) and Michael Tadross (“Arthur”).

“The Gangster Squad” stars Penn as real-life mobster Mickey Cohen; Brolin and Gosling as the LAPD’s Sgt. John O’Mara and Jerry Wooters; and Stone as Grace Faraday, Cohen’s moll and the object of Wooters’ attention.

The movie also stars Robert Patrick (“Flags of Our Fathers”) as Officer Max Kennard, a deadly cop who patrols the Olvera Street beat; Michael Peña (“Battle Los Angeles”) as Kennard’s over-eager sidekick, Navidad Ramirez; Giovanni Ribisi (“Avatar”) as the force’s Conway Keeler, an electronics expert who takes as much pleasure in fixing his son’s bike as he does tinkering with experimental, military-grade equipment; and Anthony Mackie (“The Adjustment Bureau”) as Coleman Harris, a switchblade-wielding cop who proudly patrols one of the most crime-ridden areas of the city.

Joining Fleischer behind the scenes are the director’s regular collaborators, production designer Maher Ahmad and editor Alan Baumgarten (“30 Minutes or Less,” “Zombieland”), as well as Academy Award®-winning director of photography Dion Beebe (“Memoirs of a Geisha”) and Oscar®-nominated costume designer Mary Zophres (“True Grit”).

“The Gangster Squad” will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

Sunday, January 16, 2011

Colin Firth Wins "Best Actor-Drama" Golden Globe for "The King's Speech"

Best Performance by an Actor in a Motion Picture - Drama:

Colin Firth for The King's Speech WINNER

Jesse Eisenberg for The Social Network

James Franco for 127 Hours

Ryan Gosling for Blue Valentine

Mark Wahlberg for The Fighter

Saturday, January 8, 2011

It Ain't Bragging if it's True, Eh, Warner Bros.?

Warner Bros. Pictures Group Earns Triple Crown for 2010

The Studio Takes This Year’s Top Spots in Domestic Market Share with $1.884 Billion; International Market Share with $2.930 Billion; and Worldwide Market Share for the Second Consecutive Year with $4.814 Billion

BURBANK, Calif.--(BUSINESS WIRE)--The Warner Bros. Pictures Group broke the all-time industry worldwide box office record with a 2010 gross of $4.814 billion, which surpasses the prior record of $4.010 billion (set by Warner Bros. in 2009). The announcement was made today by Jeff Robinov, President, Warner Bros. Pictures Group.

Setting new benchmarks for both the international and global box office grosses in 2010 and retaining the domestic box office number one ranking (after achieving a record gross in 2009), the Studio now holds the industry record in all three categories. Additionally, Warner Bros. surpassed its own worldwide gross from the previous year by $800 million to earn the number one position in worldwide market share for the second consecutive year and for the sixth time in the past 10 years, also an industry record.

“We are so proud of these incredible accomplishments, which were made possible through the global efforts of an exceptional group of people who collaborated to create, produce, market, and distribute more than two dozen films this past year,” said Robinov. “We have a terrific leadership team behind these efforts, including Sue Kroll, Dan Fellman and Veronika Kwan-Rubinek, and, along with Barry Meyer and Alan Horn, I applaud everyone who contributed to this year’s record-breaking success.”

Warner Bros. Pictures’ domestic gross is estimated at $1.884 billion, making it number one in domestic market share for 2010. This is the third year in a row the Studio has held that crown and is the only studio to exceed the $1 billion threshold domestically for 10 consecutive years. Warner Bros. has been ranked either one or two domestically for seven of the last 10 years. The Studio had five films gross over $100 million domestically in 2010 – “Inception,” “Harry Potter and the Deathly Hallows – Part 1,” “Clash of the Titans,” “Valentine’s Day,” and “Due Date.”

“Our tentpole strategy combined with a remarkably diverse overall slate has once again proved enormously profitable at the box office,” said Dan Fellman, President, Distribution, Warner Bros. Pictures. “We could not be more proud of the Studio’s achievements this year.”

Warner Bros. Pictures International set a new industry record in overseas box office with an estimated $2.930 billion year-end gross, breaking the previous industry record of $2.450 billion in 2009. This is the tenth consecutive year the Studio has exceeded $1 billion and third time it has surpassed $2 billion in international box office receipts. The Studio has had seven films gross more than $100 million internationally in 2010 – “Sherlock Holmes” ($264 million, for a total of $315 million, including 2009’s take); “Valentine’s Day” ($106 million); “Clash of the Titans” ($330 million); “Sex and the City 2” ($193 million); “Inception” ($531 million); “Due Date” ($100 million); and “Harry Potter and the Deathly Hallows – Part 1” ($611 million, and still in release).

“We’re elated to reach these incredible numbers internationally,” said Veronika Kwan-Rubinek, President, Distribution, Warner Bros. Pictures International. “This achievement is a testament to the company’s strategy to make event films with global appeal, and it would not have been possible without the hard work and innovative thinking from our outstanding marketing and distribution teams around the world.”

Among the Studio’s 2011 releases are “Red Riding Hood,” directed by Catherine Hardwicke; the Zack Snyder-directed action fantasy “Sucker Punch”; “The Hangover Part II,” the sequel to the 2009 breakout hit; “Green Lantern,” the highly anticipated adaptation of the popular DC Comics title, starring Ryan Reynolds and Blake Lively; the conclusion of the most successful film franchise of all time, “Harry Potter and the Deathly Hallows – Part 2”; “Crazy, Stupid, Love.” starring Steve Carell and Ryan Gosling; Steven Soderbergh’s thriller “Contagion,” with an ensemble cast led by Matt Damon; “Happy Feet 2,” the sequel to the 2006 Academy Award®-winning animated musical hit; New Line Cinema’s “New Year’s Eve,” an all-star ensemble romantic comedy from director Garry Marshall; and “Sherlock Holmes II,” Guy Ritchie’s follow up to the 2009 hit, starring Robert Downey Jr. and Jude Law.

Monday, December 20, 2010

Steve Carell Comedy, "Crazy, Stupid, Love" Get New Release Date

Press release:

“Crazy, Stupid, Love.” Gets Summer Play Date

The Release of the New Steve Carell Comedy Moves to July 29, 2011

BURBANK, Calif.--(BUSINESS WIRE)--Responding to overwhelmingly positive test screening results, Warner Bros. Pictures is moving the release date of “Crazy, Stupid, Love.” starring Steve Carell, to July 29, 2011.

The announcement was made today by Dan Fellman, President of Domestic Distribution, who stated, “From our early recruited screenings, we have seen that audiences love ‘Crazy, Stupid, Love.’ From all indications, we feel strongly that the film has a very broad appeal, so we have decided to release it where it will have the widest possible platform. The studio is very excited to include this film in our powerhouse Summer slate, alongside films like ‘The Hangover Part II,’ ‘Green Lantern’ and ‘Harry Potter and the Deathly Hallows – Part 2.’”

“Crazy, Stupid, Love.” also stars Ryan Gosling, Julianne Moore, Emma Stone, John Carroll Lynch, Marisa Tomei and Kevin Bacon.

Carell leads the cast as straight-laced, fortysomething Cal Weaver, who is living the dream—good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife, Emily (Julianne Moore), has cheated on him and wants a divorce, his perfect life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protégé to handsome, thirtysomething player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. But despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began.

Glenn Ficarra and John Requa directed “Crazy, Stupid, Love.” from a screenplay by Dan Fogelman. The film is produced by Carell and Denise Di Novi, with David A. Siegel, Vance DeGeneres and Charlie Hartsock serving as executive producers. Warner Bros. Pictures presents “Crazy, Stupid, Love.” a production of Carousel Productions and DiNovi Pictures. The film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and has been rated PG-13 for coarse humor, sexual content and language.

Thursday, September 23, 2010

Strong Acting Helps "Half Nelson" Overcome Half-Ass Directing (Happy B'day, Anthony Mackie)

TRASH IN MY EYE No. 38 (of 2007) by Leroy Douresseaux

Half Nelson (2006)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – R for drug content throughout, language, and some sexuality
DIRECTOR: Ryan Fleck
WRITERS: Anna Boden and Ryan Fleck
PRODUCERS: Anna Boden, Lynette Howell, Rosanne Korenberg, Alex Orlovsky, and Jamie Patricof
CINEMATOGRAPHER: Andrij Parekh
EDITOR: Anna Boden
2007 Academy Award nominee

DRAMA

Starring: Ryan Gosling, Shareeka Epps, Anthony Mackie, Monique Curnen, Deborah Rush, and Jay O. Sanders

In the independent film drama, Half Nelson, an inner-city schoolteacher and one of his students form an unlikely friendship that just might help him pull it together and stop her from following her brother into prison.

Dan Dunne (Ryan Gosling) is anxious to help his students learn outside the parameters of what is accepted in public schools, but each day that he’s in front of his class, it is clear that his mind is elsewhere. Dunne is a frustrated novelist and a drug addict who knows he’s in trouble but won’t stop using illegal drugs. Drey (Shareeka Epps) lives in a small apartment with her divorced mom, and her father chooses to live outside of her life. Her brother is doing a stint in prison, apparently for his dealings with Frank (Anthony Mackie), the neighborhood drug dealer. Now, Frank is trying to recruit Drey into his service. As Dunne spirals downward, he is surprised to find Drey acting as his conscience, when he plans on being hers.

Co-writer/director Ryan Fleck and co-writer Anna Boden are so intent on not offering easy answers and pat resolutions in their film, Half Nelson, that they almost ruin it. They’ve made an underwritten, slice-of-life movie. Instead of giving Half Nelson a beginning, middle, and ending, they instead act as if they’re making a docu-drama and are presenting just the facts – thank you very much and can’t (and perhaps shouldn’t) make judgments.

Luckily, at the heart of their film sit two outstanding acting performances. First, Ryan Gosling, who seems to be on the cusp of greatness (or is at least still a simmering “next big thing”), delivers a sharp and heartrending performance as a druggie teacher that is as harrowing as it is quiet and graceful. Gosling doesn’t glamorize drug addiction, nor does he play teacher Dan Dunne as some kind of trashy lowlife always dressed in filthy rags. Dunne is woefully in denial and, therefore, helpless against his addiction. We can feel sorry for him, while simultaneously being tired of his self-destructive ways.

Meanwhile, Shareeka Epps as the inner city, almost-lost girl Drey offers a stout and stoic face to the world. It’s as if Epps realizes that the only way that Drey survives her life of sorrow and loneliness is to keep a stiff upper lip, so Drey offers a facial expression that might make Clint Eastwood’s Dirty Harry blink. Still, Epps allows us to see underneath to the vulnerable girl who isn’t so sure that she isn’t destined to end up an incarcerated drug dealer like her brother.

Anthony Mackie, as the neighborhood drug kingpin, also offers Half Nelson a fine performance. Mackie’s Frank is a sly salesman who wears his dishonesty and predatory ways on his sleeve as if they were banners of personal pride. Mackie makes Frank dangerous without grandstanding or scene stealing, which is what most actors do when they play drug lords and dealers.

What Gosling, Epps, and Mackie offer is substance to Fleck and Boden’s faux and cheapie realism. They make Half Nelson a standout film when it could have been just another pretentious, underwritten independent drama.

7 of 10
A-

NOTES:
2007 Academy Awards: 1 nomination for “Best Performance by an Actor in a Leading Role” (Ryan Gosling)

2007 Black Reel Awards: 2 nominations: “Best Breakthrough Performance” (Shareeka Epps) and “Best Supporting Actress” (Shareeka Epps)

Sunday, February 18, 2007