"Think Like a Man" a Frothy Battle of the Sexes

TRASH IN MY EYE No. 72 (of 2012) by Leroy Douresseaux


Think Like a Man (2012)
Running time: 122 minutes (2 hours, 2 minutes)
MPAA – PG-13 for sexual content, some crude humor, and brief drug use
DIRECTOR: Tim Story
WRITERS: Keith Merryman and David A. Newman (based on the book, Act Like a Lady, Think Like a Man, by Steve Harvey)
PRODUCER: William Packer
CINEMATOGRAPHER: Larry Blanford
EDITOR: Peter S. Elliot
COMPOSER: Christopher Lennertz

ROMANCE/COMEDY

Starring: Michael Ealy, Jerry Ferrara, Meagan Good, Regina Hall, Kevin Hart, Taraji P. Henson, Terrence J, Jenifer Lewis, Romany Malco, Gary Owen, Gabrielle Union, La La Anthony, Chris Brown, Wendy Williams, Sherri Shepherd, Caleel Harris, Arielle Kebbel, Steve Harvey, Tony Rock, and Luenell with Matt Barnes, Shannon Brown, Rasual Butler, Darren Collison, Lisa Leslie, and Metta World Peace

Think Like a Man is a 2012 ensemble romantic comedy from director Tim Story (Fantastic Four). The film is based on comedian and actor Steve Harvey’s 2009 advice book, Act Like a Lady, Think Like a Man. The film follows four male friends who conspire to turn the tables on the women in their lives when they discover that their ladies have been using Steve Harvey’s relationship advice against them.

Cedric (Kevin Hart), Dominic (Michael Ealy), Zeke (Romany Malco), Michael (Terrence J), Jeremy (Jerry Ferrara), and Bennett (Gary Owen) are friends who like to get together and talk about their relationships with women. Cedric is going through a divorce, and Bennett is happily married. Jeremy’s relationship with his longtime girlfriend, Kristen (Gabrielle Union), is frayed, although he doesn’t seem to notice it. Dominic uses deception to begin a relationship with Lauren (Taraji P. Henson), a successful businesswoman.

Zeke meets Mya (Meagan Good), a young woman who has just decided that before she has sex with a new boyfriend, he has to wait 90 days. Zeke, however, always wants to “hit it” right away. Michael begins a relationship with Candace (Regina Hall), a single mother, but Michael is a mama’s boy, and that creates strife in the new relationship.

However, Kristen, Lauren, Mya, and Candace decide to take the advice of Steve Harvey (playing himself) as presented in his book, Act Like a Lady, Think Like a Man, to help them get the upper hand in their relationships. When the guys discover what their ladies are doing, they decide to get familiar with the same book. Game on!

The first thing I want to say is that Kevin Hart is a pure scene-stealer. Hart not only plays a character, Cedric, but he is also the film’s narrator. As the narrator, he practically owns half this movie. He’s good; he’s funny.

The other half of the ownership goes to director Tim Story. I think that Story’s talent as a director is largely untapped. His two Fantastic Four films for 20th Century Fox were underserved by uneven screenwriting. Story shows his skills in Think Like a Man, because there are so many characters and so many actors playing them that the director has to get a handle on them. Handle them Story does, which is quite a feat, as there are way too many characters in this movie. Still, Story gives every actor the opportunity to make the most of his or her character, and most of the actors take advantage of the opportunities. That is why Think Like a Man movie works.

Think Like a Man is a frothy, romantic comedy, and it has the same cinematic bubbles and fizz to tickle the nose that movie audiences find in frivolous romantic comedies featuring predominately white casts. Tim Story delivers the same feel-good charm which directors of those other films do, but with a way-too large cast.

Think Like a Man may be the best romantic comedy starring a predominately African-American cast to date. It’s sweet and filled with empty calories, but they feel good going down. They’re so good that you might want more… later.

7 of 10
B+

Saturday, September 08, 2012

Review: "The Honeymooners" is Sweet and Charming (Happy B'day, Cedric the Entertainer)

TRASH IN MY EYE No. 93 (of 2005) by Leroy Douresseaux

The Honeymooners (2005)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG-13 for some innuendo and rude humor
DIRECTOR: John Schultz
WRITERS: Danny Jacobson and David Sheffield & Barry W. Blaustein and Don Rhymer (based on characters from the CBS television series)
PRODUCERS: David T. Friendly, Marc Turtletaub, Eric C. Rhone, and Julie Durk
CINEMATOGRAPHER: Shawn Maurer
EDITOR: John Pace

COMEDY

Starring: Cedric the Entertainer, Mike Epps, Gabrielle Union, Regina Hall, Eric Stoltz, John Leguizamo, Jon Polito, Carol Woods, Ajay Naidu, and Alice Drummond

The subject of this movie review is The Honeymooners. This 2005 family comedy takes the classic television series, The Honeymooners, and transforms the characters into African-Americans, while also setting the story in the 21st Century.

Ralph Kramden (Cedric the Entertainer) is a dreamer. By day, he is a New York city bus driver. During his off-hours, he is an inventor, an entrepreneur, and an innovator who is always one get-rich-quick scheme away from instant wealth, and he has a closet full of failed products to prove it. Most of the time, Ralph’s best friend and upstairs neighbor, Ed Norton (Mike Epps), is along for the ride. Ralph’s wife, Alice (Gabrielle Union), has been putting up with it for years, but now she has had enough. Alice has her sights on a practical dream, the American dream; she and Ed’s wife, Trixie (Regina Hall), want to buy a duplex fixer-upper house that the two couples could share and build into their dream home. However, Ralph’s latest half-baked project turns out to be really half-baked, and he spent his and Alice’s savings on it. Now, he needs Ed’s help on another big money plan if he’s going to replenish their savings before Alice leaves him.

Other than the character names, a few domestic and job facts, and the title, the film The Honeymooners bares little resemblance to the CBS television series of the 1950’s that many consider classic TV and an important program in television history. The four lead characters that were white in the original are now black, which should set some tongues to wagging. All that doesn’t, in the end, matter when it comes to the issue at hand, and that’s the current film. Is The Honeymooners a good film, and how good is it?

The Honeymooners, like a lot of Hollywood film product for so many years now, is cursed with a limp script and an unimaginative director. The concept: Ralph’s latest get-rich-quick plan backfires and not only costs him money, but might cost him his marriage, was a stable of the original TV program. Apparently that concept worked great for a half-hour TV show (about 22 minutes of actual show and the rest commercials), but stretched to a 90 minute feature-length film, it doesn’t fly… or at least not long enough. The director moves The Honeymooners at a plodding pace, almost as if he were following the recipe to make bland-tasting baked goods. The script contains not a sparkle of wit or imagination, and the romance and love between husband and wife are woefully hollow notes.

The weak film structure forces the burden to entertain the audience upon the backs of the cast. Cedric the Entertainer and Mike Epps are up to the challenge; in fact, they add a lot of their own construction work to this shell of a film and make it worth seeing. A lot of the humor in Cedric’s comedic style comes from his expressive face and watching how he reacts in certain situations and to particular incidents. Epps is the perfect sidekick, a combination clown and straight man, he can do the silly stuff, or he can be the guy who balances the hijinks of the class clown. Sadly, the talented Gabrielle Union and Regina Hall (who adds meat to the comic routine she used in the Scary Movie franchise) have to fight for what little screen time they have. The limp script spends so much time anally fixated on Ralph’s next-great idea that it ignores half of what made the Ralph Kramden/Ed Norton act work – the wives.

John Leguizamo also does an edgy and hilarious turn as a jack-of-all-scams dog trainer that should remind a lot of people not only how funny this fine comedian is, but what a good actor he is. Cedric, Epps, and Leguizamo make a dynamic comic trio. Ultimately, the cast is funny enough and surprisingly charming enough on the strength of performances to make The Honeymooners worth watching, even though it’s not worth a trip to the theatre.

5 of 10
B-

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"Good Deeds" is Good Indeed

TRASH IN MY EYE No. 16 (of 2012) by Leroy Douresseaux


Good Deeds (2012)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA - PG-13 for sexual content, language, some violence and thematic material
WRITER/DIRECTOR: Tyler Perry
PRODUCERS: Ozzie Areu, Paul Hall, and Tyler Perry
CINEMATOGRAPHER: Alexander Gruszynski
EDITOR: Maysie Hoy
COMPOSER: Aaron Zigman

ROMANCE/DRAMA

Starring: Tyler Perry, Thandie Newton, Gabrielle Union, Eddie Cibrian, Brian White, Jordenn Thompson, Phylicia Rashad, Beverly Johnson, Rebecca Romijn, and Jamie Kennedy, Andrew Masset, and Victoria Loving

Good Deeds is a 2012 romantic drama from writer/director Tyler Perry. Although Perry is also the film’s lead actor, this isn’t a “Tyler Perry film,” as far as what we generally expect of a Perry film – broad comedies often featuring the character, Mabel “Madea” Simmons, who does not appear in this movie. Good Deeds is about a businessman who leaves his comfort zone to help a struggling single mother.

Wesley Deeds (Tyler Perry) is a San Francisco-based businessman who is CEO of Deeds Corporation, the software company his late father started. He is engaged to marry Natalie (Gabrielle Union), a beautiful young woman who works in real estate, but his mind is always on work. With the assistance of John, (Eddie Cibrian), a company executive, Wesley is currently trying to buy a rival company, but Wesley’s resentful younger brother, Walter Deeds (Brian White), may be trying to sabotage the company. Their mother, Wilimena (Phylicia Rashad), is totally plugged into planning the wedding. Wesley Deeds does what he is supposed to and expected to do.

However, Wesley is jolted out of his scripted life when he meets Lindsey Wakefield (Thandie Newton), a single mother who is a janitor in Wesley’s office building. Lindsey speaks her mind and is fiercely independent, but when she and her daughter, Ariel (Jordenn Thompson), are left homeless, she needs help. A chance encounter brings together two people who are in a really bad place in their lives.

If Wesley Deeds can be said to leave his comfort zone in this story, then, it can be said that Tyler Perry, for the most part, leaves his comfort zone to create Good Deeds. This is an uplifting movie that emphasizes living the life one wants to live (or trying to) by relying on one’s self. In this movie, Perry pushes believing in yourself as a vehicle of change rather than a belief in faith and God as the path to change. Good Deeds is by no means anti-religion, but this is the most secular film Perry has done to date. The religious themes and testifying that are so evident in his broad comedies are absent in this romance and drama.

I was also surprised by how well written the screenplay is, considering (once again) that Perry has left his broad comedy comfort zone. Good Deeds does sometimes come across as an African-American soap opera (especially the elevator scene late in the film). However, this is also a character drama that puts a laser focus on Wesley Deeds and Lindsey Wakefield. Perry really delves into these characters and pulls out their insides so that the audience can see what makes them tick. Perry shows the audience the inner conflicts and struggles as much as he depicts Wesley and Lindsey’s exterior drama.

I think that Thandie Newton is, as usual, very good. She can do trials and tribulations as well as any African-American actress, and better than most. Perry, on the other hand, is mostly hit or miss as Wesley. There are moments in which he just does not seem convincing as an upper class Black man from an old money African-American family with an Ivy League pedigree.

Another of the film’s faults is that it largely ignores some of the other characters that have potential: Walter and Wilimena Deeds and Natalie, in particular. Perry created three good characters in them, but gave them small spaces to shine except in moments that seem like little more than stereotypical melodrama. Young Jordenn Thompson as Lindsey’s daughter, Ariel, also steals a few scenes.

Still, Good Deeds is really about Wesley and Lindsey, and to that end, the film is a pleasant drama that has a few riveting moments. These moments can jerk some tears from the audience, and that’s surprising to me. I didn’t expect even that much from Good Deeds.

6 of 10
B

Sunday, February 26, 2012

Review: Tyler Perry's First Top Notch Drama, "Daddy's Little Girls"

TRASH IN MY EYE No. 98 (of 2007) by Leroy Douresseaux

Tyler Perry’s Daddy’s Little Girls (2007)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – PG-13 for thematic material , drug and sexual content, some violence, and language
WRITER/DIRECTOR: Tyler Perry
PRODUCERS: Tyler Perry and Reuben Cannon
CINEMATOGRAPHER: Toyomichi Kurita
EDITOR: Maysie Hoy

DRAMA/ROMANCE with elements of comedy

Starring: Gabrielle Union, Idris Elba, Louis Gossett, Jr., Tasha Smith, Gary Sturgis, Tracee Ellis Ross, Malinda Williams, Terri J. Vaughn, Cassie Davis, Sierra Aylina McClain, China Anna McClain, and Lauryn Aylina McClain

In the romantic drama, Daddy’s Little Girls, impresario Tyler Perry leaves behind Madea, the character that made him so rich and famous, and steps into the background to act as writer/director/co-producer. The film features a rarity in American film, the working class black father who is totally dedicated to his children, and with this subject matter, Perry makes his best film to date.

Working class dad and mechanic, Monty James (Idris Elba) suddenly finds himself in custody of his three daughters, Sierra (Sierra Aylina McClain), China (China Anna McClain), and Lauryn (Lauryn McClain). However, his ex-wife Jennifer (Tasha Smith) is challenging Monty for custody, but he can’t let her take the children because she lives with Joseph (Gary Sturgis), a dangerous mini-drug kingpin. He finds help and later love in Ivy League-educated attorney, Julia Rossmore (Gabrielle Union), but their class differences and Monty’s criminal record threaten to tear them apart, and perhaps, cost Monty his children.

What makes Daddy’s Little Girls Tyler Perry’s best film to date is the strong character writing. Perry takes much heat from African-American critics of both his stage and screen work for dabbling in stereotypes. What he actually uses are familiar character types to tell stories that are moral lessons and parable about family values, and his audience can identify with both characters and the messages behind the film. The way he works is quite sly. On the surface, his plays and films as bawdy, working-class comedies set in black communities (urban, suburban, or rural), but after he gives his audience several acts of rowdy comedy, he leaps into his messages about family, community, and God. In fact, his characters often find solace and healing through these three institutions.

In Daddy’s Little Girls, Perry leaps right into the drama. Poverty, dysfunctional families, terminal illness, urban crime, social injustice (particularly in the legal system), and class prejudice are all topics Perry uses to build the screenplay for this film, and it works. Daddy’s Little Girls is both entertaining and uplifting. Of all his films, this one, more than the others, is directed at his core audience of conservative, working class African-Americans. To mainstream (read: white) American audiences, this may seem like a foreign film, but many viewers from working class backgrounds should identify with this.

If this film has one glaring fault, it’s that the script doesn’t give enough time to the daddy and his little girls of Daddy’s Little Girls. The film is mostly about the developing relationship between Monty and Julia, for which Idris Elba and Gabrielle Union respectively give fine performances. Tasha Smith as the big bad mama, Jennifer, adds spice, and Louis Gossett, Jr. as Willie, brings refined acting to this delightful and heartwarming message movie.

8 of 10
A

Saturday, June 23, 2007

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