Review: "The Fast and the Furious: Tokyo Drift" is Extra Special Fast and Furious

TRASH IN MY EYE No. 132 (of 2006) by Leroy Douresseaux

The Fast and the Furious: Tokyo Drift (2006)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG-13 for reckless and illegal behavior involving teens, violence, language, and sexual content
DIRECTOR: Justin Lin
WRITERS: Alfredo Botello, Chris Morgan, and Kario Salem; from a story by Chris Morgan
PRODUCER: Neal H. Moritz
CINEMATOGRAPHER: Stephen F. Windon
EDITORS: Dallas Puett and Fred Raskin

ACTION/CRIME/SPORTS

Starring: Lucas Black, Shad “Bow Wow” Gregory Moss, Nathalie Kelley, Brian Tee, Sung Kang, Brian Goodman, Lynda Boyd, and JJ Sonny Chiba

Sean Boswell (Lucas Black) is an Alabama-born teenager who defines himself as the hotheaded outsider – basically a loner at his suburban high school. He’s also a hotshot street racer, and it’s car racing that lands him in trouble with the law… again. To avoid going to jail, Sean’s mother (Lynda Boyd) sends him to Japan to live with his estranged father, Major Boswell (Brian Goodman), a gruff, career Navy officer living in Tokyo. Here, Sean’s also an outsider, a gaijin, but he eventually makes a new friend, Twinkie (Bow Wow), a fellow military brat who hustles American goods such as sneakers and electronics to local youths anxious to have hot American items. Twinkie introduces Sean to the underground world of drift racing. In Tokyo, the drag racing Sean loves is replaced by the rubber-burning, automotive art of balancing speed and gliding through a heart-racing course of hairpin turns and switchbacks – drifting.

His first night at a drifting event, Sean catches the eye of his classmate, Neela (Nathalie Kelley), but Neela has a boyfriend, a local self-styled crime kingpin, Takashi, better known as “DK” (Brian Tee) or Drift King. Sean’s attraction to Neela brings he and DK into immediate conflict. DK challenges Sean to a drift race, and Han (Sung Kang), a criminal associate of DK’s, loans his car to Sean. The race finishes in a disaster for Sean who has never drifted before. However, Han takes Sean under his wings, teaching Sean to drift while Sean pays Han back for the wrecked car by working as his driver and pickup man. However, things don’t cool off between DK and Sean, and DK also has a falling out with Han. Soon, matters escalate into violence, and DK’s uncle (Sonny Chiba), an authentic Yakuza boss gets involved. To settle the dispute, Sean challenges DK to a race in which resolution will be reached man-to-man and car-to-car in the ultimate drift.

The Fast and the Furious: Tokyo Drift is just as much fun to watch as the previous two films in the franchise. Although it isn’t quite as good as the original, The Fast and the Furious, it may be a technically better made film than 2002’s 2 Fast 2 Furious. Director Justin Lin (Better Luck Tomorrow, Annapolis) loves filming racing scenes way more than he concerns himself with developing characters and narrative. I lost count of the character moments in which half or all of a scene was out of focus. Still, Lin provides enough male bonding, teen romance, youth melodrama, and family dysfunction to make us at least somewhat interested in the character scenes that are just filler between racing sequences.

And that’s what this flick is – a racing movie. The Fast and Furious: Tokyo Drift exists to give us the vicarious thrill of living through underground, illegal, street racing – sexy cars and dangerous, mind-numbing, brain-freezing speed. This is one of those “ultimate summer movies,” made for all the young male demographics from nine (despite the rating) to 35. If you’re older than that and know how not to take every movie seriously, Tokyo Drift will make you feel young again and want to be with all those hot Asian chicks in the film.

Best thing about this movie is that none of the racing scenes are CGI; no computers were harmed in the making of these furious races through the night streets. Lin uses professional drift racers to deliver all the races, high-speed chases, and crashes you could want, and then throws in more. He also gives Tokyo’s night life: underground clubs, backroom parlors, and smoky dens of iniquity where criminals hide a glossy, candy coating that would be right at a home on MTV. Yes, indeed, The Fast and the Furious: Tokyo Drift is pure summer fun: fast cars, fast girls, fast life, and dangerous hoods. It’s the high art of junk culture, and too bad there isn’t a special Oscar for movies like this.

7 of 10
B+

Sunday, June 18, 2006

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Review: "2 Fast 2 Furious" Not 2 Bad

TRASH IN MY EYE No. 89 (of 2003) by Leroy Douresseaux

2 Fast 2 Furious (2003)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – PG-13 for street racing, violence, language and some sensuality
DIRECTOR: John Singleton
WRITERS: Michael Brandt and Derek Haas, from a story by Gary Scott Thompson, Michael Brandt and Derek Haas
PRODUCER: Neal H. Moritz
CINEMATOGRAPHER: Matthew F. Leonetti (director of photography)
EDITOR: Bruce Cannon and Dallas Puett

ACTION/CRIME/THRILLER

Starring: Paul Walker, Tyrese, Eva Mendes, Cole Hauser, Chris “Ludacris” Bridges, Thom Barry, James Remar, Devon Aoki, Michael Ealy, and Mark Boone Junior

When we left Brian O’Connor (Paul Walker) at the end of The Fast and the Furious, he was on his way to be stripped of his badge as an officer of the law for assisting hijacker Dominic Torreto in escaping. In 2 Fast 2 Furious, Brian has moved to Miami and plays the city’s street racing circuit for cash. However, the cops come calling again with a deal: help them infiltrate the domain of a drug lord named Carter Verone (Cole Hauser) and they will in turn clean his record.

Of course, the drug lord needs fast drivers (convenient, right), so Brian recruits Roman Pearce (Tyrese), a childhood buddy who has a grudge against Brian (which creates dramatic tension between the lead characters). Roman is also street racer, and Brian hopes Roman can help him pull off the sting better than another undercover cop could. The mission tricky with many complications, just like in TFTH. Brian is caught between anxious U.S. Custom’s officials and a jealous and violent criminal who doesn’t fear the law; neither side will let him and Roman let them down.

The first film borrowed liberally from the film Point Break changing Break’s surfer/bank robbers to street racer/hijackers. The street racing was an integral part of the film, and the original director Rob Cohen used every trick in the bag to heighten the illusion of super speed; he also had Vin Diesel.

2 Fast 2 Furious seems exactly what it is, a sequel, a by-the-book action movie that succeeds in at least being vacuous entertainment despite itself. The street racing exists solely because this film is a follow-up to a movie about fast cars. The script is lousy with action movie formulas. There’s a white guy/black guy dynamic with plenty of tension between the two. A sour incident from the past gives their partnership an extra edge and potentially endangers their assignment. Paul Walker as Brian O’Connor isn’t an energetic, kinetic action hero; he’s more stoic, so Tyrese as his partner Roman brings the comedy and raw sense of street bravado to the movie. Their chemistry is good in spite of a script intent on them not having any. Don’t forget the vaguely Latin drug lord who uses brutal methods to get his way. The cast is thoroughly mixed with sprinkles from every ethnic group, short of gypsies. The soundtrack is filled with slammin’ hip hop tracks (the first was a mixture of thrash, techno, and hip hop), and the score is surprisingly good and add fuel to the fire of the film’s best scenes.

Despite the paint-by-numbers scenario, director John Singleton manages to conjure a fairly entertaining car chase movie. While the cars were hot items in TFTF, Singleton treats them as art objects in his film. He lovingly caresses them with the camera; he suggests that they are almost as much the stars as the human actors. In fact, it’s a great move because all that attention on the hot cars distracts the viewer from some of the film’s drier moments. And don’t forget the girls; Singleton laps up the hotties when he’s not pushing up on the hot rides.

2 Fast 2 Furious isn’t bad, but it isn’t as good as its predecessor. But while TFTF was a hard-edged action flick, I will give 2 Fast credit for having a much better sense of humor. It never takes itself seriously. In fact, the filmmakers seem to insist on telling us that they know what this is – a perhaps dumber sequel to a dumb action movie, so let’s just relax and enjoy 2 Fast.

2 Fast is exciting and thrilling and hot and sexy. It’s a bad cartoon full of bullet-spitting guns, hot hoochies, fantastically speedy cars, explosions, and testosterone: in other words, a summer movie. When you go to see a thriller, you expect even the lamest concepts to give you that vicarious thrill of the jolt of danger, and sometimes I really believed that Brian and Roman might get a bullet to the head. So even if you don’t make it to the theatre to see 2 Fast 2 Furious, it will make a nice DVD rental.

5 of 10
C+

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Review: "The Fast and the Furious" is Still Furious

TRASH IN MY EYE No. 88 (of 2003) by Leroy Douresseaux

The Fast and the Furious (2001)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for violence, sexual content and language
DIRECTOR: Rob Cohen
WRITERS: Gary Scott Thompson, Erik Bergquist, and David Ayer, from a screen story by Gary Scott Thompson (based on a magazine article, “Racer X” by Ken Li)
PRODUCER: Neal H. Moritz
CINEMATOGRAPHER: Ericson Core (director of photography)
EDITOR: Peter Honess

ACTION/THRILLER

Starring: Paul Walker, Vin Diesel, Michelle Rodriguez, Jordana Brewster, Rick Yune, Chad Lindberg, Johnny Strong, Matt Schulze, Ted Levine, R.J. de Vera, Thom Barry, and Ja Rule

For some reason, I just felt that I had to see The Fast and the Furious before I saw its recently released sequel, 2 Fast 2 Furious. I wanted to see it when the film was first released, but I avoided it. When I asked a former associate about TFTF, he gave it a conditional approval, shrugging his shoulders to let me know that it was entertaining, but forgettable – one of those films. Yes, it certainly is one of those popcorn flicks, forgotten as soon as you walk out the theatre, but while you’re inside, you will be on one of those “rides of your life.” This is simply slick and fantastic entertainment, pure high-speed pleasure, and I wished I’d seen it on a big screen.

Brian O’Connor (Paul Walker) is an undercover cop trying to catch a ring of thieves who hijack 18-wheelers. They carry out their crimes in very fast, small cars. His bosses figure they can uncover the thieves’ identities by planting Brian into the world of L.A. street racing, where he meets the top dog of racers, Dominic Toretto (Vin Diesel). Brian falls for Dominic’s sister Mia (Jordana Brewster), and before long, he just can’t believe that Dominic and his crew could be the hijackers because he’s down with them now. Brian soon finds himself caught between his professional obligations as a law enforcement officer and his position as Dominic’s homie and Mia’s boy toy.

I’ve seen director Rob Cohen’s other film with Vin Diesel, XXX, and while it’s very good, Furious is so much better. Cohen uses every trick in the book: computer effects, editing, and camera work, all to heighten the illusion of super speed for the chase scenes and car race sequences. Actually, the begins rather slowly, but the very second the first race kicks into high gear, I knew I was in for a especially wild ride.

The script ain’t nothing to scream about; it’s a professional by-the-numbers job, and not a really good one at that. There’s lot of emoting and dramatic huffing and puffing from the mostly young cast, but it all works out. The story owes something more than just a nod to the great Keanu Reeves/Patrick Swayze actioneer, Point Break, also about a policeman who goes native when he infiltrates a gang of crooks with a charismatic leader. With his mega buff body virtually leaking testosterone, Diesel is automatic charisma. Paul Walker (also a veteran of a Cohen film, The Skulls) is almost an exact copy of the Reeves character in Point Break, and he carries his part quiet well.

OK. This is a very good action movie, the kind you want to see when you want an action movie. If you’ve never seen it, then you’re really missing something. Every chase scene and race is brilliant staged and executed. The Fast and the Furious deserves to be called “an adrenaline rush.” [If you’ve seen it already, you’ll probably still get a kick out of it, especially with the “tricked out” DVD release of the film.]

Make sure you watch all the way through the credits, where you will find a tidy wrap up to the story.

7 of 10
B+

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