"The Rookie" is a Warm Family Sports Drama

TRASH IN MY EYE No. 37 (of 2002) by Leroy Douresseaux


The Rookie (2002)
Running time: 127 minutes (2 hours, 7 minutes)
DIRECTOR: John Lee Hancock
WRITER: Mike Rich
PRODUCERS: Mark Ciardi, Gordon Gray, and Mark Johnson
CINEMATOGRAPHER: John Schwartzman (director of photography)
EDITOR: Eric L. Beason
COMPOSER: Carter Burwell

DRAMA/SPORTS

Starring: Dennis Quaid, Rachel Griffiths, Jay Hernandez, Beth Grant, Angus T. Jones, and Brian Cox

Jimmy Morris’s (Dennis Quaid) perennially losing baseball team made a bet with him. If they won district, he would give his dream of being a Major League Baseball player another shot. Of course they won, and he did try again.

Director John Lee Hancock, a television director and screenwriter (A Perfect World), and writer Mike Rich (Finding Forrester) take the ideas of dreams and wish fulfillment and force them into the harsh light of day in the film, The Rookie. They remind the viewer that getting what you want isn’t always easy, but they have a bigger surprise in store for the viewer. It’s how this film deals with what happens when you get what you want.

In the case of Morris, he does make it to the big leagues (no big spoiler), and the majors is what he expected it to be. It’s just that he had a life and responsibilities before he got his dream job, and now the two conflict. He also discovers that being a big leaguer is a little more complicated than just “playing ball.” Director and screenwriter weave a story and create characters that seem real, because, not only is the story based on real events, the Morris struggle is universal – the desire to do what you want to do and the need to do what you have to do. This is the most intense and heaviest G-rated film in history. The creators still manage to make it fun and uplifting because they encourage us to identify with Morris’s quest.

Quaid gives a very good performance as man navigating his life, between the responsibilities and the dreams. It’s the performance that endears us to him, and Quaid sells us on a story that could have been very down beat. His every gesture, each look into his eyes and his face sells us that the reward at the end is worth the struggle along the way. In Quaid’s Morris, we see that there are rarely ever any pat resolutions to the problems we face in life.

The movie does seem a bit long, and some of the other characters (Morris’s wife and father) should have had more screen time, as they are obviously important to the growth of the character. There’s also a religious element in the film that’s clumsily underplayed. However, The Rookie does deliver both a message and fine entertainment. One other nice thing that it is subtly played throughout the film – regardless of how tough it is to achieve a dream and no matter how lonely one might feel, there are a lot of people around the dreamer supporting him along the way.

6 of 10
B

Review: "The Bourne Supremacy" Was the First Greengrass-Damon Joint

TRASH IN MY EYE No. 131 (of 2004) by Leroy Douresseaux

The Bourne Supremacy (2004)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG-13 for violence and intense action, and for brief language
DIRECTOR: Paul Greengrass
WRITER: Tony Gilroy (based upon the book by Robert Ludlum)
PRODUCERS: Patrick Crowley and Frank Marshall
CINEMATOGRAPHER: Oliver Wood
EDITORS: Richard Pearson and Christopher Rouse

ACTION/DRAMA/MYSTERY/THRILLER

Starring: Matt Damon, Franka Potente, Brian Cox, Julia Stiles, Karl Urban, Gabriel Mann, Joan Allen, Marton Csokas, and Tom Gallop

Jason Bourne (Matt Damon) has been hiding in India with the love of his life Marie (Franka Potente) since the incidents of the film The Bourne Identity. However, the ghosts and remnants of one of his long-forgotten missions come back to haunt him, and tragedy strikes. So Jason takes the war back to the Americans who are hunting him for two murders they believe he committed during a botched CIA operation in Berlin, Germany. Once again, Jason has to take up his former life as a highly trained super assassin to survive and find out who is framing him.

The Bourne Supremacy is not quite as good as The Bourne Identity, but it’s the probably going to be the best adult-oriented action thriller for mature minds to come along in for a while. Paul Greengrass’ direction in Supremacy is as good as Doug Liman’s in The Bourne Identity, but Liman worked with a better script. The screenplay for Supremacy is high on action, but light on drama and character. The characters are good enough for the standard action thriller. The Bourne Supremacy needed more, and here, they’re mostly checker pieces moved around a board. That wasn’t the case in the first film. Supremacy has lots of actions, excellent suspense, and thrills that run the razor’s edge, but the drama and character interplay is watery. Every time, two characters are about to develop a good conflict or relationship, the film abruptly leaves for some highflying, though quite thrilling, action.

Matt Damon really makes this film. He’s a good actor and has a wonderful and endearing screen persona, and has an engaging personality – even when he’s popping caps in someone. He’s adept at playing the victim and the victimizer – the hunted and the hunter. He sells you on Bourne’s perils, but makes you anticipate that Bourne will survive anything and find his way out of any trap. It’s the modern day black ops stud as Indiana Jones. If you liked the first film or movies like Ronin (1998), you’ll be down with this.

7 of 10
A-

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Review: "The Bourne Identity" is Classic Secret Agent

TRASH IN MY EYE No. 112 (of 2003) by Leroy Douresseaux

The Bourne Identity (2002)
Running time: 119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for violence and some language
DIRECTOR: Doug Liman
WRITERS: Tony Gilroy and William Blake Herron (from the novel by Robert Ludlum)
PRODUCERS: Doug Liman, Patrick Crowley, and Richard N. Gladstein
CINEMATOGRAPHER: Oliver Wood
EDITOR: Saar Klein

ACTION/THRILLER/MYSTERY

Starring: Matt Damon, Franka Potente, Chris Cooper, Clive Owen, Brian Cox, Adewale Akinnuoye-Agbaje, and Julia Stiles

There really aren’t any bad Matt Damon movies, just bad movies in which Matt Damon is an actor or a star. He has boyishly good looks, but there’s also something in his character that suggests a solid stand up guy upon which one can rely – probably the two big things needed to make a great male star of the screen. Doug Liman is a rising star as a director. I haven’t seen his film Swingers, but I did see his rave scene version of Pulp Fiction, Go, which is an utterly fantastic fun ride of good music and loopy violence. If you put Damon and Liman together and give them a Robert Ludlum novel to make into a film, you might get the fantastic thriller, The Bourne Identity.

A French fishing vessel finds a man (Matt Damon) floating in the middle of the stormy Mediterranean Sea, whom the crew promptly rescues. He has two bullets in his back, and when he awakes, he doesn’t remember his name. Documents reveal his identity as Jason Bourne, but Jason doesn’t remember any special significance attached to his alleged name. As he follows the few clues he has in hopes of recovering from his amnesia, he must escape a web of international intrigue and a cadre of assassins bent of killing him.

I think a lot of people were surprised that this film became a fairly big hit, and many more were surprised that it was actually so good. The key players in this film are, of course, Damon and Liman. Damon’s Bourne is for all practical purposes, almost the only important character in the film. The rest of the characters are decent, but there is nothing to them beyond their role in a paper-thin shadowy conspiracy. The presence of veteran characters like Chris Cooper and Brian Cox are delightful, but I assume that their characters would have been richer characters if Ludlum’s novel from which this is film is adapted had been made into a television mini-series. A slight supporting cast could have been a liability, but Liman has this deft touch of making his film move briskly and with such vibrancy and life. The viewer hardly has time to focus his attention on story holes. Like a good book, you can’t walk away from The Bourne Identity. You don’t want to walk away, and there are many times when the only reason I finish a boring movie is because I think that I might as well finish what I started.

In Damon, Liman has star with screen presence, and he takes full advantage of it. Although we know only a little more about Bourne that the character himself, as the camera follows Damon, the actor makes us interested in Bourne. With so many run-of-the-mill action flicks, it’s good to see the occasional action/thriller (a genre primarily aimed at older audiences) like Ronin or The Negotiator that engages the thinking and the feeling. The Bourne Identity is a bravura performance by a director and his star that’s worth seeing. It’s a moment in film history when two people come together with utter determination to take what is meant to be slight entertainment and make it into something that goes to the top of the heap. It’ll leave you wanting more.

8 of 10
A

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