Thursday, April 15, 2021

"Mortal Kombat" Soundtrack Due April 16th

Mortal Kombat (Original Motion Picture Soundtrack) Available April 16, 2021 on WaterTower Music

Features New Original Score From Golden Globe-, Grammy- and Emmy-Nominated Composer Benjamin Wallfisch

New Track “Techno Syndrome 2021 (Mortal Kombat)” Now Available


LOS ANGELES--(BUSINESS WIRE)--WaterTower Music announced the Friday, April 16, 2021 release of the soundtrack to New Line Cinema’s explosive new movie “Mortal Kombat,” which brings to life the intense action of the blockbuster video game franchise in all its brutal glory, pitting the all-time, fan-favorite champions against one another in the ultimate, no-holds-barred, gory battle that pushes them to their very limits. The film, helmed by award-winning Australian commercial filmmaker Simon McQuoid marking his feature directorial debut, is set for release nationwide in theaters on April 23, 2021 and will be available in the U.S. on HBO Max in 4K UHD, HDR10, Dolby Vision, Dolby Atmos on supported devices for 31 days from theatrical release. It will be distributed worldwide by Warner Bros. Pictures.

The Mortal Kombat (Original Motion Picture Soundtrack) contains all new score by Golden Globe-, Emmy-, and Grammy-nominated composer Benjamin Wallfisch (IT and IT Chapter 2, Shazam, Blade Runner: 2049 [w/ Hans Zimmer]). The first single from the album has already been released. “Techno Syndrome 2021 (Mortal Kombat)” is composer Benjamin Wallfisch’s musical homage to the music, fans, and enduring lineage of Mortal Kombat. The track was produced and performed by Wallfisch and mixed and mastered by Tom Norris (Skrillex, Gaga, Zedd).

Director Simon McQuoid discussed working with Wallfisch on the score and on “Techno Syndrome 2021.” “Ben and I both knew that we needed to use the classic Immortals track ‘Techno Syndrome’ as source material for the entire score of ‘Mortal Kombat.’ But along with that, we knew that an updated, elevated version of the song also needed to be created, and Ben certainly delivered. I am so excited by this new 2021 version of the track; when I first heard it, it blew my mind. Actually, Ben kind of blew my mind on a daily basis through the making of this film, so we can all thank Benjamin Wallfisch for his genius and passion in creating ‘Techno Syndrome 2021.’”

Benjamin Wallfisch further elaborated. “When I was invited to come on board ‘Mortal Kombat,’ I was very aware of the responsibility that comes with scoring a franchise so deeply embedded in pop culture and with such a passionate fanbase. My first question was what can we do with ‘Techno Syndrome,’ a piece of music so much part of the DNA of the game and the original movies? What motifs could be reinvented and blown up to a full-scale symphonic sound world in the score, and might there be room for a full reinvention of the whole song as an EDM single in 2021? A huge thank you to The Immortals for giving us their blessing to reimagine their classic track in this way, as a celebration of the world of Mortal Kombat and its fans, and of the uplifting power of Electronic Dance Music, which the original did so much to light the fuse of 30 years ago.”

The soundtrack release date is set for April 16 and features 24 tracks by Wallfisch, who interpreted the film’s themes and emphasized the story’s hard-driving, visceral action through his music. Fans will be thrilled to hear the composer’s heart-pumping score, which includes themes for such characters as Lord Raiden, Sub-Zero, Sonya Blade, Cole Young, Shang Tsung, Liu Kang, and Kung Lao, among others, and epic battle themes from the film, including “Kano v Reptile” and “Sub-Zero v Cole Young.”

Mortal Kombat (Original Motion Picture Soundtrack) will be available April 16. The first single, “Techno Syndrome 2021 (Mortal Kombat)” is now available, and the full album track list is as follows. All music by Benjamin Wallfisch.

1. Techno Syndrome 2021 (Mortal Kombat)
2. Hanzo Hasashi
3. Lord Raiden
4. Bi-Han
5. Shang Tsung
6. Cole Young
7. Birthmark
8. Sonya Blade
9. Kano v Reptile
10. Liu Kang
11. The Great Protector
12. Sub-Zero
13. Kung Lao
14. Origins
15. Kabal
16. Goro
17. Arcana
18. Jax Briggs
19. The Void
20. The Tournament
21. Sub-Zero v Cole Young
22. I Am Scorpion
23. We Fight as One
24. Get Over Here

From New Line Cinema, “Mortal Kombat” was helmed by award-winning Australian commercial filmmaker Simon McQuoid and produced by James Wan, Todd Garner, McQuoid and E. Bennett Walsh.

In “Mortal Kombat,” MMA fighter Cole Young, accustomed to taking a beating for money, is unaware of his heritage—or why Outworld's Sorcerer Shang Tsung has sent his best warrior, Sub-Zero, an otherworldly Cryomancer, to hunt him down. Fearing for his family's safety, Cole goes in search of Sonya Blade at the direction of Jax, a Special Forces Major who bears the same strange dragon marking Cole was born with. Soon, he finds himself at the temple of Lord Raiden, an Elder God and the protector of Earthrealm, who grants sanctuary to those who bear the mark. Here, Cole trains with experienced warriors Liu Kang, Kung Lao and rogue mercenary Kano, as he prepares to stand with Earth’s greatest champions against the enemies from Outworld in a high stakes battle for the universe. But will Cole be pushed hard enough to unlock his arcana—the immense power from within his soul—in time to save not only his family, but to stop Outworld once and for all?

The diverse international cast reflects the global nature of the brand, with talent spanning the worlds of film, television and martial arts. The ensemble includes Lewis Tan as Cole Young; Jessica McNamee as Sonya Blade; Josh Lawson as Kano; Tadanobu Asano as Lord Raiden; Mehcad Brooks as Jax; Ludi Lin as Liu Kang; with Chin Han as Shang Tsung; Joe Taslim as Bi-Han and Sub-Zero; and Hiroyuki Sanada as Hanzo Hasashi and Scorpion. Also featured are Max Huang as Kung Lao and Sisi Stringer as Mileena.

McQuoid directed from a screenplay by Greg Russo and Dave Callaham, from a story by Oren Uziel and Russo, based on the video game created by Ed Boon and John Tobias. Richard Brener, Dave Neustadter, Victoria Palmeri, Michael Clear, Jeremy Stein and Larry Kasanoff served as executive producers.

Bringing the hugely popular property to the big screen, McQuoid led a team of Australian and U.S. filmmakers, including director of photography Germain McMicking, production designer Naaman Marshall, editors Dan Lebental and Scott Gray, visual effects supervisor Chris Godfrey, costume designer Cappi Ireland and fight choreographer Chan Griffin. The music is by Benjamin Wallfisch.

New Line Cinema Presents an Atomic Monster/Broken Road Production, “Mortal Kombat.” The film is set for release nationwide in theaters and will be available in the U.S. on HBO Max in 4K UHD, HDR10, Dolby Vision, Dolby Atmos on supported devices for 31 days from theatrical release. It will be distributed worldwide by Warner Bros. Pictures.

“Mortal Kombat” is rated R for strong bloody violence and language throughout, and some crude references.


ABOUT BENJAMIN WALLFISCH:
Benjamin Wallfisch scored Andy Muschietti's “IT” and “IT Chapter Two,” David F. Sandberg's “SHAZAM!,” Leigh Whannell's “The Invisible Man,” and is co-composer of Denis Villeneuve's “Blade Runner 2049” (with Hans Zimmer). Wallfisch has worked on over 75 feature films and received Golden Globe and BAFTA nominations, and was twice Grammy- and Emmy-nominated.

Wallfisch’s other recent projects include Neil Marshall's “Hellboy”; Academy Award Best Picture nominee, Ted Melfi's “Hidden Figures” (in collaboration with Pharrell Williams and Hans Zimmer); and Sandberg's box office hit “Annabelle: Creation.” On the invitation of Zimmer, he contributed music based on Elgar's “Enigma” Variations for Christopher Nolan's “Dunkirk.”

In recent years, Wallfisch has also scored Gore Verbinski's “A Cure for Wellness”; the Steven Spielberg-produced short film “Auschwitz,” directed by James Moll; James Marsh's “King of Thieves,” starring Michael Caine; and Steven Knight's “Serenity,” starring Matthew McConaughey and Anne Hathaway.

With over 25 albums of his music released to date, Wallfisch has performed live in over 100 concerts worldwide, leading orchestras such as the London Philharmonic, Philharmonia, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and the Sydney Symphony at venues including the Hollywood Bowl, Sydney Opera House and Royal Festival Hall. He has collaborated, recorded and performed his music with artists including Lang Lang, Herbie Hancock and Yuja Wang, and has over 50 concert music commissions to his name.

ABOUT WATERTOWER MUSIC:
WaterTower Music, the in-house label for the WarnerMedia companies, releases recorded music as rich and diverse as the companies themselves. It has been the soundtrack home to many of the world’s most iconic films, television shows and games since 2001.

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Wednesday, April 14, 2021

Review: KILLER OF SHEEP Remains Fascinating

TRASH IN MY EYE No. 27 of 2021 (No. 1765) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Killer of Sheep (1978)
Running time:  80 minutes (1 hour, 20 minutes)
WRITER/DIRECTOR:  Charles Burnett
PRODUCER:  Charles Burnett
CINEMATOGRAPHER/EDITOR:  Charles Burnett

DRAMA

Starring:  Henry G. Sanders, Kaycee Moore, Charles Bracy, Angela Burnett, Eugene Cherry, and Jack Drummond

Killer of Sheep is a 1978 film drama from writer-director, Charles Burnett, who also produced, photographed and edited the film.  Burnett shot Killer of Sheep on 16mm black and white film, and he filmed it mostly on weekends in the Watts neighborhood of southern Los Angeles in 1972 and 1973.  He originally submitted the film to the UCLA School of Film in 1977 as his Master of Fine Arts thesis.  Set in Watts, Killer of Sheep focuses on a slaughterhouse worker who suspends him emotions to continue working in such a job, but ends up have little sensitivity for the very family in which he works so hard to support.

Killer of Sheep premiered at the Whitney Museum of American Art in New York on November 14, 1978.  It did not receive a general theatrical release because Burnett has not secured the rights to the music he used in the film.  Over the years, however, people were apparently able to see the film at small film festivals, on the college film circuit, and via bootleg copies.  It was inducted into the “National Film Registry” in 1990, the second year of the registry.

In 2007, a group of interests, including the UCLA, Steven Soderbergh, and Milestone Films, worked to purchase the music rights and to restore Killer of Sheep to 35mm film.  It received a limited release in late 2007 and several “Top 10” lists, including being chosen the best film of the year by Ed Gonzalez of Slant Magazine.

Killer of Sheep is a depiction of the urban Black Americans of Watts as seen through a series of loosely connected vignettes.  If the film has a focus, it is on Stan (Henry G. Sanders), a husband and father who works at the slaughterhouse, Solano Meat Co., where he helps process sheep for slaughter.  Stan finds the monotonous work to be repugnant, and he seemingly suspends his emotions to deal with the job.  The result is that his home life suffers.  He shows little sensitivity to his unnamed wife (Kaycee Moore) and to his two children, son (Jack Drummond) and daughter (Angela Burnett).  Stan has trouble sleeping, does not play with his children, and avoids sex with his wife, who wants intimacy and real affection from her husband.

Stan wants another job, and he often finds himself caught up in the schemes and plots of friends and associates.  Stan and his friend, Bracy (Charles Bracy), attempt to buy a car engine from a squabbling family.  Two fast-talking acquaintances want Stan to help them in their plot to murder a man.  All the while, a portrait of the austere and impoverished life of poor and working-class African-Americans emerges.  Can Stan better his life even if he feels unable to affect the course of his life?

I have previously seen two of Charles Burnett's films, To Sleep with Anger (1990) and The Glass Shield (1994).  I had not heard of Killer of Sheep until its surprise inclusion in the list of films inducted into the 1990 class of the National Film Registry.  I have been putting off seeing the film for years since the DVD release of the 2007 restoration and limited theatrical run.

Burnett made Killer of Sheep with nonprofessional actors, reportedly a nod to the influence of “Italian neo-realism.”  I can't say exactly as I have never seen such a film.  I also would not describe Killer of Sheep as having a documentary feel.  The film's loose collection of vignettes have informal story acts, although the film does not have a plot.  Burnett provides the slimmest character development and something like a narrative, but the actors are quite convincing in their portrayals.  I found myself fascinated by the way they sold the idea that they are indeed playing characters and that they made those characters seem real.  Henry G. Sanders makes Stan the solid center of Killer of Sheep.

Killer of Sheep indirectly speaks to the economic exclusion and segregation faced by black people in Watts then and for decades.  Stan, his family, and their friends and neighbors are always short of money and resources and hope.  Still, their lives are filled with moments of happiness and joy, and they make good times out of whatever they can.  There are also moments of beauty, such as when Stan's daughter sings an Earth Wind & Fire song to her doll while her mother (Stan's wife) watches.

Killer of Sheep is not a film to be described so much as it us a film to be watched and experienced.  There is such a sense of naturalism about it.  The film is not so real that it is a documentary, nor is it so surreal that it becomes a black and white dream.  Killer of Sheep is a story, a story of ordinary Black people in a particular place and time.  Killer of Sheep is so special because it tells a story that most American filmmakers would have not bothered to tell.  That makes Killer of Sheep and its maker, Charles Burnett, national treasures.

9 of 10
A+

Friday, March 12, 2021


NOTES:
1990 National Film Preservation Board, USA:  1 win: National Film Registry


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, April 13, 2021

Netflix and Sony Pictures Sign Exclusive Streaming Deal

Netflix and Sony Pictures Entertainment Sign Pay-One U.S. Licensing Deal for Feature Films

Agreement includes a first-look at films Sony Pictures intends for direct-to-streaming

Hollywood, Calif. -- Netflix and Sony Pictures Entertainment (SPE) announced a multiyear, exclusive first pay window licensing deal in the U.S. for theatrically released SPE feature films, beginning with their 2022 film slate. This new agreement builds upon Netflix’s pre-existing output deal with Sony Pictures Animation films to now include all SPE film labels and genres.

Under the deal, Netflix will obtain first pay window rights to SPE titles following their theatrical and home entertainment windows. Tentpoles such as Morbius, Uncharted, Where the Crawdads Sing, and Bullet Train will be among the initial 2022 offerings. They will be followed by continued entries in Sony Pictures’ rejuvenated slate of IP, including the sequel to Oscar-winning Spider-Man: Into the Spider-Verse and several more SPE films featuring Marvel characters, including future installments of Venom and Spider-Man; and expected follow-ups for the Jumanji and Bad Boys franchises. Netflix will also license rights to select titles from SPE’s vast movie library.

As part of the partnership, Sony Pictures’ Motion Picture Group will offer Netflix a first look at any films it intends to make directly for streaming or decides later to license for streaming, and Netflix has committed to make a number of those films over the course of the deal. Any such direct-to-streaming projects will be additive to SPE’s full theatrical film slate, which will continue at its current volume.

“Sony Pictures is a great partner and we are thrilled to expand our relationship through this forward-thinking agreement,” said Scott Stuber, Head of Global Films at Netflix. “This not only allows us to bring their impressive slate of beloved film franchises and new IP to Netflix in the U.S., but it also establishes a new source of first run films for Netflix movie lovers worldwide.”

“Netflix has been a terrific partner as we continue to expand our relationship,” said Keith Le Goy, President, Worldwide Distribution and Networks, Sony Pictures Entertainment. “At Sony Pictures, we produce some of the biggest blockbusters and the most creative, original films in the industry. This exciting agreement further demonstrates the importance of that content to our distribution partners as they grow their audiences and deliver the very best in entertainment.”


ABOUT NETFLIX:
Netflix is one of the world's leading entertainment services with 204 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

ABOUT SONY PICTURES ENTERTAINMENT:
Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Group Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. Sony Pictures Television operates dozens of wholly-owned or joint-venture production companies around the world. SPE’s Motion Picture Group production organizations include Columbia Pictures, Screen Gems, TriStar Pictures, 3000 Pictures, Sony Pictures Animation, Stage 6 Films, AFFIRM Films, Sony Pictures International Productions, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html

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Monday, April 12, 2021

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