Star Wars: The Legends of Luke Skywalker: The Manga; Paperback – January 14, 2020 $14.99; By Akira Himekawa, Haruichi, Subaru, Akira Fukaya, Takashi Kisaki
STAR WARS MANGA IS A LITERARY FORCE
San Francisco, CA – 43 years after Star Wars: A New Hope hit theaters, the legendary space saga unfolds in the galaxy of manga thanks to the latest story in the Skywalker saga.
Packing in all the adventure that fans would expect from Star Wars, publishing and entertainment juggernaut VIZ Media, in collaboration with Lucasfilm, presents Star Wars: The Legends of Luke Skywalker: The Manga.
Encounters with the elusive Jedi Luke Skywalker have mystified many in a galaxy far, far away. A cadre of renowned Japanese manga artists, Akira Himekawa, Haruichi, Subaru, Akira Fukaya, and Takashi Kisaki, brilliantly capture and bring him to life in this literary piece.
Star Wars and manga fans alike will delight in the storytelling and humor narrated in Star Wars: The Legends of Luke Skywalker: The Manga inspired by Nebula, Hugo, and World Fantasy award-winning author Ken Liu’s Journey to Star Wars: The Last Jedi.
About the artists:
AKIRA FUKAYA AND TAKASHI KISAKI
As an artist and writer team, Fukaya and Kisaki frequently collaborate on manga projects published in Japan. Fukaya has been enthralled with Star Wars since he was in elementary school. The starships and character designs, as well as the planets portrayed in the films, inspired him to create stories of his own. The Starship Graveyard is their English manga debut.
HARUICHI
A longtime fan of the Star Wars galaxy, Haruichi is also the creator behind the Star Wars Japanese webtoon, Leia Organa: Ordeal of the Princess. Haruichi has always admired characters like Luke Skywalker, Princess Leia, and especially Obi-Wan Kenobi, but lately she has a growing affection for the stormtroopers. I, Droid is Haruichi’s English manga debut.
SUBARU
Subaru currently lives in Tokyo and works in the animation industry as a background artist. Subaru loves that the characters in Star Wars always jump toward their destiny. The Tale of Lugubrious Mote is Subaru’s English manga debut.
AKIRA HIMEKAWA
Akira Himekawa are an artist duo from Japan with many fans all over the world. They have always wondered what may have happened to Luke Skywalker in between his galactic adventures and love exploring those possibilities.
KEN LIU
A winner of the Nebula, Hugo, and World Fantasy awards, Ken Liu is the author of The Legends of Luke Skywalker.
Learn more about VIZ Media and its properties at viz.com.
STAR WARS and related properties are trademarks and/or copyrights in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. © & TM Lucasfilm Ltd.
For information on anime, manga and other titles published by VIZ Media, please visit viz.com.
About VIZ Media, LLC
Established in 1986, VIZ Media is the premier company in the fields of publishing, animation distribution, and global entertainment licensing. Along with its popular SHONEN JUMP brand and blockbuster properties like NARUTO, DRAGON BALL, SAILOR MOON, and POKÉMON, VIZ Media offers an extensive library of titles and original content in a wide variety of book and video formats, as well as through official licensed merchandise. Owned by three of Japan's largest publishing and entertainment companies, Shogakukan Inc., Shueisha Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media is dedicated to bringing the best titles for English-speaking audiences worldwide.
Learn more about VIZ Media and its properties at viz.com.
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Thursday, January 16, 2020
Wednesday, January 15, 2020
Nominations for the 2020 / 92nd Academy Awards Announced
92ND OSCARS® NOMINATIONS ANNOUNCED
Actor-producer John Cho and producer-actress-writer Issa Rae announced the 92nd Oscars® nominations Monday, January 13, 2020, live from the David Geffen Theater at the Academy Museum of Motion Pictures, opening later this year, via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, an international satellite feed and broadcast media.
Cho and Rae announced the nominees in 8 categories at 5:18 a.m. PT, and the remaining 16 categories at 5:30 a.m. PT. For a complete list of nominees, visit the official Oscars website, www.oscar.com.
Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and International Feature Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.
Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Thursday, January 30 through Tuesday, February 4, 2020.
The 92nd Oscars will be held on Sunday, February 9, 2020, at the Dolby® Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on ABC at 8 p.m. ET/5 p.m. PT. "Oscars: Live on the Red Carpet" will air at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
Nominations for the 2020 / 92nd Academy Awards:
Best motion picture of the year
Performance by an actor in a leading role
Antonio Banderas in "Pain and Glory"
Leonardo DiCaprio in "Once upon a Time...in Hollywood"
Adam Driver in "Marriage Story"
Joaquin Phoenix in "Joker"
Jonathan Pryce in "The Two Popes"
Performance by an actor in a supporting role
Tom Hanks in "A Beautiful Day in the Neighborhood"
Anthony Hopkins in "The Two Popes"
Al Pacino in "The Irishman"
Joe Pesci in "The Irishman"
Brad Pitt in "Once upon a Time...in Hollywood"
Performance by an actress in a leading role
Cynthia Erivo in "Harriet"
Scarlett Johansson in "Marriage Story"
Saoirse Ronan in "Little Women"
Charlize Theron in "Bombshell"
Renée Zellweger in "Judy"
Performance by an actress in a supporting role
Kathy Bates in "Richard Jewell"
Laura Dern in "Marriage Story"
Scarlett Johansson in "Jojo Rabbit"
Florence Pugh in "Little Women"
Margot Robbie in "Bombshell"
Best animated feature film of the year
"How to Train Your Dragon: The Hidden World" Dean DeBlois, Bradford Lewis and Bonnie Arnold
"I Lost My Body" Jérémy Clapin and Marc du Pontavice
"Klaus" Sergio Pablos, Jinko Gotoh and Marisa Román
"Missing Link" Chris Butler, Arianne Sutner and Travis Knight
"Toy Story 4" Josh Cooley, Mark Nielsen and Jonas Rivera
Achievement in cinematography
"The Irishman" Rodrigo Prieto
"Joker" Lawrence Sher
"The Lighthouse" Jarin Blaschke
"1917" Roger Deakins
"Once upon a Time...in Hollywood" Robert Richardson
Achievement in costume design
"The Irishman" Sandy Powell and Christopher Peterson
"Jojo Rabbit" Mayes C. Rubeo
"Joker" Mark Bridges
"Little Women" Jacqueline Durran
"Once upon a Time...in Hollywood" Arianne Phillips
Achievement in directing
"The Irishman" Martin Scorsese
"Joker" Todd Phillips
"1917" Sam Mendes
"Once upon a Time...in Hollywood" Quentin Tarantino
"Parasite" Bong Joon Ho
Best documentary feature
"American Factory" Steven Bognar, Julia Reichert and Jeff Reichert
"The Cave" Feras Fayyad, Kirstine Barfod and Sigrid Dyekjær
"The Edge of Democracy" Petra Costa, Joanna Natasegara, Shane Boris and Tiago Pavan
"For Sama" Waad al-Kateab and Edward Watts
"Honeyland" Ljubo Stefanov, Tamara Kotevska and Atanas Georgiev
Best documentary short subject
"In the Absence" Yi Seung-Jun and Gary Byung-Seok Kam
"Learning to Skateboard in a Warzone (If You're a Girl)" Carol Dysinger and Elena Andreicheva
"Life Overtakes Me" John Haptas and Kristine Samuelson
"St. Louis Superman" Smriti Mundhra and Sami Khan
"Walk Run Cha-Cha" Laura Nix and Colette Sandstedt
Achievement in film editing
"Ford v Ferrari" Michael McCusker and Andrew Buckland
"The Irishman" Thelma Schoonmaker
"Jojo Rabbit" Tom Eagles
"Joker" Jeff Groth
"Parasite" Yang Jinmo
Best international feature film of the year
"Corpus Christi" Poland
"Honeyland" North Macedonia
"Les Misérables" France
"Pain and Glory" Spain
"Parasite" South Korea
Achievement in makeup and hairstyling
"Bombshell" Kazu Hiro, Anne Morgan and Vivian Baker
"Joker" Nicki Ledermann and Kay Georgiou
"Judy" Jeremy Woodhead
"Maleficent: Mistress of Evil" Paul Gooch, Arjen Tuiten and David White
"1917" Naomi Donne, Tristan Versluis and Rebecca Cole
Achievement in music written for motion pictures (Original score)
"Joker" Hildur Guðnadóttir
"Little Women" Alexandre Desplat
"Marriage Story" Randy Newman
"1917" Thomas Newman
"Star Wars: The Rise of Skywalker" John Williams
Achievement in music written for motion pictures (Original song)
"The Irishman" Production Design: Bob Shaw; Set Decoration: Regina Graves
"Jojo Rabbit" Production Design: Ra Vincent; Set Decoration: Nora Sopková
"1917" Production Design: Dennis Gassner; Set Decoration: Lee Sandales
"Once upon a Time...in Hollywood" Production Design: Barbara Ling; Set Decoration: Nancy Haigh
"Parasite" Production Design: Lee Ha Jun; Set Decoration: Cho Won Woo
Best animated short film
"Dcera (Daughter)" Daria Kashcheeva
"Hair Love" Matthew A. Cherry and Karen Rupert Toliver
"Kitbull" Rosana Sullivan and Kathryn Hendrickson
"Memorable" Bruno Collet and Jean-François Le Corre
"Sister" Siqi Song
Best live action short film
"Brotherhood" Meryam Joobeur and Maria Gracia Turgeon
"Nefta Football Club" Yves Piat and Damien Megherbi
"The Neighbors' Window" Marshall Curry
"Saria" Bryan Buckley and Matt Lefebvre
"A Sister" Delphine Girard
Achievement in sound editing
"Ford v Ferrari" Donald Sylvester
"Joker" Alan Robert Murray
"1917" Oliver Tarney and Rachael Tate
"Once upon a Time...in Hollywood" Wylie Stateman
"Star Wars: The Rise of Skywalker" Matthew Wood and David Acord
Achievement in sound mixing
"Ad Astra" Gary Rydstrom, Tom Johnson and Mark Ulano
"Ford v Ferrari" Paul Massey, David Giammarco and Steven A. Morrow
"Joker" Tom Ozanich, Dean Zupancic and Tod Maitland
"1917" Mark Taylor and Stuart Wilson
"Once upon a Time...in Hollywood" Michael Minkler, Christian P. Minkler and Mark Ulano
Achievement in visual effects
"Avengers: Endgame" Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick
"The Irishman" Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephane Grabli
"The Lion King" Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newman
"1917" Guillaume Rocheron, Greg Butler and Dominic Tuohy
"Star Wars: The Rise of Skywalker" Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy
Adapted screenplay
"The Irishman" Screenplay by Steven Zaillian
"Jojo Rabbit" Screenplay by Taika Waititi
"Joker" Written by Todd Phillips & Scott Silver
"Little Women" Written for the screen by Greta Gerwig
"The Two Popes" Written by Anthony McCarten
Original screenplay
"Knives Out" Written by Rian Johnson
"Marriage Story" Written by Noah Baumbach
"1917" Written by Sam Mendes & Krysty Wilson-Cairns
"Once upon a Time...in Hollywood" Written by Quentin Tarantino
"Parasite" Screenplay by Bong Joon Ho, Han Jin Won; Story by Bong Joon Ho
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Actor-producer John Cho and producer-actress-writer Issa Rae announced the 92nd Oscars® nominations Monday, January 13, 2020, live from the David Geffen Theater at the Academy Museum of Motion Pictures, opening later this year, via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, an international satellite feed and broadcast media.
Cho and Rae announced the nominees in 8 categories at 5:18 a.m. PT, and the remaining 16 categories at 5:30 a.m. PT. For a complete list of nominees, visit the official Oscars website, www.oscar.com.
Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and International Feature Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.
Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Thursday, January 30 through Tuesday, February 4, 2020.
The 92nd Oscars will be held on Sunday, February 9, 2020, at the Dolby® Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on ABC at 8 p.m. ET/5 p.m. PT. "Oscars: Live on the Red Carpet" will air at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
Nominations for the 2020 / 92nd Academy Awards:
Best motion picture of the year
- "Ford v Ferrari" Peter Chernin, Jenno Topping and James Mangold, Producers
- "The Irishman" Martin Scorsese, Robert De Niro, Jane Rosenthal and Emma Tillinger Koskoff, Producers
- "Jojo Rabbit" Carthew Neal and Taika Waititi, Producers
- "Joker" Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff, Producers
- "Little Women" Amy Pascal, Producer
- "Marriage Story" Noah Baumbach and David Heyman, Producers
- "1917" Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall, Producers
- "Once upon a Time...in Hollywood" David Heyman, Shannon McIntosh and Quentin Tarantino, Producers
- "Parasite" Kwak Sin Ae and Bong Joon Ho, Producers
Performance by an actor in a leading role
Antonio Banderas in "Pain and Glory"
Leonardo DiCaprio in "Once upon a Time...in Hollywood"
Adam Driver in "Marriage Story"
Joaquin Phoenix in "Joker"
Jonathan Pryce in "The Two Popes"
Performance by an actor in a supporting role
Tom Hanks in "A Beautiful Day in the Neighborhood"
Anthony Hopkins in "The Two Popes"
Al Pacino in "The Irishman"
Joe Pesci in "The Irishman"
Brad Pitt in "Once upon a Time...in Hollywood"
Performance by an actress in a leading role
Cynthia Erivo in "Harriet"
Scarlett Johansson in "Marriage Story"
Saoirse Ronan in "Little Women"
Charlize Theron in "Bombshell"
Renée Zellweger in "Judy"
Performance by an actress in a supporting role
Kathy Bates in "Richard Jewell"
Laura Dern in "Marriage Story"
Scarlett Johansson in "Jojo Rabbit"
Florence Pugh in "Little Women"
Margot Robbie in "Bombshell"
Best animated feature film of the year
"How to Train Your Dragon: The Hidden World" Dean DeBlois, Bradford Lewis and Bonnie Arnold
"I Lost My Body" Jérémy Clapin and Marc du Pontavice
"Klaus" Sergio Pablos, Jinko Gotoh and Marisa Román
"Missing Link" Chris Butler, Arianne Sutner and Travis Knight
"Toy Story 4" Josh Cooley, Mark Nielsen and Jonas Rivera
Achievement in cinematography
"The Irishman" Rodrigo Prieto
"Joker" Lawrence Sher
"The Lighthouse" Jarin Blaschke
"1917" Roger Deakins
"Once upon a Time...in Hollywood" Robert Richardson
Achievement in costume design
"The Irishman" Sandy Powell and Christopher Peterson
"Jojo Rabbit" Mayes C. Rubeo
"Joker" Mark Bridges
"Little Women" Jacqueline Durran
"Once upon a Time...in Hollywood" Arianne Phillips
Achievement in directing
"The Irishman" Martin Scorsese
"Joker" Todd Phillips
"1917" Sam Mendes
"Once upon a Time...in Hollywood" Quentin Tarantino
"Parasite" Bong Joon Ho
Best documentary feature
"American Factory" Steven Bognar, Julia Reichert and Jeff Reichert
"The Cave" Feras Fayyad, Kirstine Barfod and Sigrid Dyekjær
"The Edge of Democracy" Petra Costa, Joanna Natasegara, Shane Boris and Tiago Pavan
"For Sama" Waad al-Kateab and Edward Watts
"Honeyland" Ljubo Stefanov, Tamara Kotevska and Atanas Georgiev
Best documentary short subject
"In the Absence" Yi Seung-Jun and Gary Byung-Seok Kam
"Learning to Skateboard in a Warzone (If You're a Girl)" Carol Dysinger and Elena Andreicheva
"Life Overtakes Me" John Haptas and Kristine Samuelson
"St. Louis Superman" Smriti Mundhra and Sami Khan
"Walk Run Cha-Cha" Laura Nix and Colette Sandstedt
Achievement in film editing
"Ford v Ferrari" Michael McCusker and Andrew Buckland
"The Irishman" Thelma Schoonmaker
"Jojo Rabbit" Tom Eagles
"Joker" Jeff Groth
"Parasite" Yang Jinmo
Best international feature film of the year
"Corpus Christi" Poland
"Honeyland" North Macedonia
"Les Misérables" France
"Pain and Glory" Spain
"Parasite" South Korea
Achievement in makeup and hairstyling
"Bombshell" Kazu Hiro, Anne Morgan and Vivian Baker
"Joker" Nicki Ledermann and Kay Georgiou
"Judy" Jeremy Woodhead
"Maleficent: Mistress of Evil" Paul Gooch, Arjen Tuiten and David White
"1917" Naomi Donne, Tristan Versluis and Rebecca Cole
Achievement in music written for motion pictures (Original score)
"Joker" Hildur Guðnadóttir
"Little Women" Alexandre Desplat
"Marriage Story" Randy Newman
"1917" Thomas Newman
"Star Wars: The Rise of Skywalker" John Williams
Achievement in music written for motion pictures (Original song)
- "I Can't Let You Throw Yourself Away" from "Toy Story 4" Music and Lyric by Randy Newman
- "(I'm Gonna) Love Me Again" from "Rocketman" Music by Elton John; Lyric by Bernie Taupin
- "I'm Standing With You" from "Breakthrough" Music and Lyric by Diane Warren
- "Into The Unknown" from "Frozen II" Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
- "Stand Up" from "Harriet" Music and Lyric by Joshuah Brian Campbell and Cynthia Erivo
"The Irishman" Production Design: Bob Shaw; Set Decoration: Regina Graves
"Jojo Rabbit" Production Design: Ra Vincent; Set Decoration: Nora Sopková
"1917" Production Design: Dennis Gassner; Set Decoration: Lee Sandales
"Once upon a Time...in Hollywood" Production Design: Barbara Ling; Set Decoration: Nancy Haigh
"Parasite" Production Design: Lee Ha Jun; Set Decoration: Cho Won Woo
Best animated short film
"Dcera (Daughter)" Daria Kashcheeva
"Hair Love" Matthew A. Cherry and Karen Rupert Toliver
"Kitbull" Rosana Sullivan and Kathryn Hendrickson
"Memorable" Bruno Collet and Jean-François Le Corre
"Sister" Siqi Song
Best live action short film
"Brotherhood" Meryam Joobeur and Maria Gracia Turgeon
"Nefta Football Club" Yves Piat and Damien Megherbi
"The Neighbors' Window" Marshall Curry
"Saria" Bryan Buckley and Matt Lefebvre
"A Sister" Delphine Girard
Achievement in sound editing
"Ford v Ferrari" Donald Sylvester
"Joker" Alan Robert Murray
"1917" Oliver Tarney and Rachael Tate
"Once upon a Time...in Hollywood" Wylie Stateman
"Star Wars: The Rise of Skywalker" Matthew Wood and David Acord
Achievement in sound mixing
"Ad Astra" Gary Rydstrom, Tom Johnson and Mark Ulano
"Ford v Ferrari" Paul Massey, David Giammarco and Steven A. Morrow
"Joker" Tom Ozanich, Dean Zupancic and Tod Maitland
"1917" Mark Taylor and Stuart Wilson
"Once upon a Time...in Hollywood" Michael Minkler, Christian P. Minkler and Mark Ulano
Achievement in visual effects
"Avengers: Endgame" Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick
"The Irishman" Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephane Grabli
"The Lion King" Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newman
"1917" Guillaume Rocheron, Greg Butler and Dominic Tuohy
"Star Wars: The Rise of Skywalker" Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy
Adapted screenplay
"The Irishman" Screenplay by Steven Zaillian
"Jojo Rabbit" Screenplay by Taika Waititi
"Joker" Written by Todd Phillips & Scott Silver
"Little Women" Written for the screen by Greta Gerwig
"The Two Popes" Written by Anthony McCarten
Original screenplay
"Knives Out" Written by Rian Johnson
"Marriage Story" Written by Noah Baumbach
"1917" Written by Sam Mendes & Krysty Wilson-Cairns
"Once upon a Time...in Hollywood" Written by Quentin Tarantino
"Parasite" Screenplay by Bong Joon Ho, Han Jin Won; Story by Bong Joon Ho
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Tuesday, January 14, 2020
Walt Disney Company Celebrates Its 2020 Oscar Nominations
The Walt Disney Company’s Films Receive 23 Oscar® Nominations
Nominations for the 92nd Oscars® were announced this morning and releases from The Walt Disney Company’s portfolio of brands earned a combined 23 nods in 15 categories. Fox Searchlight Pictures’ Jojo Rabbit received six nominations, including Best Picture and best Actress in a Supporting Role for Scarlett Johansson; and 20th Century Fox’s Ford v Ferrari is nominated in four categories, including Best Picture. The three nods for Lucasfilm’s Star Wars: The Rise of Skywalker include a nomination for John Williams for his original score. Pixar’s Toy Story 4 is among this year’s nominees for best Animated Feature Film.
Here is the complete list of The Walt Disney Company’s 2020 Academy Award® nominees:
Best Picture
Ford v Ferrari—Peter Chernin, Jenno Topping and James Mangold, Producers
Jojo Rabbit—Carthew Neal and Taika Waititi, Producers
Actress in a Supporting Role
Scarlett Johansson—Jojo Rabbit
Costume Design
Jojo Rabbit—Mayes C. Rubeo
Animated Feature Film
Toy Story 4—Josh Cooley, Mark Nielsen and Jonas Rivera
Film Editing
Ford v Ferrari—Michael McCusker and Andrew Buckland
Jojo Rabbit—Tom Eagles
Original Score
Star Wars: The Rise of Skywalker—John Williams
Animated Short Film
Kitbull—Rosana Sullivan and Kathryn Hendrickson
Sound Editing
Ford v Ferrari—Donald Sylvester
Star Wars: The Rise of Skywalker—Matthew Wood and David Acord
Sound Mixing
Ad Astra—Gary Rydstrom, Tom Johnson and Mark Ulano
Ford v Ferrari—Paul Massey, David Giammarco and Steven A. Morrow
Documentary (Feature)
The Cave—Feras Fayyad, Kirstine Barfod and Sigrid Dyekjær
Makeup and Hairstyling
Maleficent: Mistress of Evil—Paul Gooch, Arjen Tuiten and David White
Original Song
“I Can’t Let You Throw Yourself Away” from Toy Story 4—Music and Lyric by Randy Newman
“I’m Standing with You” from Breakthrough—Music and Lyric by Diane Warren
“Into the Unknown” from Frozen 2—Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
Production Design
Jojo Rabbit—Production Design: Ra Vincent, Set Decoration: Nora Sopková
Visual Effects
Marvel Studios’ Avengers: Endgame—Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick
The Lion King—Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newman
Star Wars: The Rise of Skywalker—Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy
Adapted Screenplay
Jojo Rabbit—Screenplay by Taika Waititi
“Thank you to the Academy for their recognition of our film Ford v Ferrari,” said producer James Mangold. “Jenno [Topping], Peter [Chernin] and I are thrilled to be nominated among such moving and unique films—and also grateful to our brilliant team of artists who brought our remarkable characters, and their adventures on and off the track, to life.”
Pixar’s Josh Cooley, director of Toy Story 4, and producers, Mark Nielsen and Jonas Rivera, shared their reaction to the film’s nominations for best Animated Feature and Original Song: “Working on Toy Story 4 has been an incredible journey and a tremendous honor. We love these characters so much—they are like family to us. Our goal was to tell a story that explored the idea that our purpose is a moving target. It’s humbling how that message resonated with audiences around the world. We hope people have found it not only to be entertaining, but thoughtful as well.
“Of course it’s also a film about toys, which hopefully helps imbue the experience with humor and fun, as well as emotional depth. But for us, and our entire crew, when we receive an honor like today’s two nominations, it’s clear our purpose is to strive to tell great stories. Thank you Academy for this recognition—to infinity and beyond!”
Disney Legend Randy Newman, who penned the song “I Can’t Let You Throw Yourself Away,” said, “I’m very happy. I loved working with Josh Cooley on Toy Story 4. I’m proud of this song. I like it as well as any song I’ve written for a movie. I hope it wins.”
Robert Lopez and Kristen Anderson-Lopez, Academy Award®-winning songwriters for Frozen, had this to say about their nomination for Frozen 2’s “Into the Unknown,” recognized in the best Original Song category: “For us, ‘Into the Unknown’ is more than a song—it’s a culmination of a decade-long collaboration with the incredible artists at Walt Disney Animation Studios, led by our partners and friends Jennifer Lee and Chris Buck. We have been so lucky to work hand-in-hand almost daily for five years helping to craft the story and songs for Frozen 2. To be honored by the Academy once more means the world to us.”
Creature Effects Supervisor Neal Scanlan is nominated alongside Roger Guyett, Patrick Tubach and Dominic Tuohy for the visual effects in Star Wars:The Rise of Skywalker, the Skywalker Saga’s epic conclusion. “Unbelievable, I feel incredibly lucky and honored to be nominated,” he said. “For the entire team, it is confirmation that all of their commitment and hard work has been noticed and acknowledged at the highest level. The Rise of Skywalker is the last film in the trilogy and with that comes some sadness, however this nomination is a perfect way to finish.”
The 92nd Oscars will be held on Sunday, February 9, 2020, at the Dolby® Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
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Nominations for the 92nd Oscars® were announced this morning and releases from The Walt Disney Company’s portfolio of brands earned a combined 23 nods in 15 categories. Fox Searchlight Pictures’ Jojo Rabbit received six nominations, including Best Picture and best Actress in a Supporting Role for Scarlett Johansson; and 20th Century Fox’s Ford v Ferrari is nominated in four categories, including Best Picture. The three nods for Lucasfilm’s Star Wars: The Rise of Skywalker include a nomination for John Williams for his original score. Pixar’s Toy Story 4 is among this year’s nominees for best Animated Feature Film.
Here is the complete list of The Walt Disney Company’s 2020 Academy Award® nominees:
Best Picture
Ford v Ferrari—Peter Chernin, Jenno Topping and James Mangold, Producers
Jojo Rabbit—Carthew Neal and Taika Waititi, Producers
Actress in a Supporting Role
Scarlett Johansson—Jojo Rabbit
Costume Design
Jojo Rabbit—Mayes C. Rubeo
Animated Feature Film
Toy Story 4—Josh Cooley, Mark Nielsen and Jonas Rivera
Film Editing
Ford v Ferrari—Michael McCusker and Andrew Buckland
Jojo Rabbit—Tom Eagles
Original Score
Star Wars: The Rise of Skywalker—John Williams
Animated Short Film
Kitbull—Rosana Sullivan and Kathryn Hendrickson
Sound Editing
Ford v Ferrari—Donald Sylvester
Star Wars: The Rise of Skywalker—Matthew Wood and David Acord
Sound Mixing
Ad Astra—Gary Rydstrom, Tom Johnson and Mark Ulano
Ford v Ferrari—Paul Massey, David Giammarco and Steven A. Morrow
Documentary (Feature)
The Cave—Feras Fayyad, Kirstine Barfod and Sigrid Dyekjær
Makeup and Hairstyling
Maleficent: Mistress of Evil—Paul Gooch, Arjen Tuiten and David White
Original Song
“I Can’t Let You Throw Yourself Away” from Toy Story 4—Music and Lyric by Randy Newman
“I’m Standing with You” from Breakthrough—Music and Lyric by Diane Warren
“Into the Unknown” from Frozen 2—Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
Production Design
Jojo Rabbit—Production Design: Ra Vincent, Set Decoration: Nora Sopková
Visual Effects
Marvel Studios’ Avengers: Endgame—Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick
The Lion King—Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newman
Star Wars: The Rise of Skywalker—Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy
Adapted Screenplay
Jojo Rabbit—Screenplay by Taika Waititi
“Thank you to the Academy for their recognition of our film Ford v Ferrari,” said producer James Mangold. “Jenno [Topping], Peter [Chernin] and I are thrilled to be nominated among such moving and unique films—and also grateful to our brilliant team of artists who brought our remarkable characters, and their adventures on and off the track, to life.”
Pixar’s Josh Cooley, director of Toy Story 4, and producers, Mark Nielsen and Jonas Rivera, shared their reaction to the film’s nominations for best Animated Feature and Original Song: “Working on Toy Story 4 has been an incredible journey and a tremendous honor. We love these characters so much—they are like family to us. Our goal was to tell a story that explored the idea that our purpose is a moving target. It’s humbling how that message resonated with audiences around the world. We hope people have found it not only to be entertaining, but thoughtful as well.
“Of course it’s also a film about toys, which hopefully helps imbue the experience with humor and fun, as well as emotional depth. But for us, and our entire crew, when we receive an honor like today’s two nominations, it’s clear our purpose is to strive to tell great stories. Thank you Academy for this recognition—to infinity and beyond!”
Disney Legend Randy Newman, who penned the song “I Can’t Let You Throw Yourself Away,” said, “I’m very happy. I loved working with Josh Cooley on Toy Story 4. I’m proud of this song. I like it as well as any song I’ve written for a movie. I hope it wins.”
Robert Lopez and Kristen Anderson-Lopez, Academy Award®-winning songwriters for Frozen, had this to say about their nomination for Frozen 2’s “Into the Unknown,” recognized in the best Original Song category: “For us, ‘Into the Unknown’ is more than a song—it’s a culmination of a decade-long collaboration with the incredible artists at Walt Disney Animation Studios, led by our partners and friends Jennifer Lee and Chris Buck. We have been so lucky to work hand-in-hand almost daily for five years helping to craft the story and songs for Frozen 2. To be honored by the Academy once more means the world to us.”
Creature Effects Supervisor Neal Scanlan is nominated alongside Roger Guyett, Patrick Tubach and Dominic Tuohy for the visual effects in Star Wars:The Rise of Skywalker, the Skywalker Saga’s epic conclusion. “Unbelievable, I feel incredibly lucky and honored to be nominated,” he said. “For the entire team, it is confirmation that all of their commitment and hard work has been noticed and acknowledged at the highest level. The Rise of Skywalker is the last film in the trilogy and with that comes some sadness, however this nomination is a perfect way to finish.”
The 92nd Oscars will be held on Sunday, February 9, 2020, at the Dolby® Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
------------------------
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Monday, January 13, 2020
Review: "Gemini Man" Strong Start, Embarrassing Finish
TRASH IN MY EYE No. 2 (of 2020) by Leroy Douresseaux
[This review was originally posted on Patreon.]
Gemini Man (2019)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – PG-13 for violence and action throughout, and brief strong language.
DIRECTOR: Ang Lee
WRITERS: David Benioff, Billy Ray, and Darren Lemke (from a story by Darren Lemke and David Benioff)
PRODUCERS: Jerry Bruckheimer, David Ellison, Dana Goldberg, and Don Granger
CINEMATOGRAPHER: Dion Beebe
EDITOR: Tim Squyres
COMPOSER: Lorne Balfe
SCI-FI/ACTION/THRILLER
Starring: Will Smith, Mary Elizabeth Winstead, Clive Owen, Benedict Wong, Linda Emond, Douglas Hodge, Ralph Brown, Ilia Volok, and E.J. Bonilla
Gemini Man is a 2019 science fiction and action-thriller film from director Ang Lee and starring Will Smith. The film focuses on an aging hit man who faces off against a younger version of himself.
Gemini Man introduces Henry Brogan (Will Smith), a government assassin who is considered the best assassin of his generation. After completing an assassination mission in Europe that turns complicated, Henry decides to retire. However, the government agency for which Henry kills, the Defense Intelligence Agency (D.I.A.), decides that it is time to permanently retire him, and sends an assassination squad to kill him.
Henry kills the team, and rescues a fellow D.I.A. agent, Danny Zakarweski (Mary Elizabeth Winstead), who had been watching him. Henry and Danny turn to a longtime associate of Henry's, Baron (Benedict Wong), who flies them to Bogata, Colombia. There, Henry plots his next move, but what he doesn't know is that a D.I.A. supervisor, Clayton “Clay” Varris (Clive Owen), head of a top-secret black ops unit code-named “GEMINI,” has marked him for death. And the assassin Clay has sent to kill Henry may be the most-perfect assassin to take down the world's best assassin.
While watching Gemini Man, I thought the film reminded me of one of those mid-1990s action movies that had science fiction elements. I am thinking of director John Woo's Nicolas Cage vs. John Travolta film, Face/Off (1997), or director Chuck Russell's Eraser (1996), starring Arnold Schwarzenegger. Sure enough, I later learned that Gemini Man was originally meant to go into production back in 1997, but it ended up in “development hell” until producer David Ellison bought the rights.
They really don't make movies like Gemini Man anymore. Our current movie action heroes are superhero action heroes like Black Panther, Captain America, and Iron Man, and, quite frankly, their films are better than Gemini Man is.
Actually, Gemini Man starts off pretty strongly, kind of like a slightly less polished version of a Jason Bourne film. The first hour or so of Gemini Man is tense, thrilling, and filled with mystery. However, once the mystery is solved and once the film reveals the identity and origin of the killer (code-named “Junior”) sent to kill Henry Brogan, the tension and drama of the film is let out like air out of a balloon. There is an fierce “final battle” in the film's last act, and there is a feel-good, if not weird, happy ending, but the atmosphere of high-tech thrills that initially filled Gemini Man is gone.
The special effects in Gemini Man look like special effects – in a too obvious way. The computer-generated 23-year-old Will Smith sometimes looks weird and plastic. I don't want to use the word “awful,” but... I think Marvel Studios did a much better job creating a younger face for Samuel L. Jackson/Nick Fury in this year's blockbuster, mega-smash hit film, Captain Marvel.
Anyway, the performances are good, but not great. Will Smith's performance as Henry Brogan is practically the same he gave in his previous sci-fi action-thriller, I, Robot (2004). It is good to see that Mary Elizabeth Winstead can play an adult, and Benedict Wong is proving to be a winning character actor in roles that provide both comic relief and wit. As usual, Clive Own proves that he can do mean, but his Clay Farris is much more menacing early in Gemini Man. By the end of the film, Farris is practically a cartoon villain.
Gemini Man is a good and entertaining film. It could have been so much better though; in fact, (as I keep saying), the beginning is really good and holds the promise of being the start of an exceptional action film. Alas, Gemini Man is not exceptional. If you are a Will Smith fan, Gemini Man is not so good that you have to see it in a theater; you can certainly wait for the home media release.
6 of 10
B
Saturday, October 12, 2019
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-------------------
[This review was originally posted on Patreon.]
Gemini Man (2019)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – PG-13 for violence and action throughout, and brief strong language.
DIRECTOR: Ang Lee
WRITERS: David Benioff, Billy Ray, and Darren Lemke (from a story by Darren Lemke and David Benioff)
PRODUCERS: Jerry Bruckheimer, David Ellison, Dana Goldberg, and Don Granger
CINEMATOGRAPHER: Dion Beebe
EDITOR: Tim Squyres
COMPOSER: Lorne Balfe
SCI-FI/ACTION/THRILLER
Starring: Will Smith, Mary Elizabeth Winstead, Clive Owen, Benedict Wong, Linda Emond, Douglas Hodge, Ralph Brown, Ilia Volok, and E.J. Bonilla
Gemini Man is a 2019 science fiction and action-thriller film from director Ang Lee and starring Will Smith. The film focuses on an aging hit man who faces off against a younger version of himself.
Gemini Man introduces Henry Brogan (Will Smith), a government assassin who is considered the best assassin of his generation. After completing an assassination mission in Europe that turns complicated, Henry decides to retire. However, the government agency for which Henry kills, the Defense Intelligence Agency (D.I.A.), decides that it is time to permanently retire him, and sends an assassination squad to kill him.
Henry kills the team, and rescues a fellow D.I.A. agent, Danny Zakarweski (Mary Elizabeth Winstead), who had been watching him. Henry and Danny turn to a longtime associate of Henry's, Baron (Benedict Wong), who flies them to Bogata, Colombia. There, Henry plots his next move, but what he doesn't know is that a D.I.A. supervisor, Clayton “Clay” Varris (Clive Owen), head of a top-secret black ops unit code-named “GEMINI,” has marked him for death. And the assassin Clay has sent to kill Henry may be the most-perfect assassin to take down the world's best assassin.
While watching Gemini Man, I thought the film reminded me of one of those mid-1990s action movies that had science fiction elements. I am thinking of director John Woo's Nicolas Cage vs. John Travolta film, Face/Off (1997), or director Chuck Russell's Eraser (1996), starring Arnold Schwarzenegger. Sure enough, I later learned that Gemini Man was originally meant to go into production back in 1997, but it ended up in “development hell” until producer David Ellison bought the rights.
They really don't make movies like Gemini Man anymore. Our current movie action heroes are superhero action heroes like Black Panther, Captain America, and Iron Man, and, quite frankly, their films are better than Gemini Man is.
Actually, Gemini Man starts off pretty strongly, kind of like a slightly less polished version of a Jason Bourne film. The first hour or so of Gemini Man is tense, thrilling, and filled with mystery. However, once the mystery is solved and once the film reveals the identity and origin of the killer (code-named “Junior”) sent to kill Henry Brogan, the tension and drama of the film is let out like air out of a balloon. There is an fierce “final battle” in the film's last act, and there is a feel-good, if not weird, happy ending, but the atmosphere of high-tech thrills that initially filled Gemini Man is gone.
The special effects in Gemini Man look like special effects – in a too obvious way. The computer-generated 23-year-old Will Smith sometimes looks weird and plastic. I don't want to use the word “awful,” but... I think Marvel Studios did a much better job creating a younger face for Samuel L. Jackson/Nick Fury in this year's blockbuster, mega-smash hit film, Captain Marvel.
Anyway, the performances are good, but not great. Will Smith's performance as Henry Brogan is practically the same he gave in his previous sci-fi action-thriller, I, Robot (2004). It is good to see that Mary Elizabeth Winstead can play an adult, and Benedict Wong is proving to be a winning character actor in roles that provide both comic relief and wit. As usual, Clive Own proves that he can do mean, but his Clay Farris is much more menacing early in Gemini Man. By the end of the film, Farris is practically a cartoon villain.
Gemini Man is a good and entertaining film. It could have been so much better though; in fact, (as I keep saying), the beginning is really good and holds the promise of being the start of an exceptional action film. Alas, Gemini Man is not exceptional. If you are a Will Smith fan, Gemini Man is not so good that you have to see it in a theater; you can certainly wait for the home media release.
6 of 10
B
Saturday, October 12, 2019
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-------------------
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