New Tom Cruise and "300" Sequel Change Release Dates

Warner Bros. Pictures Announces Date Changes for Two Much-Anticipated Event Films

“All You Need is Kill” Moves to the Coveted Summer Frame -- the Sci-Fi Actioner Will Open on June 6, 2014

“300: Rise of an Empire” Shifts to March 7, 2014, Following the Same Release Pattern of the Original Blockbuster, “300”

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures has announced a change of release dates for two of its most-anticipated event films: “All You Need is Kill,” from Warner Bros. Pictures and Village Roadshow Pictures, and “300: Rise of an Empire,” from Warner Bros. Pictures and Legendary Pictures. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

“All You Need is Kill” has been moved to the Summer release corridor, opening on June 6, 2014, with select international markets predating the domestic release, starting the weekend of May 30, 2014. The earlier international release date was specifically chosen to put the opening two weeks ahead of the start of the World Cup. The move reflects the studio’s already strong belief in the huge science fiction actioner, which marks the first collaboration between two proven hit-makers, Tom Cruise and director Doug Liman.

The release date of “300: Rise of an Empire,” a new chapter in the epic “300” saga, has moved to March 7, 2014, with international territories opening day-and-date, reflecting the global popularity of the franchise. The first “300,” which was released in March 2007, went on to earn more than $456 million worldwide.

Fellman stated, “We have tremendous confidence in ‘All You Need is Kill’ and view it as a perfect tent pole for the Summer frame, with its combination of great cast, compelling story and tremendous action.”

Fellman also noted, “Moving ‘300: Rise of an Empire’ to March 7 continues in the tradition of the first ‘300,’ and kicks off the Spring movie-going season in epic style. The film is on track to become all that audiences have come to expect from the franchise.”

Kwan Vandenberg said, “We are thrilled about ‘All You Need is Kill’ heating up our Summer `14 slate. It is an action-packed adventure, told by an extraordinary cast, which is sure to have global appeal.

“We are also excited about the continuation of the ‘300’ saga,” Kwan Vandenberg added. “The first ‘300’ movie was a huge success internationally, and the day-and-date release of the new film is a great opportunity to turn its opening into a worldwide event.”


About “300: Rise of an Empire”:
Told in the breathtaking visual style of the blockbuster “300,” this new chapter of the epic saga takes the action to a fresh battlefield—on the sea—as Greek general Themistokles attempts to unite all of Greece by leading the charge that will change the course of the war. “300: Rise of an Empire” pits Themistokles against the massive invading Persian forces led by mortal-turned-god Xerxes, and Artemisia, vengeful commander of the Persian navy.

Warner Bros. Pictures and Legendary Pictures present, a Cruel and Unusual Films/Mark Canton/Gianni Nunnari Production, “300: Rise of an Empire.” The action adventure stars Sullivan Stapleton as Themistokles and Eva Green as Artemisia. Lena Headey reprises her starring role from “300” as the Spartan Queen, Gorgo; Hans Matheson stars as Aeskylos; David Wenham returns as Dilios; and Rodrigo Santoro stars again as the Persian King, Xerxes.

The film is directed by Noam Murro, from a screenplay by Zack Snyder & Kurt Johnstad, based on the graphic novel Xerxes, by Frank Miller. It is produced by Gianni Nunnari, Mark Canton, Zack Snyder, Deborah Snyder and Bernie Goldmann. Thomas Tull, Frank Miller, Stephen Jones and Jon Jashni serve as executive producers.

Opening in 3D and 2D in select theatres and IMAX on March 7, 2014, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

About “All You Need is Kill”:
Tom Cruise and Emily Blunt star in “All You Need is Kill,” directed by Doug Liman.

The story unfolds in a near future in which a hive-like alien race, called Mimics, have hit the Earth in an unrelenting assault, shredding great cities to rubble and leaving millions of human casualties in their wake. No army in the world can match the speed, brutality or seeming prescience of the weaponized Mimic fighters or their telepathic Alpha commanders. But now the world’s armies have joined forces for a last stand offensive against the alien horde, with no second chances.

The international cast also includes Bill Paxton, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong and Franz Drameh.

Liman directed the film from a screenplay by Dante W. Harper and Jez Butterworth & John-Henry Butterworth and Christopher McQuarrie, based on the acclaimed novel All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff, Tom Lassally, Jason Hoffs, Gregory S. Jacobs and Jeffrey Silver are the producers. The executive producers are Doug Liman, Dave Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Kim Winther and Tim Lewis serving as co-producers.

“All You Need is Kill” is a presentation of Warner Bros. Pictures, in association with Village Roadshow Pictures. Opening domestically on June 6, 2014, the film will be distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow.

Review: "Star Trek: Nemesis" Something of a Misstep

TRASH IN MY EYE No. 221 (of 2006) by Leroy Douresseaux

Star Trek: Nemesis (2002)
Running time: 117 minutes (1 hours, 57 minutes)
MPAA – PG-13 for sci-fi action violence and peril and a scene of sexual content
DIRECTOR: Stuart Baird
WRITERS: John Logan; from a story by Rick Berman, Brent Spiner, and John Logan
PRODUCER: Rick Berman
CINEMATOGRAPHER: Jeffrey L. Kimball
EDITOR: Dallas Puett
COMPOSER: Jerry Goldsmith

SCI-FI/FANTASY/ACTION/DRAMA

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Tom Hardy, Ron Perlman, Dina Meyer, Kate Mulgrew, and Wil Wheaton with Whoopi Goldberg

The subject of this movie review is Star Trek: Nemesis, a 2002 science fiction-action film from director Stuart Baird. Nemesis is the tenth entry in the Star Trek film franchise and was the last film in the franchise until the reboot, entitled Star Trek, in 2009.

The cast of the TV series, “Star Trek: The Next Generation” returns for its fourth (and final) feature film, Star Trek: Nemesis. Captain Jean-Luc Picard (Patrick Stewart) and the crew are celebrating the marriage of long-time lovers, Commander William T. Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis) when the Federation sends the Enterprise-E into the territory of the Federation’s old enemy, the Romulans. Picard is shocked to learn that the Romulan government is now run by a citizen of Remas, the sister of planet of Romulus.

The new Praetor Shinzon (Tom Hardy) requests that Picard beam down to the capitol city so that he may negotiate a truce with the Federation. Upon meeting Shinzon for the first time, Picard discovers that the Praetor has a shocking connection to him, and that Shinzon’s negotiations are merely a ruse for his planned attack on Earth.

The most dour and least successful Star Trek film at the box office, Star Trek: Nemesis will probably only find deep love from Trek devotees. The dramatic conflict between Picard and Shinzon is riveting, but at times this personal conflict drags on the rest of the film. Everyone and everything else is pushed far into the background, and when another character does come forward, it seems like an underdeveloped subplot. Entertaining, Star Trek: Nemesis is also clunky and listless, and it really seems like an episode of a TV show gussied up and also stretched past the point where it should have ended. It is, however, sad to see this part of the Star Trek franchise end, and this movie is not worthy of being that closing chapter.

5 of 10
C+

Thursday, October 26, 2006

Happy Mother's Day 2013

Negromancer wants to wish a "Happy Mother's Day" to all mothers, grandmothers, aunts, sisters, and everyone who assumes a "motherly" role for others.

Review: "The Hitchhiker’s Guide to the Galaxy" is Inventive, Odd, and Relaxed (Remembering Douglas Adams)

TRASH IN MY EYE No. 146 (of 2005) by Leroy Douresseaux

The Hitchhiker’s Guide to the Galaxy (2005)
COUNTRY OF ORIGIN: USA/UK
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – PG for thematic elements, action, and mild language
DIRECTOR: Garth Jennings
WRITERS: Douglas Adams and Karey Kirkpatrick (based upon the novel by Douglas Adams)
PRODUCERS: Gary Barber, Roger Birnbaum, Nick Goldsmith, Jay Roach, and Jonathan Glickman
CINEMATOGRAPHER: Igor Jadue-Lillo
EDITOR: Niven Howie
COMPOSER: Joby Talbot

SCI-FI/COMEDY/ACTION/ADVENTURE

Starring: Sam Rockwell, Mos Def, Zooey Deschanel, Martin Freeman, Bill Nighy, Warwick Davis, Anna Chancellor and John Malkovich, with the voices of Alan Rickman, Helen Mirren, Stephen Fry, Richard Griffiths, and Thomas Lennon

The subject of this movie review is The Hitchhiker’s Guide to the Galaxy, a 2005 British-American comic science fiction and adventure film. It is based on the 1979 novel, The Hitchhiker’s Guide to the Galaxy, which was written by the late author, Douglas Adams. The film follows the adventures of a man from Earth and his alien companion who is writing a new edition of “The Hitchhiker’s Guide to the Galaxy.”

Arthur Dent (Sam Rockwell) is an ordinary guy having what looks like another bad day, when he discovers that his house is scheduled for demolition to make way for an expressway. Then, his best friend, Ford Prefect (Mos Def), shows up and tells him that Earth is also scheduled for demolition by aliens to make way for a hyperspace expressway. Ford later whisks Arthur into space where they eventually end up on the super space ship, the Heart of Gold, captained by the dim-witted President of the Galaxy, Zaphod Beeblebrox (Sam Rockwell).

Arthur actually encountered Zaphod on Earth before, when the President stole the girl with whom Arthur had just fallen in love, Tricia (Zooey Deschanel). Tricia, now known as Trillian, is also on board, as is a chronically depressed android named Marvin (Warwick Davis with the voice by Alan Rickman). The unusual quintet search for the answers (and the questions) to the mystery of Life, the Universe, and Everything – with The Hitchhiker’s Guide to the Galaxy (voiced by Stephen Fry) as their… well, guide.

First published in 1979, Douglas Adams’ (1952-2001) novel, The Hitchhiker’s Guide to the Galaxy, is one of the all-time best selling science fiction novels every published, and perhaps the most popular sci-fi humor book ever. The book became a cycle first known as “The Hitchhiker’s Trilogy,” after the publication of The Restaurant at the End of the Universe (1980) and Life, the Universe and Everything (1982); two more books followed, So Long, and Thanks for All the Fish (1984) and Mostly Harmless (1992).

The Hitchhiker’s Guide to the Galaxy began as a radio sci-fi comedy series, and the book series is a non-literal adaptation of the radio series. Hitchhiker’s has also been a British TV mini-series, a stage play, a comic book/graphic novel, record albums, and a computer game. A major motion picture had long been in the planning stages at various times over 20 years with such names as actors Jim Carrey and Bill Murray and directors Jay Roach and Spike Jonze attached to the project.

Finally, in mid-spring of 2005, The Hitchhiker’s Guide to the Galaxy debuted in theatres with director Garth Jennings and co-producer Nick Goldsmith as its filmmaking creative center. Jennings and Goldsmith are the music video directing team known as “Hammer and Tongs.” They directed videos for such musical acts as R.E.M. (“Imitation of Life,” one of my personal favorites as an all-time great music video), Fatboy Slim (“Right Here, Right Now”), and Blur (“Coffee and T.V.”).

Before he died, Douglas Adams wrote the script (a non-literal translation of the books as the books were also not literal translations the original radio show) and added new characters (Humma Kavula played by John Malkovich). Co-writer Karey Kirkpatrick (James and the Giant Peach and Chicken Run) came on to improve the script’s structure and make it more coherent. Not having seen any of Adams’ original script drafts, I can’t say how much or if Kirkpatrick improved on Adams’ work. The film does seem to lack organization and focus, and its plot seems rather inconsequential, but The Hitchhiker’s Guide to the Galaxy is about eccentric characters in odd settings and situations, not so much about plot. A viewer doesn’t have to have read the books, but being familiar with the various source materials may make him and her more open to the film. Hitchhiker’s is basically a film about a great big sci-fi/fantasy misadventure set in a universe of oddities and abnormal beings (except Arthur Dent).

The cast and crew so obviously love what they’re doing and really buy into the little world that they created, and that passes on to the audience. Martin Freeman makes a great Arthur Dent, playing him as a flustered man frustrated with his world being destroyed and not having the girl who is “the one” loving him back. Sam Rockwell and Mos Def make a great alien combo, with the former as a cocky and kooky, gun-slinging lothario and the latter as the best-dressed straight man/wise man in the galaxy. I enjoyed watching them and the rest of the cast, and while the voice actors don’t seem to be straining themselves to perform, they are oddly appealing.

Part Monty Python, part Jim Henson, part Mel Brooks’ Space Balls (with a much bigger budget), and part David Lynch, The Hitchhiker’s Guide to the Galaxy is not an interstellar homerun, but it’s the most visually and conceptually daring sci-fi comedy – probably ever. And I really enjoy how unpredictable this film remains, even through repeated viewings.

6 of 10
B

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Animation Veteran, Stephan Franck, Announces Dark Planet Comics

Stephan Franck has been working in the animation industry for over two decades.  Franck was the supervising animator on the acclaimed animated film, The Iron Giant, and he was a storyboard artist on such feature films as Despicable Me and 9.  He has also worked on such films as Space Jam and How to Train Your Dragon.  I recently received the following press release from Franck:

COMIXOLOGY PICKS UP “SILVER”, ANIMATION VETERAN’S COMIC BOOK DEBUT

Los Angeles, 5/6/13—DARK PLANET COMICS is proud to announce the digital release of its very first title: SILVER #1, now available for download on ComiXology. Silver, a 12-issue miniseries, marks the comic book debut from animation veteran Stephan Franck (The Iron Giant, Despicable Me).

Set in a direct 1930’s extension of Bram Stoker’s universe, and steeped up to its eyeballs in the pulp tradition, SILVER introduces James Finnigan, a witty but (figuratively) soulless con man, who sets out to separate the living-dead from their silver. As Finnigan assembles the crew of talented but broken misfits needed to pull off the heist of the last ten centuries, personality conflicts, emotional entanglements and character comedy abound.

With SILVER, Franck brings the combination of light tone and character depth that has made him first-call in the animation industry. “Silver is about fathers;” Franck says; “It’s about sons. Sons who had bad fathers, and who carry the fear of not knowing how to be good into manhood. Ultimately, it’s about greed and emptiness versus the elusiveness of feeling alive.”

Comic book luminaries have been enjoying Franck’s debut comic:

“With SILVER, Stephan Franck shows how much excitement can be packed into a fast-moving, thrill-filled story...dynamic, unfussy, black and white art, all in the service of speed and momentum...a really, really fun ride.” — Tim Sale (Batman: The Long Halloween; Batman Dark Victory; Superman For All Seasons)

“A beautifully drawn and masterfully told noir/heist story with a teasing side of the supernatural that constantly kept me surprised with it’s reveals. I was particularly taken aback by the creative camera angles and use of shadows. I was kinda blown away, really.” — Takeshi Miyazawa (Spider-Man Loves Mary Jane; X-Men Unlimited; Runaways)


ABOUT STEPHAN FRANCK:
Stephan Franck is a writer/director/animator who has worked for Disney, Dreamworks, Warner Bros, Universal, Columbia Pictures, and Sony Pictures Animation. He was a supervising animator on The Iron Giant, and contributed story to films such as Despicable Me. He is the co-creator of the cult TV show, Corniel & Bernie (ADA Watch My Chops) (TF1, BBC, ABC Australia), that runs in over 60 countries and just got picked up for a second season. He’s had the giant out-of-body experience of being personally hired by George Lucas to direct a movie so cool and crazy it had to be abandoned, and just directed THE SMURFS: THE LEGEND OF SMURFY HOLLOW for Sony Pictures Animation, which is selected in official competition for the 2013 ANNECY INTERNATIONAL ANIMATION FESTIVAL in the Best TV Special category.

ABOUT DARK PLANET COMICS
Created in 2013, Dark Planet Comics is the home of Stephan Franck’s original comic book properties. “Having a comic book imprint has been a dream of mine,” Franck says, “it’s about authorship. It’s about the commitment to put my stories out into the world in the way they were intended to be. ComiXology’s amazing platform makes this kind of independence possible.”

Silver #1 on ComiXology: http://www.comixology.com/Silver/comics-series/10508

In addition to digital downloads, Silver #1’s print edition is available on the Dark Planet Comics website: www.darkplanetcomics.com

Review: "Silver Linings Playbook" is Golden

TRASH IN MY EYE No. 32 (of 2013) by Leroy Douresseaux

Silver Linings Playbook (2012)
Running time: 122 minutes (2 hours, 2 minutes)
MPAA – R for language and some sexual content/nudity
DIRECTOR: David O. Russell
WRITERS: David O. Russell (based on the novel The Silver Linings Playbook by Matthew Quick)
PRODUCERS: Bruce Cohen, Donna Gigliotti, and Jonathan Gordon
CINEMATOGRAPHER: Masanobu Takayanagi (D.o.P.)
EDITOR: Jay Cassidy and Crispin Struthers
COMPOSER: Danny Elfman
Academy Award winner

COMEDY/DRAMA/ROMANCE

Starring: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker, Anupam Kher, John Ortiz, Shea Whigham, Julia Stiles, Paul Herman, Dash Mihok, Cheryl Williams, Patrick McDade, and Brea Bee

Silver Linings Playbook is a 2012 romantic comedy-drama from writer-director, David O. Russell. The film is based on The Silver Linings Playbook, the 2008 debut novel of American author Matthew Quick. Silver Linings Playbook the film focuses on a man who returns home from a mental institution, hoping to reconcile with his wife, but befriends a young woman with serious mental issues of her own.

Silver Linings Playbook has two distinctions. It received Oscar nominations in the “Big Five” categories: best picture, director, actor, actress, and screenplay (either original or adapted). It also received Oscar nominations in all four acting categories, the first film to do so since 1981. Besides the Oscars, Silver Linings Playbook was critically acclaimed and also won or was nominated by numerous film award organizations. Plus, it was a surprise box office success. I call it one of the very best films of 2012, and I have to admit this. Silver Linings Playbook made me feel as if my heart were soaring into the clouds, and it even made me shed tears. What a damn good movie.

Silver Linings Playbook opens in 2008 at the Karel Psychiatric Facility in Baltimore, Maryland. Former high school teacher, Pat Solitano, Jr. (Bradley Cooper), is about to be released after an eight-month stay. Homeless and jobless, he has to move in with his parents, Pat Sr. (Robert De Niro) and Dolores (Jacki Weaver), while he continues his treatment for bipolar disorder. Pat Sr., however, has his own issues, mostly built around his fanatical love for the professional football team, the Philadelphia Eagles of the NFL and his insistence that Pat Jr. is some kind of good luck charm for the Eagles.

Pat is determined to reunite and reconcile with his wife, Nikki (Brea Bee), but she has a restraining order against him. Pat does reunite with a few friends, which is how he meets Tiffany Maxwell (Jennifer Lawrence), a young policeman’s widow, who is also on medication for depression. Tiffany aggressively pursues Pat and coerces him in order to get her way, but she might be the woman to change his life – his silver lining.

Silver Linings Playbook is one of the films in which a strong guiding hand is evident, in this case, writer-director David O. Russell. He treads carefully. On one hand, this film is about mental illness; on the other, it is a love story. Russell has to keep this movie from becoming a well-meaning, disease-of-the-week, television movie, bogged down by talk of medicine and symptoms. He also had to avoid the clichés that turn romance movies into cloying, maudlin melodramas, which is often the fate of movies about mismatched or star-crossed lovers.

Russell does this by writing a script in which the characters stay stubbornly true to who they are while building relationships with each other. As a director, Russell painstakingly guides the intricate connections necessary to make this character drama into a film that feels honest and authentic, rather than dishonest and contrived. This movie is not so much about connections as it is about accepting the “crazy” in each other, as the way to strengthen bonds. Russell does an outstanding job in getting the necessary performances from his cast that make Silver Linings Playbook not only succeed, but also it a great movie.

And what fantastic performances they are. Robert De Niro gives his best performance in years, probably the most heartfelt and layered since Awakenings (1990). Jacki Weaver is poignant and funny in a subtle performance full of color and delicate shades. Chris Tucker’s performance as Danny McDaniels (Pat’s friend whom he met while both were institutionalized) is sweet; that is the best way I can think to describe it. Russell makes the best use of Tucker’s innate foolishness in short bursts.

Bradley Cooper and Jennifer Lawrence give career best performances in Silver Linings Playbook. Lawrence is so talented, and she’s just of burst of freshness and sunshine in the movies in which she appears. In fact, her first appearance in this movie is literally a burst out of nowhere, and instantly, Silver Linings Playbook is the better for it. Lawrence is mesmerizing, and it is easy to see why she captivated enough Oscar voters to win a best actress Academy Award for the role of Tiffany Maxwell.

Bradley Cooper, however, is Silver Linings Playbook’s rock. As Pat Solitano, Jr., Cooper brilliant portrays that at the heart of Solitano’s mania is a closed-up part of him. He takes the audience on a journey in which Pat finally opens up to new possibilities. Cooper is mesmerizing. I couldn’t help but follow the movie because I was enthralled by his performance. Where is Bradley’s Oscar?

Silver Linings Playbook is a special film, full of humor and love. Its foray into our individual mental issues is a journey that our minds and hearts need to experience. It is a great movie, and I want to see it again.

10 of 10

NOTES:
2013 Academy Awards: 1 win: “Best Performance by an Actress in a Leading Role” (Jennifer Lawrence); 7 nominations: “Best Motion Picture of the Year” (Donna Gigliotti, Bruce Cohen, and Jonathan Gordon), “Best Achievement in Directing” (David O. Russell), “Best Achievement in Editing” (Jay Cassidy and Crispin Struthers), “Best Performance by an Actor in a Leading Role” (Bradley Cooper), “Best Performance by an Actor in a Supporting Role” (Robert De Niro), “Best Performance by an Actress in a Supporting Role” (Jacki Weaver), and “Best Writing, Screenplay Based on Material Previously Produced or Published” (David O. Russell)

2013 BAFTA Awards: 1 win: “Best Adapted Screenplay” (David O. Russell); 2 nominations: “Best Leading Actor” (Bradley Cooper) and “Best Leading Actress” (Jennifer Lawrence)

2013 Golden Globes, USA: 1 win: “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Jennifer Lawrence); 3 nominations: Best Motion Picture - Musical or Comedy,” “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Bradley Cooper), and “Best Screenplay - Motion Picture” (David O. Russell)

Friday, May 10, 2013

"Dawn of the Planet of the Apes" Now Shooting

Dawn of the Planet of the Apes Begins Principal Photography

Andy Serkis Reprises His Celebrated Role of Heroic Ape Caesar

Jason Clarke, Gary Oldman, Toby Kebbell, Keri Russell, Kodi Smit-Mcphee Also Star

Matt Reeves Directs Newest Chapter of Beloved Franchise Now Filming on Location in New Orleans

NEW ORLEANS--(BUSINESS WIRE)--Twentieth Century Fox announced that principal photography is underway on Dawn of the Planet of the Apes. A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species.

Andy Serkis, celebrated for his performance in the last film, reprises his role as Caesar. Dawn of the Planet of the Apes also stars Jason Clarke (Zero Dark Thirty, Public Enemies, The Great Gatsby), Gary Oldman (The Dark Knight Rises, The Harry Potter film series), Keri Russell (The Americans, Mission Impossible III), Toby Kebbell (The Prince of Persia, Wrath of the Titans, Rock N Rolla), Kodi Smit-McPhee (Let Me In, ParaNorman), Enrique Murciano (Traffic, Black Hawk Down), Kirk Acevedo (The Thin Red Line) and Judy Greer (The Descendants, Three Kings, 13 Going on 30).

Dawn of the Planet of the Apes is directed by Matt Reeves (Cloverfield, Let Me In). The producers are Peter Chernin, Dylan Clark (Rise of the Planet of the Apes, Oblivion), Rick Jaffa & Amanda Silver (Rise of the Planet of the Apes). Tom Hammel (Rise of the Planet of the Apes) is executive producing.

Oscar®-winning visual effects house WETA Digital – employing a new generation of the cutting edge performance capture technologies developed for Rise of the Apes and Avatar – will again render photo-realistic, emotionally-engaging apes. The film’s key behind-the-scenes team includes director of photography Michael Seresin, production designer James Chinland, and VFX Supervisors Joe Letteri and Dan Lemmon, VFX producers Ryan Stafford, editor Bill Hoy and Stan Salfas, and costume designer Melissa Brunning.

Twentieth Century Fox will release Dawn of the Planet of the Apes worldwide on Memorial Day weekend, May 23, 2014. Rise of the Planet of the Apes opened theatrically during the summer of 2011, grossed nearly half a billion dollars worldwide.


About 20TH Century Fox Film
One of the world’s largest producers and distributors of motion pictures, 20th Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of 20TH Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions, and Twentieth Century Fox Animation.