"The Hangover Part II" Soundtrack Now on the Streets

"THE HANGOVER PART II" SOUNDTRACK SET FOR A MAY 24th RELEASE

FEATURING MUSIC FROM THE FILM, INCLUDING NEW SONGS FROM ED HELMS, DANZIG AND MORE

MAY 4, 2011 — BURBANK, CA - WaterTower Music is excited to announce the release of The Hangover Part II: The Original Motion Picture Soundtrack on May 24, 2011. The Soundtrack contains twelve songs from the film along with eight hilarious dialogue clips fans will be quoting for years to come. The much-anticipated feature "The Hangover Part II" opens nationwide on May 26, 2011.

Among the songs included on the album are Ed Helms' "Allentown," a new song in the spirit of his incredibly popular "Stu's Song" from the soundtrack of 2009's smash hit "The Hangover." Additional new music includes a song from Danzig, along with music from the Ska Rangers, who are featured in the film, Kanye West, Mark Lanegan, Deadmau5, Wolfmother, and more.

TRACK LISTING:
Danzig - "Black Hell"
DIALOGUE CLIP Bradley Cooper, Ed Helms - "You can't just skip out of the bachelor party"
Kanye West - "Stronger"
DIALOGUE CLIP Zach Galifianakis, Bradley Cooper - "Stew's first marriage"
Billy Joel - "The Downeaster 'Alexa'"
DIALOGUE CLIP Ken Jeong, Bradley Cooper - "Holla, city of squaller"
Mark Lanegan - "The Beast In Me"
DIALOGUE CLIP Ed Helms - "What the f*** is going on!"
deadmau5 - "Sofi Needs A Ladder"
Ed Helms - "Allentown"
Curtis Mayfield - "Pusher Man"
DIALOGUE CLIP Sasha Barrese - "Seriously what is wrong with you three?"
Wolfmother - "Love Train"
DIALOGUE CLIP Aroon Seeboonruang, Bradley Cooper, Ed Helms, Zach Galifianakis - "Farting medication"
Ska Rangers - "I Ran"
DIALOGUE CLIP Zach Galifianakis - "When a monkey nibbles"
Mike Tyson - "One Night In Bangkok"
DIALOGUE CLIP Ken Jeong - "Hold on gay boys"
Ska Rangers - "Just The Way You Are"
Jenny Lewis - "Bad Man's World"

In "The Hangover Part II," Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu's wedding. With the memory of Doug's nearly disastrous bachelor party in Las Vegas still fresh—or at least well-documented—Stu is taking no chances. He has opted for a safe, subdued, pre-wedding trip brunch, with pancakes, coffee...and no alcohol. However, things don't always go as planned.

Two nights before the big day, at a fabulous resort in Thailand, Stu relents. One beer each. In sealed bottles. What could go wrong?

What happens in Vegas may stay in Vegas, but what happens in Bangkok can't even be imagined.

"The Hangover Part II" was directed by Todd Phillips from a screenplay he co-wrote with Craig Mazin & Scot Armstrong. Phillips also produced the film under his Green Hat Films banner, together with Dan Goldberg. Thomas Tull, Scott Budnick, Chris Bender and J.C. Spink are the executive producers, with David A. Siegel and Jeffrey Wetzel serving as co-producers. The film stars Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong, Mason Lee, Jamie Chung, Jeffrey Tambor and Paul Giamatti.

"The Hangover Part II" is a presentation of Warner Bros. Pictures, in association with Legendary Pictures, and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated R by the MPAA for pervasive language, strong sexual content including graphic nudity, drug use and brief violent images.

http://www.hangoverpart2.com/

The Hangover, Part II: Original Motion Picture Soundtrack

Warner Bros. Releases Statement on "The Hangover" II Lawsuit

Some of you who follow movie news and gossip closely have probably heard about The Hangover II lawsuit. Victor Whitmill, the man responsible for giving boxing champion Mike Tyson his tribal-inspired facial tattoo, brought a lawsuit against the producers of The Hangover Part II. Whitmill was suing because Ed Helms character in the film, Dr. Stuart “Stu” Price, gets a tattoo identical to the one Whitmill designed for Tyson, who appeared in the original film and also appears in the sequel.

Whitmill claimed he had a copyright for the design and wanted the tattoo’s image removed from the film and its movie posters, which would have effectively halted the film’s release. Whitmill is also seeking $30 million.

Judge Catherine D. Perry dismissed the case on Tuesday, May 24th, allowing the film to be released today, Thursday, May 26, 2011. She ruled that it was “in the public interest” to let Warner Bros. release the film as scheduled.

Whitmill is apparently not dropping his case against the studio. While the judge denied the motion to halt The Hangover II’s release, she did find a “strong likelihood of prevailing on the merits for copyright infringement.”

Here is a press release from Warner Bros. Pictures regarding the decision rendered Tuesday afternoon:

Warner Bros. Statement

BURBANK, Calif.--(BUSINESS WIRE)--In response to today’s court decision, Warner Bros. released the following statement:

“We are very gratified by the Court's decision which will allow the highly anticipated film ‘The Hangover Part II’ to be released on schedule this week around the world. Plaintiff's failed attempt to enjoin the film in order to try and extract a massive settlement payment from Warner Bros. was highly inappropriate and unwarranted.”

Review: "Red River" is a Classic Western (Happy B'day, Duke)

TRASH IN MY EYE No. 36 (of 2003) by Leroy Douresseaux

Red River (1948)
Running time: 133 minutes (2 hours, 13 minutes)
DIRECTORS: Howard Hawks with Arthur Rosson
WRITERS: Charles Schnee and Borden Chase (from a story by Borden Chase)
PRODUCER: Howard Hawks
CINEMATOGRAPHER: Russell Harlan
EDITOR: Christian Nyby
Academy Award nominee

WESTERN with elements of action, adventure, romance

Starring: John Wayne, Montgomery Clift, Joanne Dru, Walter Brennan, Coleen Gray, Harry Carey, Sr., John Ireland, Noah Beery, Jr., and Harry Carey, Jr.

Thomas Dunson (John Wayne) is a powerful cattle baron who is on the precipice of bankruptcy, when he decided to take his nearly 10,000 head of cattle to Missouri for sale. However, Dunson chooses a trail to Missouri that is fraught with peril, and along the journey he begins to take out his frustrations on his men. Midway through the trip, Dunson’s foster son Matthew “Matt” Garth (Montgomery Clift) overthrows Dunson and takes the cattle along the Chisholm Trail to Kansas. As Garth and the men approach their destination, Dunson is hot on their trail and hungry for revenge.

Many film historians, critics, and fans consider Red River to be one of the greatest western films of all time, and it is indeed a rousing adventure filled with wonderful characters and engaging drama. I found a lot of the interplay between the characters quite exciting, and some of their disputes were stimulating. I felt like I was in the film, right in the middle of one of many fights.

In addition to the strong story and script, viewers will love the characters. The story is intense and certainly holds the attention, but the characters really sell it. The John Wayne of Red River is the classic American icon – a stoic, no-nonsense, Alpha male who gives commands and demands no questions. However, he is not without a sentimental side; his pride may be overwhelming, but his decency does show through his stubbornness.

Montgomery Clift was only supposed to be the film’s looker and matinee idol that gets the girl, but he also gives a performance that gives more depth to the character than even the story allowed. Perennial movie sidekick Walter Brennan is not only the film’s comic relief, but his Nadine Groot is essentially a moral compass. A frustrating fault of the film is John Ireland who plays the intriguing character Cherry Valance; Valance is a very good character that Ford chose to under-utilized. All said, fans of westerns should not miss this film, a great western and one of the best John Wayne movies.

8 of 10
A

NOTES:
1949 Academy Awards: 2 nominations: “Best Film Editing” (Christian Nyby) and “Best Writing, Motion Picture Story” (Borden Chase)

1990 National Film Preservation Board, USA – National Film Registry

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James Cameron's "Titanic" to Sail Again in 2012 in 3D

PARAMOUNT PICTURES, TWENTIETH CENTURY FOX AND LIGHTSTORM ENTERTAINMENT TO SET SAIL AGAIN WITH JAMES CAMERON’S OSCARÒ-WINNING “TITANIC” WITH A WORLDWIDE 3D RE-RELEASE ON APRIL 6, 2012

Movie’s Re-Release to Coincide With the Centennial of the Ship’s Sailing

HOLLYWOOD, CA (May 19, 2011) - Paramount Pictures, Twentieth Century Fox and Lightstorm Entertainment jointly announced today that James Cameron’s “TITANIC” will be re-released worldwide on April 6, 2012.

The release, which marks the 100th anniversary of the Titanic setting sail (April 10th), will present the film in 3D for the first time ever.

Written, directed and produced by Cameron, “TITANIC” is the second highest grossing movie of all time. It is one of only three films to have received a record 11 Academy Awards, including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.

Called “A spectacular demonstration of what modern technology can contribute to dramatic storytelling” by Variety upon its release in 1997, the long in the works 3D conversion is being overseen by Cameron and his Lightstorm producing partner Jon Landau who produced the hit movie.

Said Cameron, "There's a whole generation that's never seen ‘TITANIC’ as it was meant to be seen, on the big screen. And this will be ‘TITANIC’ as you've never seen it before, digitally re-mastered at 4K and painstakingly converted to 3D. With the emotional power intact and the images more powerful than ever, this will be an epic experience for fans and newcomers alike."

“This new presentation of Paramount’s top-grossing film is particularly special because 2012 is the 100th anniversary of our studio. Paramount has had the pleasure of introducing audiences to some of the all-time classics of cinema during that century of moviemaking and we cannot think of a better way to mark the occasion than with this re-release of ‘Titanic’,” said Brad Grey, Chairman and CEO of Paramount Pictures.

Commented Fox Filmed Entertainment Chairmen and CEOs, Jim Gianopulos and Tom Rothman: “Our 30-plus year relationship with Jim Cameron and Lightstorm has been enormously rewarding, from ‘Aliens’ to ‘Avatar’, and the global phenomenon of ‘Titanic’ remains one of the greatest sources of pride in our history. We are pleased to allow a new generation of audiences to experience the film in its brilliant digital restoration in 3D.”


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.

About Twentieth Century Fox
One of the world’s largest producers and distributors of motion pictures, Fox Filmed Entertainment produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of FFE: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Twentieth Century Fox Animation and Fox International Productions.

About Lightstorm Entertainment
Lightstorm Entertainment is a film production company founded by Academy Award-winning filmmakers James Cameron and film producer Jon Landau. The company has produced blockbuster hits including “Terminator 2: Judgment Day,” “True Lies,” as well the Academy Award-winning “Titanic” and most recently “Avatar,” which stands at the biggest grossing movie of all time.

Review: First "Kung Fu Panda" Kicked Butt

TRASH IN MY EYE No. 43 (of 2011) by Leroy Douresseaux

Kung Fu Panda (2008)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG for sequences of martial arts action
DIRECTORS: John Stevenson and Mark Osborne
WRITERS: Jonathan Aibel and Glenn Berger; from a story by Ethan Reiff and Cyrus Voris
PRODUCER: Melissa Cobb
CINEMATOGRAPHER: Yong Duk Jhun
EDITOR: Clare De Chenu
PRODUCTION DESIGNER: Raymond Zibach
COMPOSERS: Hans Zimmer and John Powell
Academy Award nominee

ANIMATION/MARTIAL ARTS/FANTASY/FAMILY

Starring: (voices) Jack Black, Dustin Hoffman, Angelina Jolie, Ian McShane, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, Randall Duk Kim, James Hong, Michael Clarke Duncan, and Dan Fogler

Kung Fu Panda is a 2008 computer-animated, martial arts, action comedy movie from DreamWorks Animation. It is the story of a lazy, genial giant panda who dreams of greatness and suddenly finds it thrust upon him.

Kung Fu Panda is set in ancient China, specifically the Valley of Peace (a fictional place), which is inhabited by talking animals. That is where you will find Po (Jack Black), a giant panda who is also a kung fu fanatic. He lives with his father, Mr. Ping (James Hong), a goose and a noodle maker. Mr. Ping, who does not care for kung fu, owns the most popular noodle restaurant in the Valley and wants to one day pass the shop down to his son, Po, who would rather become a kung fu master.

Po gets more than he expects when a kung fu master, the elderly tortoise, Master Oogway (Randall Duk Kim), suddenly and unexpectedly chooses him to fulfill an ancient prophecy. Po is the prophesied Dragon Warrior! However, the man chosen by Oogway to train Po, the diminutive red panda, Master Shifu (Dustin Hoffman), is unwilling to believe that Po could be the Dragon Warrior. Even Shifu’s students, the legendary Furious Five: Tigress (Angelina Jolie), Crane (David Cross), Mantis (Seth Rogen), Viper (Lucy Liu), and Monkey (Jackie Chan), don’t believe in Po.

Po will have to believe in himself and make his dreams of becoming a kung fu master into reality. Shifu’s former student, the vengeful and treacherous snow leopard, Tai Lung (Ian McShane), is headed to the Valley of Peace, and it will be up to Po to defend everyone from him.

I consider Kung Fu Panda to be the best film from DreamWorks Animation, to date. Virtually everything about this film is done to perfection. Every voice actor is just right for his or her role, but I must single out my favorite, the wonderful James Hong as Po’s lovable father, Mr. Ping. You can imagine that he does a really good job to get singled out, considering Jack Black, Dustin Hoffman, and Ian McShane are superb in their respective rolls. Everyone brings his or her character to life in a way that matches topnotch performances in live action pictures.

The films by Pixar Animation Studios are so good that it is easy to forget that DreamWorks has become the co-gold standard in computer animated films. While Pixar excels in scriptwriting and storytelling of their films, DreamWorks has come to surpass them in software and tech. Computer-animated films generally do not have the character animation and movement on display in DreamWorks films, particularly those released during the last three years or so.

Kung Fu Panda moves like a Looney Tunes cartoon short – with the chaos of a Road Runner cartoon and the madcap comedy of a Chuck Jones Bugs Bunny short, but it does everything faster; the movement is so much more complex. The most important thing, however, is that Kung Fu Panda is just a great story about a lovable wannabe hero; he must put aside his slacker ways and psychological issues to be the hero he always wanted to be. Po the hero succeeds and along the way, his story, Kung Fu Panda, also reaches the summit.

9 of 10
A+

NOTES:
2009 Academy Awards: 1 nomination: “Best Animated Feature Film of the Year” (John Stevenson and Mark Osborne

2009 Golden Globes: 1 nomination: “Best Animated Feature Film”

Tuesday, May 24, 2011

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Review: "Iris" Blooms Through Powerful Performances (Happy B'day, Jim Broadbent)

TRASH IN MY EYE No. 27 (of 2002) by Leroy Douresseaux

Iris (2001)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – R
DIRECTOR: Richard Eyre
WRITERS: Charles Wood and Richard Eyre (based upon John Bayley’s books: Iris: A Memoir and Elegy for Iris)
PRODUCERS: Robert Fox and Scott Rudin
CINEMATOGRAPHER: Roger Pratt (D.o.P.)
EDITOR: Martin Walsh
COMPOSER: James Horner
Academy Award winner

DRAMA/ROMANCE

Starring: Judi Dench, Jim Broadbent, Kate Winslet, Hugh Bonneville, and Penelope Wilton

Iris is the story of the real lifelong romance between novelist Iris Murdoch and her husband John Bayley. The romance begins in their school days when Bayley was a professor at Oxford and Ms. Murdoch was young academic teaching philosophy, and the story ends when Ms. Murdoch succumbs to Alzheimer’s disease.

Directed by Richard Eyre, a veteran of British television movies, Iris unveils the story of Ms. Murdoch and Bayley’s love in snippets of time through the eyes of both characters, but in particular Bayley’s. Iris is an actor’s movie, and Eyre shows great skill in preparing the way for his cast. He lingers on the faces when appropriate, especially the eyes of such a talented cast, eye that say speak volumes. In some moments, he allows body movements and body language to communicate the story. And that is what Eyre is, a natural storyteller, allowing his players all the space they need on the stage to perform.

His cast is exquisite. Kate Winslet (Titanic), who earned an Academy Award nomination for Supporting Actress in the role of the young Iris, transforms herself into the young philosopher who has so much interest in words and in life. Although already a star, Ms. Winslet is so convincing that it is difficult to see her as the “star;” we see her instead as her character.

Academy Award winner Judi Dench (Shakespeare in Love) also earned a Best Actress nomination for playing the elder Ms. Murdoch, beset by Alzheimer’s. She magically and tragically transforms from national famous novelist to lost soul with subtlety and grace. The key moments of her losing battle with the disease are played out so carefully, you could almost miss them if not paying attention. It is not a flashy performance, but rather one that calls for talent and the skill with which to wield that talent. Ms. Dench mentally and physically decays before our eyes, so we share and understand the sad loss of Ms. Murdoch’s brilliant mind.

Not to dismiss Ms. Winslet and Ms. Dench, the most amazing work are the performances of Hugh Bonneville as the young Bayley and Jim Broadbent (Topsy-Turvy) as the elder Bayley; Broadbent won the Best Supporting Actor Academy Award for his role as John Bayley. Both men have an uncanny connection with the other that makes one’s performance a mirror of the other. Bonneville’s Bayley is perfectly awkward next to Ms. Winslet’s Ms. Murdoch, who is so spirited. The story of their unlikely romance is written on Bonneville’s face. He dominates his scenes, but allows Ms. Winslet to develop and to reveal her character, upon which Bonneville plays his. Not acclaimed like his colleagues, his performance is a treasure. Broadbent must make his Bayley from the doddering old man who let his wife take care of everything to the pillar of strength in the relationship. Like Ms. Dench’s, Broadbent’s transformation is equally subtle; when he has to support her, his performance radiates power. Like Ms. Murdoch, the audience must lean on Bayley so that the story remains coherent. Through Broadbent, the unlikely love gains legitimacy.

Iris is the art of acting and stage drama brought to the screen by four powerful talents and a director who has the sense to let the talent soar. In words, Ms. Murdoch became famous, and through words from the mouths of these true actors, we get to taste some of Iris Murdoch and John Bayley’s story.

8 of 10
A

NOTES:
2002 Academy Awards: 1 win: “Best Actor in a Supporting Role” (Jim Broadbent); 2 nominations: “Best Actress in a Leading Role” (Judi Dench) and “Best Actress in a Supporting Role” (Kate Winslet)

2002 BAFTA Awards: 1 win: “Best Performance by an Actress in a Leading Role” (Judi Dench); 5 nominations: “Alexander Korda Award for Best British Film” (Robert Fox, Scott Rudin, and Richard Eyre), “Best Performance by an Actor in a Leading Role” (Jim Broadbent), “Best Performance by an Actor in a Supporting Role” (Hugh Bonneville), “Best Performance by an Actress in a Supporting Role” (Kate Winslet), “Best Screenplay – Adapted” (Richard Eyre and Charles Wood)

2002 Golden Globes: 1 win: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Jim Broadbent); 2 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Judi Dench) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Kate Winslet)

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Meet Bill George VFX Supervisor on "I Am Number Four"

BILL GEORGE - Visual Effects Supervisor "I Am Number Four"

Bill George joined Industrial Light & Magic in 1981. Since then, he has worked as model shop supervisor, art director, matte painter, commercial director, and visual effects supervisor.

Some highlights of his career include miniature construction and design on Blade Runner, art direction and design for five of the Star Trek films, directing over 30 commercials at ILM and overseeing model construction on Ghostbusters 2 and Alive. In 1988, he received an Academy Award for Best Visual Effects for his work on Innerspace. In 2002, director Steven Spielberg entrusted George to update the beloved character E.T. using digital character animation for the 20th Anniversary Edition of E.T.: The Extra-Terrestrial.

George has gone on to earn nominations by the Academy of Motion Picture Arts and Sciences, the British Academy and the Visual Effects Society for work on Harry Potter and the Prisoner of Azkaban, as well as an additional VES nomination for Harry Potter and the Chamber of Secrets.

ILM CREDITS
Feature Films
2011 I AM NUMBER FOUR – Visual Effects Supervisor
2011 STAR TOURS II – Visual Effects Supervisor
2008 TWILIGHT – Visual Effects Supervisor
2007 EVAN ALMIGHTY – Visual Effects Supervisor

2006 PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST – Additional Visual Effects Supervisor
Academy Award – Best Visual Effects
British Academy Award – Best Achievement in Visual Effects
Visual Effects Society Award – Best Single Visual Effects of the Year

2004 HARRY POTTER AND THE PRISONER OF AZKABAN – Visual Effects Supervisor
Academy Award Nomination – Best Visual Effects
British Academy Award Nomination – Best Achievement in Visual Effects
Visual Effects Society Award Nomination – Best Single Visual Effects of the Year

2003 STUCK ON YOU – Visual Effects Supervisor

2002 HARRY POTTER AND THE CHAMBER OF SECRETS - Visual Effects Supervisor
British Academy Award Nomination – Best Achievement in Visual Effects

2002 E.T.: THE EXTRA-TERRESTRIAL 20th Anniversary Edition - Visual Effects Supervisor
2001 PLANET OF THE APES - Visual Effects Supervisor
1999 GALAXY QUEST - Visual Effects Supervisor
1999 STAR WARS: EPISODE I: The Phantom Menace - Matte Painter
1998 DEEP IMPACT - Co-Visual Effects Supervisor
1994 STAR TREK: GENERATIONS - Art Director
1992 ALIVE - Art Director/Landscape Model Construction
1991 STAR TREK VI - Spacecraft/Prop Design & Construction
1990 JOE VS. THE VOLCANO - Large Scale Miniature Boats & Realistic Set Pieces
1989 ALWAYS - Miniatures, Flying Rig, & Practical Effects
1989 GHOSTBUSTERS II - Models & Effects
1989 THE 'BURBS (Opening Sequence)- Combined Motion Control, Matte Paintings & Models
1988 CADDYSHACK II (Gopher Puppet Sequence) - Art Direction & Design

1987 INNERSPACE - Design & Construction of Miniature Submarines & Interior Body Sets
Recipient of Academy Award for Best Achievement in Visual Effects

1987 STAR TREK: THE NEXT GENERATION (Television Series) - Model Construction
“Journey to Farpoint” Episode

1985 EWOKS: THE BATTLE FOR ENDOR (Two Hour TV Movie) - Production Art Direction
Recipient of Emmy Award for Best Achievement in Visual Effects

1984 STAR TREK III: THE SEARCH FOR SPOCK - Spacecraft/Prop Design & Construction

1984 THE EWOK ADVENTURE (Two Hour TV Movie)- Production Art Direction
Recipient of Emmy Award for Best Achievement in Visual Effects

1983 RETURN OF THE JEDI - Spacecraft Design & Construction

Commercials
1997 BERGER BANK “Smiley Face,””Irish Ball” - Director
1997 DORITOS “Thrilling” - Director
1996 NORTHROP “Shadows II” - Director
1996 BERGER BANK “Ball” - Director
1996 US WEST “Fireworks,” “Stars” - Director
1995 VIRGIN ATLANTIC AIRLINES “Nose” - Director
1995 PETER PAN PEANUT BUTTER "Evolution" - Director
1995 SOUTHERN BELL “Man in Chair,” “Woman in Chair” - Director
1995 INTEL “Mobile” - Director
1995 HEWLETT PACKARD “Small Business” - Director
1995 INTEL “Samba” - Director
1995 HUNT-WESSON JUICY GELS “Cartoons” - Director
1994 INTEL “I Want,” “Warp Power” - Director
1993 CARVEL ICE CREAM “Ice Creamation” - Director
1993 PEPSI “Chorus,” “International,” “Gliding Bottle” - Director
1993 INTEL “Windows” - Art Director
1992 TIMEX “Firefly,” “Crickets,” “Lightbulb” - Director
1992 AIR MILES “Fliers” - Director
1991 LIQUID IVORY SOAP “Stork” - Director
1991 KELLOGG'S “Double Dip Crunch” - Director
1991 HEINZ “Catapult” - Art Director
1990 CALIF. MILK ADVISORY BOARD “Real Cheese” - Director
1990 NEC “Turbografx” (Tag) - Director
1990 MATTEL - CORPORATE IMAGE “Echoes” - Direc­tor
1990 CEDAR POINT (Amusement Park) “Disaster Teaser” - Visual Effects Supervisor

OTHER CREDITS
1990 CONTROL “Trixie & Alice” - Visual Effects Director
1990 CHANNEL 4 NEWS (KRON-TV/SF) “Bring it Home” - Model Director
1986 ATARI GAMES “Rasteroids” - Game Designer
1981 BLADERUNNER - Model Design & Construction
1981 ONE FROM THE HEART - Miniature Neon Signs & Street Set