Last year, we learned that Tyler Perry was set to direct a film version of the Tony-nominated Ntozake Shange play, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf. While Beyonce and Oprah were rumored to be cast in the film, they ultimately were not. Earlier this week, during press for his upcoming film, Why Did I Get Married, Too?, Perry announced the cast for the film: Janet Jackson, Mariah Carey, Whoopi Goldberg, Phylicia Rashad, Jurnee Smollett, Kimberly Elise, Kerry Washington, Loretta Devine, and Macy Gray.
The play only has seven main women (the seven colors of the rainbow). There are nine actresses announced as stars and there is yet no word on who will play what and which of the actresses will be the main ladies.
Shange's play is a collection of 20 poems, into a feature length film.
Thursday, March 25, 2010
Michael Bay Sends "Transformers 3" Update to Fans
Transformers 3 Update From Michael Bay 03/22/2010 06:40 AM
Hey, it's been a long time since I've posted. Just been a little busy.
Transformers 3 has been going very well. We are going to shoot in LA, Chicago, Washington DC, Florida, Texas, Africa, Moscow, and China. On the talent front, we just locked in Frances McDormand and John Malkovich. Both amazing actors I've always wanted to work with. We also just got Ken Jeong, he is the super funny actor stuck in the trunk from “Hangover” and the Doctor from “Knocked Up.”
We start shooting pre-shoots in about one month.
I also was at a Ferrari charity event this week raising money for a hospital being built by Ferrari in Haiti. I announced that night the newest Autobot to join Transformers: the Ferrari 458 Italia.
I also want to thank everyone on this site that donated to the Make -A-Wish charity. We raised $20,000 which I will personally be matching. This is a great charity where they make wishes come true for kids who are very ill. We have had many Kids from Make-A-Wish visit us on our Transformers sets and this time we will be posting video of they're visits on Transformers 3.
Michael Bay
[END]
Tuesday, March 23, 2010
Warner Bros. Announces Big Sherlock Holmes Box Office News
BURBANK, Calif.--(BUSINESS WIRE)--Guy Ritchie’s Sherlock Holmes
, starring Robert Downey Jr. as the legendary detective and Jude Law as his formidable ally Watson, has crossed the $500 million mark globally. The film, which began its worldwide rollout on Christmas day, earned $207.9 million in the United States, and is poised to cross $300 million internationally before week’s end (currently at $298.2 million), bringing its current global cumulative gross to $506.1 million. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President, International Distribution, Warner Bros. Pictures
“We’re thrilled that Sherlock Holmes
has performed so spectacularly in territories around the world following its strong U.S. showing,” Kwan-Rubinek said. “These incredible results are a testament to the vision of Guy Ritchie, as well as the tremendous filmmakers and cast, led by Robert and Jude. It also speaks to the world’s continuing fascination with these indelible characters.” Fellman added, “It’s amazing to reach this benchmark. The filmmakers, cast and crew put so much care into creating a film worthy of the name, and I think audiences have shown they succeeded across the board.”
In a dynamic new portrayal of Sir Arthur Conan Doyle’s most famous characters, Sherlock Holmes
sends Holmes and his stalwart partner Watson on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes will battle as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country. Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, Sherlock Holmes. Ritchie directed the film from a screenplay by Michael Robert Johnson and Anthony Peckham and Simon Kinberg, screen story by Lionel Wigram and Michael Robert Johnson. Joel Silver, Lionel Wigram, Susan Downey and Dan Lin produced the film, with Michael Tadross and Bruce Berman serving as executive producers and Steve Clark-Hall co-producing. “Sherlock Holmes” stars Robert Downey Jr., Jude Law, Rachel McAdams, Mark Strong, Kelly Reilly and Eddie Marsan. The film opened nationwide on Christmas Day, and is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
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Charlie's Angels 3?! With Rihanna?!
According to this entry at BET.com's "What the Flick" blog (written by Clay Cane), actress/producer Drew Barrymore is working on a third installment of the Charlie's Angels
film franchise, and apparently, singer Rihanna is being considered for a role as an Angel.
film franchise, and apparently, singer Rihanna is being considered for a role as an Angel.
Happy Anniversary, Michael Moore
Seven years ago, Michael Moore walked on stage to receive his Oscar statuette for "Best Documentary." He invited his fellow nominees on stage and Moore made the following speech:
"I've invited my fellow documentary nominees on the stage with us and we would like to ... they are here in solidarity with me because we like non-fiction. We like non-fiction, as we live in fictitious times. We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fiction of duct tape or fiction of orange alerts we are against this war, Mr Bush. Shame on you, Mr Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up. Thank you very much."
And the boo birds came out! The Guardian (UK)'s Megan Carpentier talks about that incident and compares it to Kathryn Bigelow's recent acceptance speech at the Oscars.
"I've invited my fellow documentary nominees on the stage with us and we would like to ... they are here in solidarity with me because we like non-fiction. We like non-fiction, as we live in fictitious times. We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fiction of duct tape or fiction of orange alerts we are against this war, Mr Bush. Shame on you, Mr Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up. Thank you very much."
And the boo birds came out! The Guardian (UK)'s Megan Carpentier talks about that incident and compares it to Kathryn Bigelow's recent acceptance speech at the Oscars.
Review: Academy Award Winning Documentary "Bowling for Columbine"
Bowling for Columbine (2002)
Running time: 120 minutes (2 hours)
MPAA – R for some violent images and language
WRITER/DIRECTOR: Michael Moore
PRODUCERS: Charles Bishop, Jim Czarnecki, Michael Donovan, Kathleen Glynn, and Michael Moore
EDITOR: Kurt Engfehr
Academy Award winner
DOCUMENTARY/COMMENTARY
Starring: Michael Moore, Charlton Heston, Marilyn Manson, Matt Clark, and Dick Clark
After passing over his Roger and Me
in 1989, the Academy of Motion Picture Arts and Sciences (AMPAS) handed out its Oscar for “Best Documentary, Features” to filmmaker Michael Moore for his 2002 feature Bowling for Columbine. The Writers Guild of America also awarded Moore “Best Screenplay Written Directly for the Screen,” one of many American and international awards the film won.In the film, Moore explores the roots of American’s predilection for gun violence. He also takes a look at the massacre at Columbine High School in Littleton, Colorado where two students killed 13 people with guns and an incident in his hometown where a six year-old boy killed a six year-old girl with a handgun he found at his uncle’s home. Moore also examines American’s culture of fear and bigotry; he especially focuses on the bigotry against young, black men that marks them as violent predators. Moore also goes after powerful, elite political and corporate interests that directly make money by fanning a culture of bigotry, fear, and violence.
Bowling for Columbine
is exacting in the detail to which it pursues its topics, although Moore seems as stumped as anyone to provide answers. It is as if he’s pointing at the symptoms or results of our culture, but can’t find out why things are as they are. It’s a fair and mostly balanced look because Moore gives people a chance to speak. Some, in particular, Charlton Heston (then president of the National Rifle Association or N.R.A.) seem simultaneously proud and embarrassed of their very vocal support of guns and tacit support of gun violence.The film is often very funny. Its issues are perplexing – especially the examination of Canada, a country with a lot of guns, but very few gun deaths. BFC is also quite heartbreaking and dramatic; the segments on Columbine and the murder of the schoolgirl in Michigan are heartbreaking. Moore knows just how to push buttons when he reveals that the mother of the small boy who shot the girl works two very low paying jobs because of Michigan’s “welfare for work program.” Even with the two jobs, she couldn’t pay her rent and was evicted from her home. She moved in with her brother, and that’s where the child found the weapon.
The film is a little over the top at times. The Heston interview doesn’t go well, and in the segment, Moore seems to be picking on this elder statesman of acting, who was later revealed to be in the early stages of Alzheimer’s disease. Oh, God must not like ugly.
Some may find BRC unbalanced, and though that makes it almost as much commentary as documentary, the film is important. Someone had to document the horrors of this violent, bigoted, and greedy leader of the free world in a form that would force its way into pop culture and into the popular conscience. This excellent film only makes people mad because it is both real and truth revealing.
8 of 10
A
NOTES:
2003 Academy Awards: 1 win: “Best Documentary, Features” (Michael Moore and Michael Donovan)
Review: "Harry Potter and the Half-Blood Prince" Revels in Character Drama
Harry Potter and the Half-Blood Prince (2009)
Running time: 153 minutes (2 hours, 33 minutes)
MPAA – PG-13 for scary images, some violence, language and mild sensuality
DIRECTOR: David Yates
WRITER: Steve Kloves (based upon the novel by J.K. Rowling)
PRODUCERS: David Barron and David Heyman
CINEMATOGRAPHER: Bruno Delbonnel (D.o.P.)
EDITOR: Mark Day
Academy Award nominee
FANTASY/DRAMA/MYSTERY
Starring: Daniel Radcliffe, Michael Gambon, Jim Broadbent, Rupert Grint, Emma Watson, Alan Rickman, Robbie Coltrane, Maggie Smith, Bonnie Wright, Julie Walters, Mark Williams, Helena Bonham Carter, Tom Felton, Elarica Gallacher, and Hero Fiennes-Tiffin
The sixth installment of the Harry Potter film franchise, Harry Potter and the Half-Blood Prince, finds the dark lord, Voldemort increasing his attacks on both the Muggle and wizarding worlds. As he begins his sixth year, Harry Potter (Daniel Radcliffe) believes that Hogwarts is no longer the safe haven it once was, so he searches the school for hidden enemies. Harry focuses his investigation on his rival, Draco Malfoy (Tom Felton), who does seem to be creeping around the castle a lot. Meanwhile, in the halls of Hogwarts, love is in the air
However, Hogwarts’ headmaster, Professor Albus Dumbledore (Michael Gambon), is more focused on preparing Harry for the coming final battle with Voldemort that he knows is fast approaching. Together, Dumbledore and Harry work to discover the truth behind Voldemort’s powers. Dumbledore recruits his old friend and colleague, Professor Horace Slughorn (Jim Broadbent), a well-connected wizard who previously taught at Hogwarts, as the new potions instructor. Slughorn holds information that could be crucial in the battle with Voldemort, because Slughorn was a mentor to 11-year-old Tom Riddle (Hero Fiennes-Tiffin), the student who would become the dark lord.
Meanwhile, some of the students are feeling the rage of teenage hormones. Harry finds himself increasingly drawn to Ginny Weasley (Bonnie Wright), the sister of his best friend Ron Weasley (Rupert Grint), but another student, Dean Thomas (Alfie Enoch), is also vying for Ginny’s attention. The spunky Lavender Brown (Jessie Cave) has marked Ron for amorous conquest, which makes Hermione Granger (Emma Watson), who has strong feelings for Ron, simmer with jealousy (although Hermione is determined not to show her feelings). Remaining aloof from the romance, Draco looks to make his own dark mark, one that may lead to tragedy.
The way it begins, Harry Potter and the Half-Blood Prince
looks like it is going to be a long slog through a muddled movie full of mumbling characters and awkward scenes, but the film turns out to be a delight. At times, this movie seems entirely divorced from the magical reality created by J.K. Rowling
, author the Harry Potter series of books from which this film series is adapted (as if you didn’t know…). However, the focus of Half-Blood Prince is on character drama. This is the first time in the series that the story really stops to consider the costs (personal and professional) of the state of civil war in the wizarding world.Playing Draco Malfoy, actor Tom Felton portrays the costs of that war and the toll it a takes on the youth of the wizarding role, in his best performance to date. Michael Gambon, playing Dumbledore as a fierce Christ-like warrior marching inevitably towards his doom, also turns in a good performance. The always-good Jim Broadbent balances the bon vivant façade behind which Horace Slughorn hides his guilt with a sense of quiet desperation.
The rest of the cast, especially the star trio of Daniel Radcliffe, Rupert Grint, and Emma Watson are more earnest than good, but they sell their parts well. They’re also the best they’ve been at depicting the puppy love at which they’ve only teased in the earlier films. Somehow, this story of love and war comes together, until, by the end, you wish Harry Potter and the Half-Blood Prince wouldn’t end.
7 of 10
B+
NOTES:
2010 Academy Awards: 1 nomination: “Best Achievement in Cinematography” (Bruno Delbonnel)
2010 BAFTA Awards: 2 nominations: “Best Production Design” (Stuart Craig and Stephanie McMillan) and “Best Special Visual Effects” (John Richardson, Tim Burke, Tim Alexander, and Nicolas Aithadi)
Tuesday, March 23, 2010
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