Thursday, April 17, 2025

Review: Merchant Ivory's "SHAKESPEARE WALLAH" is a Tale as Old as Time

TRASH IN MY EYE No. 17 of 2025 (No. 2023) by Leroy Douresseaux

Shakespeare Wallah (1965) – Black & White
COUNTRY OF ORIGIN:  USA/India
Running time:  120 minutes (2 hours)
Not rated
DIRECTOR:  James Ivory
WRITERS:  R. Prawer Jhabvala and James Ivory
PRODUCER:  Ismail Merchant
CINEMATOGRAPHER:  Subrata Mitra (D.o.P.)
EDITOR:  Amit Bose
COMPOSER:  Satyajit Ray

DRAMA/ROMANCE

Starring:  Shashi Kapoor, Felicity Kendal, Geoffrey Kendal, Laura Liddell, Madhur Jaffrey, Utpal Dutt, Praveen Paul, Prayag Raaj, Pinchoo Kapoor, and Jim D. Tytler

Shakespeare Wallah is a 1965 romantic drama film from director James Ivory and producer Ismail Merchant.  It was the second film produced by Merchant Ivory Productions.  The film is co-written by Ivory and novelist and screenwriter, Ruth Prawer Jhabvala, who wrote in some capacity 23 of Merchant Ivory's films.  Shakespeare Wallah focuses on a traveling family theatre troupe that performs Shakespearean plays in towns across India even as demand for its work dwindles in the country.

Shakespeare Wallah introduces “the Buckingham Players,” a traveling family theatre troupe led by a British couple, husband Anthony “Tony” Buckingham (Geoffrey Kendal) and wife Carla Buckingham (Laura Liddell).  Their young daughter, Lizzie (Felicity Kendal), is also an actor in this nomadic troupe.  The Buckingham Players travel from town to town in post-colonial India, performing the plays of William Shakespeare before local audiences.  However, demand for their work is dwindling as audiences begin to prefer the movies of “Hindi cinema,” also known as “Bollywood.”

One day, Lizzie meets Sanju Raj (Shashi Kapoor), a playboy.  The two fall in love, but what Lizzie does not know is that Sanju is also romancing the actress, Manjula (Madhur Jaffrey), a very popular Bollywood star who is also very jealous.

2025 is the sixtieth anniversary of the original theatrical release (1965) of Merchant Ivory's second film, Shakespeare Wallah.  As one of the production company's early films, it set the tone for future Merchant Ivory films that focused on cross-cultural romance and relationships.

Shakespeare Wallah is loosely based on the real life of actor-manager Geoffrey Kendal and his family.  Kendal, his wife, Laura Liddell, and their daughter, Felicity Kendal, were part of a real-life traveling Shakespearean company that performed in India.  That is how Geoffrey apparently earned the nickname, “Shakespearewallah” (with “wallah” being an informal term meaning a person involved in a particular thing or business).

Shakespeare Wallah being the second Merchant Ivory film showcases what many of the company's films would depict – seismic shifts in society and changes in culture.  Tony and Carla have been performing Shakespeare across a specific region of India for decades, but the couple, essentially British expatriates, begin to wonder if time has passed them by and if they should return to England.

Meanwhile, their daughter, Lizzie, is experiencing a clash not so much of culture, but of gender roles.  Her playboy paramour, Sanju, is wooing two actresses, but in truth, he does not think of acting as a proper role for a woman, especially more so in the case of Lizzie than in the case of Manjula.

The best thing that I can say about Shakespeare Wallah, and I can say a lot of good things about it, is that the film's emotions and feelings seem authentic.  Manjula's jealousy is alive, dangerous, and electric.  Lizzie and Sanju's romantic feelings are natural, but are also fragile and vulnerable because they are not only different people, but also are from different cultures and outlooks on life.  The overall naturalism and relaxed pace of the narrative are also genuine.

The beautiful film score by Satyajit Ray embellishes the melancholy nature of the film when it comes to love.  Whether one's love is another person, the nomadic life of a traveling troupe, or the profession of performing Shakespeare on the stage, it is bittersweet.  Shakespeare Wallah, however, is the sweet art of cinema.

8 of 10
A
★★★★ out of 4 stars

Thursday, April 17, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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About MERCHANT IVORY PRODUCTIONS

Merchant Ivory Productions was a film company founded in May 1961 by producer Ismail Merchant (1936–2005) and director James Ivory (born in 1928).  Ivory and Merchant had met two years earlier in 1959 in New York City at a screening of Ivory's documentary short film, The Sword and the Flute (1959).  1961 was also the year that Merchant and Ivory became romantic partners.  Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005.

During their time together, they made 44 films – beginning with 1963's The Householder and ending with 2005's The White Countess.  The films were for the most part produced by Merchant and directed by Ivory.  Twenty-three of those films were scripted by novelist and screenwriter, Ruth Prawer Jhabvala (1927–2013), in some capacity. The films were often based upon novels or short stories, particularly the works of Henry James, E. M. Forster, and Jhabvala herself.  The company's final feature film production was 2009's The City of Your Final Destination, directed by James Ivory.

This month (April 2025) cable network, Turner Classic Movies (TCM), is showing seven of Merchant Ivory's feature films over two nights (April 17th and 24th).  This TCM programming includes what may be the company's most famous and acclaimed films:  A Room with a View (1985), Howard's End (1992), and The Remains of the Day (1993).  TCM will also screen the 2024 documentary film, entitled Merchant Ivory, which follows the company's history.

It can be said, in general, that the films of Merchant Ivory Productions have a nostalgia for an idealized past,which usually photographed in sweeping cinematography.  The lush landscapes of its films depict cultural shifts in a society's rigid class structures and also how those changes and shifts affect people of differing classes and social orders.

In conjunction with TCM's programming, I am going to review some of Merchant Ivory's films.  I don't know how many and for how long I will do this, other than that I will likely continue to do so past TCM's Merchant Ivory programming dates.

Negromancer reviews of Merchant Ivory Productions' filmography:

Review: Shakespeare Wallah (1965)

Review: The Wild Party (1975)

Review: The White Countess (2005)

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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Wednesday, April 16, 2025

Comics Review: "ABSOLUTE SUPERMAN #1" Struts and Frets Its Hour Upon the Stage

ABSOLUTE SUPERMAN #1
DC COMICS

STORY: Jason Aaron
ART: Rafa Sandoval
COLORS: Ulises Arreola
LETTERS: Becca Carey
EDITOR: Chris Conroy
COVER: Rafa Sandoval & Ulises Arreola
VARIANT COVER ARTISTS: Jim Lee and Scott Williams with Alex Sinclair; Wes Craig with Mike Spicer; Clayton Crain; Matteo Scalera
36pp, Color, $4.99 U.S. (January 2025)

Superman created by Jerry Siegel & Joe Shuster

“Last Dust of Krypton” Part One: “Down in the Dirt”

Superman is a DC Comics superhero that was created by writer Jerry Siegel and artist Joe Shuster, and that first appeared in Action Comics #1 (first published on April 18, 1938).  Superman was born “Kal-El” on the fictional planet Krypton.  As a baby, his parents, “Jor-El” and “Lara” sent him to Earth in a small spaceship shortly before Krypton was destroyed in a natural cataclysm.

The space ship landed in outside of the fictional town of “Smallville,” Kansas, USA.  Farmers Jonathan and Martha Kent found baby Kal-El, adopted him, and named him “Clark Kent.”  Clark began developing superhuman abilities, such as incredible strength and impervious skin, and the Kents advised him to use his powers to benefit humanity.  As an adult, Clark moved to the fictional American city of “Metropolis.”  Clark works as a reporter for “The Daily Planet,” but he fights crime as the superhero, “Superman.”

The origin story of Superman has been its own “Goldberg variations” for decades.  Now, comes a new line of DC Comics, “Absolute Comics,” which is similar to Marvel's “Ultimate Comics” line, in that Absolute Comics presents alternate versions and the changed narratives of familiar DC Comics characters and their back stories.  Welcome to “Earth-Alpha” and the “Absolute Universe.”

Absolute Batman was the first entry in the Absolute Comics line.  The second entry is the recently launched comic book series, Absolute Superman.  It is written by Jason Aaron; drawn by Rafa Sandoval; colored by Ulises Arreola; and lettered by Becca Carey.  In the new series, Superman/Clark Kent is without the fortress...without the family... and without a home.  So what is left is the Absolute Man of Steel?

Absolute Superman #1 (“Down in the Dirt”) shifts in time.  First, it opens in the past on the planet, Krypton, which is nine million light-years from Earth.  It is a world of haves, have-nots, and have-mores.  Jor-El, an engineer, has discovered that something terrible is about to happen to his world.

In the present day, Kal-El, a strange young man who is not of this world, has been helping the have-nots, much to the chagrin of the have-everthings.  Against the advice of his “companion,” “Sol,” Kal-El has been working below in mineral mines, doing deeds that favor of the poor, especially the abused miners, much to the chagrin of Lazarus Corp.  Now, these conflicting values are all coming to a head.

THE LOWDOWN:  I do not receive PDF review copies from DC Comics.  I bought a copy of Absolute Superman #1 from Lone Star Comics' eBay shop.

The art by Rafa Sandoval is pretty, but it is overly detailed.  Most of the panels are so crowded with elements and content that it creates a murkiness between the storytelling and the readers – at least as far as I am concerned.  The colors by Ulises Arreola are also pretty, but sometimes, the colors look like a soupy mess of bright, vivid, heavy, and thick coloring that is not necessary.  Less is indeed more, sometimes.  I find that it is Becca Carey's lettering, of all the elements, that serves to make the story clear.

Superman's origin has undergone major renovation in the past, everything from John Byrne's 1986 comic book miniseries, The Man of Steel, to J. Michael Straczynski and Shane Davis' Superman: Earth One Volume One.  Even director Zack Snyder's 2013 film, The Man of Steel, takes a radical view of Superman's origin.

Without offering spoilers, I can say that Jason Aaron's re-ordering of Superman's origin is radical on two fronts.  First, his new look at Krypton borrows from Byrne and goes even darker.  Secondly, Aaron takes Superman/Clark Kent's life on Earth and makes it unrecognizable, but familiar in that it recognizes Superman's place as a man of the people rather than as being nothing more than a superhero brand and lucrative IP.

When DC Comics' marketing copy says, “Without the fortress...without the family...without a home...what's left is the Absolute Man of Steel!,” Aaron means it.  Still, I wonder if Aaron is not stripping away a lot of familiar, but worn elements merely to replace them with new elements that will quickly become worn. 

Absolute Superman #1 has high production values and a lot of interesting narrative concepts around it.  In a way, I like what Jason Aaron and Rafa Sandoval are doing... but I'm not really that interested.  I don't want to pay the price of admission, nor do I want to spend the time to engage with Absolute Superman.  Still, I recommend that curious comic book readers at least give this first issue, Absolute Superman #1, a try.  It is high-quality, professionally executed commercial fiction.

I READS YOU RECOMMENDS:  Fans of Superman comic books will want to at least try Absolute Superman.

[This comic book features a back-up story, “AEW Presents Darby All In” from writer Steve Orlando; artist Pop Mhan; colorist Hi-Fi; letterer Josh Reed; and editor Michael McCalister.]

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, April 15, 2025

Review: Prime Video's "G20" Showcases Viola Davis and Black Excellence

TRASH IN MY EYE No. 16 of 2025 (No. 2022) by Leroy Douresseaux

G20 (2025)
Running time:  108 minutes (1 hour, 48 minutes)
MPA – R for violence throughout
DIRECTOR: Patricia Riggen
WRITERS:  Caitlin Parrish & Erica Weiss and Logan Miller & Noah Miller; from a story by Logan Miller & Noah Miller
PRODUCERS:  Viola Davis, Andrew Lazar, and Julius Tennon
CINEMATOGRAPHER:  Checco Varese (D.o.P.)
EDITORS:  Doc Crotzer and Emma E. Hickox
COMPOSER:  Joseph Trapanese

ACTION/THRILLER

Starring:  Viola Davis, Anthony Anderson, Ramon Rodriguez, Marsai Martin, Christopher Farrar, Antony Starr, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, MeeWha Alana Lee, John Hoogenakker, Julius Tennon, Theo Bongani Ndyalvane, Noxolo Diamini, and Clark Gregg

SUMMARY OF THE REVIEW:
-- I would call G20 a standard straight-to-streaming action movie, but Viola Davis makes this fast food hamburger almost seem like “USDA Prime Beef.”

-- G20 is hugely enjoyable, and it will keep you glued to your seats, dear readers, from beginning to end

--Yeah, I liked it enough to hope for a sequel


G20 is a 2025 action-thriller from director Patricia Riggen and starring Viola Davis, who is also one of the film's producers.  The film is an Amazon “Prime Video Original” and debuted on the Prime Video streaming service, Thursday, April 10, 2025.  In G20, the African-American female President of the United States battles a gang of white cryptocurrency terrorists after they take over the G20 summit she is hosting in South Africa.

G20 opens in Budapest, Hungary.  There, former Australian Special Forces Corporal Edward Rutledge (Antony Starr) and his mercenaries are stalking a young woman.  They are determined to acquire a $70 million cryptocurrency wallet in her possession.

Meanwhile, at the White House in Washington D.C., U.S. President Danielle Sutton (Viola Davis) is having some family melodrama.  She may be President of the United States and an Army veteran of the Iraq War, but she  is publicly embarrassed by the rebellious antics of her daughter, Serena (Marsai Martin), who has recently escaped from the White House without the Secret Service noticing.

President Sutton and her husband, the “First Gentleman” Derek (Anthony Anderson), decide that it is wisest to bring Serena and her brother, their son Demetrius (Christopher Farrar), with them to Capetown, South Africa for the G20 Summit of world leaders.  However, waiting for them at the heavily fortified Grand Diamot hotel is Corporal Rutledge and his team of terrorists, ready to seize control of the summit and bring down the world economy as we know it.  Soon, it will be up to President Sutton, Derek, Serena, Demetrius, and Special Agent Manny Ruiz (Ramon Rodriguez) to save themselves and the Summit's attendees and to stop Rutledge and his diabolical plot to burn down the world as we know it.

During the last year or so, I have seen a few star-studded, streaming original action movies, such as Prime Video's Role Play (2024) and Netflix's The Union (2024) and the recent Back in Action (2025).  I have avoided most streaming action movies, but I have noticed something about the ones I have seen.  They are a family and friends affair.  Husbands and wives, children, and friends come together to stop the high-tech bad guys.  In a way, they are like the 2004 kiddie action flick, Catch That Kid, which you probably don't remember starred a pre-Twilight Kristen Stewart.

Anyway, G20 has lots of violent gun play, and I would dare to guess that more characters were killed in it than in most spy and espionage movies.  That's because G20 is a kind of hybrid military-themed movie about terrorism, except that the lead is a Black female President of the United States.  She is the star and she does the most killing, and while her Black husband and their two Black children also fight the bad guys, only she uses firearms and military-style weapons to kill the bad guys.

I found G20 thoroughly enjoyable, and I enjoyed watching Viola Davis' President Sutton kill the bad guys.  She is one of the few actresses that could take President Sutton and make her both a solid dramatic character and a heavy weight action hero.  I also like that the most of film's biggest heroes are black and brown people.  Viola Davis, Anthony Anderson, Ramon Rodriguez, Marsai Martin, Christopher Farrar, Theo Bongani Ndyalvane and Noxolo Diamini show out for real.  Douglas Hodge, Sabrina Impacciatore, and MeeWha Alana Lee also do the damn thing.  Even Antony Starr deftly chews up the screen as the overheated villain, Corporal Rutledge.

Amazon MGM Studios, I want a sequel.  I heartily recommend G20 for its pure entertainment value and for making a violent, R-rated action movie seem like family entertainment.  This is one time that I can say that a direct-to-streaming action movie is as good as most of the flashy action movies that get theatrical releases.  Best of all, G20 lets Viola David act like an O.G.

B+
7 of 10
★★★½ out of 4 stars

Tuesday, April 15, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Monday, April 14, 2025

DC Comics Shipping from Lunar Distributors for April 16, 2025

DC COMICS:

Absolute Flash #2 (Cover A Nick Robles), $4.99
Absolute Flash #2 (Cover B Jorge Corona Card Stock Variant), $5.99
Absolute Flash #2 (Cover C Christian Ward Card Stock Variant), $5.99
Absolute Flash #2 (Cover D Clayton Crain Card Stock Variant), $5.99
Absolute Flash #2 (Cover E Andrew Maclean Card Stock Variant), AR
Absolute Flash #2 (Cover F Jorge Corona Card Stock Variant), AR
Absolute Flash #2 (Cover G Jeff Spokes Connecting Card Stock Variant), $5.99
Action Comics #1 (Golden Age Sized Facsimile Edition)(Cover A Joe Shuster)(Superman Day 2025 Edition), $9.99
Action Comics #1 (Golden Age Sized Facsimile Edition)(Cover B Dan Mora Homage Card Stock Variant)(Superman Day 2025 Edition), $10.99
Action Comics #1 (Golden Age Sized Facsimile Edition)(Cover C Joe Shuster Foil Variant)(Superman Day 2025 Edition), $14.99
Action Comics #1 (Golden Age Sized Facsimile Edition)(Cover D Blank Variant)(Superman Day 2025 Edition), $10.99
All-Star Superman #1 (Cover A Frank Quitely)(Superman Day 2025 Edition), AR
All-Star Superman #1 (Cover B Frank Quitely Foil Variant)(Superman Day 2025 Edition), $9.99
All-Star Superman #1 (Cover C Blank Variant)(Superman Day 2025 Edition), $4.99
All-Star Superman The Deluxe Edition HC (Frank Quitely Variant Dust Jacket)(Superman Day 2025 Edition), $39.99
Batman #615 (Facsimile Edition)(Cover A Jim Lee & Scott Williams), $3.99
Batman #615 (Facsimile Edition)(Cover B Jim Lee & Scott Williams Foil Variant), $6.99
Batman Superman World's Finest #38 (Cover A Dan Mora Connecting Variant)(We Are Yesterday), $3.99
Batman Superman World's Finest #38 (Cover B Gavin Guidry Card Stock Variant)(We Are Yesterday), $4.99
Batman Superman World's Finest #38 (Cover C Adrian Gutierrez Card Stock Variant)(We Are Yesterday), $4.99
Batman Superman World's Finest #38 (Cover D Brandt & Stein April Fool's Card Stock Variant)(We Are Yesterday), $4.99
Batman Superman World's Finest #38 (Cover E Elizabeth Torque Card Stock Variant)(We Are Yesterday), AR
Catwoman #75 (Cover A Sebastian Fiumara), $3.99
Catwoman #75 (Cover B Frank Cho Card Stock Variant), $4.99
Catwoman #75 (Cover C Inhyuk Lee Card Stock Variant), $4.99
Catwoman #75 (Cover D Noobovich Card Stock Variant), AR
Catwoman #75 (Cover E Frank Cho Card Stock Variant), AR
Challengers Of The Unknown #5 (Of 6)(Cover A Sean Izaakse), $3.99
Challengers Of The Unknown #5 (Of 6)(Cover B Jorge Fornes Card Stock Variant), $4.99
DC Finest Superman Family The Giant Turtle Man TP, $39.99
DC x Sonic The Hedgehog #2 (Of 5)(Cover A Pablo M. Collar), $3.99
DC x Sonic The Hedgehog #2 (Of 5)(Cover B Ejikure Card Stock Variant), $4.99
Detective Comics #1096 (Cover A Mikel Janin), $4.99
Detective Comics #1096 (Cover B Bruno Redondo Card Stock Variant), $5.99
Detective Comics #1096 (Cover C Derrick Chew Card Stock Variant), $5.99
Detective Comics #1096 (Cover D Ashley Wood Card Stock Variant), AR
Jimmy Olsen's Supercyclopedia (Superman Day 2025 Edition), AR
Legion Of Super-Heroes Five Years Later Omnibus Volume 1 HC (2025 Edition), $150.00
New Gods #5 (Of 12)(Cover A Nimit Malavia), $3.99
New Gods #5 (Of 12)(Cover B Mike Del Mundo Card Stock Variant), $4.99
New Gods #5 (Of 12)(Cover C Nicola Scott Card Stock Variant), $4.99
Nightwing #125 (Cover A Dexter Soy), $4.99
Nightwing #125 (Cover B Jorge Fornes Card Stock Variant), $5.99
Nightwing #125 (Cover C Francesco Francavilla Card Stock Variant), $5.99
Nightwing #125 (Cover D Gleb Melnikov Card Stock Variant), AR
Summer Of Superman Special #1 (One Shot)(Cover A Jorge Jimenez), $5.99
Summer Of Superman Special #1 (One Shot)(Cover B Alexander Lozano Card Stock Variant), $6.99
Summer Of Superman Special #1 (One Shot)(Cover C John Giang Card Stock Variant), $6.99
Summer Of Superman Special #1 (One Shot)(Cover D Mahmud Asrar Card Stock Variant), $6.99
Summer Of Superman Special #1 (One Shot)(Cover E Chrissie Zullo-Uminga Card Stock Variant), $6.99
Summer Of Superman Special #1 (One Shot)(Cover F Jorge Jimenez Foil Variant), $8.99
Summer Of Superman Special #1 (One Shot)(Cover G Dan Jurgens Card Stock Variant), AR
Superman For All Seasons Book One (Cover A Tim Sale)(Superman Day 2025 Edition), AR
Superman For All Seasons Book One (Cover B Tim Sale Foil Variant )(Superman Day 2025 Edition), $9.99
Superman Unchained The Deluxe Edition HC (Jim Lee & Scott Williams Variant Dust Jacket)(Superman Day 2025 Edition), $49.99
Superman Unchained The Deluxe Edition HC (Jim Lee Variant Dust Jacket)(Superman Day 2025), $49.99
Titans #22 (Cover A Pete Woods), $3.99
Titans #22 (Cover B Tony S. Daniel Card Stock Variant), $4.99
Titans #22 (Cover C Daniel Bayliss Card Stock Variant), $4.99
Wonder Woman #20 (Cover A Daniel Sampere), $4.99
Wonder Woman #20 (Cover B David Nakayama Card Stock Variant), $5.99
Wonder Woman #20 (Cover C Guillem March Card Stock Variant), $5.99
Wonder Woman #20 (Cover D Tirso Card Stock Variant), AR
Zatanna #3 (Of 6)(Cover A Jamal Campbell), $3.99
Zatanna #3 (Of 6)(Cover B Sweeney Boo Card Stock Variant), $4.99
Zatanna #3 (Of 6)(Cover C Jeehyung Lee Card Stock Variant), $4.99
Zatanna #3 (Of 6)(Cover D Al Kaplan Card Stock Variant), AR

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Dynamite Entertainment Shipping from Diamond Distributors for April 16, 2025

DYNAMITE

FEB250235 DARKWING DUCK #3 CVR A STONES (C: 1-0-0) $4.99
FEB250236 DARKWING DUCK #3 CVR B BAGLEY (C: 1-0-0) $4.99
FEB250237 DARKWING DUCK #3 CVR C BRANDT & STEIN (C: 1-0-0) $4.99
FEB250238 DARKWING DUCK #3 CVR D BALDARI (C: 1-0-0) $4.99
FEB250239 DARKWING DUCK #3 CVR E CANGIALOSI (C: 1-0-0) $4.99
FEB250152 GIANT-SIZE WACKY RACES #1 CVR A LINSNER (C: 1-0-0) $4.99
FEB250153 GIANT-SIZE WACKY RACES #1 CVR B GALMON (C: 1-0-0) $4.99
FEB250154 GIANT-SIZE WACKY RACES #1 CVR C HACK (C: 1-0-0) $4.99
FEB250155 GIANT-SIZE WACKY RACES #1 CVR D BLANK AUTHENTIX (C: 1-0-0) $4.99
FEB250285 GREEN HORNET MISS FURY #4 CVR A FRANCAVILLA $4.99
FEB250286 GREEN HORNET MISS FURY #4 CVR B LEE & CHUNG $4.99
FEB250287 GREEN HORNET MISS FURY #4 CVR C CASE $4.99
FEB250288 GREEN HORNET MISS FURY #4 CVR D EDGAR $4.99
FEB250114 RED SONJA VS AOD #1 CVR A BARENDS $4.99
FEB250115 RED SONJA VS AOD #1 CVR B SEELEY $4.99
FEB250116 RED SONJA VS AOD #1 CVR C SPEARS $4.99
FEB250117 RED SONJA VS AOD #1 CVR D JELENIC $4.99
FEB250118 RED SONJA VS AOD #1 CVR E SPEARS FOIL $9.99
FEB250119 RED SONJA VS AOD #1 CVR F SPEARS FOIL VIRGIN $29.99
FEB250120 RED SONJA VS AOD #1 CVR G BLANK AUTHENTIX $4.99
JAN258451 RED SONJA VS AOD #1 CVR R FOC BONUS SPEARS WHITE BKGR $4.99
JAN258452 RED SONJA VS AOD #1 CVR S FOC BONUS SPEARS WHITE FOIL $9.99
JAN258453 RED SONJA VS AOD #1 CVR T FOC BONUS SPEARS WHITE VIR FOIL $29.99

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Image Comics Publishing Shipping from Lunar Distributors for April 16, 2025

IMAGE COMICS

Assorted Crisis Events #2 (Cover A Eric Zawadzki), $3.99
Assorted Crisis Events #2 (Cover B Artyom Trakhanov), $3.99
Assorted Crisis Events #2 (Cover C Gabriel Walta), AR
Deadly Tales Of The Gunslinger Spawn #5 (Cover A Marco Failla), $2.99
Deadly Tales Of The Gunslinger Spawn #5 (Cover B Marco Failla Mirror Shot Variant), $2.99
Deadly Tales Of The Gunslinger Spawn #5 (Cover C Chad Hardin), $2.99
G.I. Joe #6 (Cover A Tom Reilly), $3.99
G.I. Joe #6 (Cover B Derrick Chew), $3.99
G.I. Joe #6 (Cover C Lorenzo De Felici), $3.99
G.I. Joe #6 (Cover D Karl Kerschl Connecting Variant), AR
G.I. Joe #6 (Cover E Travis Moore & Adriano Lucas), AR
G.I. Joe #6 (Cover F Daniel Warren Johnson & Mike Spicer), AR
G.I. Joe A Real American Hero Spirit #1 (One Shot)(Cover A Leonardo Romero), $3.99
G.I. Joe A Real American Hero Spirit #1 (One Shot)(Cover B Jorge Fornes), $3.99
G.I. Joe A Real American Hero Spirit #1 (One Shot)(Cover C Leonardo Romero Black & White Variant), AR
G.I. Joe A Real American Hero Spirit #1 (One Shot)(Cover D Jorges Fornes Foil Letter Variant), AR
Hack/Slash Body Bags #4 (Of 4)(Cover A Tim Seeley), $3.99
Hack/Slash Body Bags #4 (Of 4)(Cover B Kalman Andrasofszky), $3.99
Hive #1 (3rd Printing Cover A Mike Henderson), $3.99
Hive #3 (Cover A Mike Henderson), $3.99
Horizon Experiment TP, $16.99
Hyde Street #3 (2nd Printing Cover A Marco Santucci), $3.99
Hyde Street #4 (2nd Printing Cover A Francis Portella & Brad Anderson), $3.99
King Spawn #44 (Cover A Eduardo Pansica), $2.99
King Spawn #44 (Cover B Tonton Revolver), $2.99
King Spawn #44 (Cover C Bjorn Barends), $2.99
Lady Mechanika Volume 6 HC, $29.99
Moonshine Bigfoot #1 (Of 4)(Cover A Zach Howard & Nelson Daniel), $4.99
Moonshine Bigfoot #1 (Of 4)(Cover B Zach Howard & Steve Ellis), AR
Redcoat #11 (Cover A Bryan Hitch & Brad Anderson Wraparound Variant), $3.99
Redcoat #11 (Cover B Gary Frank & Brad Anderson), $3.99
Redcoat #11 (Cover C InHyuk Lee), $3.99
Rogue Sun #25 (2nd Printing Cover A Stefano Simeone), $3.99
Rogue Sun #26 (Cover A Stefano Simeone), $3.99
Rogue Sun #26 (Cover B Marcelo Costa), AR
Saga Volume 2 TP (New Edition), $14.99
Walking Dead Deluxe #111 (Cover A David Finch & Dave McCaig), $3.99
Walking Dead Deluxe #111 (Cover B Charlie Adlard & Dave McCaig), $3.99
Walking Dead Deluxe #111 (Cover C Whilce Portacio & Alex Sinclair Connecting Variant), $3.99
Witchblade #10 (2024)(Cover A Giuseppe Cafaro & Arif Prianto), $3.99
Witchblade #10 (2024)(Cover B Tula Lotay), $3.99
Youngblood Deluxe #1 (Cover A Rob Liefeld), $3.99
Youngblood Deluxe #1 (Cover B Rob Liefeld Foil Variant), $5.99
Youngblood Deluxe #1 (Cover C Justin Harder), AR

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