Review: First "Kung Fu Panda" Kicked Butt

TRASH IN MY EYE No. 43 (of 2011) by Leroy Douresseaux

Kung Fu Panda (2008)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG for sequences of martial arts action
DIRECTORS: John Stevenson and Mark Osborne
WRITERS: Jonathan Aibel and Glenn Berger; from a story by Ethan Reiff and Cyrus Voris
PRODUCER: Melissa Cobb
CINEMATOGRAPHER: Yong Duk Jhun
EDITOR: Clare De Chenu
PRODUCTION DESIGNER: Raymond Zibach
COMPOSERS: Hans Zimmer and John Powell
Academy Award nominee

ANIMATION/MARTIAL ARTS/FANTASY/FAMILY

Starring: (voices) Jack Black, Dustin Hoffman, Angelina Jolie, Ian McShane, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, Randall Duk Kim, James Hong, Michael Clarke Duncan, and Dan Fogler

Kung Fu Panda is a 2008 computer-animated, martial arts, action comedy movie from DreamWorks Animation. It is the story of a lazy, genial giant panda who dreams of greatness and suddenly finds it thrust upon him.

Kung Fu Panda is set in ancient China, specifically the Valley of Peace (a fictional place), which is inhabited by talking animals. That is where you will find Po (Jack Black), a giant panda who is also a kung fu fanatic. He lives with his father, Mr. Ping (James Hong), a goose and a noodle maker. Mr. Ping, who does not care for kung fu, owns the most popular noodle restaurant in the Valley and wants to one day pass the shop down to his son, Po, who would rather become a kung fu master.

Po gets more than he expects when a kung fu master, the elderly tortoise, Master Oogway (Randall Duk Kim), suddenly and unexpectedly chooses him to fulfill an ancient prophecy. Po is the prophesied Dragon Warrior! However, the man chosen by Oogway to train Po, the diminutive red panda, Master Shifu (Dustin Hoffman), is unwilling to believe that Po could be the Dragon Warrior. Even Shifu’s students, the legendary Furious Five: Tigress (Angelina Jolie), Crane (David Cross), Mantis (Seth Rogen), Viper (Lucy Liu), and Monkey (Jackie Chan), don’t believe in Po.

Po will have to believe in himself and make his dreams of becoming a kung fu master into reality. Shifu’s former student, the vengeful and treacherous snow leopard, Tai Lung (Ian McShane), is headed to the Valley of Peace, and it will be up to Po to defend everyone from him.

I consider Kung Fu Panda to be the best film from DreamWorks Animation, to date. Virtually everything about this film is done to perfection. Every voice actor is just right for his or her role, but I must single out my favorite, the wonderful James Hong as Po’s lovable father, Mr. Ping. You can imagine that he does a really good job to get singled out, considering Jack Black, Dustin Hoffman, and Ian McShane are superb in their respective rolls. Everyone brings his or her character to life in a way that matches topnotch performances in live action pictures.

The films by Pixar Animation Studios are so good that it is easy to forget that DreamWorks has become the co-gold standard in computer animated films. While Pixar excels in scriptwriting and storytelling of their films, DreamWorks has come to surpass them in software and tech. Computer-animated films generally do not have the character animation and movement on display in DreamWorks films, particularly those released during the last three years or so.

Kung Fu Panda moves like a Looney Tunes cartoon short – with the chaos of a Road Runner cartoon and the madcap comedy of a Chuck Jones Bugs Bunny short, but it does everything faster; the movement is so much more complex. The most important thing, however, is that Kung Fu Panda is just a great story about a lovable wannabe hero; he must put aside his slacker ways and psychological issues to be the hero he always wanted to be. Po the hero succeeds and along the way, his story, Kung Fu Panda, also reaches the summit.

9 of 10
A+

NOTES:
2009 Academy Awards: 1 nomination: “Best Animated Feature Film of the Year” (John Stevenson and Mark Osborne

2009 Golden Globes: 1 nomination: “Best Animated Feature Film”

Tuesday, May 24, 2011

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Review: "Iris" Blooms Through Powerful Performances (Happy B'day, Jim Broadbent)

TRASH IN MY EYE No. 27 (of 2002) by Leroy Douresseaux

Iris (2001)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – R
DIRECTOR: Richard Eyre
WRITERS: Charles Wood and Richard Eyre (based upon John Bayley’s books: Iris: A Memoir and Elegy for Iris)
PRODUCERS: Robert Fox and Scott Rudin
CINEMATOGRAPHER: Roger Pratt (D.o.P.)
EDITOR: Martin Walsh
COMPOSER: James Horner
Academy Award winner

DRAMA/ROMANCE

Starring: Judi Dench, Jim Broadbent, Kate Winslet, Hugh Bonneville, and Penelope Wilton

Iris is the story of the real lifelong romance between novelist Iris Murdoch and her husband John Bayley. The romance begins in their school days when Bayley was a professor at Oxford and Ms. Murdoch was young academic teaching philosophy, and the story ends when Ms. Murdoch succumbs to Alzheimer’s disease.

Directed by Richard Eyre, a veteran of British television movies, Iris unveils the story of Ms. Murdoch and Bayley’s love in snippets of time through the eyes of both characters, but in particular Bayley’s. Iris is an actor’s movie, and Eyre shows great skill in preparing the way for his cast. He lingers on the faces when appropriate, especially the eyes of such a talented cast, eye that say speak volumes. In some moments, he allows body movements and body language to communicate the story. And that is what Eyre is, a natural storyteller, allowing his players all the space they need on the stage to perform.

His cast is exquisite. Kate Winslet (Titanic), who earned an Academy Award nomination for Supporting Actress in the role of the young Iris, transforms herself into the young philosopher who has so much interest in words and in life. Although already a star, Ms. Winslet is so convincing that it is difficult to see her as the “star;” we see her instead as her character.

Academy Award winner Judi Dench (Shakespeare in Love) also earned a Best Actress nomination for playing the elder Ms. Murdoch, beset by Alzheimer’s. She magically and tragically transforms from national famous novelist to lost soul with subtlety and grace. The key moments of her losing battle with the disease are played out so carefully, you could almost miss them if not paying attention. It is not a flashy performance, but rather one that calls for talent and the skill with which to wield that talent. Ms. Dench mentally and physically decays before our eyes, so we share and understand the sad loss of Ms. Murdoch’s brilliant mind.

Not to dismiss Ms. Winslet and Ms. Dench, the most amazing work are the performances of Hugh Bonneville as the young Bayley and Jim Broadbent (Topsy-Turvy) as the elder Bayley; Broadbent won the Best Supporting Actor Academy Award for his role as John Bayley. Both men have an uncanny connection with the other that makes one’s performance a mirror of the other. Bonneville’s Bayley is perfectly awkward next to Ms. Winslet’s Ms. Murdoch, who is so spirited. The story of their unlikely romance is written on Bonneville’s face. He dominates his scenes, but allows Ms. Winslet to develop and to reveal her character, upon which Bonneville plays his. Not acclaimed like his colleagues, his performance is a treasure. Broadbent must make his Bayley from the doddering old man who let his wife take care of everything to the pillar of strength in the relationship. Like Ms. Dench’s, Broadbent’s transformation is equally subtle; when he has to support her, his performance radiates power. Like Ms. Murdoch, the audience must lean on Bayley so that the story remains coherent. Through Broadbent, the unlikely love gains legitimacy.

Iris is the art of acting and stage drama brought to the screen by four powerful talents and a director who has the sense to let the talent soar. In words, Ms. Murdoch became famous, and through words from the mouths of these true actors, we get to taste some of Iris Murdoch and John Bayley’s story.

8 of 10
A

NOTES:
2002 Academy Awards: 1 win: “Best Actor in a Supporting Role” (Jim Broadbent); 2 nominations: “Best Actress in a Leading Role” (Judi Dench) and “Best Actress in a Supporting Role” (Kate Winslet)

2002 BAFTA Awards: 1 win: “Best Performance by an Actress in a Leading Role” (Judi Dench); 5 nominations: “Alexander Korda Award for Best British Film” (Robert Fox, Scott Rudin, and Richard Eyre), “Best Performance by an Actor in a Leading Role” (Jim Broadbent), “Best Performance by an Actor in a Supporting Role” (Hugh Bonneville), “Best Performance by an Actress in a Supporting Role” (Kate Winslet), “Best Screenplay – Adapted” (Richard Eyre and Charles Wood)

2002 Golden Globes: 1 win: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Jim Broadbent); 2 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Judi Dench) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Kate Winslet)

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Meet Bill George VFX Supervisor on "I Am Number Four"

BILL GEORGE - Visual Effects Supervisor "I Am Number Four"

Bill George joined Industrial Light & Magic in 1981. Since then, he has worked as model shop supervisor, art director, matte painter, commercial director, and visual effects supervisor.

Some highlights of his career include miniature construction and design on Blade Runner, art direction and design for five of the Star Trek films, directing over 30 commercials at ILM and overseeing model construction on Ghostbusters 2 and Alive. In 1988, he received an Academy Award for Best Visual Effects for his work on Innerspace. In 2002, director Steven Spielberg entrusted George to update the beloved character E.T. using digital character animation for the 20th Anniversary Edition of E.T.: The Extra-Terrestrial.

George has gone on to earn nominations by the Academy of Motion Picture Arts and Sciences, the British Academy and the Visual Effects Society for work on Harry Potter and the Prisoner of Azkaban, as well as an additional VES nomination for Harry Potter and the Chamber of Secrets.

ILM CREDITS
Feature Films
2011 I AM NUMBER FOUR – Visual Effects Supervisor
2011 STAR TOURS II – Visual Effects Supervisor
2008 TWILIGHT – Visual Effects Supervisor
2007 EVAN ALMIGHTY – Visual Effects Supervisor

2006 PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST – Additional Visual Effects Supervisor
Academy Award – Best Visual Effects
British Academy Award – Best Achievement in Visual Effects
Visual Effects Society Award – Best Single Visual Effects of the Year

2004 HARRY POTTER AND THE PRISONER OF AZKABAN – Visual Effects Supervisor
Academy Award Nomination – Best Visual Effects
British Academy Award Nomination – Best Achievement in Visual Effects
Visual Effects Society Award Nomination – Best Single Visual Effects of the Year

2003 STUCK ON YOU – Visual Effects Supervisor

2002 HARRY POTTER AND THE CHAMBER OF SECRETS - Visual Effects Supervisor
British Academy Award Nomination – Best Achievement in Visual Effects

2002 E.T.: THE EXTRA-TERRESTRIAL 20th Anniversary Edition - Visual Effects Supervisor
2001 PLANET OF THE APES - Visual Effects Supervisor
1999 GALAXY QUEST - Visual Effects Supervisor
1999 STAR WARS: EPISODE I: The Phantom Menace - Matte Painter
1998 DEEP IMPACT - Co-Visual Effects Supervisor
1994 STAR TREK: GENERATIONS - Art Director
1992 ALIVE - Art Director/Landscape Model Construction
1991 STAR TREK VI - Spacecraft/Prop Design & Construction
1990 JOE VS. THE VOLCANO - Large Scale Miniature Boats & Realistic Set Pieces
1989 ALWAYS - Miniatures, Flying Rig, & Practical Effects
1989 GHOSTBUSTERS II - Models & Effects
1989 THE 'BURBS (Opening Sequence)- Combined Motion Control, Matte Paintings & Models
1988 CADDYSHACK II (Gopher Puppet Sequence) - Art Direction & Design

1987 INNERSPACE - Design & Construction of Miniature Submarines & Interior Body Sets
Recipient of Academy Award for Best Achievement in Visual Effects

1987 STAR TREK: THE NEXT GENERATION (Television Series) - Model Construction
“Journey to Farpoint” Episode

1985 EWOKS: THE BATTLE FOR ENDOR (Two Hour TV Movie) - Production Art Direction
Recipient of Emmy Award for Best Achievement in Visual Effects

1984 STAR TREK III: THE SEARCH FOR SPOCK - Spacecraft/Prop Design & Construction

1984 THE EWOK ADVENTURE (Two Hour TV Movie)- Production Art Direction
Recipient of Emmy Award for Best Achievement in Visual Effects

1983 RETURN OF THE JEDI - Spacecraft Design & Construction

Commercials
1997 BERGER BANK “Smiley Face,””Irish Ball” - Director
1997 DORITOS “Thrilling” - Director
1996 NORTHROP “Shadows II” - Director
1996 BERGER BANK “Ball” - Director
1996 US WEST “Fireworks,” “Stars” - Director
1995 VIRGIN ATLANTIC AIRLINES “Nose” - Director
1995 PETER PAN PEANUT BUTTER "Evolution" - Director
1995 SOUTHERN BELL “Man in Chair,” “Woman in Chair” - Director
1995 INTEL “Mobile” - Director
1995 HEWLETT PACKARD “Small Business” - Director
1995 INTEL “Samba” - Director
1995 HUNT-WESSON JUICY GELS “Cartoons” - Director
1994 INTEL “I Want,” “Warp Power” - Director
1993 CARVEL ICE CREAM “Ice Creamation” - Director
1993 PEPSI “Chorus,” “International,” “Gliding Bottle” - Director
1993 INTEL “Windows” - Art Director
1992 TIMEX “Firefly,” “Crickets,” “Lightbulb” - Director
1992 AIR MILES “Fliers” - Director
1991 LIQUID IVORY SOAP “Stork” - Director
1991 KELLOGG'S “Double Dip Crunch” - Director
1991 HEINZ “Catapult” - Art Director
1990 CALIF. MILK ADVISORY BOARD “Real Cheese” - Director
1990 NEC “Turbografx” (Tag) - Director
1990 MATTEL - CORPORATE IMAGE “Echoes” - Direc­tor
1990 CEDAR POINT (Amusement Park) “Disaster Teaser” - Visual Effects Supervisor

OTHER CREDITS
1990 CONTROL “Trixie & Alice” - Visual Effects Director
1990 CHANNEL 4 NEWS (KRON-TV/SF) “Bring it Home” - Model Director
1986 ATARI GAMES “Rasteroids” - Game Designer
1981 BLADERUNNER - Model Design & Construction
1981 ONE FROM THE HEART - Miniature Neon Signs & Street Set

"I am Number Four" on DVD and Blu-ray Today

FROM THE DIRECTOR OF DISTURBIA AND PRODUCER MICHAEL BAY

I AM NUMBER FOUR

On Blu-ray™ Combo Pack, DVD, Movie Download And On-Demand May 24th

Disc Extras Include Never-Before-Seen Bonus Features, Six Jaw-Dropping Deleted Scenes, Special Featurette on “Becoming Number 6”, Bloopers And More!

Just in time for summer break comes the ultimate action-packed, thriller I AM NUMBER FOUR, on Blu-ray, DVD, Movie Download and On-Demand May 24th. Starring sensation Dianna Agron (TV’s “Glee”) and heartthrobs Alex Pettyfer (Beastly) and Timothy Olyphant (TV’s “Justified”), I AM NUMBER FOUR will be available to own as either a 3-Disc Blu-ray Combo Pack (Blu-ray + DVD + Digital Copy), a 1-Disc Blu-ray, and/or 1-Disc DVD that comes packaged complete with never-before-seen bonus features, including deleted scenes, a special featurette, bloopers and more.

From mega-producer Michael Bay (Transformers franchise) and the director of Disturbia, D.J. Caruso, I AM NUMBER FOUR takes viewers on a suspense-filled ride that keeps them on the edge of their seat as they follow the extraordinary story of a young man who is hiding his true identity to evade a deadly enemy that seeks to destroy him.

Bonus Features:
DVD:
· “Becoming Number 6” Featurette
· Bloopers

Blu-ray:
Everything on the DVD plus…
· 6 Deleted Scenes with Introductions by Director D.J. Caruso
o “Strangers in Paradise” (Extended)
o “Sam’s Mom”
o “Worth Mentioning”
o “Power Prank”
o “Trying to Connect”
o “Extended Warsaw Basement”

Movie Download:
Everything on the DVD plus…
· 1 Deleted Scene: “Power Prank”


About The Film:
Three are dead. Who is Number Four? From director D.J. Caruso (Disturbia), producer Michael Bay (Transformers) and the writers of TV’s Smallville, comes this gripping, action-packed thriller. John Smith (Alex Pettyfer) is an extraordinary teen masking his true identity to elude a deadly enemy sent to destroy him. Living with his guardian (Timothy Olyphant) in the small town he now calls home, John encounters unexpected, life-changing events — his first love (Dianna Agron, TV’s Glee), powerful new abilities and a secret connection to the others who share his incredible destiny. Complete with deleted scenes and more, I Am Number Four is an explosive, suspense-filled ride that will take you to the edge of your seat and beyond.

About DreamWorks Studios:
DreamWorks Studios is a motion picture company formed in 2009 and led by Steven Spielberg and Stacey Snider in partnership with The Reliance Anil DhirubhaiAmbani Group. Upcoming releases include Cowboys & Aliens, The Help, Fright Night, Real Steeland War Horse.

DreamWorks Studios can be found on Facebook at http://www.facebook.com/DreamWorksStudios and on Twitter at http://twitter.com/dw_studios.


I Am Number Four (Three-Disc Blu-ray/DVD Combo + Digital Copy)

Terrence Malick's "Tree of Life" Wins Palme d'Or.

The 64th annual Cannes Film Festival closed yesterday, Sunday, May 22, 2011. Below is a list of winners in the category “In Competition,” the 20 films competing for the festival’s top prize, the Palme d'Or.

IN COMPETITION winners:

Palme D’Or: The Tree of Life by Terrence Malick

Grand Prix: Bir Zamanlar Anadolu’da (Once Upon A Time In Anatolia) by Nuri Bilge Ceylan and The Kid With a Bike by Jean-Pierre & Luc Dardenne

Award for Best Director: Nicolas Winding Refn for Drive

Jury Prize: Poliss by Maiwenn

Award for Best Actor: Jean Dujardin in The Artist

Award for Best Actress: Kirsten Dunst in Melancholia

Award for Best Screenplay: Joseph Cedar for Footnote

Film School Rejects offers commentary and has a complete list of winners.

"Gnomeo and Juliet" Arrives on Disney DVD and Blu-ray May 24th

This coming summer to the U.S., don’t miss the chance to bring home GNOMEO & JULIET - the hilarious twist on William Shakespeare’s legendary tale Romeo & Juliet as you’ve never seen it before, perfect for the whole family. Enter the secret world of garden gnomes and meet two adorable gnomes from completely different worlds who fight the odds to be together. From a director of Shrek 2, and featuring fun, all-new music by Sir Elton John, the out-of-the-ordinary animated comedy GNOMEO & JULIET releases on Blu-ray™, Blu-ray 3D™, DVD, Movie Download and On-Demand – May 24, 2011.

Uniquely packaged with families’ top of mind, GNOMEO & JULIET will be made available for purchase by Walt Disney Studios as either a 3-Disc Blu-ray Combo Pack (Blu-ray 3D, Blu-ray 3D + DVD with Digital Copy), a 2-Disc Blu-ray Combo Pack (Blu-ray 2D + DVD) and/or a 1-Disc DVD. Disney Blu-ray Combo Packs provide families with an enhanced entertainment experience – with the value and flexibility to enjoy your favorite movies on a variety of platforms of choice.

And for those who enjoy to learn more about the making of the film, GNOMEO & JULIET discs come enclosed with never-before-seen bonus features including “Elton Builds A Garden,” “Frog talk with Ashley Jensen,”, “Crocodile Rock Music Video featuring Elton John and Nelly Furtado.” And for those who purchase the Blu-ray Disc, it includes hours of extra exclusive bonus features including alternate endings, deleted scenes and more.

GNOMEO & JULIET is brought to life by the extraordinary voices of Golden Globe nominee James McAvoy (The Chronicles of Narnia: The Lion, The Witch and the Wardrobe) as Gnomeo; Emily Blunt (The Devil Wears Prada) as Juliet; Academy Award winner Michael Caine (Inception) as Lord Redbrick; Jason Statham (The Trasnsporter franchise) as Tybalt; Ashley Jensen (TV’s Ugly Betty) as Nanette; Patrick Stewart (X-Men franchise) as William Shakespeare; Ozzy Osbourne (TV’s The Osbournes) as Fawn and Maggie Smith (Harry Potter franchise) as Lady Blueberry.

Bonus Features:
DVD & Movie Download:
• Elton Builds a Garden
• Frog Talk with Ashley Jensen
• “Crocodile Rock” Music Video, featuring Elton John and Nelly Furtado

Blu-ray:
• DVD Bonus plus:
• 2 Alternate Endings with Filmmaker Introductions
• Deleted & Alternate Scenes with Filmmaker Introductions, including: 1 Alternate Opening, 1 Alternate Scene and 6 Deleted Scenes
• The Fawn of Darkness, featuring Ozzy Osbourne

Film Synopsis:
From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes — Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world’s most timeless stories features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and Sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingos and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!


Gnomeo and Juliet (Three-Disc Combo: Blu-ray 3D/Blu-ray/DVD + Digital Copy)

Review: Portman and Aronofsky Give "Black Swan" Its Wings

TRASH IN MY EYE No. 42 (of 2011) by Leroy Douresseaux

Black Swan (2010)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – R for strong sexual content, disturbing violent images, language and some drug use
DIRECTOR: Darren Aronofsky
WRITERS: Mark Heyman, Andrés Heinz, and John McLaughlin; from a story by Andrés Heinz
PRODUCERS: Scott Franklin, Mike Medavoy, Arnold Messer, and Brian Oliver
CINEMATOGRAPHER: Matthew Libatique (D.o.P.)
EDITOR: Andrew Weisblum
COMPOSER: Clint Mansell
Academy Award winner

DRAMA/THRILLER

Starring: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder, and Benjamin Millepied

Black Swan in an Oscar-winning psychological thriller directed by Darren Aronofsky. It is the story of a ballerina descending into delusion and paranoia as opening night nears and the pressure to be perfect builds. Black Swan isn’t entirely satisfying, except for the dark and gleaming magic director Darren Aronofsky and star Natalie Portman make.

Nina Sayers (Natalie Portman) is a ballerina in a prestigious New York City ballet company. Her life is completely consumed with dance, and she lives with her obsessive mother, the former ballerina Erica Sayers (Barbara Hershey), who exerts a suffocating control over her daughter. Thomas Leroy (Vincent Cassel), the artistic director of her ballet company, decides to make Swan Lake the opening production of their new ballet season. Thomas wants to replace prima ballerina, Beth MacIntyre (Winona Ryder), and needs to cast a new principal dancer. But this new lead must be able to portray both the innocent and fragile White Swan and her sensual evil twin, the Black Swan.

Nina is Thomas’ first choice to play the coveted role of the Swan Queen, but Nina has competition. A new dancer named Lily (Mila Kunis) impresses Thomas as well. Swan Lake requires a dancer who can play the White Swan with innocence and grace and also capture the guile and sensuality of the Black Swan. Nina is a perfect fit for the White Swan, but bad girl Lily is the personification of the Black Swan. The two young dancers become friends, but as opening night approaches, that friendship twists into a treacherous rivalry. Nina struggles to access the dark side within her that will allow her to depict the Black Swan with perfection, but her new reckless behavior threatens to destroy her.

Black Swan is indeed a good movie; in fact, it is sometimes riveting, but not because of the writing. The script is shallow, and the screenwriters put the onus on the viewers to accept the great leaps of faith the writers make with the development of Nina Sayers. The depictions of her delusions and paranoia often seem contrived, but the writers handle Nina better than they do the other characters.

Vincent Cassel’s Thomas Leroy is such a stereotype that you can see Cassel fighting onscreen to make his character real or tangible rather than just be a type. Barbara Hershey is more successful in making Erica Sayers a character that electrifies the story every time she appears, but Erica is really a tired stage mother type. Mila Kunis is blood sugar sex magic as Lily, but I get the feeling that the screenwriters were afraid of where this character could take the story. Lily often seems like spicy seasoning overused in some places and woefully underutilized in others.

Black Swan’s success is in Natalie Portman and in the way Darren Aronofsky uses the camera to drink in every bit of Portman’s virtuoso performance. This duo makes Black Swan wonderfully creepy, almost always managing to stop whenever the entire thing seems on the verge of turning campy. Portman is passionate when being passionate is better than being intense. Black Swan looks good under Aronofsky’s bold direction. Watching this film, I believed that I could see him with a handheld camera just outside the picture frame gliding behind Portman.

Perhaps it is Aronofsky chasing Portman that makes this movie feel so wildly melodramatic. Everything that is so attractively lurid, sensational, and bracing about Black Swan is because of this director-star pairing made in heaven.

8 of 10
A

NOTES:
2011 Academy Awards: 1 win: “Best Performance by an Actress in a Leading Role” (Natalie Portman); 1 nominations: “Best Motion Picture of the Year” (Mike Medavoy, Brian Oliver, and Scott Franklin), “Best Achievement in Cinematography” (Matthew Libatique), “Best Achievement in Directing” (Darren Aronofsky), and “Best Achievement in Editing” (Andrew Weisblum)

2011 BAFTA Awards: 1 win: “Best Actress” (Natalie Portman); 11 nominations: “Best Achievement in Special Visual Effects,” “Best Cinematography” (Matthew Libatique), “Best Costume Design” (Amy Westcott), “Best Editing” (Andrew Weisblum), “Best Film,” “Best Make Up/Hair,” “Best Production Design” (Thérèse DePrez and Tora Peterson), “Best Screenplay-Original” (Mark Heyman, Andres Heinz, and John J. McLaughlin), “Best Sound,” “Best Supporting Actress” (Barbara Hershey), and “David Lean Award for Achievement in Direction” (Darren Aronofsky)

2011 Golden Globes: 1 win “Best Performance by an Actress in a Motion Picture – Drama” (Natalie Portman); 3 nominations: “Best Director - Motion Picture” (Darren Aronofsky), “Best Motion Picture – Drama,” and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Mila Kunis)

Sunday, May 22, 2011

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