Negromancer News Bits and Bites from May 8th to 14th, 2022 - Update #18

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline:  "The Sugar Shack," the painting by artist Ernie Barnes that was displayed in the end credits of the late CBS sitcom, "Good Times," has sold at auction for $15.3 million.

MOVIES - From Deadline:  Director Rob Reiner and stars: Michael McKean, Harry Shearer, and Christopher Guest are reuniting for "Spinal Tap II," a sequel to the cult classic "mockumentary" (mock documentary film), "This is Spinal Tap."

MOVIES - From Deadline:  Actor Dan Stevens is set to be the lead in the sequel to "Godzilla vs. Kong," which will reunite Stevens with the film's director, Adam Wingard.

MOVIES - From THR:   Oscar-winner Christopher Walken has joined the cast of "Dune: Part Two."

MOVIES - From THR:   Adam Driver, Forest Whitaker, and Laurence Fishburne are among the cast of director Francis Ford Coppola's self-financed film, "Megalopolis."

MOVIES - From Deadline:  Hayden Panettiere will return as "Kirby Reed" in "Scream 6."  Kirby was the lone survivor of "Scream 4."

TELEVISION - From Deadline:  NBC has put in a series order for the comedy, "Lopez Vs. Lopez," starring George Lopez and Maya Lopez.

DISNEY - From THR:  Rick Riordan, author of the "Percy Jackson and the Olympians" books series, and his wife, Rebecca, condemn racists attacks against actress Leah Sava Jeffries.  Jeffries will star in the Disney+ series version of "Percy Jackson," which the Riordans are executive producers on the upcoming series.

POLITICS/DISNEY - From THR:  U.S. Senator Josh Hawley (R-Mo) has proposed a federal legislation that would limit copyright protection to 56 years.  The law would apply retroactively to existing copyrights.  Hawley's legislation is apparently aimed at the Walt Disney Company, which would lose its copyright to certain iterations of Mickey Mouse, for instance.  The legislation is unlikely to pass.

BOX OFFICE - From BoxOfficePro:  The winner of the 5/6 to 5/8/2022 weekend box office is Disney/Marvel Studios' "Doctor Strange in the Multiverse of Madness" with an estimated gross of 185 million dollars.

From Deadline:  "Doctor Strange 2's" $450 million global debut is the second largest for a Hollywood film during the pandemic era.

From Here:  My review of "Doctor Strange in the Multiverse of Madness."

AWARDS - From Variety:  The nominations for the 2022 / 75th Tony Awards were announced Mon., May 9th. The winners will be announced June 12th.

AMAZON - From Deadline:  Amazon's "Jack Ryan" series (with John Krasinski in the lead) will end with Season 4.  Amazon Studios is considering a spinoff with actor Michael Pena.

TELEVISION - From BBC:  The 29-year-old Rwandan-born, Scottish actor Ncuti Gatwa will take over the role of "The Doctor" on the BBC's "Doctor Who."  Gatwa replaces Jodie Whittaker and is the 14th Doctor.

MOVIES - From LATimes:  The paper takes a look at the French abortion drama, "Happening."

OBITS:

From Variety:  Actor Fred Ward has died at the age of 79, Sunday, May 8, 2022.  Ward was best known for numerous films, including "The Right Stuff," "Remo Williams: The Adventure Begins," "Henry & June," "Tremors," "The Player," and "Short Cuts," to name a few.

From THR:  Country singer and songwriter and businessman, Mickey Gilley, has died at the age of 86, Saturday, May 7, 2022.  Gilley may be best remembered as the owner of "Gilley's Club," what would later become known as "the world's largest honky tonk."  The club inspired the nightclub, "Gilley's," that appeared in the 1980 John Travolta film, "Urban Cowboy," in which Mickey himself also appeared.  Gilley received six Academy of County Music Awards.  His "Gilley's Urban Cowboy Band" won a Grammy for "Best Country Instrumental Perfomance in 1981.  He also had 17 No. 1 songs.

From Deadline:  The film, television, and stage actor, James Olson, died at the age of 91, April 17, 2022.  He was best known for his performances in such films as "Rachel, Rachel" (1968) and "The Andromeda Strain (1971).  He appeared in numerous TV series, including "Bonanza," "Maude," "Wonder Woman," and "Murder, She Wrote," to name a few.

Review: "A Mighty Wind" Sounds Good

TRASH IN MY EYE No. 173 (of 2004) by Leroy Douresseaux

A Mighty Wind (2003)
Running time:  91 minutes (1 hour, 31 minutes)
MPAA – PG-13 for sex-related humor
DIRECTOR:  Christopher Guest
WRITERS:  Eugene Levy and Christopher Guest
PRODUCER:  Karen Murphy
CINEMATOGRAPHER:  Arlene-Donnelly Nelson (D.o.P.)
EDITOR:  Robert Leighton
Academy Award nominee

COMEDY/MUSIC

Starring:  Michael McKean, Harry Shearer, Christopher Guest, Eugene Levy, Catherine O’Hara, Bob Balaban, Jane Lynch, John Michael Higgins, Fred Willard, Ed Begley, Jr., Don Lake, Deborah Theaker, Larry Miller, Jennifer Coolidge, Bill Cobbs, Parker Posey, Rachael Harris, and LeShay Tomlinson

The subject of this movie review is A Mighty Wind, a 2003 comedy-drama from director Christopher Guest.  This mock documentary captures the reunion of a 1960s folk trio, as they prepare for a show to memorialize a recently deceased concert promoter.

Christopher Guest’s film A Mighty Wind is the third in his popular series of mock documentary films, or mockumentaries, as fans know them, which also include Waiting for Guffman and Best in Show.  Guest and co-stars Michael McKean and Harry Shearer were also the band in the Rob Reiner’s famous mockumentary, This is Spinal Tap.  This time the comedic trio comprises another movie group, the folk trio The Folksmen.

The neurotic and fussbudget son (the sublime Bob Balaban) of a folk music record company mogul, with some help from his siblings, organizes a reunion of three of his father’s biggest acts:  the aforementioned The Folksmen, The New Main Street Singers, and the very popular duo Mitch and Mickey.  As the groups prepare for a nationally televised show (on public TV) staged at Town Hall in New York City, old tensions and conflicts that caused breakups or hard feelings start to arise.  Will everyone have his or her act together in time to show the nation that folk music is alive and well?

Some consider this to be the least among the Guest-Levy comedies, and A Mighty Wind is often too polished and too smooth.  The documentary aspect of the film is also just window dressing; the film is better when it’s more about personal relationships and less about characters being observed by a camera.  The documentary makes the characters appear to be shallow when they’re obviously more interesting than just the surface appearance.  In the end, the players are more interesting than the film’s conceit.

However, there are times when Guest and Levy deal their wit using only the sharpest instruments of satire and farce, but the brilliance in the writing of this film is that Guest and Levy, for all the fun they poke, actually make folk music quite appealing.  The screwy, peculiar, neurotic, and sometimes wacky characters are all quite loveable.  I found myself laughing good-naturedly more than in derision at the cast.  Would that more movies were so endearing even when they skewering.

The film earned an Oscar® nomination for “Best Music, Original Song” for the fabulous and poignant “A Kiss at the End of the Rainbow,” song by Mitch and Mickey.  Guest, McKean, and Levy, however, did win a Grammy® Award in the category of “Best Song Written for a Motion Picture, Television or Other Visual Media” for the movie’s title track, “A Mighty Wind.”  These two songs and many others in combination with a musically talented and funny cast make A Mighty Wind a must see for viewers who want their comedy a notch above profanity and gross out.

6 of 10
B

NOTES:
2004 Academy Awards, USA:  1 nomination: “Best Music, Original Song” (Michael McKean and Annette O'Toole for the song "A Kiss at the End of the Rainbow")

Updated:  Wednesday, February 19, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Small Soldiers" is Hugely Entertaining (Remembering Jerry Goldsmith)

TRASH IN MY EYE No. 60 (of 2005) by Leroy Douresseaux

Small Soldiers (1998)
Running time:  110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for some menacing violence/action and brief drug references
DIRECTOR:  Joe Dante
WRITERS:  Gavin Scott, Adam Rifkin, and Ted Elliot & Terry Rossio
PRODUCERS:  Michael Finnell and Colin Wilson
CINEMATOGRAPHER:  Jamie Anderson
EDITORS:  Marshall Harvey and Michael Thau
COMPOSER:  Jerry Goldsmith

FANTASY/SCI-FI/ACTION/ADVENTURE/COMEDY

Starring:  Gregory Smith, Kirsten Dunst, Jay Mohr, David Cross, Denis Leary, Kevin Dunn, Ann Magnuson, Phil Hartman, Jacob Smith, Wendy Schaal, and Dick Miler and the voices of Tommy Lee Jones, Frank Langella, Ernest Borgnine, Jim Brown, Bruce Dern, George Kennedy, Sarah Michelle Gellar, Clint Walker, Christopher Guest, Michael McKean, Christina Ricci, and Harry Shearer

The subject of this movie review is Small Soldiers, a 1998 science fiction, fantasy, and action film from director Joe Dante.  The film depicts a small war between two groups of action figures brought to life by new technology.  Small Soldiers remains one of my all-time favorite films.

Joe Dante directed Gremlins, the tale of toy-like creatures besieging a small town.  He returned to a similar toys-come-to-life theme in the 1998 DreamWorks film, Small Soldiers.  When computer chips manufactured for military use end up in a line of action figures, the toys come to life with minds of their own.  One group, the Commando Elite, is composed of military action figures, kind of like an extreme version of G.I. Joe.  The second group is a collection of monsters and creatures called the Gorgonites.  The Commando Elite, led by Major Chip Hazard (voice of Tommy Lee Jones), are programmed to destroy the Gorgonites, led by the wise Archer (voice of Frank Langella), who are programmed to lose to the Commando Elite.

Alan Abernathy (Gregory Smith) is manning the counter of his father, Stuart’s (Kevin Dunn) old-fashioned toy store, The Inner Child, when he spots a shipment of Commando Elite and Gorgonite toys on a delivery truck.  He convinces the delivery driver to give him a case of each toy set, but he doesn’t know that once he opens the box, he’s also activated the toys, which are actually intelligent because of the military chips in them.  Then, the Commando Elite begin hunting Archer.  When Alan unknowingly takes Archer (who’s hiding in Alan’s bag) home with him, Chip Hazard and the rest of the Elite mark him for annihilation along with the Gorgonites.  Soon Alan’s neighbors, including a classmate to whom he’s attracted, Christy Fimple (Kirsten Dunst), are marked for death as collaborationists with the Gorgonites.  Now, Alan, Christy, both their families, and two developers from the toy manufacturer (Jay Mohr and David Cross) must not only defend themselves from the Commando Elite, they must also stop the toys for good.

The characters in Small Soldiers aren’t that well developed, but they’re more broad archetypes than caricatures.  Gregory Smith’s Alan is the outsider boy, one with a bit of a rebellious streak, and he’s more spirited and strong-willed than his slight build would suggest.  Kirsten Dunst’s Christy Fimple is the all-American girl-next-door who is much wiser and more open minded than her contemporaries.  They make a good screen couple, and Smith and Ms. Dunst act as if they’ve done this before.  Tommy Lee Jones’ voice over performance as Major Chip Hazard is surprisingly good and really sells the film.  His Hazard voice is a mixture of tongue-in-cheek humor, sarcasm, laid-back disdain, and menace.  The rest of the cast fits in well, but really don’t do much until the final act.

Small Soldiers was a moderate box office success.  The film is a bit old for the small children who would play with toys like the Commando Elite and Gorgonites, and would certainly not interest the older teens and twenty-something males who see war action/adventure films.  Still, it’s a good satire of the violent mentality that says we must hate, fight, kill, and destroy those who are supposed to be our enemies or those we were taught or programmed to believe deserve destruction.

The film really is fun (I’ve seen it twice.), and Joe Dante has the knack for never taking his films too seriously.  He can both make his point and make entertaining films with fantastical settings or creatures.  Dante fills Small Soldiers with references to other films that augment the tale he’s telling.  Like his other films, the aforementioned Gremlins and Piranha and The Howling, he takes the ridiculous and gives it humor and bite, and Small Soldiers surely is an edgy little comedy about a small war and the small-minded reasons for fighting it.

8 of 10
A

Updated: Sunday, July 21, 2013

---------------------------------

Review: "This is Spinal Tap" Never Stops Being Funny (Happy B'day, Rob Reiner)

TRASH IN MY EYE No. 106 (of 2005) by Leroy Douresseaux

This is Spinal Tap (1984)
Running time: 83 minutes (1 hour, 23 minutes)
MPAA – R
DIRECTOR: Rob Reiner
WRITERS: Christopher Guest, Michael McKean, Harry Shearer, & Rob Reiner
PRODUCER: Karen Murphy
CINEMATOGRAPHER: Peter Smokler
EDITOR: Kent Beyda and Kim Secrist

COMEDY/MUSIC

Starring: Christopher Guest, Michael McKean, Harry Shearer, Rob Reiner, June Chadwick, Tony Hendra, RJ Parnell, Fran Drescher, Patrick MacNee, Bruno Kirby, Ed Begley, Jr., Billy Crystal, Dana Carvey, Howard Hessman, Fred Willard, Paul Shaffer, Gloria Gifford, and Anjelica Huston

The subject of this review is This is Spinal Tap, a faux documentary that parodies rock documentary films. Directed by Rob Reiner, the film also satirizes the behavior and attitudes of members of hard rock and heavy metal bands.

This is Spinal Tap basically says that, “It’s time to get personal with one of music history’s greatest and loudest rock bands… Spinal Tap.” Documentary filmmaker Marty DiBergi (Rob Reiner) is making a “rockumentary,” a rock documentary of the band’s 1982 tour in support of the release of its 15th album, but the band has falling on some hard times. They’re playing smaller venues in front of an ever-shrinking audience, and the band’s front men: guitarist/co-songwriter David St. Hubbins (Michael McKean), lead guitarist/co-songwriter Nigel Tufnel (Christopher Guest), and bassist Derek Smalls (Harry Shearer) are older and struggling with inner band turmoil. DiBergi’s documentary gives them a chance to talk about themselves, their history, and their music and gives the audience a behind the scenes look at rare footage and a chance to hear lots of music. Will Spinal Tap survive, or will we die laughing first?

This is Spinal Tap, Rob Reiner’s faux documentary, created a film genre, the “mockumentary” or mock documentary. This is Spinal Tap is a fake documentary that follows the life and times of an aged metal band on an less-than-successful American tour, and everyone involved, especially the band comes across as twits. They don’t, in all seriousness, see themselves as pathetically funny as they actually are. Reiner, Christopher Guest, Michael McKean, and Harry Shearer wrote all the songs for the fake band called Spinal Tap (which some movie audiences initial thought was a real band), and with the rest of the cast, adlibbed most of the dialogue.

Anyone with more than a passing knowledge of heavy metal music and the eccentricities of metal’s most famous practitioners will double over in laughter at this “behind the scenes” look at band infighting, groupies, cancelled concerts, impractical stage sets, musical and performance pretensions, tight pants, misogynistic music, and the long hair and makeup. Even if you don’t like music, This is Spinal Tab is still funny; in fact the magazine, Entertainment Weekly, named it the #1 cult film of all time.

The film’s strength is in the music; one is actors playing the front men are all competent musicians. Spinal Tap’s songs are so funny and so dead on rock and roll and heavy metal, that for all that they are satires of metal songs, they also work quite well as actually metal music. Great parodies have to work as the thing they are parodying; Mel Brooks has made a career on getting the setting right in such films as Young Frankenstein, which looked like the classic black and white Universal Studios Frankenstein films and Blazing Saddles, which looked and acted like a western. The film’s other strength is the cast. Everyone is so good at playing so many absurd situations and saying so many ridiculous things with the straightest faces, as if the entire Spinal Tap scenario were all real and serious. This is Spinal Tap is a must-see for lovers of comedy.

8 of 10
A

NOTES:
2002 National Film Registry: National Film Preservation Board, USA

------------------

Review: Judi Dench is Fun in "Mrs. Henderson Presents" (Happy B'day, Judi Dench)

TRASH IN MY EYE No. 82 (of 2006) by Leroy Douresseaux


Mrs. Henderson Presents (2005)
COUNTRY OF ORIGIN: UK
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for nudity and brief language
DIRECTOR: Stephen Frears
WRITER: Martin Sherman
PRODUCER: Norma Heyman
CINEMATOGRAPHER: Andrew Dunn
EDITOR: Lucia Zucchetti
Academy Award nominee

COMEDY/DRAMA/MUSIC/HISTORICAL

Starring: Judi Dench, Bob Hoskins, Will Young, Kelly Reilly, Thelma Barlow, Michael Culkin, and Christopher Guest

After her husband Robert dies in 1937, Laura Henderson (Judi Dench) struggles to find a hobby to occupy her time, and one day, chance affords an opportunity when she passes by an old movie theatre on London’s West End. She buys the theatre and rebuilds it as The Windmill, a venue for musical theatre. Mrs. Henderson takes on a salty theatre manager and showman, Vivian Van Damm (Bob Hoskins), and together they make their show, a kind of musical theatre they call “Revudeville,” a hit, even if they are occasionally at odds with one another.

However, other theatres are soon copying The Windmill’s winning formula. It is then that Mrs. Henderson proposes an idea that has been in her heart for a long time – have nude actresses on stage (similar to what the Moulin Rouge in Paris does). That raises eyebrows, but the nude musical revue is an even bigger hit. But all isn’t happiness and sunshine; the show that Mrs. Henderson presents must struggle to go on as World War II arrives and the Germans bomb London.

Mrs. Henderson Presents, based on a true story, is a movie of two minds. The first 50 minutes or so of the film is a delightful comedy of manners, class divisions, creative differences, and musical theatre. The fest of the film is a dour, World War II drama that clunks about as if the filmmakers weren’t sure just what kind of “Masterpiece Theatre” movie this picture should be. Mrs. Henderson Presents is indicative of director Stephen Frears work – when he’s on (High Fidelity and Dirty Pretty Things), he’s really on, but when he stumbles, his films are uneven (The Grifters and Hero), and there’s a bit of both here.

A few things make this a good movie. There is a scene of full frontal nudity featuring Bob Hoskins. Sandy Powell’s colorful costumes are eye-catching, and I found myself always waiting to see what she’d give us next. The musical theatre (the songs more than the acting and dancing, although both are good) is fun and bubbly. Finally, Judi Dench delivers her usual stellar work. She’s witty and delightful and wields screenwriter Martin Sherman’s dialogue and character of Mrs. Henderson with the assurance of a master fencer. She’s just fun to watch, and her fans shouldn’t miss Mrs. Henderson Presents.

6 of 10
B

NOTES:
2006 Academy Awards: 2 nominations: “Best Achievement in Costume Design” (Sandy Powell) and “Best Performance by an Actress in a Leading Role” (Judi Dench)

2006 BAFTA Awards: 4 nominations: “Anthony Asquith Award for Film Music” (George Fenton), “Best Costume Design” (Sandy Powell), “Best Performance by an Actress in a Leading Role” (Judi Dench), and “Best Screenplay – Original” (Martin Sherman)

2006 Golden Globes: 3 nominations: “Best Motion Picture - Musical or Comedy,” “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Bob Hoskins), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Judi Dench)

Wednesday, April 19, 2006