Emma Stone Gets an A for "Easy A"

TRASH IN MY EYE No. 106 (of 2010) by Leroy Douresseaux

Easy A (2010)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG-13 for mature thematic elements involving teen sexuality, language and some drug material
DIRECTOR: Will Gluck
WRITER: Bert V. Royal
PRODUCERS: Zanne Devine and Will Gluck
CINEMATOGRAPHER: Michael Grady
EDITOR: Susan Littenberg
Golden Globe nominee

COMEDY

Starring: Emma Stone, Amanda Bynes, Aly Michalka, Penn Badgley, Stanley Tucci, Patricia Clarkson, Bryce Clyde Jenkins, Thomas Haden Church, Lisa Kudrow, Dan Byrd, Cam Gigandet, Fred Armisen, and Malcolm McDowell

The recent teen comedy, Easy A, takes as its inspiration the classic American novel, The Scarlet Letter (1850), written by Nathaniel Hawthorne. Easy A focuses on a clean-cut high school student who uses rumor and innuendo to improve her social status at school.

At Ojai North High School, no one really notices Olive Penderghast (Emma Stone), except her bitchy best friend, Rhiannon Abernathy (Aly Michalka). It is to Rhiannon that Olive lies about losing her virginity to a college student, and, in what seems like an instant, that little white lie is all over campus. This causes Olive to run afoul of the campus Christian crusader, Marianne Bryant (Amanda Bynes). Olive compounds that first lie by helping Brandon (Dan Byrd), her gay friend who is being bullied, stage an act to trick their fellow students into believing that Dan is now straight. Soon, however, Olive learns that being the talk of the school isn’t necessarily a good thing – especially when the talk is that you are easy and a whore.

Although it belongs to the well-worn teen comedy genre, Easy A is fresh and spry. Much of the credit for that should go to the film’s star, Emma Stone, who comes across as being much more mature than her age (22) would suggest. This film’s plot, pacing, and philosophy flow through her, and Stone handles it with ease, talent, and uncommon professionalism for an actress her age.

The other thing that makes Easy A seem different is that it is real or tells its tale by dealing with issues and situations confronted by real teenagers. Director Will Gluck and screenwriter Bert V. Royal are able to mine so much excellent comedy, humor, and satire from that realism. Easy A rips people apart for being so hypocritical and judgmental. It derives humor not only from that, but also from the fact that people are often critical of others to cover for something about themselves they don’t like.

The film understands that the complicated, rough and tumble politics of high school are a microcosm of what happens in the larger world. We all want to be accepted and loved, and yes, we will use other people and tell lies to get our way.

Easy A is brutally honest and funny. Sometimes, it isn’t as clever as the filmmakers think it is, which makes the film awkward, especially in the last act. Still, I give this movie credit for being a teen film that tackles the high school rumor mill and social ladder with such sparkling wit and lack of political correctness. Easy A envisions teen angst and the high school drama from a different angle, and the reward for watching it is a memorably good time at the movies.

7 of 10
B+

Tuesday, December 28, 2010

NOTES:
2011 Golden Globes: 1 nomination: “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Emma Stone)

Review: "She's the Man" Only Thinks its Clever

TRASH IN MY EYE No. 197 (of 2006) by Leroy Douresseaux

She’s the Man (2006)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for some sexual material
DIRECTOR: Andy Fickman
WRITERS: Karen McCullahand Kirsten Smith and Ewan Leslie; from a story by Ewan Leslie (Inspired by Twelfth Night by William Shakespeare)
PRODUCERS: Ewan Leslie, Jack Leslie, and Lauren Shuler Donner
CINEMATOGRAPHER: Greg Gardiner
EDITOR: Michael Jablow

COMEDY/ROMANCE/SPORT

Starring: Amanda Bynes, Channing Tatum, Laura Ramsey, Vinnie Jones, David Grass, Julie Haggerty, Robert Hoffman, Jonathan Sadowski, Alex Breckenridge, Amanda Crew, Jessica Lucas, James Kirk

When her school discontinues the girl’s soccer team, Viola Johnson (Amanda Bynes) is determined to prove that she can make it on a boy’s team, especially after her boyfriend, soccer stud Justin (Robert Hoffman), mocks her. When her twin brother Sebastian (James Kirk) skips town to play with his band in London, Viola disguises herself as Sebastian and heads to his boarding school, Illyria Prep. There, Viola hopes that she can make the boy’s soccer team if her disguise convinces everyone at Illyria that she is indeed Sebastian. The Illyria boy’s soccer team is set to play her real school, Cornwall, in two weeks, and Viola would love to beat them and reveal to Justin that he lost to a team with a female player.

There are, however, complications galore. Viola falls in love with her handsome roommate, Duke Orsino (Channing Tatum), the captain of the Illyria team, and Duke certainly believes Sebastian is who he says he is because Duke doesn’t see through Viola in drag. Channing, however, is in love with Olivia (Laura Ramsey), but Olivia is in love with Sebastian who is really Viola in drag. As the day of the big game between Illyria and Cornwall approaches, the real Sebastian returns to school, and Viola in drag starts finding life a drag.

A work that is inspired by William Shakespeare can be anything from an adaptation that is derivative to a work that merely borrows a few ideas. It’s been so long since I’ve read Twelfth Night, but I remember enough to recognize what the 2006 high school romantic comedy, She’s the Man borrows. Shakespeare aside, She’s the Man is a slightly above average youth comedy. It has its moments – most of them derived from the lies and confusion brought about by mistaken identity and impersonation. There are some decent, if not good characters. It’s not that this film is not well directed so much as it is badly written. The writers may have borrowed from Shakespeare, but there’s not enough left of the Bard to make this a winning script. The narrative is too long, and the writers prop it on mishaps and identity-based gags rather than on good characters.

Since her days of romping on Nickelodeon, I’ve thought Amanda Bynes had the making of a fine comic actress. She is growing into one, and she takes this flimsy material and makes it worthy, though flawed. Channing Tatum (as Duke) is not a good actor, but he’s handsome and the camera mugs on him the way it does another acting challenged, but great movie star, Keanu Reeves. Tatum does his best to mimic the posturing, posing, and attitude of a modern young, urban black teen. There’s enough kink in his hair and enough tinge in his complexion to almost convince that he has… soul?

5 of 10
C+

Friday, September 15, 2006

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