TRASH IN MY EYE No. 14 (of 2020) by Leroy Douresseaux
[This review was originally posted on Patreon.]
The Hateful Eight (2015)
Running time: 188 minutes (3 hours, 8 minutes)
MPAA – R for strong bloody violence, a scene of violent sexual content, language and some graphic nudity
WRITER/DIRECTOR: Quentin Tarantino
PRODUCERS: Richard N. Gladstein, Shannon McIntosh, and Stacey Sher
CINEMATOGRAPHER: Robert Richardson
EDITOR: Fred Raskin
COMPOSER: Ennio Morricone
Academy Award winner
WESTERN/CRIME/DRAMA/MYSTERY
Starring: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern, James Parks, Dana Gourrier, Zoe Bell, Lee Horsley, Gene Jones, Keith Jefferson, Craig Strark, Belinda Owino, and Channing Tatum
The Hateful Eight is the 8th film from writer-director Quentin Tarantino. A Western and mystery-thriller, The Hateful Eight focuses on two bounty hunters, a prisoner, and a new local sheriff who find themselves stranded in a cabin with a collection of nefarious strangers. At least one of those strangers may be connected to the prisoner.
The Hateful Eight opens in the dead of a Wyoming winter some years after the Civil War. O.B. Jackson (James Parks) drives a stagecoach through the snow-covered landscape. Aboard his stagecoach is bounty hunter, John Ruth the Hangman (Kurt Russell), and his prisoner, Daisy Domergue (Jennifer Jason Leigh). Ruth is taking Domergue to Red Rock, Wyoming where she is to be tried and hanged for her crimes.
The stagecoach comes across a second bounty hunter, Major Marquis Warren (Samuel L. Jackson), who was transporting three dead bounties to Red Rock when his horse died. It takes some convincing, but Ruth allows Warren to board the stagecoach. Shortly afterwards, former Confederate, Chris Mannix (Walton Goggins), who claims to be heading to Red Rock to assume the job of sheriff, hails the stagecoach. It takes some talking, but Ruth also lets him aboard.
A sudden blizzard forces this quintet to seek shelter at the stagecoach stopover, Minnie's Haberdashery, but Minnie (Dana Gourrier) is nowhere to be found. Instead, they are met by Bob (Demián Bichir), a Mexican who says that Minnie is visiting her mother and has left him in charge; Oswaldo Mobray (Tim Roth) who claims to be Red Rock's hangman; Joe Gage (Michael Madsen), a quiet cowboy; and General Sanford Smithers (Bruce Dern), a former Confederate officer. John Ruth and Marquis Warren believe that at least one of the men they have found at Minnie's is in league with Daisy Domergue, but which one and when will he strike?
Although The Hateful Eight displays Quentin Tarantino's signature blend of wisecracking social commentary, action, humor, and over-the-top violence, this film is not like Tarantino's more popular films: Pulp Fiction (1994), Inglourious Basterds (2009) and Django Unchained (2012). These three films received best picture Oscar nominations, while The Hateful Eight did not. The Hateful Eight is a parlor-room drama, but the parlor room is set up like a stage for live theater.
The other three films were wide-ranging epics full of hyper-kinetic violence. They are flashy examples of Tarantino's bravura film making, while The Hateful Eight is quiet and edgy and brimming with malice, menace, and venom. More than half the characters in The Hateful Eight really are fucking hateful, and that is a ratio that can be off-putting for the audience.
But not for me. I would put The Hateful Eight in the top half of Tarantino's filmography. This isn't Tarantino's best dialogue or screenplay for that matter, but his execution is impeccable, as usual. The Hateful Eight is a riveting piece of work, three hours of glorious film narrative, and I enjoyed every minute of it. I wanted more.
Besides Tarantino's stellar work, there are a number of good performances in this film. Samuel L. Jackson, a Tarantino regular, gives his best performance in a lead role in years. He gives the sly Marquis Warren layers, from vengeful former slave to death-dealing former P.O.W., but Jackson suggests that there is so much more to this man that it would take at least two movies to discover what is inside him.
Jennifer Jason Leigh also turns Daisy Domergue into so much more than what she seems. Her performances is built on subtle changes in note; it is a bouquet of scents meant to keep the viewers on their heels when it comes to what her motivations are. Joined at the hip with Kurt Russell, who also gives a spry, spicy turn, they make a good pair. Walton Goggins also surprises, especially since his career, thus far, has been filled with oddballs who are odd for the sake of being an oddity in a film.
Ennio Morricone's score and the film's soundtrack offer a nice backdrop, heightening the sinister mood of the story. The Hateful Eight might not be a Tarantino audience favorite; it is too slow for the kick-ass crowd. However, I think that it is a masterpiece, a great modern Western that stands with the very few great Westerns of the previous four decades.
9 of 10
A+
Sunday, July 10, 2016
Revised: Thursday, July 16, 2020
NOTES:
2016 Academy Awards, USA: 1 win: “Best Achievement in Music Written for Motion Pictures, Original Score” (Ennio Morricone); 2 nominations: “Best Performance by an Actress in a Supporting Role” (Jennifer Jason Leigh) and “Best Achievement in Cinematography” (Robert Richardson)
2016 Golden Globes, USA: 1 win: “Best Original Score - Motion Picture” (Ennio Morricone); 2 nomination: “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Jennifer Jason Leigh) and “Best Screenplay - Motion Picture” (Quentin Tarantino)
2016 BAFTA Awards: 1 win: “Best Original Music” (Ennio Morricone); 2 nominations: “Best Supporting Actress” (Jennifer Jason Leigh) and “Best Original Screenplay” (Quentin Tarantino)
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.
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Friday, July 17, 2020
Review: "The Hateful Eight" is Certainly Great
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Tuesday, July 14, 2020
Recording Academy Announces 2020 Invitees for Membership
Recording Academy® Invites 2,300 Qualified Music Creators and Professionals to Join Its Membership
SANTA MONICA, Calif.--(BUSINESS WIRE)--The Recording Academy® extended membership invitations to more than 2,300 established music professionals from wide-ranging backgrounds, genres and disciplines. The invitation is a reflection of their important contributions to music and potential to influence progressive changes within the music industry. The 2020 class of invitees is 48 percent female, 21 percent African American/African descent, eight percent Hispanic, and three percent Asian American and Pacific Islander. The representation of this class also spans ages, genre and region. The Recording Academy's current membership is 26 percent female and 25 percent from traditionally underrepresented communities.
“We are proud of the strides we've made toward ensuring our membership is diverse and inclusive, which is reflected within this new pool of invitees”
"We are proud of the strides we've made toward ensuring our membership is diverse and inclusive, which is reflected within this new pool of invitees,” said Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy. "While this progress signifies meaningful impact, there's still more work to be done. We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community. Furthermore, we’re excited to see how the contributions of the incoming new member class will help inspire meaningful change within the music industry."
"Building out our membership body is a process that encourages inclusivity from start to finish, and it's a privilege to extend invitations to the 2020 class of invitees that represent the wide-ranging backgrounds and crafts that makes the music industry so unique," said Kelley Purcell, Senior Director of Member Outreach at the Recording Academy. "These individuals will become the driving force behind the Recording Academy, and it's encouraging to see how our membership continues to evolve each year as we take steps toward building a more inclusive and vibrant community."
Convening virtually in April, the Recording Academy's Peer Review Panel of music creators evaluated new member submissions considering a range of criteria — including craft, genre and overall diversity. The more than 2,300 new invitations were extended under the Academy's community-driven and peer-reviewed membership model. Implemented in 2018 in an ongoing effort to build a more representative and relevant membership body, the annual member submission process entails two community-centered key elements: industry recommendations and peer review.
Ensuring that the Recording Academy's membership is fully representative of the music community has been a longstanding goal of Recording Academy Trustees. In December 2019, the Recording Academy pledged to implement 17 of 18 reforms set forth by the Diversity & Inclusion Task Force, including increasing outreach to diverse communities and doubling the number of women voters by 2025. Specifically, this means 2,500 new women voters by the year 2025.
To celebrate the incoming new member class, GRAMMY.com Editor-In-Chief Justin Dwayne Joseph hosted a moderated discussion on June 24 titled "Your Academy: Welcoming The 2020 New Member Class." Featuring new invitees and existing members, the conversation showcased an authentic look into what it means to be a member of the Academy, the important initiatives worked on year-round, progress members hope to see within the Academy, and diversity and inclusion in the music industry at large. The roundtable debuted today on GRAMMY.com.
In order to participate in the process for the upcoming GRAMMY Awards ®, new members have to accept their invitations by Sept. 15, 2020. The first voting ballot opens Sept. 30 and closes Oct. 12. The 63rd GRAMMY Awards are set to take place Jan. 31, 2021, at the STAPLES Center in Los Angeles.
For more information on the Recording Academy's membership process and requirements, visit here. For full information and details surrounding the new class visit here.
ABOUT THE RECORDING ACADEMY:
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards — music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, YouTube, and LinkedIn.
-----------------------
SANTA MONICA, Calif.--(BUSINESS WIRE)--The Recording Academy® extended membership invitations to more than 2,300 established music professionals from wide-ranging backgrounds, genres and disciplines. The invitation is a reflection of their important contributions to music and potential to influence progressive changes within the music industry. The 2020 class of invitees is 48 percent female, 21 percent African American/African descent, eight percent Hispanic, and three percent Asian American and Pacific Islander. The representation of this class also spans ages, genre and region. The Recording Academy's current membership is 26 percent female and 25 percent from traditionally underrepresented communities.
“We are proud of the strides we've made toward ensuring our membership is diverse and inclusive, which is reflected within this new pool of invitees”
"We are proud of the strides we've made toward ensuring our membership is diverse and inclusive, which is reflected within this new pool of invitees,” said Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy. "While this progress signifies meaningful impact, there's still more work to be done. We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community. Furthermore, we’re excited to see how the contributions of the incoming new member class will help inspire meaningful change within the music industry."
"Building out our membership body is a process that encourages inclusivity from start to finish, and it's a privilege to extend invitations to the 2020 class of invitees that represent the wide-ranging backgrounds and crafts that makes the music industry so unique," said Kelley Purcell, Senior Director of Member Outreach at the Recording Academy. "These individuals will become the driving force behind the Recording Academy, and it's encouraging to see how our membership continues to evolve each year as we take steps toward building a more inclusive and vibrant community."
Convening virtually in April, the Recording Academy's Peer Review Panel of music creators evaluated new member submissions considering a range of criteria — including craft, genre and overall diversity. The more than 2,300 new invitations were extended under the Academy's community-driven and peer-reviewed membership model. Implemented in 2018 in an ongoing effort to build a more representative and relevant membership body, the annual member submission process entails two community-centered key elements: industry recommendations and peer review.
Ensuring that the Recording Academy's membership is fully representative of the music community has been a longstanding goal of Recording Academy Trustees. In December 2019, the Recording Academy pledged to implement 17 of 18 reforms set forth by the Diversity & Inclusion Task Force, including increasing outreach to diverse communities and doubling the number of women voters by 2025. Specifically, this means 2,500 new women voters by the year 2025.
To celebrate the incoming new member class, GRAMMY.com Editor-In-Chief Justin Dwayne Joseph hosted a moderated discussion on June 24 titled "Your Academy: Welcoming The 2020 New Member Class." Featuring new invitees and existing members, the conversation showcased an authentic look into what it means to be a member of the Academy, the important initiatives worked on year-round, progress members hope to see within the Academy, and diversity and inclusion in the music industry at large. The roundtable debuted today on GRAMMY.com.
In order to participate in the process for the upcoming GRAMMY Awards ®, new members have to accept their invitations by Sept. 15, 2020. The first voting ballot opens Sept. 30 and closes Oct. 12. The 63rd GRAMMY Awards are set to take place Jan. 31, 2021, at the STAPLES Center in Los Angeles.
For more information on the Recording Academy's membership process and requirements, visit here. For full information and details surrounding the new class visit here.
ABOUT THE RECORDING ACADEMY:
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards — music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, YouTube, and LinkedIn.
-----------------------
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MAR200769 TMNT ONGOING #106 CVR A DANIEL $3.99
MAR200770 TMNT ONGOING #106 CVR B EASTMAN $3.99
FEB200644 TRANSFORMERS 84 SECRETS & LIES #1 (OF 4) CVR A GUIDI $3.99
FEB200645 TRANSFORMERS 84 SECRETS & LIES #1 (OF 4) CVR B COLLER $3.99
JAN200788 COMPLETE CHESTER GOULD DICK TRACY HC VOL 28 $44.99
MAR200825 DISNEY COMICS AND STORIES #13 CVR A MAZZARELLO $5.99
JAN200006 FCBD 2020 MY LITTLE PONY FRIENDSHIP IS MAGIC $PI
JAN200786 GROT STORY OF SWAMP CITY GRIFTERS TP $19.99
NOV190718 HG WELLS THE ISLAND OF DR MOREAU HC $24.99
APR200699 SNAKE EYES DEADGAME #1 CVR A LIEFELD $4.99
APR200700 SNAKE EYES DEADGAME #1 CVR B LIEFELD $4.99
FEB200632 STAR TREK DS9 TOO LONG A SACRIFICE #1 CVR A DRUMOND $3.99
FEB200633 STAR TREK DS9 TOO LONG A SACRIFICE #1 CVR B PHOTO $3.99
JAN200734 STAR WARS ADVENTURES #32 CVR A FLOREAN $3.99
JAN200735 STAR WARS ADVENTURES #32 CVR B BUISAN $3.99
MAR200769 TMNT ONGOING #106 CVR A DANIEL $3.99
MAR200770 TMNT ONGOING #106 CVR B EASTMAN $3.99
FEB200644 TRANSFORMERS 84 SECRETS & LIES #1 (OF 4) CVR A GUIDI $3.99
FEB200645 TRANSFORMERS 84 SECRETS & LIES #1 (OF 4) CVR B COLLER $3.99
Labels:
Comics,
Diamond,
Disney Books,
FCBD,
IDW,
Star Trek,
Star Wars,
TMNT,
Top Shelf,
Transformers
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