Thursday, April 8, 2021

Review: "MONSTER HUNTER" Offers Great Subterranean Monsters... Nothing Else

TRASH IN MY EYE No. 26 of 2021 (No. 1764) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Monster Hunter (2020)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – PG-13 for sequences of creature action and violence throughout
DIRECTOR:  Paul W.S. Anderson
WRITER:  Paul W.S. Anderson (based on upon the Capcom's video game, Monster Hunter)
PRODUCERS:  Paul W.S. Anderson, Dennis Berardi, Jeremy Bolt, Robert Kulzer, and Martin Moszkowicz
CINEMATOGRAPHER:  Glen MacPherson (D.o.P)
EDITOR:  Doobie White
COMPOSER:  Paul Haslinger

FANTASY/ACTION

Starring: Milla Jovovich, Tony Jaa, Ron Perlman, Tip “T.I.” Harris, Diego Boneta, Meagan Good, Josh Helman, Jin Au-Yeung, Hirona Yamazaki, Jannick Schümann, Nanda Costa, Nic Rasenti, and Aaron Beelner (voice)

Monster Hunter is a 2020 fantasy action film from director Paul W. S. Anderson.  The film is based on Monster Hunter, the Capcom video game for the PlayStation 2.  Monster Hunter the film follows an Army Ranger transported to another world where she must fight monsters in order to survive.

Monster Hunter opens in “our world,” the world of humans, and introduces Captain Artemis (Milla Jovovich), who leads a U.S. Army Rangers unit that is working for the United Nations Joint Security Operations.  Artemis and her team:  Lincoln (Tip “T.I.” Harris), Marshall (Diego Boneta), Dash (Meagan Good), Steeler (Josh Helman), and Axe (Jin Au-Yeung) are searching for another U.N. security team that is missing.  A strange and sudden storm pulls the team into a portal that drops them into a desert-like region of the “New World.”  In this New World, humans share the world with a variety of large and savage monsters and strange beasts.

Once in the New World, Artemis and her team are attacked by “Diablos,” a horned subterranean monster that can not only walk on sand, but can also swim through the sand like it was water.  Soon, Artemis finds herself alone with a New World human, whom she names “Hunter” (Tony Jaa).  Artemis and Hunter grudgingly agree to cooperate in order to defeat the seemingly unbeatable Diablos.  But if they escape this monster, what else awaits them and how can Artemis get back to our world?

I had never heard of the Monster Hunter video game until I read a volume of the Monster Hunter manga adaptation that is published in English in North America by VIZ Media.  The main reason that I watched this Monster Hunter film is because of the husband-wife team of filmmaker Paul W.S. Anderson and actress Milla Jovovich.  Jovovich was the star of the Resident Evil film series, and Anderson wrote and produced all six films in the series and directed four of them.  I am a fan of the Resident Evil series (which is also based on a videogame) overall, and I hoped that Anderson and Jovovich could create another fantasy-action movie series that I could enjoy.  I hoped...

I have mixed feelings about this Monster Hunter movie.  The visual effects, especially the CGI used to create the monsters and creatures of the New World are fantastic.  Diablos is a monster both fearsome and beautiful, and it could be the star of its own movie.  The spider-like Nerscyllas had my heart racing; they are creepy and bloodcurdling.  The dragon-like Rathalos is another great beast in the film and reminds me of the film version of the dragon, Smaug, that appeared in Peter Jackson's The Hobbit films.  Rathalos is also a CGI creation of exceptional beauty and awesomeness.

The action sequences are good, but they all seem to run a little long.  Killing the Monster Hunter monsters is like killing horror film villains, Michael Myers and Jason Voorhees.  Every time, you knock them down, they pop up less than half a minute later.  I get that the monsters of Monster Hunter are supposed to be hard to destroy, but sometimes it seems as if the filmmakers are stretching it all past the point of credulity.

What really hurts Monster Hunter is the awful acting and crappy characters.  I can deal with bad acting in this kind of movie, but not characters this bad.  All the characters, even Artemis, are little more than props to be tossed around and chewed up by monsters.  I think that the reason I like Monster Hunter's monsters so much is because I prefer time with them rather than screen time with these wooden, personality-absent characters.  Making Milla Jovovich's Artemis and Tony Jaa's Hunter the center of this film was a mistake.  They don't have screen chemistry, and every moment that they are together screams that they are a mismatched pair.

The rating and grade that I am giving Monster Hunter is for the visual effects and production design.  It's too bad.  I wanted this to be the start of a film series, and should there be a sequel, the film studios and production companies involved will have to do a major overhaul of the characters and cast.

5 of 10
C+

Sunday, March 7, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, April 7, 2021

Comics Review: "THE SILVER COIN #1" is Money

THE SILVER COIN #1 (OF 5)
IMAGE COMICS

STORY: Chip Zdarsky
ART: Michael Walsh
COLORS: Michael Walsh
LETTERS: Michael Walsh
EDITOR: Chris Hampton
COVER: Michael Walsh
VARIANT COVER ARTISTS: Tula Lotay; Maria Nguyen
28pp, Colors, 3.99 U.S. (April 2021)

Rated “M/ Mature”

The Silver Coin is created by Michael Walsh, Ed Brisson, Jeff Lemire, Kelly Thompson, and Chip Zdarsky

“The Ticket”


The Silver Coin in a new horror comic book anthology and miniseries published by Image Comics.  It is the creation of artist Michael Walsh and writers Ed Brisson, Jeff Lemire, Kelly Thompson, and Chip Zdarsky.  Each issue of this five-issue miniseries will tell a tale of terror that is set in a supernatural world in which the mysterious “Silver Coin” changes the lives of those who take possession of it.  The first issue is written by Zdarsky and drawn, colored, and lettered by Walsh.

The Silver Coin #1 (entitled “The Ticket”) opens in 1978Disco is at the height of its power over American pop culture.  Feeling that power is local rock band, the power trio, “Running Red.”  They currently have the seven o'clock spot at “The Dirty Eagle,” a rock club that now caters to the disco crowd.

Ryan, the lead singer, songwriter, and guitarist of Running Red, wants to be more than just the leader of a bar band living on the edge.  However, his band mates, bassist, Joe, and drummer, Ashley, seem happy just playing together.  One day, Ryan discovers a mysterious silver coin, and he begins using it as his guitar pick.  Before they know it, Running Red is no longer a failing rock band, but this sudden change of fortune comes with a cost – a hungry curse.

THE LOWDOWN:  I am a big fan of horror comic book anthologies, which includes, of course, the classic EC Comics titles.  However, I am also a fan of EC's comics inheritors, including Kitchen Sink Press's Death Rattle, DC Comics' Ghosts and House of Mystery, Warren Publishing's Creepy and Eerie, and Approbation Comics' Amour, to name a few.

The Silver Coin reminds me of DC and Warren's 1970s horror comics, especially because of Michael Walsh's ghostly coloring.  His ethereal compositions recall the late master of horror comics, Bernie Wrightson, and Walsh's storytelling is both efficient in its narrative and lavish in its presentation.  Even Walsh's lettering has a horrific lilt, as the fonts chronicle a creeping doom.

Chip Zdarsky, one of the most clever and inventive mainstream comic book writers, offers a standalone story that is complete and delivers the brutal comeuppance of dealing with a cursed object in a single-issue.  Efficient beginning, informative middle, and shocking ending:  we get all this in 22 pages and not in six issues of padded storytelling.

If The Silver Coin #1 is any indication of what the remaining issues will offer, I feel very confident in highly recommending it.  And I want more.

I READS YOU RECOMMENDS:  Fans of classic horror comic book anthologies will want to spend The Silver Coin.

A


Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, April 6, 2021

"Godzilla vs. Kong" Attacks the Worldwide Box Office


“GODZILLA VS. KONG” CRUSHES AT THE BOX OFFICE, CLOSING IN ON $300 MILLION WORLDWIDE IN ONLY 12 DAYS

BURBANK, Calif.--(BUSINESS WIRE)--Riding the wave of a massive opening in international markets, including $137.1 million in China so far, “Godzilla vs. Kong” debuted this week in the U.S. in theaters and on HBO Max, taking in $48.5 million at the domestic box office over five days, pushing the Warner Bros. Pictures and Legendary Pictures film close to the $300 million mark at the global box office in its 12th day in release. Legendary handled all aspects of the film’s release in China. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Jeff Goldstein, and President of International Distribution, Andrew Cripps.

Despite the ongoing challenges in markets throughout the world due to the pandemic, the film has already earned a total of $285.4 million globally, thanks to record debuts both domestically and internationally, opening at number one in every major market in which it has been released, including the U.S., Australia, Mexico, Russia and the UAE. In the U.S., as market restrictions ease, the film has set several domestic records, including the largest number of locations at 3,064, the largest opening day at $9.6 million, the largest single day (Saturday) at $12.5 million, and the largest opening weekend, with $32.2 million, and a five-day cume of $48.5 million. Internationally, the film took in $76.1 million over the weekend, bringing the international total to $236.9 million.

Across the U.S., the film continues to perform strongly in Los Angeles, New York, Dallas, Houston, Phoenix, Chicago and San Francisco. It also has much-anticipated openings to come in such key international markets as Japan, Brazil and much of Western Europe, when theaters open around the world and expand audience capacity as appropriate.

Goldstein stated, “Moviegoers have been waiting for an event film like ‘Godzilla vs. Kong’ to arrive on the big screen and the numbers don’t lie—it’s clear that wherever audiences are ready to safely return to the theater, they have, and we’re thrilled with the results. And with the film’s A Cinema Score and being Certified Fresh on Rotten Tomatoes, with an audience score of 93%, we look forward to sharing the movie with even more fans as theaters continue to open up around the U.S.”

Cripps added, “It’s no surprise that these two iconic Titans would lead the charge back to theaters around the world and even exceed expectations in such a massive way. With our incredible numbers in China leading the charge, and powerful openings in such markets as Australia, Taiwan, Saudi Arabia and Mexico, we’re looking forward to a robust theatrical run for ‘Godzilla vs. Kong’ across the globe.”

Mary Parent, Legendary’s Vice Chairman of Global Production, noted, “The global reception to the theatrical release of this film is a positive sign for moviegoing as people continue to look towards entertainment in a post pandemic world. Congratulations to our director, cast and crew along with our partners at Warner and everybody who worked so hard on this film internally at Legendary as theaters begin to once again become a destination.”

“The HBO Max audience has spoken very clearly and loudly: they love this film and are watching it more than once,” said Andy Forssell, Executive Vice President and General Manager, WarnerMedia Direct-to-Consumer. “Comparing audience metrics in the first four days since its release, ‘Godzilla vs. Kong’ had a larger viewing audience than any other film or show on HBO Max since launch.”


About “Godzilla vs. Kong”:
From Warner Bros. Pictures and Legendary Pictures comes the long-awaited showdown between two icons in the epic adventure “Godzilla vs. Kong,” directed by Adam Wingard.

Legends collide in “Godzilla vs. Kong” as these mythic adversaries meet in a spectacular battle for the ages, with the fate of the world hanging in the balance. Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The initial confrontation between the two Titans—instigated by unseen forces—is only the beginning of the mystery that lies deep within the core of the Earth.

The film stars Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, with Kyle Chandler and Demián Bichir.

Wingard directed from a screenplay by Eric Pearson and Max Borenstein, story by Terry Rossio and Michael Dougherty & Zach Shields, based on the character “Godzilla” owned and created by TOHO CO., LTD. The film was produced by Mary Parent, Alex Garcia, Eric McLeod, Jon Jashni, Thomas Tull and Brian Rogers, with Jay Ashenfelter, Herbert W. Gains, Dan Lin, Roy Lee, Yoshimitsu Banno and Kenji Okuhira executive producing.

The director’s behind-the-scenes creative team included director of photography Ben Seresin, production designers Owen Paterson and Thomas S. Hammock, editor Josh Schaeffer, costume designer Ann Foley and visual effects supervisor John “DJ” DesJardin. The music is by Tom Holkenborg.

Warner Bros. Pictures and Legendary Pictures Present a Legendary Pictures Production, A Film By Adam Wingard, “Godzilla vs. Kong.” The film is available in the U.S. on HBO Max in 4K UHD, HDR10, Dolby Vision, Dolby Atmos on supported devices for 31 days from theatrical release.

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Monday, April 5, 2021

BOOM! Studios Shipping from Diamond Distributors for April 7, 2021

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