Showing posts with label Pedro Almodovar. Show all posts
Showing posts with label Pedro Almodovar. Show all posts

Saturday, April 28, 2012

Review: Women Make Almodavor's "VOLVER" Spin (Happy B'day, Penelope Cruz)

TRASH IN MY EYE No. 63 (of 2007) by Leroy Douresseaux

Volver (2006)
COUNTRY OF ORIGIN: Spain
Running time: 121 minutes (2 hour, 1 minutes)
MPAA – R for sexual content and language
WRITER/DIRECTOR: Pedro Almodóvar
PRODUCER: Esther García
CINEMATOGRAPHER: José Luis Alcaine (director of photography)
EDITOR: José Salcedo
2007 Academy Award nominee

DRAMA with elements of comedy and fantasy

Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo, Yohana Cobo, and Chus Lampreave

In his new film, Volver, two-time Academy Award winner Pedro Almodóvar (All About my Mother, Talk to Her) gives us three generations of women living in a world where the living and dead coexist. In this film, it is natural for the people of the La Mancha region of Spain, with its ever-present east wind, to practice a culture of death in which the deceased remain present in the lives of their living relatives. Also, José Luis Alcaine’s cinematograph for Volver is easily among the year’s best.

Abuela Irene (Carmen Maura), who died in a fire four years ago, is apparently revisiting her hometown in La Mancha. Irene wants to resolve the problems she didn’t or couldn’t during her lifetime, especially her relationship with her estranged daughter Raimunda (Penélope Cruz), who has her own problems. Raimunda has to surreptitiously bury her husband, Paco (Antonio de la Torre), after their daughter, Paula (Yohana Cobo who plays her part with such naturalness), kills him when he tries to rape his own daughter. After appearing first to her sister, the elderly Aunt Paula (Chus Lampreave), Irene also visits her daughter Sole (Lola Dueñas), who makes a living as an illegal, home-based hairdresser. Meanwhile, fellow villager, Agustina (Blanca Portillo), is seeking out Irene for help with her own family issues.

If there are men who were born to make movies, Pedro Almodóvar is undoubtedly one of them. That’s evident in his beautiful films filled with vibrant colors, narratives, and people; in fact, José Luis Alcaine’s vivid cinematograph for Volver is easily among the year’s best.

Almodóvar also understands women. Here, in Volver (which mean “coming back”) his female characters make it through life by lying when necessary – either to protect themselves or the feelings of their loved ones. These women also survive the troubles of life because they have persistent vitality and a treasure trove of goodness in them. That’s how Almodóvar makes you root for them. These are good, simple, plain folks who, if possible, won’t let their complex interior selves bring harm to their loved ones, but they’re still capable of making bold moves to enrich their lives.

To play such funny, spontaneous, and intrepid women, Almodóvar guides a cast capable of deep, genuine emotion and of playing characters that sometimes take the hilarious path out of trouble. You’ll never look at Penélope Cruz the same way again after seeing her in this movie. Her Raimunda is a painterly performance, full of subtle color and audacious, but gentle strokes. Cruz is layered and flavored like a buffet of earthy dishes, and I was sad whenever her Raimunda left the screen.

The same can be said for the rest of cast: from Blanca Portillo as the troubled, gentle soul, Agustina to Carmen Maura as Irene, back-from-the-dead and looking to heal wounds and bandage hurts. Almodóvar’s Volver is why I like foreign cinema. It doesn’t mind telling stories that are as rich and as complex as literary fiction. But Almodóvar does the telling in a purely visual style that makes one appreciate storytelling shown on the screen.

9 of 10
A+

NOTES:
2007 Academy Awards: 1 nomination for “Best performance by an actress in a leading role” (Penélope Cruz)

2007 BAFTA Awards: 2 nominations: “Best Actress in a Leading Role” (Penélope Cruz) and “Best Film not in the English Language” (Agustín Almodóvar and Pedro Almodóvar)

2007 Golden Globes, USA: 2 nominations: “Best Foreign Language Film” and “Best Performance by an Actress in a Motion Picture – Drama” (Penélope Cruz)

2007 Image Awards: 2 nominations: “Outstanding Actress in a Motion Picture” (Penélope Cruz) and “Outstanding Independent or Foreign Film”

2006 Cannes Film Festival: 2 wins: “Best Actress” (Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo, Yohana Cobo, and Chus Lampreave to the female ensemble cast) and “Best Screenplay” (Pedro Almodóvar); 1 nomination: “Palme d'Or” (Pedro Almodóvar)

Saturday, April 14, 2007

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Sunday, February 12, 2012

2012 BAFTAs Name "The Artist" Best Film

The Orange British Academy Film Awards (also known as the BAFTAs) are presented in an annual award show hosted by the British Academy of Film and Television Arts (BAFTA). It is the British counterpart of the Oscars.

The 2012 Orange British Academy Film Awards ceremony was held on Sunday, February 12, 2012 at London's Royal Opera House.  To no one's surprise, the black and white, silent film, The Artist, was the big winner, capturing the best film prize and winning in 7 of the 12 categories in which it was nominated.

2012 Orange British Academy Film Awards winners:

BEST FILM
WINNER: THE ARTIST - Thomas Langmann

OUTSTANDING BRITISH FILM
WINNER: TINKER TAILOR SOLDIER SPY - Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo, Bridget O'Connor, Peter Straughan

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
WINNER: TYRANNOSAUR - Paddy Considine (Director), Diarmid Scrimshaw (Producer)

DIRECTOR
WINNER: THE ARTIST - Michel Hazanavicius

DOCUMENTARY
WINNER: SENNA - Asif Kapadia, James Gay-Rees, Eric Fellner, Tim Bevan, Manish Pandey

ORIGINAL SCREENPLAY
WINNER: THE ARTIST - Michel Hazanavicius

ADAPTED SCREENPLAY
WINNER: TINKER TAILOR SOLDIER SPY - Bridget O'Connor, Peter Straughan

FILM NOT IN THE ENGLISH LANGUAGE
WINNER: THE SKIN I LIVE IN - Pedro Almodóvar, Agustin Almodóvar

ANIMATED FILM
WINNER: RANGO - Gore Verbinski

LEADING ACTOR
WINNER: JEAN DUJARDIN - The Artist

LEADING ACTRESS
WINNER: MERYL STREEP - The Iron Lady

SUPPORTING ACTOR
WINNER: CHRISTOPHER PLUMMER - Beginners

SUPPORTING ACTRESS
WINNER: OCTAVIA SPENCER - The Help

ORIGINAL MUSIC
WINNER: THE ARTIST - Ludovic Bource

CINEMATOGRAPHY
WINNER: THE ARTIST - Guillaume Schiffman

EDITING
WINNER: SENNA - Gregers Sall, Chris King

PRODUCTION DESIGN
WINNER: HUGO - Dante Ferretti, Francesca Lo Schiavo

COSTUME DESIGN
WINNER: THE ARTIST - Mark Bridges

SOUND
WINNER: HUGO - Philip Stockton, Eugene Gearty, Tom Fleischman, John Midgley

SPECIAL VISUAL EFFECTS
WINNER: HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 - Tim Burke, John Richardson, Greg Butler, David Vickery

MAKE UP & HAIR
WINNER: THE IRON LADY - Mark Coulier, J. Roy Helland, Marese Langan

SHORT ANIMATION
WINNER: A MORNING STROLL - Grant Orchard, Sue Goffe

SHORT FILM
WINNER: PITCH BLACK HEIST - John Maclean, Gerardine O'Flynn

ORANGE WEDNESDAYS RISING STAR AWARD
WINNER: ADAM DEACON

ACADEMY FELLOWSHIP
Martin Scorsese

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
John Hurt

Tuesday, January 17, 2012

Quentin Tarantino Names "Midnight in Paris" 2011's Best Film

Quentin Tarantino is the celebrated writer/director of such films as Reservoir Dogs, Pulp Fiction (for which he won a best screenplay Oscar), and Inglourious Basterds (which earned him two Oscar nominations).  He is also quite vocal when it comes to the movies that he likes.  QT is a fan.  This list made the rounds on the Net last week:

Quentin Tarantino’s Official Top 11 of 2011:
1. Midnight In Paris
2. Rise Of The Planet Of The Apes
3. Moneyball
4. The Skin I Live In
5. X-Men: First Class
6. Young Adult
7. Attack The Block
8. Red State
9. Warrior
10. The Artist / Our Idiot Brother (tie)
11. The Three Musketeers

Others considered in no particular order:
50/50
Beginners
Hugo
The Iron Lady
Carnage
Green Hornet
Green Lantern
Captain America
The Descendants
My Week With Marilyn
Fast Five
The Tree Of Life
The Hangover Part II
Mission: Impossible - Ghost Protocol
The Beaver
Contagion
The Sitter
War Horse

Nice Try Award:
Drive
Hanna
Drive Angry
Real Steel

Best Director:
Pedro Almodovar
Bennett Miller
Woody Allen
Jason Reitman
Michel Hazanavicius

Best Original Screenplay:
Midnight In Paris
Young Adult
Red State
Attack The Block
Our Idiot Brother
Beginners

Best Adapted Screenplay:
Moneyball
The Skin I live In
Carnage
Rise Of The Planet Of The Apes
Hugo
X-Men: First Class

Worst Films:
Sucker Punch
Potiche (Trophy Wife)
Miral
Insidious
Rampart
Straw Dogs
Paranormal Activity 3
Meek’s Cutoff

Sunday, October 9, 2011

Review: Young Casts Makes "THE DEVIL'S BACKBONE" Work (Happy B'day, Guillermo del Toro)

TRASH IN MY EYE No. 150 (of 2004) by Leroy Douresseaux

El Espinazo del Diablo (2001)
The Devil’s Backbone – U.S.
COUNTRY OF ORIGIN: Mexico and Spain
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – R for violence, language and some sexuality
DIRECTOR: Guillermo del Toro
WRITERS: Antonio Trashorras, David Muñoz, and Guillermo del Toro
PRODUCERS: Agustín Almodóvar and Bertha Navarro
EXECUTIVE PRODUCERS: Pedro Almodóvar and Guillermo del Toro
CINEMATOGRAPHER: Guillermo Navarro
EDITOR: Luis de la Madrid
COMPOSER: Javier Navarrete

DRAMA/THRILLER with elements of mystery and fantasy

Starring: Fernando Tielve, Iñigo Garcés, Eduardo Noriega, Marisa Paredes, Federico Luppi, Irene Visedo, and Junio Valverde

Set during the waning days of the Spanish Civil War, The Devil’s Backbone is the story of Carlos (Fernando Tielve), a 12-year-old orphan who is the latest arrival at Santa Lucia School. The School is an imposing stone building that shelters orphans of the Republican militia and Red politicians and also children left behind by their parents because of the civil war. There are, of course, dark doings at the school, involving the usual suspects of sexual intrigue, secret murder, and hidden gold. It is Santi (Junio Valverde), the ghost of that secret murder victim, who holds the key to the story’s resolution and to justice.

Directed by Guillermo del Toro, who has had movie hits in the United States with such fantasy comic book adaptations as Blade II and Hellboy, The Devil’s Backbone is in the fine tradition of Spanish and Latin American storytelling that allows for ghosts and the spirits to play an active part in real world drama. The film is an expertly crafted thriller and poignant drama that is as scary and as intense as traditional horror films and manages this while being a quiet character drama.

In a way, The Devil’s Backbone is very difficult to categorize, it could be classified as a drama, thriller, mystery, or horror film. The characters are important to the film, but the school’s haunted atmosphere (even more so than the ghost) and its aura of misery are as important. The film would clearly fit into the fantasy genre, but it is firmly grounded in characters with real world needs, feelings, desires, and thoughts. In the end, the most important thing about the film is that it is simply a good story.

Early in the movie, the adult characters seem as if they’re going to control the show, but in the end, it is the young actors who shine. And it’s not so much that one juvenile actor dominates (although individual young characters have the larger parts than others), it’s the youthful cast as a whole that makes this story work on so many levels, as everything from a crime drama to haunted campfire tale.

8 of 10
A

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