Showing posts with label Hellboy. Show all posts
Showing posts with label Hellboy. Show all posts

Wednesday, June 17, 2020

Review: "HELLBOY" Reboot is Hella Fun

TRASH IN MY EYE No. 12 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Hellboy (2019)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – R for strong bloody violence and gore throughout, and language
DIRECTOR:  Neil Marshall
WRITER:  Andrew Cosby (based upon the Dark Horse comic book series, Hellboy, created by Mike Mignola)
PRODUCERS:  Lawrence Gordon, Carl Hampe, Yariv Lerner, Lloyd Levin, Matt O'Toole, Mike Richardson, Les Weldon, and Philip Westgren
CINEMATOGRAPHER:  Lorenzo Senatore
EDITOR:  Martin Bernfeld
COMPOSER:  Benjamin Wallfisch

SUPERHERO/FANTASY/HORROR/ACTION

Starring:  David Harbour, Ian McShane, Daniel Dae Kim, Sasha Lane, Milla Jovovich, Stephen Graham (voice), Penelope Mitchell, Mark Stanley, Brian Gleeson, Mario de la Rosa, Alistair Petrie, Sophie Okonedo, and Thomas Haden Church

Hellboy is a 2019 superhero, horror, and dark fantasy film from director Neil Marshall.  The film is based on the Hellboy character and comic books created by Mike Mignola and published by Dark Horse Comics.  The film is a reboot of the Hellboy film franchise, which began with director Guillermo del Toro's 2004 film, Hellboy.  Hellboy 2019 finds the title character trying to stop an ancient sorceress who is bent on destroying humanity.

Hellboy opens in the year 517 A.D.  Vivienne Nimue (Milla Jovovich), the evil “Queen of Blood,” unleashes a plague on EnglandKing Arthur uses his legendary sword, Excalibur, to dismember Nimue.  Because even dismemberment will not kill Nimue, Arthur has the parts of her body hidden in different secret locations across England.

In the present-day, Hellboy (David Harbour), a powerful demon who works for the Bureau for Paranormal Research and Defense (BPRD), returns to the organization's headquarters in Colorado.  There, he is assigned by BPRD leader, Trevor Bruttenholm (Ian McShane), his adoptive human father, to travel to London to assist the Osiris Club, an ancient English society similar to the BPRD, in hunting three giants that are plaguing Great Britain.

Meanwhile, a pig-like creature, Gruagach (voice of Stephen Graham), is on a quest to retrieve Vivienne Nimue's limbs so that, once she is whole again, she will grant him his wish for revenge against Hellboy.  Nimue, however, has other plans for Hellboy, which don't include his destruction.  Now, only Alice Monaghan (Sasha Lane), a young spirit medium, and Ben Daimio (Daniel Dae Kim), a British “M11” agent, and Hellboy stand between Nimue and Hell on Earth.

I am not a big fan of Guillermo del Toro's original Hellboy film.  It has great production values, and is a gorgeous movie fill with fantastical visual elements.  But the story is executed in a clunky and awkward fashion and the characters are not that interesting.  However, del Toro's follow-up to that film, the Oscar-nominated Hellboy II: The Golden Army (2008), is one of my all-time favorite films, and I consider it to be one of the all-time best films adapted from a comic book.

Director Neil Marshall's 2019 Hellboy reboot was a box office bomb, with its worldwide box office failing to recoup even the film's production costs.  On the other hand, I think Hellboy 2019 is far superior to Hellboy 2004 and is closer to Hellboy II, in terms of quality.  In fact, Hellboy 2019 almost seems like a reworking of the plot of the 2008 film.

First, I should say that there are a few things that I don't like about Hellboy 2019.  For one thing, although I am a fan of the actor Ian McShane, I do not like his version of Hellboy's father, Trevor Bruttenholm, who seems to be nothing more than a monster fighting, soldier of fortune caricature.  Also, I absolutely hate the new costume and makeup design for Hellboy.  It is true that I prefer Ron Perlman, the actor who played Hellboy in del Toro's films, but David Harbour does represent himself quite well as Hellboy in the new film.  The new Hellboy is just too ugly.

What is there to like about Hellboy?  Most of the supporting characters in this new film don't amount to much, but Sasha Lane makes Alice Monaghan stand out as a character worthy of being next to Hellboy.  After a dry start, Daniel Dae Kim keeps Ben Daimio from being a one-note joke.  The story and their performances find a way to make those two characters fit next to Hellboy in a way that other supporting characters do not.

Andrew Crosby's screenplay for Hellboy 2019 creates a plot, settings, and characters that genuinely seem to be part of a world deeply connected to the supernatural and to otherworldly places.  Crosby fills the story's main narrative and its nooks and crannies to the point of overflowing with strange and magical beings and places.  [See Baba Yaga.]  Hellboy's back story, conflicts, and dilemmas resonate as authentic.  For instance, Hellboy's dilemma of being caught between the world of humans and the world of monsters creates a sense of drama and conflict because it makes the viewer constantly guess about the decisions Hellboy makes.  Is he going to turn against humanity and side with the monsters, at least to some extent?  [That dilemma is raised to lesser extent in del Toro's Hellboy II.]

David Harbour takes Cosby's character work in the screenplay and creates a version of Hellboy that seems plausible and worth following around in this adventure.  As Hellboy, Harbour is as good as Perlman was as the character in Hellboy II, although (once again), Harbour's Hellboy is “fugly.”

Neil Marshall takes Cosby's script and leads his collaborators into creating a rip-roaring, hell-raising action film that is probably the first true blend of the superhero and horror genres.  Marshall's film is gripping and fun from beginning to end, with only a few bumps along the way.  It is crazy and fun to watch in its craziness

Much of the commentary I came across on the Internet said that Hellboy 2019 was absolutely terrible.  What I have discovered, instead, is that this new Hellboy film is worthy of being the first film in a wonderful new Hellboy film series.  Alas, a series is unlikely to happen after the new film's poor box office performance.  I am sure, however, that via home entertainment and cable television, fans will discover what a fine film Hellboy 2019 is.

7 of 10
B+

Friday, May 15, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.


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Sunday, June 14, 2020

Review: "Hellboy II: The Golden Army" is Magical and Imaginative

TRASH IN MY EYE No. 33 (of 2008) by Leroy Douresseaux

Hellboy II: The Golden Army (2008)
Running time:  110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for sequences of sci-fi action and violence and some language
DIRECTOR:  Guillermo del Toro
WRITERS:  Guillermo del Toro; from a story by Guillermo del Toro and Mike Mignola (based upon the comic book by Mike Mignola)
PRODUCERS:  Lawrence Gordon, Lloyd Levin, Mike Richardson, and Joe Roth
CINEMATOGRAPHER:  Guillermo Navarro
EDITOR:  Bernat Vilaplana
COMPOSER:  Danny Elfman
Academy Award nominee

FANTASY/ACTION/HORROR with elements of comedy and drama

Starring:  Ron Perlman, Selma Blair, Doug Jones, Luke Goss, Anna Walton, Jeffrey Tambor, John Hurt, Roy Dotrice and Seth MacFarlane (voice)

In Hellboy II: The Golden Army, the breaking of an ancient truce between humankind and the denizens of the invisible realm means Hellboy, the big, red, horned hero, will have to face his toughest challenges to date – save the world and save his relationship with his favorite flammable chick.

In distant, ancient times, there was a war between humans and mythical creatures.  A Goblin built an unstoppable clockwork army for Balor, King of the Elves (Roy Dotrice), but Balor grieved when he saw the carnage inflicted upon humanity by this “Golden Army” of 4900 mechanical fighters.  Balor called for a truce that would allow humans to live in their cities and that would allow the mythical creatures to keep to the forests.  The Golden Army was locked away in a secret location.

Cut to present day, Balor’s son, Prince Nuada (Luke Goss), has returned from exile.  Having never agreed with the original truce between humanity and his father, Nuada sets about reuniting the three pieces of King Balor’s crown, the device that will allow him to raise the Golden Army.  This time, Prince Nuada will not stop the Golden Army until it has destroyed humanity.

Meanwhile, Hellboy (Ron Perlman) is having relationship issues with his girlfriend, Liz Sherman (Selma Blair), and chafing under a government order that the existence of Hellboy and the Bureau for Paranormal Research and Development (BPRD) must remain a secret.  When Prince Nuada launches his first attack on the human world, Hellboy, Liz, and their BPRD comrade, Ape Sapien (Doug Jones), a fish-man, must put aside their domestic issues.  Joined by Prince Nuada’s twin sister, Princess Nuala (Anna Walton), Hellboy and company take on the fight of their lives, but find their job complicated by a strange new special agent, Johann Krauss (voice of Seth MacFarlane), a gaseous being living in a containment suit.

Some filmmakers make movies that seem right out of a dream, one of them being Guillermo del Toro, the brilliant creator of such films as The Devil’s Backbone and Pan’s Labyrinth.  Hellboy II: The Golden Army is a sequel to del Toro’s 2004 movie Hellboy; both films are based upon the Hellboy comic books from creator Mike Mignola (who co-wrote this film’s story).  Hellboy II is a daydream, nightmare, hallucination and reverie right out of the deepest parts of minds, which still holds onto the fear of mythical creatures.  Del Toro mixes the gossamer-spun enchantment of a fairytales, the elegant gothic mood of old-school monster movies (especially from Universal Studios), and the kooky, but grand comic book monsters of Jack Kirby to create probably the most vivid and imaginative fantasy film since Lord of the Rings.

Hellboy II certainly has fanboy wit, the kind that will bring in fans of the Hellboy comic books, of comic books in general, and of fantasy and horror films.  Hellboy II, however, is an exercise in old-fashioned monster movie style; even the CGI creatures move like they were created by Ray Harryhausen.  And imagination: this film has imagination to burn.  Every nook and cranny, seemingly every frame of film, and every scene is occupied by fantastical creatures, weird people, bizarre beings.  Del Toro’s film doesn’t just claim that there is a shadowy other world next to ours, existing mostly unseen; Hellboy II brings that world to life.  From a “goblin market” under the Brooklyn Bridge to a giant, green forest god with tentacles and a mantis’ face stomping through New York City, the fantastic is made flesh.  And Hellboy II: The Golden Army is made great.

This film isn’t just another big budget special effects bonanza.  The heart of the film’s narrative is a tale of misfits that can’t hide what makes them bizarre-looking, outsider oddballs.  The public might initially embrace their fantastic looks, but the novelty soon wears off.  Does it make sense to save a world that doesn’t want you in it?  Because it asks this question and because of the way it tries to find answers, Hellboy II takes its place next to such magnificent fairy tale-based fantasy films as The Wizard of Oz and La belle et la bĂȘteHellboy II is certainly among this year’s very best.

10 of 10

Sunday, August 03, 2008

Revised:  Friday, June 12, 2020

2009 Academy Awards, USA:  1 nomination: “Best Achievement in Makeup” (Mike Elizalde and Thomas Floutz)


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.



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Friday, June 12, 2020

Review: "Hellboy: Sword of Storms" Animates Hellboy

TRASH IN MY EYE No. 40 (of 2007) by Leroy Douresseaux

Hellboy Animated:  Sword of Storms (2006) – TV
Running time:  78 minutes
DIRECTORS:  Phil Weinstein and Tad Stones
WRITERS:  Matt Wayne and Tad Stones; from a story by Tad Stones and Mike Mignola (based upon characters created by Mike Mignola)
PRODUCERS:  Scott D. Greenberg and Sidney Clifton
EDITORS:  John Hoyos and Jeffrey Perlmutter
COMPOSER: Christopher Drake

ANIMATION/FANTASY/ACTION/HORROR

Starring:  (voices) Ron Perlman, Selma Blair, Doug Jones, John Hurt, Peri Gilpin, and Yuriana Kim

Born a little, red demon with a giant hand, Hellboy (Ron Perlman) grew up to become a hero, saving the world from supernatural horrors and apocalypse.  In his latest adventure, the Bureau for Paranormal Research and Defense (the BPRD) sends him to Japan to investigate the disappearance of a college folklore professor.  However, an ancient, enchanted samurai sword transports Hellboy to a spirit world of specters and assorted bogeymen from Japanese folklore.

It seems two storm demons defeated by the sword’s owner and subsequently imprisoned in the sword want to escape to the physical world.  Once there, they’ll open up the floodgates and allow their demonic brethren into our world.  In order to escape from the sword, the storm demons need Hellboy to shatter the sword.  While Hellboy fights in the spirit world, his partners Liz Sherman (Selma Blair) and Abe Sapien (Doug Jones) are stranded off the coast of Japan with their own hands quite full.

Hellboy Animated: Sword of Storms was originally broadcast on the Cartoon Network (October 28, 2006) before being released on DVD in February 2007.  Like 2004’s Hellboy, this animated film is based on the comic books and characters created by veteran comic book artist, Mike Mignola.  The animation for Sword of Storms is as good if not a little better than Marvel and Lionsgate’s Ultimate Avengers direct to DVD films.  Hellboy has several nice action sequences, and the character design is quite nice.

In fact, the script is not only imaginative in its use of Japanese folklore, but the writing here is much better than in the 2004 Hellboy live action film.  As far as taking viewers to exotic locales and creating imaginative supernatural scares, Hellboy Animated is similar to an Indiana Jones movie, but the character writing isn’t as good.  The voice acting is mixed – some good and some average.  Ron Perlman and Selma Blair were average to good as the live action Hellboy and Liz Sherman, respectively, and their voice performances here are the same.

Still, Hellboy Animated: Sword of Storms is really fun to watch, and I’d like to see it again.  Although this isn’t Disney level animation when it comes to creating all things magic and supernatural, this is as good as TV action/fantasy animated features get, and that’s pretty good.

7 of 10
B+

Friday, February 23, 2007

Revised:  Friday, June 12, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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