Showing posts with label 1944. Show all posts
Showing posts with label 1944. Show all posts

Saturday, September 5, 2015

"Force Friday" Awakens with Star Wars Products

Fans Awaken for ‘Force Friday’

More than 3,000 retail locations in the U.S. open at midnight to celebrate new ‘Star Wars: The Force Awakens’ products

GLENDALE, Calif.--(BUSINESS WIRE)--Merchandise inspired by the highly anticipated new movie Star Wars: The Force Awakens launched at retailers around the globe as ‘Force Friday’ officially got underway. Hot off the heels of the 18+ hour global live unboxing event on YouTube where highlights of the new product range were officially unveiled, the celebration continued as more than 3,000 retail locations in the U.S. opened their doors at midnight for fans to be among the first to discover new Star Wars products.

    “We’ve been working closely with the filmmakers to bring the characters and storylines from Star Wars: The Force Awakens to life through an exciting array of products, and we’re thrilled to share them with fans around the world”

“We’ve been working closely with the filmmakers to bring the characters and storylines from Star Wars: The Force Awakens to life through an exciting array of products, and we’re thrilled to share them with fans around the world,” said Leslie Ferraro, Co-Chair, Disney Consumer Products and Interactive Media and President, Disney Consumer Products.

Starting in Sydney and ending at Lucasfilm headquarters in San Francisco, Disney Consumer Products and Interactive Media hosted an epic global live event to unveil key Star Wars: The Force Awakens products. Fans who tuned in to the Star Wars YouTube page were able to see the following toys unboxed by top digital stars from the Maker Studios network:

  •     Sydney: Star Wars BladeBuilders Jedi Master Lightsaber toy from Hasbro
  •     Tokyo: Star Wars: The Force Awakens Big Figs (31” and 48”) from JAKKS Pacific
  •     Hong Kong: Hot Wheels® Star Wars character car assortment and Escape from Jakku™ Starship playset from Mattel
  •     Seoul: LEGO Star Wars Poe’s X-Wing Fighter™
  •     Paris: Star Wars: The Force Awakens Kylo Ren Lightsaber, a Disney Store exclusive
  •     Madrid: Star Wars Micro Machines First Order Star Destroyer from Hasbro
  •     Berlin: LEGO Star Wars Kylo Ren’s Command Shuttle™
  •     London: Star Wars: The Force Awakens Elite Series die-cast figure assortment, a Disney Store exclusive
  •     Rio de Janeiro: Star Wars Black Series 6” figure assortment from Hasbro
  •     ‘Good Morning America’ (New York): LEGO Star Wars Millennium Falcon™ and Star Wars BB-8 from Sphero
  •     Toronto: Star Wars Remote Controlled Millennium Falcon Quad and X-Wing Starfighter from Air Hogs, Spin Master
  •     Chicago: Star Wars: The Force Awakens Role Play for kids exclusive to Disney Store
  •     Mexico City: Star Wars First Order Stormtrooper Deluxe NERF Blaster from Hasbro
  •     San Francisco: Star Wars Battle Action Millennium Falcon from Hasbro
  •     Los Angeles: Star Wars: The Force Awakens Poe Dameron’s X-Wing Vehicle from Hasbro

Additionally, fans tuning in to watch ‘Jimmy Kimmel Live’ on ABC were treated to a fun product reveal with Jimmy and his security guard sidekick Guillermo, showcasing Star Wars: The Force Awakens Voice Changing Masks exclusive to Disney Store.

Beyond lightsabers, construction sets, figures and collectibles, fans can find products across a wide variety of categories, including apparel for all members of the family, home décor, lifestyle accessories, books and more. New Star Wars products can be found around the world at mass and specialty retailers, such as Amazon.com, Kohl’s, Target, Toys “R” Us and Walmart, as well as Disney Store and disneystore.com.

Highlights from the merchandise line found in the U.S. include:
  •     A large collection of exclusive merchandise from Disney Store including role play items, talking action figures and figure play sets, along with themed apparel, tech accessories, mugs, journals and more
  •     J. Crew apparel for men, women and kids featuring the fan-favorite “Chewie, we’re home” scene of Chewbacca and Han Solo from the Star Wars: The Force Awakens teaser trailer
  •     A Star Wars collection of Rock & Republic® misses apparel and Mighty Fine juniors apparel offers female fans graphic tees, leggings, sweatshirts, hoodies and dresses available at Kohl’s
  •     The ultimate Millennium Falcon children’s bed from Pottery Barn Kids, looking like something seen from a galaxy far, far away
  •     A villainous take on home merchandise featuring new characters from the Dark Side, such as First Order Stormtroopers and Kylo Ren available at JCPenney

To preserve the integrity of key movie moments, an additional wave of products will be released closer to the film’s debut, when fans will be able to find additional items featuring the newest characters, including Rey, Finn, Kylo Ren, Captain Phasma, BB-8 and more. On December 18, 2015 a Play Set based on Star Wars: The Force Awakens will become available for Disney Infinity 3.0 Edition, the latest installment of the best-selling “toys-to-life” video game from Disney Interactive.

To download images of the Star Wars: The Force Awakens product collection, please visit http://www.image.net/starwars_dcpunboxing.

To view b-roll and video highlights from midnight retail events and the global live unboxings, please visit: https://www.epk.tv/view/#/campaign/star-wars-dom/force-friday-global-toy-unboxing

STAR WARS and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. © & TM Lucasfilm Ltd.


About Disney Consumer Products and Interactive Media
Disney Consumer Products and Interactive Media (DCPI) is the business segment of The Walt Disney Company (NYSE:DIS) that brings our company's stories and characters to life through innovative and engaging physical products and digital experiences across more than 100 categories, from toys and t-shirts, to apps and console games. DCPI comprises two main lines of business: Disney Consumer Products (DCP), and Disney Interactive (DI). The combined segment is home to world class teams of app and game developers, licensing and retail experts, a leading retail business (Disney Store), artists and storytellers, and technologists who inspire imaginations around the world.

About Lucasfilm Ltd.
Lucasfilm Ltd., a wholly owned subsidiary of The Walt Disney Company, is a global leader in film, television and digital entertainment production. In addition to its motion-picture and television production, the company's activities include visual effects and audio post-production, cutting-edge digital animation, interactive entertainment software, and the management of the global merchandising activities for its entertainment properties including the legendary STAR WARS and INDIANA JONES franchises. Lucasfilm Ltd. is headquartered in northern California.

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Thursday, January 2, 2014

Review: "Murder My Sweet" is Flawed But Compelling (Rembering Dick Powell)

TRASH IN MY EYE No. 79 (of 2005) by Leroy Douresseaux

Murder, My Sweet (1944) – Black & White
Running time:  95 minutes (1 hour, 35 minutes)
DIRECTOR:  Edward Dmytryk
WRITER:  John Paxton (from the novel Farewell, My Lovely by Raymond Chandler)
PRODUCER:  Adrian Scott
CINEMATOGRAPHER:  Harry J. Wild
EDITOR:  Joseph Noriega
COMPOSER:  Roy Webb

FILM-NOIR/MYSTERY/CRIME

Starring:  Dick Powell, Claire Trevor, Anne Shirley, Otto Kruger, Mike Mazurki, Miles Mander, Douglas Walton, Donald Douglas, Ralf Harolde, and Esther Howard

The subject of this movie review is Murder, My Sweet, a 1944 film noir detective movie from director Edward Dmytryk.  This film stars Dick Powell (one of my favorite actors) as a private detective drawn into a complex web of mystery and deceit after being hired to find an ex-con’s former girlfriend.

Murder, My Sweet is the film adaptation of the Raymond Chandler 1940 novel, Farewell, My Lovely, which was also the film’s original title.  For the U.S. release, the film’s name was changed to Murder, My Sweet so that people wouldn’t mistake it for a musical, as the film’s star, Dick Powell, was, up to that point, known as a singer.  The role revitalized Powell’s career, and he went on to play many tough guys.

The plot is convoluted and takes some effort to follow.  It begins when a big bruiser named Moose Malloy (Mike Mazurki) shows up at the office of private detective, Philip Marlowe (Dick Powell).  Malloy has been in prison for eight years; recently released, he wants Marlowe to find his girl Velma, with whom he hasn’t spoken in six years.  However, another person hunting for something or someone walks into Marlowe’s office – Lindsay Marriott (Douglas Walton), a foppish fellow who claims to be acting as a middleman to retrieve a rather expensive jade necklace from the thieves who took it and who are willing to make a deal.

After Marriott is killed, the police consider Marlowe to be the lead murder suspect, but Marlowe has his eyes on a dysfunctional family trio:  a beautiful young woman named Ann Grayle (Anne Shirley), her wealthy father, Mr. Grayle (Miles Mander), and her stepmother, Helen Grayle (Claire Trevor).  Each one wants the jade necklace, for various reasons and is trying to manipulate Marlowe to get what he or she wants.  He, however, just isn’t having it, and he begins to connect his first case with his second.

Convoluted plot aside, some consider Murder, My Sweet to be the definitive film-noir movie in spite of its shaky script and throwaway and/or underdeveloped characters.  The characters don’t really stick and their connections to one another are flimsy and contrived, which drove me crazy because they had such potential.

The film is likely beloved because of its seductive vision of nighttime Los Angeles, here, shrouded in rich, lush shadows suggesting the quintessential film-noir setting for a hardboiled roughneck dick like Philip Marlowe.  There is hardly a daytime scene in this picture; it’s a dreamy nocturnal setting for night owls, and this is just the environment to make you forget a weak script and vastly undercooked characters.  Director Edward Dmytryk and cinematographer Harry Wild combine the former’s tendency towards flashy effects and the latter’s brilliant sense of noir into an atmosphere that is pure detective film from beginning to end.

The performances are mixed, although Claire Trevor as Helen Grayle creates a great femme fatale out of a very small part.  When she comes onto Marlowe, we know that she’d use her sexuality on him without hesitation in order to get her way, and this lady is just plain dangerous; you realize that from the moment you see her.  All that aside, the main attraction is Dick Powell as Philip Marlowe.  He interprets Marlowe as a no-nonsense kind of kind guy, but a glib fellow with a droll sense of humor.  He doesn’t pretend to play along with other’s bull, and he’s the proverbial straight shooter who calls bullshit when he sees it.  He’s not the strong, silent type because he talks a lot, but his verbalizing is merely the quick and tricky moves of a savvy fighter.  Powell adds life, a blazing presence, and practicality to the film-noir art of this movie.  Powell or artful noir – either one is more than enough reason to see this sadly flawed, but compelling film.

6 of 10
B

Monday, May 23, 2005

Updated:  Thursday, January 02, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Wednesday, September 18, 2013

Review: "Phantom Lady" is for Fans of the Genre (Remembering Franchot Tone)

TRASH IN MY EYE No. 79 (of 2004) by Leroy Douresseaux

Phantom Lady (1944) – Black and White
Running time:  87 minutes (1 hour, 27 minutes)
DIRECTOR:  Robert Soidmak
WRITER:  Bernard C. Schoenfeld (from a novel by William Irish)
PRODUCER:  Joan Harrison (associate producer)
CINEMATOGRAPHER:  Woody Bredell
EDITOR:  Arthur Hilton
COMPOSER:  Hans J. Salter

CRIME/FILM-NOIR/MYSTERY with elements of a drama, romance, and thriller

Starring:  Franchot Tone, Ella Raines, Alan Curtis, Aurora, Thomas Gomez, Fay Helm, and Elisha Cook, Jr.

The subject of this movie review is Phantom Lady, a 1944 film noir and crime and mystery film from director Robert Soidmak.  This film is based on the 1942 crime novel, Phantom Lady, which was written by author Cornell Woolrich and published under his pseudonym, William Irish.  Phantom Lady the film follows a secretary who risks her life trying to find an elusive woman that may be able to prove that her boss did not murder his selfish wife.

Although photographing a film in black and white was not an artistic choice but a matter of being the only choice for many directors during Hollywood’s Golden Era of the 1930’s and 40’s, some directors took advantage of black and white cinematography to create some of the most compelling and beautiful looking films in movie history.  Case in point:  German-born director Robert Soidmak took a Universal Studios B film, Phantom Lady, and turned it into a work of black and white movie art.

In the film, unhappily married Scott Henderson (Alan Curtis) takes a woman wearing a strange hat for a night on the town, but the woman insists that the two remain on a no-name basis for this one-night only date.  However, Scott’s wife is found strangled in their apartment, and Scott takes the rap for it because he has no alibi.  No matter how hard he and the police look, they can’t find the mysterious woman with whom he spent an anonymous date, and everyone whom Scott claims saw him and the woman together only remembers Scott being alone.

When Scott is convicted of the murder and sent to death row, his loyal secretary, Carol Richman (Ella Raines), and Inspector Burgess (Thomas Gomez), the policeman who has a change of heart about Scott, begin another search to find the mystery woman.  Someone, however, doesn’t want them to find the woman and actively interferes in the case with deadly consequences.

Phantom Lady is mostly a curiosity; it has a few good moments, and while it falls far short of being forgettable, it’s not really memorable.  Siodmak and his cinematography Woody Bredell compose countless exquisite black and white shots, staging the first three quarters of the film as if it were a series of artsy photographs.  While the look is classic film noir, the meat of the story is low rent noir.  The story stumbles towards an end, and the hammy killer, replete with pseudo psychological reasons for his killer tendencies, doesn’t help.  The cast is strikingly B movie, being made of character actors – most of them solid, except for Ella Raines’ wildly inconsistent performance.  Look for a nice sequence featuring Elisha Cook, Jr. (the "gunsel" from The Maltese Falcon) and Ms. Raines that is rife with overt and almost raw sexual energy.  Overall, this is mainly for those who love film-noir mysteries and crime dramas, but there’s little else for the average-Joe film fan.

6 of 10
B

Updated:  Wednesday, September 18, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.