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Wednesday, September 23, 2020
Review: "Chi-raq" Dares to Be Truly Different
[This review was originally posted on Patreon.]
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – R for strong sexual content including dialogue, nudity, language, some violence and drug use
PRODUCER/DIRECTOR: Spike Lee
WRITERS: Spike Lee and Kevin Willmott (based on the play by Aristophanes)
CINEMATOGRAPHER: Matthew Libatique
EDITOR: Ryan Denmark and Hye Mee Na
COMPOSER: Terence Blanchard
Starring: Nick Cannon, Teyonah Parris, Wesley Snipes, Angela Bassett, Samuel L. Jackson, John Cusack, Jennifer Hudson, David Patrick Kelly, D.B. Sweeney, Dave Chappelle, Steve Harris, Harry Lennix, Irma P. Hall, Thomas J. Byrd, Roger Guenveur Smith, and La La Anthony
Chi-Raq is satirical political drama and musical from director Spike Lee. Set in Chicago, Chi-Raq uses the classical Greek comedy play, Lysistrata (written by Aristophanes), as the basis for a story about the gang violence that is plagues real-world Chicago. In Chi-Raq, a woman leads a group of like-minded females to challenge the on-going violence in Chicago's Southside.
Lysistrata (Teyonah Parris) dates Demetrius “Chi-Raq” Dupree (Nick Cannon), leader of the Spartans gang (who wear purple). He is in the middle of an on-going war against the rival gang, the Trojans (who wear orange), lead by Cyclops (Wesley Snipes), who orders a hit on Chi-Raq during a Spartan music concert.
After Chi-Raq (presumably) kills a child with a stray bullet during a shootout, Lysistrata finds herself having to examine her part in the ongoing violence in Chicago's Southside. Lysistrata organizes a group of women who are associated with male gang members and encourages them to withhold sex from their men until they stop the violence. Lysistrata's movement challenges the nature of race, sex, and violence in the United States of America, and it begins to spread around the world. However, as more people go without sex, the movement raises tensions in all of Chicago.
Chi-Raq is another bold stroke of idiosyncratic Spike Lee art. Lee was Kanye West before Kanye West. Stubborn and independent from the beginning, Lee remains that way. Chi-Raq is everything it seems: political satire, social satire, farce, comedy, Negro spiritual, racial drama, soulful musical, and even a cry in the wilderness to Black folks in America. “Stop killing ourselves!” Lee screams via his art. If only it were that simple.
Chi-Raq is film art, beautiful, poignant, brash, colorful – all of it embodied by the full-throated, shameless narration of Samuel L. Jackson's refreshing Dolmedes. In the end, hopefully, Chi-Raq can be more than art. Can it initiate social change. Well, the problems that it depicts and tackles are complicated and ingrained in ways that would have us throw up our hands in surrender if we took time to really think about those problems.
I can hope for the best, but in the meantime, I can appreciate a filmmaker who really deserves to be called a “visionary,” Spike Lee. Chi-Raq is a testament to his imagination.
9 of 10
Friday, September 2, 2016
2016 Black Reel Awards: 1 win: “Outstanding Actress, Motion Picture” (Teyonah Parris); 6 nominations: “Outstanding Motion Picture” (Spike Lee), “Outstanding Supporting Actress, Motion Picture” (Angela Bassett), “Outstanding Director, Motion Picture” (Spike Lee), “Outstanding Ensemble” (Kim Coleman-Casting Director), “Outstanding Score” (Terence Blanchard), and “Outstanding Original or Adapted Screenplay, Motion Picture” (Spike Lee and Kevin Willmott)
2016 Image Awards: 4 nominations: “Outstanding Actress in a Motion Picture” (Teyonah Parris), “Outstanding Supporting Actress in a Motion Picture” (Angela Bassett), “Outstanding Supporting Actress in a Motion Picture” (Jennifer Hudson), and “Outstanding Independent Motion Picture”
The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.
Posted by Leroy Douresseaux at 7:21 PM
Labels: 2015, Amazon, Angela Bassett, Black Film, Drama, Irma P. Hall, Jennifer Hudson, John Cusack, Movie review, Musical, Politics, Samuel L. Jackson, Spike Lee, Wesley Snipes
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