Friday, January 31, 2020

Review: "Terminator: Dark Fate" Tries... Lawd, It Tries

TRASH IN MY EYE No. 3 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Terminator: Dark Fate (2019)
Running time:  128 minutes (2 hours, 8 minutes)
MPAA – R for violence throughout, language and brief nudity
DIRECTOR:  Tim Miller
WRITERS:  David S. Goyer, Justin Rhodes, and Billy Ray; from a story by James Cameron, Charles H. Eglee, Josh Friedman, David S. Goyer, and Justin Rhodes (based upon characters created by James Cameron and Gale Anne Hurd)
PRODUCERS:  James Cameron and David Ellison
CINEMATOGRAPHER:  Ken Seng
EDITOR:  Julian Clarke
COMPOSER:  Junkie XL

SCI-FI/ACTION/THRILLER

Starring:  Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, and Fraser James

Terminator: Dark Fate is a 2019 science fiction and action-thriller from director Tim Miller.  The film is the sixth in the Terminator film franchise, but Terminator: Dark Fate is a direct sequel to the original film, The Terminator (1984) and its sequel, Terminator 2: Judgment Day (1991), both of which were directed by James Cameron, who is a co-writer and co-producer on this new film.  In Dark Fate, a soldier from the future arrives in the present day to protect a young woman marked for termination by another kind of soldier from the future.

Terminator: Dark Fate opens in 1998 when events that began fourteen years earlier come to a close... of sorts.  The story moves forward to the year 2020 when two fighters from the future (the year 2042) arrive separately in Mexico City.  One is Grace (Mackenzie Davis), a cybernetically-enhanced human soldier.  The other is an advanced Terminator model, the Rev-9, (Gabriel Luna), sent by “Legion,” an A.I. (artificial intelligence) built for cyber-warfare that threatens the existence of humanity in the future.

Their target is a young Mexican woman, Daniella “Dani” Ramos (Natalia Reyes); Grace wants to protect her, and the Rev-9 wants to kill her.  Grace is able to temporarily fend off the Rev-9 in order to protect Dani, but she cannot defeat the Terminator.  To do that, Grace and Dani will need the help of a mysterious woman named Sarah Connor (Linda Hamilton) and an old T-800 Terminator that calls itself “Carl” (Arnold Schwarzenegger), and even they may not be enough help.

Ten years ago, Warner Bros. attempted to reboot the Terminator film franchise with the film, Terminator: Salvation (2009).  I really liked that film and thought that it had saved the franchise, which seemed rudderless in the wake of the entertaining, but superfluous Terminator: Rise of the Machines (2003).

Ten years later, we get Terminator: Dark Fate, and I think this entertaining sequel, reboot, re-imagining can revive the Terminator franchise, as far as the larger narrative is concerned.  Can Dark Fate save the franchise financially and in terms of popularity?  Outside of a few studios (Marvel, Pixar, Lucasfilm) and one genre, superhero films, predicting box office success of big-budget, “tent-pole,” event films, is a crap-shoot.

That aside, I really like Terminator: Dark Fate.  Most of the film is a series of impossible-looking action sequences.  The fate of Dark Fate is in the hands of sound editors, sound mixers, CGI artists, and film editors.  Dark Fate is an extended thrill ride, a giant thrill machine, a breathtaking race, a heart-stopping chase, etc.  The airplane duel and the entire waterfall/hydro-power battle are jaw-dropping sequences.  Dark Fate gives its audience second, thirds, and fourth servings when it comes action and thrills.

However, in terms of drama and character, Terminator: Dark Fate is skimpy.  Most of the characterization and personalities are copied or are leftovers from James Cameron and Terminator co-creator Gale Anne Hurd's work on the first two films.  Linda Hamilton's Sarah Connor is good here, but she could have been better.  Dark Fate's story material is so underdeveloped that Hamilton seems forced to overact.

Arnold Schwarzenegger is Arnold Schwarzenegger, and the rest of the cast does its best being really intense.  I must note, however, that Gabriel Luna does a wonderful job being creepy, chilling, and cold-freaking-blooded as the Rev-9 Terminator.  If this film has an actor having a star turn, it's Luna.

My quibbles aside, I think Terminator: Dark Fate points to an interesting and intriguing new direction for the Terminator films.  I found myself enjoying it so thoroughly, it wasn't until I started writing this review that I even gave a thought to the character and drama writing.  Let's be honest, what you feel immediately while watching a movie is what really counts in terms of entertainment value.  And Terminator: Dark Fate is the real fucking deal when it comes to action movies.

A-
7.5 of 10

Saturday, November 2, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Thursday, January 30, 2020

Director Matt Reeves Has Begun Filming "The Batman"

Filming Is Underway on Warner Bros. Pictures’ “The Batman,” Directed by Matt Reeves and Starring Robert Pattinson

Pattinson plays the dual role of Batman and Bruce Wayne amidst a star-studded ensemble

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Warner Bros. Pictures’ “The Batman.” Director Matt Reeves (the “Planet of the Apes” films) is at the helm, with Robert Pattinson (upcoming “Tenet,” “The Lighthouse,” “Good Time”) starring as Gotham City’s vigilante detective, Batman, and billionaire Bruce Wayne.

Starring alongside Pattinson as Gotham’s famous and infamous cast of characters are Zoë Kravitz (“Fantastic Beasts: The Crimes of Grindelwald,” “Mad Max: Fury Road”) as Selina Kyle; Paul Dano (“Love & Mercy,” “12 Years a Slave”) as Edward Nashton; Jeffrey Wright (the “Hunger Games” films) as the GCPD’s James Gordon; John Turturro (the “Transformers” films) as Carmine Falcone; Peter Sarsgaard (“The Magnificent Seven,” “Black Mass”) as Gotham D.A. Gil Colson; Jayme Lawson (“Farewell Amor”) as mayoral candidate Bella Reál; with Andy Serkis (the “Planet of the Apes” films, “Black Panther”) as Alfred; and Colin Farrell (“Fantastic Beasts and Where to Find Them,” “Dumbo”) as Oswald Cobblepot.

Reeves and Dylan Clark (the “Planet of the Apes” films) are producing the film, with Simon Emanuel, Michael E. Uslan, Walter Hamada and Chantal Nong Vo serving as executive producers. Reeves’ behind-the-scenes creative team includes Oscar-nominated director of photography Greig Fraser (“Lion,” upcoming “Dune”); his “Planet of the Apes” production designer, James Chinlund; editors William Hoy (the “Planet of the Apes” films) and Tyler Nelson (“Rememory”); Oscar-winning VFX supervisor Dan Lemmon (“The Jungle Book”); Oscar-nominated SFX supervisor Dominic Tuohy (“1917,” “Star Wars: Episode IX – The Rise of Skywalker”); Oscar-nominated sound mixer Stuart Wilson (“1917,” the “Star Wars” franchise); Oscar-winning costume designer Jacqueline Durran (“1917,” “Little Women,” “Anna Karenina”) and costume designers Glyn Dillon (the “Star Wars” franchise) and David Crossman (“1917,” the “Star Wars” franchise); hair designer Zoe Tahir (upcoming “No Time to Die,” “Spectre”); and Oscar-nominated makeup designer Naomi Donne (“1917”).

Batman was created by Bob Kane with Bill Finger. Based on characters from DC, “The Batman” is set to open in theaters June 25, 2021 and will be distributed worldwide by Warner Bros. Pictures.

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Wednesday, January 29, 2020

"Little Women" and "Fleabag" top 2020 USC Libraries Scripter Awards

Women win the night at USC Libraries Scripter Awards

LOS ANGELES--(BUSINESS WIRE)--The writers behind the film “Little Women” and the television series “Fleabag” received the 32nd-annual USC Libraries Scripter Awards at the Saturday, January 25, 2020 ceremony at USC’s Doheny Memorial Library. Susan Orlean took the 2020 Literary Achievement Award.

The Scripter Awards recognize the year’s most accomplished adaptation of the written word for the screen, including feature film and television adaptations.

In her welcoming remarks, USC Libraries Dean Catherine Quinlan noted that the Scripter Awards uniquely honor both the adapting screenwriters and the authors of the original source material. “Our celebrating both sets of writers speaks to what great libraries do,” she said. “We honor the past, make it accessible and relevant, even as we make possible the creativity and discoveries that will define the future.”

In the television category, Phoebe Waller-Bridge earned the award for “Fleabag,” written for the streaming network Amazon Prime. It is based on her one-woman play of the same name, which debuted at the 2013 Edinburgh Fringe Festival, winning the Fringe First Prize.

The other finalists were the writers behind episodes of “Fosse/Verdon” (distributed by FX), “Killing Eve” (BBC America), “Unbelievable” (Netflix), and “Watchmen” (HBO).

In the film category, the winners were 19th-century author Louisa May Alcott and screenwriter Greta Gerwig, who adapted Alcott’s novel “Little Women” for the screen. Sony Pictures released “Little Women,” which Gerwig also directed.

In accepting the award, Gerwig said: “Who I am today would be totally unimaginable without Louisa May Alcott . . . because ‘Little Women’ is the book of my life. Rereading and rereading this book throughout my childhood made me the woman I am today. Because without Louisa I never would have listened to the voice inside of myself that whispered ‘Write.’”

Producer Amy Pascal, in accepting on behalf of Louisa May Alcott, said “Both Greta and I wish that the actual Louisa May Alcott could be here tonight to accept this award to see how legendary her words are and the women she created are.”

The other finalist films were “Dark Waters” (distributed by Focus Features), “The Irishman” (Netflix), “Jojo Rabbit” (Fox Searchlight), and “The Two Popes” (Netflix).

Earlier in the evening, USC President Carol Folt presented the Literary Achievement Award to author Susan Orlean, a 2003 Scripter Award finalist for her book “The Orchid Thief,” which served as the basis for the film “Adaptation.” Folt praised Orlean’s most recent publication, “The Library Book,” which recounts the 1986 fire that devastated L.A.’s Central Library.

Orlean dedicated the award to librarians around the world, saying “It’s librarians who do great things every day and they are the patron saints of knowledge, freedom, and learning.”

Quinlan honored Glenn Sonnenberg as the 2020 Ex Libris Award winner for his extraordinary support of the USC Libraries, and for co-founding the Scripter Awards with actress and fellow USC Libraries board member Marjorie Lord in 1988. “It is hardly an accident that college libraries are placed at the center of campus — not at the periphery,” said Sonnenberg. “Nor is it an accident that many libraries — think the Vatican, the Library of Congress, or this room, are edifices of great beauty. People recognize the centrality of their contents and of their role.”

In-kind donors to the event included Andrew Murray Vineyards, OPI Inc., and Urth Caffé.

The caterer was Pasadena-based Kitchen for Exploring Foods.

For more information about Scripter, visit scripter.usc.edu.

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Tuesday, January 28, 2020

Recording Academy Announces "Let's Go Crazy: The Grammy Salute to Prince"

Prince's Prolific Career Celebrated with "Let's Go Crazy: The GRAMMY® Salute to Prince"

All-Star Lineup Set to Perform Songs from Prince's Remarkable Catalog During Live Concert Taping on Jan. 28

SANTA MONICA, Calif.--(BUSINESS WIRE)--Just two days after the 62nd Annual GRAMMY Awards®, the Recording Academy®, AEG Ehrlich Ventures and CBS will celebrate the unparalleled career of 38-time GRAMMY® nominee and seven-time GRAMMY winner Prince by presenting "Let's Go Crazy: The GRAMMY® Salute to Prince." The live concert taping will be held Tuesday, Jan. 28, 2020 at 7:30 p.m. PT at the Los Angeles Convention Center. The special will be broadcast later in 2020 on the CBS Television Network. Tickets are on sale now and available for purchase here.

The special will feature a lineup of all-star artists paying tribute to Prince's unprecedented influence on music, including GRAMMY Award-winning artists Beck, Common, Gary Clark Jr., Earth, Wind & Fire, Foo Fighters, H.E.R., Juanes, Alicia Keys, John Legend, Coldplay's Chris Martin, Mavis Staples, St. Vincent, and Usher, and singer/songwriter Susanna Hoffs. Plus, a historic joint performance by several of Prince's most celebrated musical friends and collaborators, including GRAMMY Award-winning band the Revolution, past GRAMMY Award nominee Sheila E., and legendary funk band Morris Day And The Time. Additional performers will be announced in the coming weeks.

"Prince. The Purple One. His Royal Badness — regardless of how you identify him, he is indisputably one of the greatest musical virtuosos of all time," said Deborah Dugan, President/CEO of the Recording Academy. "With his subversive attitude and commanding nature, he straddled musical genres and created electrifying music that was bursting with character. He continues to serve as an inspirational icon for artists and fans worldwide, and we are so honored to pay tribute to his legacy at this year's post-GRAMMYs® special."

"One of the true joys of producing the GRAMMY Awards is both working with and being able to tribute your heroes, and Prince gave me the opportunity of doing both," said Ken Ehrlich. "His GRAMMY appearances, though few, were historic, and it's with mixed feelings that we approach this opportunity to celebrate the amazing legacy he left us. We've gathered a remarkable collection of artists across genres and across generations to salute one of music's truly singular iconic writer/performers, and believe me, it's a tall order to do him justice."

Prince's start in music broke grounds by successfully negotiating with Warner Bros. Records to not only let him produce his 1978 debut album, For You, but to play all 27 instruments featured on the album. In 1984, Prince achieved international fame with the release of his album and film Purple Rain. He has more than 40 RIAA certifications, ranging from platinum to diamond. His catalog includes 19 Top 10 singles and five No. 1 hits, including the GRAMMY-winning "Kiss," as well as five chart-topping albums, including the GRAMMY-winning Purple Rain. Prince has garnered seven GRAMMY Awards, and 38 GRAMMY nominations, and he was presented with the Academy's President's Merit Award in 1985. In 2004, he was inducted into the Rock and Roll Hall of Fame and received the Icon Award at the 2013 Billboard Awards. Releasing nearly 40 studio albums, Prince has solidified his mark as one of the most influential artists of all time.

"Let's Go Crazy: The GRAMMY Salute to Prince" is produced by AEG Ehrlich Ventures, LLC, with the cooperation of the Prince Estate. Ehrlich is executive producer, Ron Basile and Chantel Sausedo are producers, and David Wild is the writer/producer. Jimmy Jam & Terry Lewis and Sheila E. are the co-musical directors of the special. To learn more about Prince, visit Prince.com and follow @Prince on Facebook, Twitter and Instagram.


About the Recording Academy
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards — music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators.

For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, YouTube, and LinkedIn.

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Monday, January 27, 2020

BOOM! Studios from Diamond Distributors for January 29, 2020

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Dark Horse Comics from Diamond Distributors for January 29, 2020

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