Friday, June 6, 2025

Review: Netflix's "HAVOC" is Stylish, Blood-Splattered Fluff

TRASH IN MY EYE No. 25 of 2025 (No. 2031) by Leroy Douresseaux

Havoc (2025)
Running time:  107 minutes (1 hour, 47 minutes)
Rated: TV-MA
WRITER/DIRECTOR:  Gareth Evans
PRODUCERS:  Gareth Evans, Tom Hardy, Ed Talfan, and Aram Tertzakian
CINEMATOGRAPHER:  Matt Flannery (D.o.P.)
COMPOSER:  Aria Prayogi
EDITORS:  Sara Jones and Matt Platts-Mills

CRIME/ACTION/THRILLER

Starring:  Tom Hardy, Jessie Mei Li, Justin Cornwell, Quelin Sepulveda, Richard Harrington, Serhat Metin, Gordon Alexander, John Cummins, Jeremy Ang Jones, Yann Yann Yeo, Michelle Waterson, Narges Rashidi, Astrid Fox-Sahan, Luis Guzman, and Timothy Olyphant and Forest Whitaker

SUMMARY OF REVIEW:
-- Havoc is a violent action movie with so much gun play that it would be okay to mistake it for something like a first-person shooter video game

-- Havoc seems like a video game that wants to be a movie, and as a movie it will entertain people who enjoy violent crime movies and action films

-- Otherwise, Havoc is an average film


Havoc is a 2025 crime and action-thriller film from writer-director Gareth Evans.  The film is a co-production between the U.S. and the U.K.  The film is a “Netflix Original” and began streaming on the service April 25, 2025.  Havoc focuses on a beat-up detective who must rescue a politician's estranged son, after the son is implicated in the violent modern of young drug lord.

Havoc introduces Patrick Walker (Tom Hardy), a homicide detective who is estranged from his wife, Helena (Narges Rashidi), and daughter, Emily (Astrid Fox-Sahan).  Walker is also on the payroll of the powerful real estate magnate and mayoral candidate, Lawrence Beaumont (Forest Whitaker).  Beaumont's son, Charlie (Justin Cornwell), is implicated in the murder of Tsui (Jeremy Ang Jones), a young drug lord.  Tsui's mother, Clarice Fong (Yann Yann Yeo), arrives in the city and demands that her legion of henchman find Charlie.

Knowing that Walker is compromised because he has been on the take from him, Beaumont demands that Walker find Charlie before he is killed.  After insisting that this is the last job he will to do for Beaumont, Walker sets about searching for Charlie and his girlfriend, Mia (Quelin Sepulveda), who are on the run.  However, the killing of Tsui is complicated and involves people who know how dirty Walker is because they have joined him in some of his dirtiest deeds.

I am a fan of director Gareth Evan's 2011 Indonesian crime-thriller, The Raid, which was released in the U.S. under the title, The Raid: Redemption.  After that, I had not watched another of Evans films until Havoc, and I don't have a lot to say about it.

The cast is quite good.  They are mostly people I don't know, but they deliver good performances.  I am a fan of the film's star Tom Hardy and of Oscar-winner Forest Whitaker (The Last King of Scotland, 2006).  They also deliver good performances...

...But Havoc plays like a violent action-adventure video game that is transitioning into a violent crime and action film.  In fact, the car chase scenes in this film look like game animation.  The film's screenplay has back story and character drama, but ultimately Gareth Evans makes the drama and story take a backseat to the violent action.  The violent gun play results in gory gunshot wounds, and every shooting victim is shot way more times than it should take to kill them.

Havoc looks like a first-person shooter video game, and it might make a good one at that.  As a movie, it is average entertainment.  Havoc won't be memorable, but it will help viewers pass the time.

5 of 10
C+
★★½ out of 4 stars

Friday, June 6, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Tuesday, June 3, 2025

Review: "MICKEY 17" is Wacky, Withering and Awesome

TRASH IN MY EYE No. 24 of 2025 (No. 2030) by Leroy Douresseaux

Mickey 17 (2025)
Running time:  137 minutes (2 hours, 17 minutes)
MPA – R for violent content, language throughout, sexual content and drug material
DIRECTOR:  Bong Joon Ho
WRITER: Bong Joon Ho (based on the novel by Edward Ashton)
PRODUCERS:  Bong Joon Ho, Dooho Choi, Dede Gardner, and Jeremy Kleiner
CINEMATOGRAPHER:  Darius Khondji (D.o.P.)
EDITOR:  Jinmo Yang
COMPOSER:  Jung Jae-il

SCI-FI/DRAMA/COMEDY

Starring:  Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun, Daniel Henshall, Anamaria Vartolomei, Ellen Robertson, Michael Monroe, Patsy Ferran, Cameron Britton, Ian Hanmore, Jude Mack, and Stephen Park

SUMMARY OF REVIEW:
-- Mickey 17 is an imaginative science fiction film and futuristic drama that is also a savage social critique of modern times. It is one of the best films of 2025

-- The film has the aesthetics of the European science fiction films of French director, Luc Besson, and of the work of the late French comic book author, Jean “Moebius” Giraud, but it movies like an American political comedy

-- The film has some standout performances from Naomie Ackie, Mark Ruffalo, and Toni Collette, but in a dual role, Robert Pattinson, in some ways, turns Mickey 17 into his own star vehicle


Mickey 17 is a 2025 satirical science fiction drama film from director Bong Joon Ho.  The film is a U.
S. and South Korean production.  It is based on the 2022 novel, Mickey7, written by author Edward Ashton.  Mickey 17 follows a man who joins a space colony as a “disposable worker,” which means that he is reprinted every time he dies or is killed.

Mickey 17 opens in the year 2054 AD.  Down on his luck young businessman, Mickey Barnes (Robert Pattinson), and his partner, Timo (Steven Yeun), borrow money from Darius Blank (Ian Hanmore), a murderous loan shark.  Unable to pay back the loan and needing to get away, Mickey and Timo join a spaceship crew headed to Plant Niflheim as space colonists.  Mickey gets the worse of the deal when he signs on an “Expendable.”  It is a job filled with extremely dangerous tasks that often lead to death.

Every time Mickey dies or is killed, his body is thrown into a fiery pit.  Various biological meat matter is run through a “cycler,” and Mickey is essentially cloned in a process called “Bodyprinting.”  Mickey's memories, having been digitized, are inserted into the newly reprinted Mickey.  During the voyage, Mickey falls in love with Nasha Barridge (Naomie Ackie), an all-in-one elite security agent on the ship.  Each time, one Mickey is killed, Nasha loyally loves the next Mickey.

After arriving on Niflheim, more experimentation leads to more dead Mickey's until there is “Mickey 17.”  During some reconnaissance, there is an accident, and Mickey 17 is believed to be dead.  However, he is miraculously rescued in the most unexpected way.  Now, returning to the ship, Mickey must face off with Kenneth Marshall (Mark Ruffalo), the head of the expedition, who has sinister designs on Niflheim, and his boorish wife, Ilfa (Toni Collette).  He must also solve the mystery of the planet's inhabitants, which the humans call “creepers.”  Oh, and Mickey 17 has to deal with a surprising yet familiar newcomer.

I thought director Bong Joon Ho's 2013 South Korean film, Snowpiercer, was one of the best films released in the U.S. in 2014.  I have yet to see his Oscar-winning film, Parasite (2019), but I was determined to see Mickey 17.  Like Snowpiercer, Mickey 17 is a black comedy, but make no mistake.  Mikey 17 is also a withering social critique of our modern world.  From a society of have-nothings and have-everythings to a technocracy that uses people as disposable commodities, Mickey 17 skewers the current plutocracy and oligarchies.  Mickey 17 holds a mirror to our modern world in which people are dehumanized on the alter of the material and technological pursuits of the powerful.  

Mickey 17 reminds me of the European science fiction films of French director, Luc Besson (1997's The Fifth Element), and of the art of the late French comic book artist, Jean “Moebius” Giraud.  Still, its breezy character drama and witty comedy feel like American entertainment, especially the way it skewers the film's villain, the thoroughly American Kenneth Marshall.  As Marshall, Mark Ruffalo delivers a scathing send-up of whom else – our lumbering, drug-addled, egomaniac President of the United States, Donald J. Trump.  I don't know if Bong Joon Ho wanted Ruffalo to play the character that way, but Ruffalo portrayal of a power-mad, racist, religious fake is both breathtaking and also a testament to his skills as an actor.

I don't want to skimp on praising the film's other stars.  Naomie Ackie is a ball of energy as Nasha, and she grabs her time in the spotlight.  Toni Collette is an acting treasure, and she delivers another great character performance – of course.

Still, let's be honest.  Robert Pattinson – handsome Robert Pattinson – is a very talented actor, and he is a true movie star.  The more I watched this film, the more I realized that Mickey 17 is essentially a Robert Pattinson star vehicle.  There is nothing wrong with that, but Pattinson also delivers a performance that defines the film's themes of identity, independence, and empathy, as well as bring the story along as it delves into the nature of self and consciousness.

I can see why Mickey 17 did not perform well with theatrical audiences and with some critics.  The film requires the viewer to wait almost an hour as it establishes its characters and settings before delivering the hook in the plot that reels the viewer into the heart of this daring and sometimes absurd film.  Its mix of social sci-fi, black comedy, and satire is another example of Bong Joon Ho showing how he deftly blends genres and sub-genres into incomparable cinematic art.  Mickey 17 is one of 2025's best films, and it rewards audience patience without an outstanding entertainment experience.

9 of 10
A+
★★★★+ out of 4 stars

Tuesday, June 3, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Monday, June 2, 2025

BOOM! Studios Shipping from Diamond Distributors for June 4, 2025

BOOM! STUDIOS

JAN250071 AVANT-GUARDS TP COMP COLL (C: 0-1-2) $19.99
FEB250077 JIM HENSONS LABYRINTH #8 (OF 8) CVR A MALAVIA $4.99
FEB250078 JIM HENSONS LABYRINTH #8 (OF 8) CVR B TORQUE $4.99
JAN250029 POWER RANGERS PRIME TP VOL 01 $18.99
JAN250084 SIR TP (C: 0-1-2) $16.99

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Absolute Green Lantern #3 (Cover A Jahnoy Lindsay), $4.99
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Absolute Green Lantern #3 (Cover C Michael Walsh Card Stock Variant), $5.99
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Absolute Superman #8 (Cover C Brandon Peterson Card Stock Variant), $5.99
Absolute Superman #8 (Cover D Dustin Nguyen Card Stock Variant), AR
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Action Comics #775 (Facsimile Edition)(Cover A Tim Bradstreet), $3.99
Action Comics #775 (Facsimile Edition)(Cover B Tim Bradstreet Foil Variant), $6.99
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Batgirl #8 (Cover A Reiko Murakami), $3.99
Batgirl #8 (Cover B Jessica Fong Card Stock Variant), $4.99
Batman #618 (Facsimile Edition)(Cover A Jim Lee), $3.99
Batman #618 (Facsimile Edition)(Cover B Jim Lee Foil Variant), $6.99
Birds Of Prey #22 (Cover A Annie Wu), $3.99
Birds Of Prey #22 (Cover B Rian Gonzales Card Stock Variant), $4.99
Birds Of Prey #22 (Cover C Serg Acuna Card Stock Variant), $4.99
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Cosmic Odyssey The Deluxe Edition HC (2025 Edition), $39.99
DC Finest Superman Kryptonite Nevermore TP, $39.99
DC Pride 2025 #1 (One Shot)(Cover A Kris Anka), $9.99
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DC Pride 2025 #1 (One Shot)(Cover D Jack Hughes), AR
DC Pride Box Set, $49.99
DC Vs. Vampires World War V Volume 1 HC, $29.99
DCeased TP (DC Compact Comics Edition), $9.99
JSA #8 (Cover A Michael Cho), $3.99
JSA #8 (Cover B Jorge Corona Card Stock Variant), $4.99
JSA #8 (Cover C Don Aguillo DC Pride Card Stock Variant), $4.99
Justice League The Atom Project #6 (Of 6)(Cover A Mike Perkins), $3.99
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Kanga-U Tests And Tournaments A Wonder Woman Graphic Novel GN, $12.99
Poison Ivy #34 (Cover A Jessica Fong), $3.99
Poison Ivy #34 (Cover B Joshua Sway Swaby Card Stock Variant), $4.99
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Secret Six #4 (Of 6)(Cover A Stephen Segovia), $3.99
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Spectre The Wrath Of The Spectre Omnibus HC (2025 Edition), $99.99
Superman The Golden Age Omnibus Volume 1 HC (2025 Edition), $125.00
Teen Titans Go #4 (Cover A Agnes Garbowska), $2.99

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Dynamite Entertainment Shipping from Diamond Distributors for June 4, 2025

DYNAMITE

NOV240230 BARBARELLA #4 CVR E LINSNER LTD VIRGIN (C: 0-1-2) $50.00
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APR250227 VAMPIRELLA ARCHIVES TP VOL 02 (C: 0-1-2) $34.99

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Image Comics Publishing Shipping from Lunar Distributors for June 4, 2025

IMAGE COMICS

Deviant Volume 2 TP, $16.99
Farmhand #22 (Cover A Rob Guillory), $3.99
Free Planet #1 (2nd Printing Cover A Jed Dougherty), $3.99
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Geiger Volume 3 TP, $16.99
Kaya #27 (Cover A Wes Craig), $3.99
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Scorched #41 (Cover A Raymond Gay), $2.99
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Spawn Origins Volume 16 HC, $39.99
Transformers #1 (12 Printing Cover A Howard Porter & Romulo Fajardo Jr.), $4.99
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Walking Dead Deluxe #114 (Cover C Whilce Portacio & Alex Sinclair Connecting Variant), $3.99

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