Thursday, January 16, 2025

Review: John Carpenter's "VAMPIRES" is Still Fun (Happy B'day, John Carpenter)

TRASH IN MY EYE No. 36 (of 2005) by Leroy Douresseaux

John Carpenter’s Vampires (1998)
Running time:  108 minutes (1 hour, 48 minutes)
MPAA – R for strong violence, and gore, language, and sexuality
DIRECTOR:  John Carpenter
WRITER:  Don Jakoby (based upon the novel by John Steakley)
PRODUCER:  Sandy King
CINEMATOGRAPHER:  Gary B. Kibbe (D.o.P.)
EDITOR:  Edward A. Warschilka
COMPOSER:  John Carpenter

HORROR/FANTASY and ACTION/THRILLER

Starring:  James Woods, Daniel Baldwin, Sheryl Lee, Thomas Ian Griffith, Maximilian Schell, and Tim Guinee

Vampires (also known as John Carpenter's Vampires) is a 1998 American action, neo-Western, and vampire horror film from director John Carpenter.  It was adapted from the 1990 horror novel, Vampire$, by author John Steakley.  Vampires the movie focuses on an caustic vampire slayer who must track down the vampire master that ambushed and destroyed his team of slayers before the creature can find a relic that will allow it to walk in sunlight.

John Carpenter's Vampires introduces Jack Crow (James Woods), a vampire hunter for the Catholic Church.  He leads his "Team Crow," a band of roughnecks and mercenary types who hunt and kill vampires.  They destroy a nest of goons (vampires) in rural New Mexico, but Valek (Thomas Ian Griffith), a 600-year old master vampire, ambushes and massacres Team Crow during their victory celebration at a small motel.

Only Crow and his assistant, Montoya (Daniel Baldwin), survive, but Crow ignores the Vatican’s demands that he reform his team.  Crow, Montoya, and Father Adam Guiteau (Tim Guinee), a young priest, with tagalong Katrina (Sheryl Lee), a survivor of Valek’s attack, pursue the master vampire through the high deserts that ends in a confrontation to stop Valek from becoming unbeatable.

John Carpenter’s Vampires is a fun action horror flick that rises above being straight-to-video material in large measure because of James Woods hilarious and over-the-top performance as Jack Crow.  Crow curses like a pack of sailors, and won’t even spare holy men his vulgar tirades.  He beats priests and asks them inappropriate questions about their anatomies and lusts.  Woods’ performance is the one thing that entertains even detractors of Vampires.

The film is gory and action-packed, but a little light on genuine scares.  It has the charming qualities that make Carpenter’s film fun and unique – pulp storytelling, weird science, and the strange blend of real myth, lore, and culture spun from his fertile imagination.  While the characters here, other than Crow, don’t match up to some of Carpenter’s memorable creations from his earlier films, they’re adequate.  Vampires is a fun spin on the American pop culture version of vampires, and worth a viewing.

7 of 10
B+
★★★½ out of 4 stars

March 19, 2005

EDITED:  Sunday, January 5, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Wednesday, January 15, 2025

Review: "PRINCE OF DARKNESS" Still Scares the Green Liquid Outta Me (Celebrating John Carpenter)

TRASH IN MY EYE No. 9 (of 2004) by Leroy Douresseaux

John Carpenter’s Prince of Darkness (1987)
Running time:  102 minutes (1 hour, 42 minutes)
MPAA – R
DIRECTOR:  John Carpenter
WRITER:  Martin Quatermass (John Carpenter)
PRODUCER:  Larry J. Franco
CINEMATOGRAPHER:  Gary B. Kippe
EDITOR:  Steve Mikovich
COMPOSERS:  John Carpenter and Alan Howarth

HORROR/SCI-FI

Starring:  Donald Pleasence, Jameson Parker, Victor Wong, Lisa Blount, Dennis Dun, Susan Blanchard, Anne Marie Howard, Ann Yen, Dirk Blocker, Jessie Lawrence Ferguson, Peter Jason, Robert Grasmere, Thom Bray, and Alice Cooper

Prince of Darkness is a 1987 American supernatural horror film from writer-director John Carpenter.  The film focuses on a Catholic priest, quantum physics university professor, and his graduate students as they investigate an ancient cylinder full of swirling liquid, which may be the embodiment of the “Prince of Darkness.”

Prince of Darkness introduces Father Loomis (Donald Pleasence), a high-ranking priest.  He has come across a long-hidden secret, one kept even from the Vatican.  A priestly order, “The Brotherhood of Sleep,” has possessed a canister that apparently contains the liquefied remains of the “Prince of Darkness.”  When the last of the order dies, Loomis seeks out a prestigious professor of physics, Prof. Howard Birack (Victor Wong), to help him understand the discoveries he’s made at the Brotherhood’s church.

Birack enlists the aid of a group of fellow scientists and students to study ancient texts and to learn the truth about the thing that may hold the “Prince of Darkness.”  However, whatever the liquid is, it is awakening, and it is beginning to possess some members of the investigation team, turning them into killer zombies.  Worse still, Father Loomis, Birack, and the students discover that the Prince of Darkness intends to bring his even more evil father back from the dark side to our world.

Prince of Darkness is one of my favorite John Carpenter films.  It is the second installment in what Carpenter calls his “Apocalypse Trilogy,” which began with his 1982 film, The Thing (1982), and concluded with his 1994 film, In the Mouth of Madness (1994).  Prince of Darkness is quite scary and suspenseful, and Carpenter’s screenplay is filled with many wonderful and eccentric ideas about the nature of time, existence, and religion.  Perhaps, the most frightening thing about the film is its atmosphere of the unknown.  A lot of the ideas and philosophy within the film are half-explained or unexplained, but there’s just enough to make you curious and feel that your safety and that of the film’s characters are on the line if someone doesn’t solve the riddles behind the dark conspiracy.  This is also one of the better examples of Carpenter’s ability to create a narrative flow that maintains a sense of dread or a sense of impending horror from start to finish.

The actors confine their performances to doing what’s necessary to serve a horror film, so there is some stiffness to the acting, as well as some occasionally unnecessary histrionics.  Still, they are integral in making this one of the better end-of-world movies.  Prince of Darkness also fits in well with that sub-genre in horror in which a small band of humans stand alone against forces bent on destroying or conquering the world – the last line of defense for a humanity that doesn’t know about the secret war to save it.  Prince of Darkness, in that sense, works and is a truly underrated and excellent film, especially for fans who love a good mixture of horror and science fiction.

8 of 10
A
★★★★ out of 4 stars

EDITED: Wednesday, January 15, 2025


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, January 14, 2025

Review: "STARMAN" Retains Its Charms (Celebrating John Carpenter)

TRASH IN MY EYE No. 88 (of 2006) by Leroy Douresseaux

John Carpenter’s Starman (1984)
Running time:  115 minutes (1 hour, 55 minutes)
MPAA – PG
DIRECTOR:  John Carpenter
WRITERS:  Bruce A. Evans and Raynold Gideon
PRODUCER:  Larry J. Franco
CINEMATOGRAPHER:  Donald M. Morgan (D.o.P.)
EDITOR:  Marion Rothman
COMPOSER:  Jack Nitzsche
Academy Award nominee

SCI-FI/DRAMA/ROMANCE

Starring:  Jeff Bridges, Karen Allen, Charles Martin Smith, Richard Jaeckel, Robert Phalen, and Tony Edwards

Starman is a 1984 American science fiction drama and romantic film from director John Carpenter.  The original screenplay was written by Bruce A. Evans and Raynold Gideon, with Dean Riesner committing re-writes for which he did not received a screen credit.  Although the film was not a box office success, it inspired the short-lived “Starman” television series (ABC, 1986-87).  Starman the movie focuses on a young Wisconsin widow; the alien who takes the form of her late husband; and their cross-country drive to help the alien make a rendezvous with the space ship that will take him home.

Starman begins with an alien being who finds his space probe shot down by the U.S. Air Force, causing the probe to crash land in Wisconsin.  A pulsating, levitating blue orb, the alien enters the home of widow, Jenny Hayden (Karen Allen), where he jury-rigs or clones a body from the remains of Jenny’s late husband, Scott (Jeff Bridges).  After much confusion and fear, Jenny helps the alien Scott travel to Arizona where he is to rendezvous with the mother ship in 3 days or die.  Meanwhile, Mark Shermin (Charles Martin Smith), a SETI scientist who works for the government, and George Fox (Richard Jaeckel), a military officer, hotly pursue the peculiar pair of Scott and Jenny.

Jeff Bridges earned an Oscar nomination for his performance as an alien who crash lands on earth and assumes the form of young woman’s recently deceased husband.  Starman is also in the fine tradition of road pictures that feature a mismatched couple learning about one another before discovering love.  Bridges is superb as the awkward, not-quite-childlike alien visitor.  He completely sells the idea that the alien is struggling to learn and to understand this world.  Everything about him:  the way he walks and stands, his speech pattern, the way he answers questions (or doesn’t), and the way he dresses is peculiar and calls attention to him.  Having the alien Scott dress in red flannel shirt and wear a red cap makes him stand out in a film in which the photography emphasizes earth tones and the nights are murky.

Karen Allen is also good as the grieving widow; she reveals in her facial expressions the big lump of pain still in Jenny Hayden.  Director John Carpenter does well to simply allow his leads to build their characters and nurture their screen chemistry so that by the end of the film, this otherworldly romance resonates.

7 of 10
B+
★★★½ out of 4 stars

Saturday, April 22, 2006

EDITED:  Tuesday, January 14, 2025


NOTES:
1985 Academy Awards:  1 nomination: “Best Actor in a Leading Role” (Jeff Bridges)

1985 Golden Globes:  2 nominations:  “Best Actor in a Motion Picture-Drama (Jeff Bridges) and “Best Original Score-Motion Picture” (Jack Nitzsche)


The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, January 13, 2025

BOOM! Studios Shipping from Diamond Distributors for January 15, 2025

BOOM! STUDIOS

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OCT248262 WYND THE POWER OF THE BLOOD #1 (OF 8) 2ND PTG DIALYNAS $5.99
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DC Comics Shipping from Lunar Distributors for January 15, 2025

DC COMICS:

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Action Comics #1082 (Cover D Tom Grummett Card Stock Variant), AR
Batman #609 (Facsimile Edition)(Cover A Jim Lee), $3.99
Batman #609 (Facsimile Edition)(Cover B Jim Lee Foil Variant), $6.99
Batman And Robin Year One #4 (Of 12)(Cover A Chris Samnee), $3.99
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Batman And Robin Year One #4 (Of 12)(Cover C Riley Rossmo Card Stock Variant), $4.99
Batman And Robin Year One #4 (Of 12)(Cover D Gavin Guidry Card Stock Variant), AR
Batman Superman World's Finest #35 (Cover A Dan Mora), $3.99
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Batman Superman World's Finest #35 (Cover D Kris Anka Sweater Weather Card Stock Variant), $4.99
Batman Superman World's Finest #35 (Cover E Ethan Young Card Stock Variant), AR
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Black Lightning #3 (Cover B Joshua Sway Swaby Card Stock Variant), $4.99
Blue Beetle (2023) Volume 2 TP, $19.99
Catwoman #72 (Cover A Sebastian Fiumara), $3.99
Catwoman #72 (Cover B Frank Cho Card Stock Variant), $4.99
Catwoman #72 (Cover C Ejikure Card Stock Variant), $4.99
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Challengers Of The Unknown #2 (Of 6)(Cover A Sean Izaakse), $3.99
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Crisis On Infinite Earths #10 (Facsimile Edition)(Cover A George Perez), $3.99
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Crisis On Infinite Earths #10 (Facsimile Edition)(Cover C Blank Variant), $4.99
DC Finest Supergirl The Girl Of Steel TP, $39.99
Green Lantern Fractured Spectrum #1 (One Shot)(Cover A Fernando Blanco), $3.99
Green Lantern Fractured Spectrum #1 (One Shot)(Cover B Stephen Segovia Card Stock Variant), $4.99
Green Lantern Fractured Spectrum #1 (One Shot)(Cover C Fernando Blanco Foil Variant), $6.99
Jenny Sparks #6 (Of 7)(Cover A Jeff Spokes), $4.99
Jenny Sparks #6 (Of 7)(Cover B Lesley Leirix Li Card Stock Variant), $5.99
Kneel Before Zod TP, $19.99
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New Gods #2 (Of 12)(Cover A Nimit Malavia), $3.99
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Nightwing #122 (Cover A Dexter Soy), $4.99
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Swamp Thing By Mark Millar And Phil Hester Omnibus HC, $125.00
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Wonder Woman #17 (Cover D Frank Cho Sweater Weather Card Stock Variant), $5.99
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Dynamite Entertainment Shipping from Diamond Distributors for January 15, 2025

DYNAMITE

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Image Comics Publishing Shipping from Diamond and Lunar Distributors for January 15, 2025

IMAGE COMICS

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G.I. Joe A Real American Hero Volume 2 TP (Andy Kubert & Brad Anderson Book Market Cover), $14.99
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Invincible Volume 7 TP (New Edition)(per Diamond Distribution), $14.99
Lucky Devils #1 (Of 9)(Cover D Ryan Browne Glitter Variant), AR
Lucky Devils #1 (Of 9)(Cover F Ryan Browne & Charles Soule Signed Drawn On Variant), AR
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Nights #12 (Cover A Luigi Formisano), $4.99
Rocketfellers #1 (Cover E Francis Manapul Original Art Convention Sketch Variant), AR
Sam And Twitch Origins Volume 2 HC, $29.99
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Standstill #6 (Of 8)(Cover A Andrew Robinson Wraparound Variant), $4.99
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Witchblade #7 (2024)(Cover A Marc Silvestri & Arif Prianto), $3.99
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Witchblade Volume 1 TP, $9.99

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