Rick Baker and Dave Elsey Win Best Makeup Oscar for "The Wolfman"

Makeup

“The Wolfman” Rick Baker and Dave Elsey WINNERS

“Barney's Version” Adrien Morot

“The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng

2011 Oscar Nominations: Makeup

Makeup


“Barney's Version” Adrien Morot

“The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng

“The Wolfman” Rick Baker and Dave Elsey

7 Films Compete for 3 "Best Makeup" Oscar Nominations

Press release:

7 Advance in Race for Makeup Oscar®

Beverly Hills, CA (January 10, 2011) — The Academy of Motion Picture Arts and Sciences today announced that seven films remain in competition in the Makeup category for the 83rd Academy Awards®.

The films are listed below in alphabetical order:
“Alice in Wonderland”
“Barney’s Version”
“The Fighter”
“Jonah Hex”
“True Grit”
“The Way Back”
“The Wolfman”

On Saturday, January 22, all members of the Academy’s Makeup Branch will be invited to view 10-minute excerpts from each of the seven shortlisted films. Following the screenings, members will vote to nominate three films for final Oscar consideration.

The 83rd Academy Awards nominations will be announced live on Tuesday, January 25, 2011, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Weekend Box Office Results for Feb. 12-14 2010

U.S. Box Office Estimates for the weekend of February 12 to 14, 2010


1 Valentine's Day - Warner Bros. Pictures Distribution: $52,410,000

2 Percy Jackson and the Olympians: The Lightning Thief - 20th Century Fox Distribution, Fox 2000: $31,100,000

3 The Wolfman - Universal Pictures: $30,627,000

4 Avatar - 20th Century Fox: $22,000,000

5 Dear John - Sony Pictures Releasing: $15,300,000

6 Tooth Fairy - 20th Century Fox Distribution: $5,600,000

7 From Paris With Love - Lionsgate: $4,740,000

8 Edge of Darkness - Warner Bros. Pictures Distribution: $4,585,000

9 Crazy Heart - Fox Searchlight Pictures: $4,000,000

10 When in Rome - Walt Disney Studios Distribution: $3,429,000

News and Reviews on The Wolfman

The Hollywood Reporter review.
Joe Neumaier reviews the film for the New York Daily News and more or less likes it.
For MSNBC, David Germain is bored and says the creature (Wolfman) isn't "that frightening."

Anthony Hopkins talks about The Wolfman and his role as Odin in next year's Thor (from Marvel Studios) at ReelzChannel.com.

The Los Angeles Times' Hero Complex blog has an article about The Wolfman's troubles on the way to local theatres.

Director Joe Johnston (who designed Star Wars character Boba Fett) talks to HitFix.

This USA Today article is on the art of the film's makeup and CGI.

Review: "Abbott and Costello Meet Frankenstein" is Still Fun

 

TRASH IN MY EYE No. 217 (of 2004) by Leroy Douresseaux

Bud Abbott & Lou Costello Meet Frankenstein (1948) Black and White
Running time: 83 minutes
DIRECTOR: Charles T. Barton
WRITERS: Robert Lees, Frederic I. Rinaldo, and John Grant
PRODUCER: Robert Arthur
CINEMATOGRAPHER: Charles Van Enger
EDITOR: Frank Gross

COMEDY/HORROR

Starring: Bud Abbott, Lou Costello, Lon Chaney, Jr., Bela Lugosi, Glenn Strange, Lenore Aubert, Jane Randolph, Frank Ferguson, and Charles Bradstreet with (uncredited voice) Vincent Price

Bud Abbot and Lou Costello are hapless railroad baggage clerks Chick Young (Abbott) and Wilbur Grey (Costello). They receive a strange shipment meant for a local attraction called the House of Horrors, two crates allegedly supposedly containing the last remains of Dracula (Bela Lugosi) and Frankenstein’s monster (Glenn Strange). However, the infamous creatures are very much alive, and they leave their crates and slip quietly away to a secret island hideaway. Meanwhile, the House of Horrors owner, Mr. McDougal (Frank Ferguson), blames Chick and Wilbur for the disappearance of the crates’ contents, so the duo follows Dracula and the monster’s trail to the secret hideaway island. They discover that Dracula has also joined forces with a mad scientist, Dr. Sondra Mornay (Lenore Aubert), who is determined to transplant Costello’s brain into monster. The problem is that Mornay had been pretending to be in love with Wilbur.

In the intervening time, a strange man named Lawrence “Larry” Talbot (Lon Chaney, Jr.) showed up looking for the crates. Larry Talbot is really the Wolfman, and he joins Chick and Wilbur’s search for Dracula, Dr. Mornay, and Frankenstein’s monster, all the while fighting his transformations into the Wolfman every time the full moon appears (coincidentally several times in this film). Can Chick, Wilbur, and the Wolfman stop Dracula and the scientist before they remove Costello’s brain?

Many people consider Bud Abbott & Lou Costello Meet Frankenstein (also well known as Abbott & Costello Meet Frankenstein) to be the comedy team’s best film outing. The film was a huge hit when it opened in 1948, and it has retained an international cult following. The other thing that the film has going for it is that frequent Abbott & Costello helmsman Charles Barton directed it.

Besides the presence of Barton and one of the 20th century’s finest comedic duos of the stage, film, and television, the other element makes the film a favorite is the fact that the film monsters, Dracula, Frankenstein’s monster, and the Wolfman, are played straight, and the actors: Bela Lugosi as Dracula, Glenn Strange as the monster, and Lon Chaney, Jr. as the Wolfman give inspired performances. They obviously take their roles and performances damn seriously, and it shows. The three classic creatures of Universal Studios’ film line, Universal Horror, are in top form and are as menacing as they ever were in straight horror films.

The blend of Abbott & Costello’s timeless comedy and the Universal Monsters horror creates a peculiar film. The union does show its seams; the flick is more odd than very good. The black and white photography gives it a gentle supernatural aura and lightly spooky atmosphere. Still, that only makes Abbott & Costello Meets Frankenstein unique, which might be the reason it has never grown old or less funny.

6 of 10
B

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